Just A Small Morsel, Please Sir AU AKA Constantine Would Like to Disappear Please
Batman is about to go toe to toe with another god, and he needs armor that will prevent another "lost in the time stream" incident.
So he consults JLD.
The decide that if he has a piece of a really, really powerful entity, then that entity's powers should think that they're protecting the entity and in turn, protect Bruce.
So Constantine draws a summoning circle, and is bullied into making an actual good offering to the being the circle is supposed to summon. They include a note; it's written in an old, ancient language, but with JLD working together they figure out roughly what it says; something about requesting a piece of the most powerful being's belongings to grant them protection.
Thus, the ritual begins! The lights dim; cold green fog emanates from the summoning circle, the feeling of dread almost overwhelms the lessor experienced.
And then in the middle of John's chant, the ritual is forcibly stopped from the other side.
The offerings remain.
A single note floats down on top of the pile.
'I'm uh...flattered? But like, it's kinda weird to ask for someone's hair. Gonna have to turn this one down, sorry. No kinkshaming, though! I also won't tell anyone else what that kink is, Constantine, don't worry; I got ur back.
Anyways stop the creepy hitting on me.
Danny'
Apparently, JLD had not correctly translated the language.
It's direct Translation, once they had that key provided to them by Danny, which once they got that they were able to figure out that one key letter was not what they thought, was more along the lines of;
'Oh Great High King, We Request A Small Parcel, A Small Snippet, Of Your Luxurious Hair. Just For A Little Bit. We Need To Use It For Personal Reasons. Just A Small Morsel. Thank You For Being Pretty. And Amazing. We Just Want A Small Piece. That Is All We Need. It Does Not Take Much. We Are Very Eager. Please. Please. Please. Please. Please.'
Needless to say, multiple heroes have to stop Constantine from trying to throw himself out of an airlock.
"life doesnt get better, you just get stronger" does NOT include ages 11-17. life does in fact just get better from there. those years are dogshit. like, you do get stronger but its mostly just a factor of not being 11-17 anymore. positive thinking helps but it doesnt fix whatevers going on at 15, you have to brute force through that one raw
People should make more doomed by narratives siblings relationship.
Like with lovers you can just sever it and not have it related to you ever again but with siblings how could you?
You grow up with them you raise them or they raised you you both know how unforgiving the world is to both of you? You would die for them but will hate them for doing the same and yet none of you would regret it and both of you know it. They could be the person you loath the most and miss the most cause you still remember how they sneaked a candy into your hands. You can sever the tie but you can never look away at what you've lost, at whom you've lost because fate doesn't allow you to be together, eating dinners in quiet peace, if only there's another life, another time, where i can make you another plate of pancakes i would im sorry im sorry im sorry —
Personally I think that Azula should have been redeemed simply so that she can become Zuko's horrible little advisor who whispers evil little plans to him so that he can do the exact opposite
at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
my brother asked why my voice was so deep and I said I’d give him 3 guesses, and he said “You doin the little flip-flop? The little switcheroo?” and it took me like 10 seconds to realize that was his Polite Way of asking if i was transitioning