🏴☠️ It's been a hot minute
I'm finally on break and got around to finishing this, two months past when I wanted to, but I like how it turned out.
FNaF isn't my biggest interest anymore but with the release of the movie, I wanted to see how much I've improved since 2014 (it's a lot just take my word for it-).
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I think a lot about Leo standing up for his brothers in the things that really matter to them.
Like- Leo is the one who immediately pushes Mikey and Donnie into finding Raph the second it’s clear that their oldest brother is missing because he knows Raph can’t handle being separated like that.
Leo is the one who stands up for Mikey when Mikey wants to go on a solo mission, actively vouching for him and being the one to convince Raph into letting Mikey go, because being independent and proving himself just as capable of standing on his own two feet as everyone else means so much to Mikey.
And Leo defends Donnie’s honor in particular when his brothers’ intelligence is insulted because Leo is well aware of how important Donnie’s smarts are to him - and how important having those smarts valued and acknowledged is as well.
All this goes right into just how well Leo knows his brothers. For as much as he’ll tease or fight with them, he knows them, and he loves them.
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people saying they're upset mike isn't an afton in the movies.... where is your faith in the absolutely unhinged impossible to follow nonsensical lore of fnaf
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elphaba has such an intriguing relationship with her magic in the musical. like. imagine having this mysterious power you can't control and you don't understand and obviously nobody is going to help you understand it because everyone completely fucking hates you.
and elphaba wants so badly to control these powers she promises nessa that once they're at shiz things will be different and she won't use them but she doesn't KNOW how to do that. so this is yet another part of her that scares people or makes them angry at her, and it's yet another part of her that she has no control over.
it's fucked that she admires the wizard also. because she thinks the wizard has magic but of course that's a good thing. magic isn't the problem. the problem is her magic. she never even considered a career in sorcery because her magic is more a curse than a gift.
and we know her magic is tied to her emotions and it comes out when she's mad or frightened. can you imagine how many times she must've gotten mad growing up, considering how hard her life was? and how many times her powers manifested without her control? it must've happened a LOT if she had to promise nessa she wouldn't use her magic again. and how many times she stopped herself from getting mad in the first place because she was afraid of what she could do?
also elphaba tells morrible "something just comes over me sometimes. something i can't describe. but i will try to control myself." and then she apologizes to nessa. she apologizes for something she can't control, something she has clearly tried to control before, smothering down a part of her that should be natural, that should be considered a talent.
and a part of me thinks that she grew to resent her magic so thoroughly she carried that resentment even after getting training from morrible. after her lessons and after getting the grimmerie all the magic we see from elphaba is more "controlled" so to speak.
but still think about the scene at the governor's manor, when she purposely enchants nessa's shoes and she says "FINALLY from these powers something good" so even after all that time she still never saw her own powers in a positive light. and i mean. with the wizard and morrible tricking her to fuck up the monkeys of course she thinks like that.
she went from having to hide her powers, to trying to suppress them to make the people around her more comfortable, to being hunted because of her powers. of course she's never going to see that side of herself as something good. the amount of self-loathing she carries is just unreal i don't know how to finish this post but i love her very very much and she needs a hug.
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gotta kick at the darkness til it bleeds daylight
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Monica gets so much of the “as you get older, you discover that your parents/any adults that raised you have as little idea what they’re doing as you do, and are in fact just as messed up as you are” thing this movie. Like, the whole bit where Carol breaks down, and explains that she didn’t want to bring “the Annihilator” home to her and Maria, that she thought she had to fix it before she could possibly come home. Monica just goes “family doesn’t work like that” bc like. She loves Carol, and she’s been hurt by her, she wondered every day why she never came back. And now, here’s the reason, and now all she can do is shake her head and smile a painful smile and say “family doesn’t work like that” because now she gets it and it’s as understandable and stupid and human as anything. Carol wanted to be perfect for her, she didn’t want to bring her baggage home for her family to deal with. She wanted to sort it all out and thought she had to do it alone. But family doesn’t work like that
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i think one of the most interesting ways to look at the differences between the series and the movie, is that the first is mostly from utena's and/or akio's perspective, while the latter is mostly from anthy's. and i like how this explains the drastic change in akio's character between the two. in the show he is more charismatic, more powerful, has a larger role in the story, because this is how he presents himself both to us as the audience and to utena. but anthy knows him and how pathetic he really is, and so when we see him in her narrative instead of his own, it becomes incredibly obvious. he can't drive his car, he doesn't have any real control over all the things he pretends to, he panics and kills himself the moment there's even the threat of consequences for what he does. it works doubly well if you read the movie as a sequel, because that's when anthy has truly lost all faith in him and the idea of the prince. he's dead the entire time because he's dead to her.
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Small but significant character moments that I actually really adore are from both the times we see the boys as tots. There is a reoccurrence that happens in both of them that I find so incredibly interesting.
For the turtle tot short, Splinter leaves the boys with weapons. In the short, Raph is the one who suggests they do “what Lou Jitsu would do” and Leo is the one who takes point when Splinter comes back to reprimand them. Leo, in taking point, is the one to defend them and get Splinter off their tails.
And then, in the flashback regarding the Kuroi Yōroi helmet, Raph is the one who grabs and throws “Skully” as a way to replace their missing ball which breaks it into pieces, but Leo is the one who speaks for the group and rushes into action to fix the teapot.
I love this for multiple reasons, but the biggest are how it shows that Raph has always been inclined toward the bold and fun and making the plans to include his brothers in what he loves and believes they’d love, whereas Leo has always been inclined to be the “Face” of the group and shoulder the attention even if it’s potentially negative all while coming up with on the spot attempts to fix the situation.
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