i'm sure it's been said but i feel like both Raxtus and Ronodin can be argued as "the only gay kid in the family and consequently shunned/rejected" and it's like. so weird bc Mull is so Mormon he'd probably rather eat his shorts than even acknowledge the possible existence of gays but
i mean. Raxtus literally has a fairy form. he's a fairy dragon.
Ronodin was just emo lol
and they both get so thoroughly rejected and sidelined by their families their whole lives and it turns Raxtus into an awkward but basically decent guy who runs back to the approval of his family once he's performed masculinity/violence enough to be accepted, only to then realize that he's basically just being used and still not fully trusted/accepted and having to betray them to save his real friends
(who sadly are probably actually homophobic but that's ok bc they're not dragon-phobic so that works out for him)
while Ronodin's like "fuck it. chaos and murder then!" and can you really blame him? he spent his entire life trying to conform to the "right" (in this case, Light) way of life, started spending time with the outgroup and learned to question things, then was told he was "too corrupt" to remain in his home
like. the symbolism is right there.
it's so funny, because sure Raxtus isn't a bad guy, but Ronodin definitely is and he pretty much gets sent to a type of hell at the end of Dragonwatch
and while Raxtus gets kind of a happy ending, like, him becoming an effective killer in a war and being accepted by his dad for being Good At Murder in the first Fablehaven series is presented as a happy ending. if Celebrant didn't wind up being the main villain for Dragonwatch, that probably would've been the end of it! gay kid learns how to soldier and is finally accepted by his homophobic family bc he's finally aggressive enough for them to love him
(i mean i have MANY issues with Celebrant being the main villain later and the reasons he's framed as bad but like. that's a separate rant lol)
the queer reading is right there. but also it's very bad and you can tell completely unintentional. or at the very least highly repressed. idk man i don't look into Mull as a personal individual bc i doubt i'll like what i see and i don't care that much but Dragonwatch was SO MUCH MORE MORMON than Fablehaven already was and it's so weird, seeing the fingerprints of it all over.
i feel like he either has a new editor or he's been doing this for long enough and sold enough books that he has the clout to veto changes made by editors or SOMETHING, bc i feel like? he's gotten worse?? and more unfiltered?? that or something happened and he's like. even more religious than before or something idk
like fablehaven was just kinda generic/bland fantasy with some fun ideas for magic items/powers/one sentence character premises, with just a hint of sus Mormon ideology, and then Dragonwatch just went. Full Mormon.
but then there's somehow even more weirdly queer shit. like. he's repressing so hard he's approaching queer from the other side??
idk man i wish this deeply mediocre man's writing wasn't a formative piece of middle school reading, leading to me still giving more of a shit than i really should over questionable children's literature now
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Stars and Shadows: A Fairy Tale
An extremely experimental piece I've decided to submit for @inklings-challenge.
If you wait patiently, there will come a day--in a month, in a year, in a hundred-thousand hopeful days--when you will stare outside into the deep blue-black of a cold winter night and not be able to tell the snowflakes from the stars. It will call to your heart and pull you from the warmth and light of home--wrapped up in coats and boots, scarves and gloves, and one thick woolen blanket thrown over your shoulders like a cloak--in the hope of becoming, even for a moment, a part of the beauty of this moment of creation.
The cold of night will bite your face and steal your breath, but in a moment, you will find yourself racing across the white expanse, snow crunching beneath your boots, soul expanding toward the shining heavens in one upward rush of joy. As soon as home and family are safely out of view, you will slow from your sprint and find yourself content to amble, and wonder, and be, with the shy, slender moon watching patiently above.
You will carry no light, for the world will be light, with the moon and the stars and the snow wrapping all the world in bright illumination. Your breath will shine before you in delicate white clouds, your very life made visible for the fragile, lovely thing it is. In the silence you will hear the snowflakes fall, hear the hushed sound of your footfalls, feel every beat of your strong and pulsing heart.
And then, if you close your eyes and listen long enough, just at the moment when your heart is near to breaking from the beauty of it all, you will hear a cry. For a moment you might think it a phantom of thought, your own soul giving voice to all the aching loveliness that surges through you, but then, you will hear it again. Over and over, thin and wailing, the cry of a child newly born horrified to find the world so great and cold.
The sound will travel like an arrow in that crisp, cold air, and you will follow it without hesitation--over a rise, down a hill, through a twisting stand of trees and countless banks of snow, and at last to an old well, such as you've only seen in illustrations--a construction of wood and stones, covered with moss and aged with time, that you can say with certainty was not there a day before.
Standing by that well will be, not an infant, but a child. A little girl three years old, reaching desperately for the rim of the well and crying for water. Everything about her--her skin, her hair, her eyes--will be white as the snow she stands in, and she will gleam faintly with the light of the stars above, and she will wear nothing but thin, white rags, torn at the edges and singed at the ends, a ragged line of ash the only color in her form.
You will notice all these things and think it strange, and then you will forget everything because the child is crying. You will find a wooden bucket on a chain by the well, and in sheer desperation you will throw it down, though there will be nothing but ice in an open well on a night so cold.
But to your shock, you will hear a splash, and you will pull up a bucket full of liquid water that looks like light itself. You will give it to the girl--you would not dream of taking even a drop for yourself--and she will drink with cupped hands and lapping tongue, and gaze at you with silent gratitude.
When she has drained the last drop, the faint gleam of light around her form will become a white glow. She will seem a bit taller--perhaps a bit older than you first assumed--and for the first time, she will seem to feel the cold. She will shiver and wail and curl in on herself, and you will suddenly understand--or at least bless--your mad impulse to take a blanket out into the night. You will take it from your shoulders and wrap it round her form, head to foot, with only her shining white face peering out. Then you will take her in your arms, settle her on one hip, and carry her across the vast expanse of snow toward your home.
It will be a long trip--you have walked a long way--and before you have gone far, the child will grow too heavy for your strength. You will look to her and find that the blanket you have wrapped around her no longer seems so large, and clings more closely to her form--like something between a deep blue dress and cloak--so you will feel safe in setting her on the ground and letting her walk beside you, her thin white hand in yours.
You will wonder for a moment if you've fallen into a dream, for all seems so strange and perfect--the light, the snow, this silent child--but the bite of the cold and the burn of your legs will assure you that you remain in the waking world. Yet you won't think to question the child--who or what she is, or from whence she arrived--because she is so like the snow and the light and the stars of this crisp, cold night--things that do not become, but simply are. Your wonder make peace with the night's mystery.
The way back will seem longer than you remember--the trees taller, the stars brighter, the air colder. The night will seem large and you so very small, but you will not be afraid, for there is one beside you too innocent for fear. You will walk in the tracks you left on your way, stretching between footfalls that seem much more distant than you expected. Yet the moon will look larger, and you will take comfort in that. You will need the comfort before long.
For just when you are in the very midst of the trees, you will hear a sound from the shadows--dark and dangerous, like the growl of a wolf or the rumble of a distant train. And then the shadows will seem to take shape, growing arms and legs, teeth and claws, and they will gather in a great black wall that blocks the way you mean to take.
The voice that speaks will be less of a voice, and more like the clench of fear in your chest, the monster that mocks you as you lay awake at midnight with all the shame and sorrows of your wasted youth.
We will have the child.
You will know that the voice promises death for disobedience, and you will know to the depths of your soul that you would rather die than obey. You will hold the child close, and she will cling to your neck, and you will sprint with all your strength back toward the well. The shadows will surge and swirl around you, grabbing at your clothes, tearing at your face, and once--only once--drawing blood that drips a red path upon the snow.
You will sprint through the snow and twine through the trees, each step seeming a mile, each moment a lifetime. The shadows will gather--closer, darker--and the light of the child in your arms will fade with fear.
At last, you will see the well at the base of the hill, seeming to shine in a circle of light. If you can reach it, you know, you will be safe--every childhood game seeming suddenly like training for this very moment.
And yet, at the very edge of the clearing--somehow you always knew this would happen--you will lose your footing and fall face-first into the snow. You will shield the child's face from the snow by holding her close, and you will shield her body with your own. The shadows will fall upon you, tearing you to pieces. Your very body will seem to dissolve in pain.
Through their snarling, the shadows will promise relief, if you will only relent--the child's life for yours. Not so great a sacrifice, is it, for a child you've known for mere minutes? These words will tear at your mind, but it is your heart that will reply, drawing strength for defiance from you know not where. And you will. not. move.
You will feel the night fading--the stars and the snow and even the cold growing distant, like some faraway world in which you have no part. Even the pain will seem like something happening long ago and far away to some ancient hero in a dusty, tattered book. Yet you will feel the child beneath you, her beating heart still alive against yours, and that hope will keep you clinging to the tatters of breath in your body.
Then, at last, there will be light. So bright that it blazes white even through your closed eyes. The shadows will crumble like ash, retreat like the dark from a flame, and the destruction of your battered form will cease. The child you shelter will cry with joy.
A gentle touch will lift your shoulder so you lay on one side, and attempt to pull the child from your arms.
With a cry of defiance, you will hold her with what remains of your strength.
But then a voice will flow through you, lovely and feminine, like water and winter and moonlight given tongue. Peace.
Peace will come, perfect and pure, and you will release the child without fear. But without her presence, your need for strength will fade, and all your pain will come rushing in upon you, dark and hot and crushing, and you will have no strength to hold it back.
Absurdly, you will be most aware of an all-consuming thirst. Tears will pour from you--precious, wasted droplets. Then it will be you, and not the child, who cries for water. Then it will be the child who will draw water from the well and put the shining liquid to your lips.
You will drink, and the first mouthful will bring the cold climbing back upon you. But you will welcome it as re-entry into this world, and drink deep, again and again, until you find yourself freezing, but wholly alive, your wounds as if they never were. You will sit and gaze up at a woman dressed in midnight blue, as white and glowing as the child, who clings to her as she would to a mother, and you will find yourself alight with the same glow.
You have served my daughter well, that lovely inner voice will say again. Come and be at peace.
She will turn your eyes toward the heavens, and offer you a place there in the shining light, far from the troubles of this dark world. It will draw you as the snowflakes drew you from the warmth of home, so many long moments ago. Yet you will find yourself standing, and bowing your head, and with utmost humility refusing the honor. You will not leave this world, be there ever so many shadows, while there is still more beauty to behold.
The woman will smile, pleased with your answer, and the light surrounding you will fade. And you will see your home alight on a nearby hillside, waiting for your return.
You will say your farewells to the child--who embraces you with gratitude--and turn your path toward home. The child and her mother will do the same, fading as the sunset fades with the coming of night. And you will notice two stars in the sky above where you had noticed none before.
You will smile up at them and walk home--warm, alive and fearless. There will be no more shadows lurking along your path. But high above, and all around, you will know there is--and always will be--light.
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