#Had to attach a link to the last image because tumblr fucked the quality so bad
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fun fact: Them
#willos nation I have an important announcement to make#eyagh *disintegrates into powder and scatters into the wind forever*#that's all thank you for coming to my ted talk.#barbie mariposa#barbie mariposa and her butterfly fairy friends#barbie mariposa and the fairy princess#Had to attach a link to the last image because tumblr fucked the quality so bad#barbie#barbie movies#On a different note. They go on chore runs together. In my mind#I should've drawn that but you're going to hear it from me here instead#She invites him out on a laundry run to cut down on the being bored out of her mind and notices he's actually enthusiastic about it#Because like. Having grown up mostly sheltered and relatively(self-imposed or otherwise) isolated he#hadn't really had the experience of just Hanging Out very much#like hell yeah an excuse to leave the palace without having to deal with socializing with strangers. too much.#because she can deal with that. And i mean. he likes hanging out with her.#So she just keeps inviting him over for other menial chores. He's actually kindof competent at it and she really doesnt mind the extra help#cakeart#Also. also. She does poses for him. to draw. paint. whatever#Not in a weird way. in a figure drawing way. understand my vision. look me in the eye.#Artist/muse scenario in general. consider. consider. i'm correct#This post has been in my drafts since november it's not going to show up in the tags if I keep talking
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500th movie celebration
Last month I have quietly passed the 500th movie landmark on my Tumblr, so I decided to make a post with text instead of pictures for a change.
Five and a half years ago, I have decided to create a Tumblr, my own personal space where I would upload film frames, mostly so I could remember all the many movies I watch. By associating an image to a title, it helps to maintain my mind fresh and pinpoint exactly why I loved or despised a certain movie, linking them to the people I have watched them with and the surrounding circumstances.
The criteria is simple but methodical: no more than one post per day, all films I watch are represented even if I am ashamed of having spent time with them, all films are represented only once regardless of the amount of times I’ve re-watched them throughout the existence of the Tumblr.
I like to watch Artsy Avant Garde movies. Trash movies. 80′s “classics”. 70′s sleaze. Documentaries, a whole lot of them. Surrealism. Nouvelle Vague. The occasional Hollywood blockbuster. Skin. I usually get complaints from people about the amount of nudity represented in the Tumblr.
Movies, regardless of how bad they are to the viewer, always mean something special to someone, so I respect them all.
To celebrate the 500th movie landmark, I decided to pick 50 of the ones that evoke the most vivid memories in me. Quality and circumstance were the deciding factors. Random order. I recommend them all.
The Virgin Spring (Ingmar Bergman) - An inspirational exercise on mythology, symbolism, and pacing.
Philanthropy (Nae Caranfil) - Romanian New Wave is my latest passion. This one is a highlight. A very entertaining tutorial on how to scam and be scammed.
Wings of Desire (Wim Wenders) - Poetry in motion. Falling in love every day.
The World is Big and Salvation Lurks Around the Corner (Stefan Komandarev) - A road movie, on a bicycle. Friendship, memory gaps, backgammon.
The Red Turtle (Michael Dudok de Wit) - If a movie makes me cry, it goes to the favorites bucket. The story is simple, the animation is fluid, the outcome is expected. Yet, its message is always powerful.
The Imposter (Bart Layton) - More than a very compelling story of deception and manipulation, this documentary shines due to its brilliant editing. Made me feel pity, anger, compassion and repulse, often at the same time.
American Movie (Chris Smith) - If you love movies, then you cannot skip this documentary about a film director who makes his life mission to finish his crap movie, despite lack of funds, means, and talent. Funny and heartfelt. Highly quotable.
Mustang (Deniz Gamze Ergüven) - Growing up as a woman in traditional Turkey. A feminist look on a closed society. Beautifully shot.
Mad Max Fury Road (George Miller) - A throwback to a time when action movies were being made with a sense of movement and a requirement for suspension of disbelief. Amazing cinematography, highlighted in the recent “Black & Chrome” edition.
Nights of Cabiria (Federico Fellini) - The fruitless search for true love. Finding it, losing it, finding it again, losing it again, getting up, trying again. “Everything I’ve ever let go of has claw marks in it”.
Bicycle Thieves (Vitorio de Sicca) - A masterpiece. The importance of a bicycle as an instrument of survival in 40′s Italy. Puts things into perspective. Nothing can be taken for granted.
Underground (Emir Kusturica) - In my opinion, the greatest Kusturica movie. The sad story of a country that no longer exists.
The Hourglass Sanatorium (Wojciech Jerzy Has) - A very surreal experience where time and space are meaningless. Living in a lucid dream.
Despair (Rainer Werner Fassbinder) - The only Fassbinder movie I ever watched to date. I always want to watch more of him, but somehow keep forgetting. This movie makes justice to it’s title, despair creeps in slowly, but overwhelmingly by its end.
Mary and Max (Adam Elliot) - A claynimation film about friendship and mental health. Funny and melancholic. People should write letters to their friends more.
Blue is the Warmest Color (Abdellatif Kechiche) - A beautiful love story.
The Grand Budapest Hotel (Wes Anderson) - Twee as fuck, like all Anderson’s movies. This man can do no wrong.
Blue Jasmine (Woody Allen) - I have a special interest in movies related with mental health. The last great Woody Allen movie to date.
Grave of the Fireflies (Isao Takahata) - I don’t think I’m exaggerating when I claim that this is the saddest movie ever made. It took me days to recover from the emotional impact it left in me. War makes victims of us all.
Teorema (Pier Paolo Pasolini) - What would you do if you have been touched and subsequently abandoned by Divinity? The final scene is one of my all time favorites.
Forbidden Fruit (Dome Karukoski) - Two girls escape from a oppressive religious cult and experience life for the first time. The scene when one of the girls watches a movie for the first time, in a theater, left a good memory in me.
Forbidden Zone (Richard Elfman) - I like musicals too! This one in particular was scored by Danny Elfman, who also plays the devil in its most memorable scene. A weird freakout of a movie. Specially recommend the colorized version that adds up to the surreal atmosphere.
Enter the Void (Gaspar Noé) - To be seen on a big screen with the best speakers money can buy. Intense psychedelic experience. Stay on the safe side, remain sober while watching this one.
My Best Fiend (Werner Herzog) - I find most of Herzog’s documentaries to be very relaxing. Not this one. Klaus Kinski was a fabled asshole. Werner Herzog is an eccentric lunatic. How these two geniuses managed to work together without killing each other (although both came very close to it) is definitely documentary material. An intense story about friendship, respect, and guttural hate.
The Big Lebowski (Joel Coen & Ethan Coen) - My favorite Coen brothers film. The week from hell on an otherwise quiet and unremarkable life. Improves with repeated viewings.
Mulholland Drive (David Lynch) - Spent years analyzing and trying to make sense out of this movie. I only understood it upon giving up on my quest. My favorite Lynch movie.
Female Convict Scorpion: Jailhouse 41 (Shunya Itō) - 70′s Meiko Kaji is a Goddess. A talent wasted in exploitation movies. Her eyes talk louder than all of the movies’s dialogue. This film is a Pink Women-in-Prison Japanese cheap thrill on surface, but the amount of symbolism and surrealism adds weight to a paper-thin plot. And the title song was borrowed to Tarantino’s Kill Bill. Truly one of my favorite movies ever.
Battleship Potemkin (Sergei Eisenstein) - Soviet Propaganda? Yes. Compelling gut-wrenching story? Yes. Cinematic masterpiece? Yes. Regardless on how you feel about the topic, there is no question that the Odessa steps sequence is a work of art.
The Holy Mountain (Alejandro Jodorowsky) - Watch in on psychedelics, or don’t bother.
Heima (Dean deBlois) - A documentary about Sigur Rós’ return to Iceland. Even for people who are not fans of the band, the landscape is undeniably beautiful.
Django Unchained (Quentin Tarantino) - I am finding the latest Tarantino efforts to be a tad boring on repeated viewings. I usually love them when I see them on cinema, but then abandon them half-way when I try to watch them at home. But this one passed the home test, so it gets my thumbs up!
Disquiet (João Botelho) - Squeezing in a Portuguese movie due for national pride reasons. Not that I care much about those things. But I believe more people should watch this movie. The dialogue is lifted from my favorite poetry book, written by Fernando Pessoa. Heavy, dark, contemplative narrative.
Baraka (Ron Fricke) - There is a particular documentary style associated with both Ron Fricke and Godfrey Reggio that I find very appealing. Visual snapshots of people in their homelands. The silent contrast between traditional and modern. And the omnipresent feeling that all life is meaningless and mankind is a just a random occasion on a ball floating in space. Baraka is the best of all.
Rashomon (Akira Kurosawa) - There is nothing in the World like Kurosawa’s samurai movies, and no better samurai than Toshiro Mifune. Rashomon rises above the other excellent Kurosawa movies by its symbolism and usage of light. A murder story told by four different characters. The truth is somewhere in between the lies.
Dogtooth (Yorgos Lanthimos) - A perverse tale of innocence and isolation.
Gomorra (Matteo Garrone) - Disturbing stories from Napoli’s crime underworld. Realistically shot, no sugar coating, no happy endings, no poetic criminals.
Kids (Larry Clark) - I had this one on VHS, a double feature that also included Trainspotting. Found memories attached to this movie, I saw the actors as a parallel to the kids in my street. Several of the participants in the movie are dead or living miserable lives nowadays. Just like the street kids from my youth.
A Woman Under the Influence (John Cassavetes) - It is not easy to get into this director. And this is a psychological scarring movie. The audience is led to descend into madness like its main character.
Down by Law (Jim Jarmusch) - “I scream, you scream, we all scream for ice cream.”
Daisies (Vera Chytilová) - My most popular post for some reason. An excellent, imaginative, innovative, playful, senseless fun movie to watch.
Taste of Cherry (Abbas Kiarostami) - A man’s quest to end his life. The ultimate taboo.
Black Orpheus (Marcel Camus) - Greek Mythology meets Brazilian Slum. A wonderful, poetic ending makes up for some dull parts in between. Excellent soundtrack!
The Cabinet of Dr Caligari (Robert Wiene) - Insane expressionist film with lovely painted backdrops that add a sense of depth and misdirection to its scenes. Timeless movie experience!
Amélie (Jean-Pierre Jeunet) - Modern Fairy tale. Inspirational. Makes me want to enjoy life more.
Oldboy (Park Chan-Wook) - Part of the Vengeance trilogy, I picked Oldboy because I now realize that I haven’t seen Sympathy for Lady Vengeance again ever since I started this Tumblr. Both films are excellent tales of twisted revenge. Oldboy’s fight scene has inspired a generation of copycats.
Spring Summer Fall Winter... And Spring (Kim Ki-duk) - Episodes of the life of a Buddhist monk, from childhood to old age. The wheel of life and rebirth. As Buddhist as it gets.
Fear and Loathing in Las Vegas (Terry Gilliam) - This got me into Hunter Thompson. There’s no such thing as too much drugs.
Battle Royale (Kinji Fukasaku) - A high school class is taken to a remote island and instructed to kill each other until only one survives. Classic 80′s video game plot, tickles the nostalgia bone just right without resolving to remakes and rehashes. Incredibly fun!
House (Nobuhiko Ôbayashi) - A horror movie, a comedy, a fever dream, an art-house lysergic extravaganza. Don’t know what to make of this movie, just that watching it is an amusing experience.
Band of Outsiders (Jean-Luc Godard) - I love all Anna Karina’s movies with Godard, so it’s hard to pick one. I went with Band of Outsiders because of its dance sequence. Godard had fun while experimenting with filming techniques, and this feeling is contagious to the audience.
Thanks for reading and sticking around.
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