Ten Books To Know Me

Rules: 10 (non-ancient) books for people to get to know you better, or that you just really like.

Tagged by @landwriter​, whose list I am pillaging for reading tips. In no particular order: 

Paladin of Souls - Lois Bujold. Cordelia Naismith is still my favourite of her characters, but the World of the Five Gods series is so kind. Bujold does religion better than anyone, and in a deeply humanist way. The exact inverse experience of reading Maria Russell’s The Sparrow, though both are phenomenal. 

Labyrinths - Jorge Luis Borges. The short story collection version of someone leaning in and going “would you like to hear a fucked up thought about set theory? No? Time?”

Watership Down - Richard Adams.

I was (understandably, I think) leery of books with rabbits after my Mom insisted that the first time I’d broken down sobbing over The Velveteen Rabbit was a fluke, and I’d misunderstood the point of the book, and then tried reading it to me another two times. I cried every time. HER point is that the bunny became real at the end, so it’s a happy book. MY point is that to the boy, the bunny was real the whole time, and that from his point of view it was essentially one of those horribly moralising 19th century fairy tales where the main character’s best friend dies horribly half way through but they go to Heaven so you’re expected to be happy about it. Except in this case, they’re burned alive. Watership Down was the runner-up for most traumatic childhood book about bunnies, but it made no bones about what it was. It knew when it was being brutal, and did it on purpose and well, and I love it still. It also was one of several deeply formative books for introducing me to my favourite trope: stories-in-stories.

The Lord of the Rings - JRR Tolkien. Yes, I know, everyone’s favourite, etc etc. Still, I read it young enough to sort of grow up along it as a trellis. I can’t put any of my favourite medieval works on this list per the rules, but Tolkien’s the reason I could read them as an adult and go oh, but you’re familiar. Also, the older I get, the more the whole ‘no kindness is ever wasted’ element makes me verklempt. 

Jackalope Wives - T. Kingfisher. I know, it’s not a book, but you’ll forgive me for that once you’ve read it, for free, right here: https://apex-magazine.com/short-fiction/jackalope-wives/

How good was that? Right?

Gaudy Night - Dorothy L. Sayers. I’ve never related to anything or anyone more than Harriet Vane as I read this, belly down on the grass in the Oxford botanical gardens this summer, in the middle of having a Bad Fucking Time romantically. Sayers’ characters are complicated and human, a little too smart for their own good sometimes, and prone to self-sabotage and overthinking. This book is so profoundly good at capturing the absurdities of love, and the negotiations of self that requires, while still being very tender about the whole thing.

American Gods - Neil Gaiman. I’ve never been in the US for longer than three months at a stretch since I was three, and growing up, it was largely mythological to me. America was Where Stories Happen. I read Stardust first, and possibly like Good Omens best of Gaiman’s, but American Gods put words to a lot of the experience of looking at the US from a one-foot-in-the-door-one-foot-out perspective.   

Caedmon - Denise Levertov. Once again cheating, this time it’s a poem:

http://www.southernhumanitiesreview.com/denise-levertov-caedmon.html

I’m also a tremendously basic poetry person in terms of liking Donne, Blake and Eliot. Mmm, weird feelings about God and/or WWI.

The Lacuna - Barbara Kingsolver. Possibly my favourite ending in anything I’ve read ever? I can’t say anything concrete without spoiling it, but the book starts out big, and then, at the end, gets narrower, and narrower down to a fine point, and - look, it’s very good. It has opinions about how we tell stories. The Bean Trees is also very good, though it’s been near a decade since I read that one, and I remember it less.

Frankenstein - Mary Shelley. Look, it has stories within stories, and a big, gothic, sweep of thought and emotion. It feels big, and deep, and bigger and deeper every time I go back.

Special mention because almost everyone who follows me is into Sandman: Doomsday Book - Connie Willis.

Would you like to CRY about the middle ages, and how people were people always and how no kindness is wasted? I bet you would. Maybe only read this if you’re feeling stable about pandemics again, though. I’m giving it another few months personally before going back.

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I am, as usual, a tiny bit late to the tagging game and have lost track of who’s already been tagged. HOWEVER, I have a bunch of lovely amazing mutuals and new followers and if you want, please consider yourself tagged (that way I can also see who’s interested in maybe being tagged in the future, and get to know you better?)

Devilman Crybaby meets Marvel’s Venom in Exordia, the science fiction debut of Seth Dickinson, author of The Traitor Baru Cormorant. 

Ssrin Character Illustration by Julie Dillon

WHAT’S IT ABOUT

Meet Anna Sinjari, a refugee and disaffected office worker eking an existence in New York City. Her life is about to be upended by Ssrin, an alien with eight serpent heads, no qualms with cold-blooded murder, and an appetite for turtles (yum).

The universe is governed by seven passions, seven patterns which appear again and again, across species and across time. Anna and Ssrin are bound by the last and the greatest. The cosmos itself ships their very souls. Specifically for them, that means they’ll have to outmaneuver spies, armies, and government agencies to save humanity from a diabolical alien entity, hellbent on pinioning the souls of every creature on earth.

Exordia is expansive adventure science fiction that reads like a race-against-the-clock thriller in the vein of Michael Crichton, but steeped in the irony, humor, and pain of the Internet age. An alien-human epic for those who've always rooted for the monster.

And Baru cast the first dart at hand, the words that set the coopers and the fishmongers and the bannermen of Lyxaxu and Oathsfire and Unuxekome roaring: “Show them who should rule Aurdwynn, and why.” Vultjag! the poorer parts of the crowd screamed, a raw astonished sound. Vultjag!

my “if something bad happened to them i’d kill everyone in the room and then myself” gang from the masquerade series (…..yeah i’m still in denial over [redacted] shut up)

THE MONSTER BARU CORMORANT - MAP

hey for all the locked tomb fans who are eating molten lava waiting for Alecto the Ninth to come out. you guys should all read The Traitor Baru Cormorant by Seth Dickinson.

vote YES if you have finished the entire book.

vote NO if you have not finished the entire book.

(faq · submit a book)

“I have committed a terrible crime,” she said, voice firm, controlled, machined to a polish. “So terrible that I feel I can do anything, commit any sin, betray any trust, because no matter what ruin I make of myself, it cannot be worse than what I have already done.”

— Seth Dickinson (The Traitor Baru Cormorant)

The Empress of Salt and Fortune by Nghi Vo-

A young royal from the far north is sent south for a political marriage in an empire reminiscent of imperial China. Her brothers are dead, her armies and their war mammoths long defeated and caged behind their borders. Alone and sometimes reviled, she must choose her allies carefully.

Rabbit, a handmaiden, sold by her parents to the palace for the lack of five baskets of dye, befriends the emperor's lonely new wife and gets more than she bargained for.

At once feminist high fantasy and an indictment of monarchy, this evocative debut follows the rise of the empress In-yo, who has few resources and fewer friends. She's a northern daughter in a mage-made summer exile, but she will bend history to her will and bring down her enemies, piece by piece.

The Traitor Baru Cormorant by Seth Dickinson-

Tomorrow, on the beach, Baru Cormorant will look up from the sand of her home and see red sails on the horizon.

The Empire of Masks is coming, armed with coin and ink, doctrine and compass, soap and lies. They'll conquer Baru’s island, rewrite her culture, criminalize her customs, and dispose of one of her fathers. But Baru is patient. She'll swallow her hate, prove her talent, and join the Masquerade. She will learn the secrets of empire. She’ll be exactly what they need. And she'll claw her way high enough up the rungs of power to set her people free.

In a final test of her loyalty, the Masquerade will send Baru to bring order to distant Aurdwynn, a snakepit of rebels, informants, and seditious dukes. Aurdwynn kills everyone who tries to rule it. To survive, Baru will need to untangle this land’s intricate web of treachery - and conceal her attraction to the dangerously fascinating Duchess Tain Hu.

But Baru is a savant in games of power, as ruthless in her tactics as she is fixated on her goals. In the calculus of her schemes, all ledgers must be balanced, and the price of liberation paid in full.

I'll start with my pitch. This is a full soliloquy that i break out into whenever i talk to someone who shows just the barest modicum of interest in reading the book. I'm a great conversationalist don't worry about it. THE TRAITOR BARU CORMORANT IS A BOOK ABOUT BARU CORMORANT. When baru is a child her home is subject to foreign imperial expansion, by means of economics and education, she is discovered by an agent of this empire to be a math genius and is enrolled in an imperial school where she makes it her mission to prove herself an impress the powers that be in order to earn a favorable position and climb the hierarchy of power within the empire, for you see she means to behold the very machinations of the imperial machine. and she means to burn it all down from the inside. but in order to do so, to climb, to impress, she has to compromise everything about herself. she cant have personal values, personal relationships, morals, and no goals but this one: more power and more influence. She cannot be herself or she will doom herself and everything she's already sacrificed will have been for naught. (At this point is when I'll usually pivot and say the following--) I've cried over a book before, I've been moved to tears by books before, sometimes because something is sad, or it is joyous, whatever. i've cried over books before is the point, and i thought, as i was nearing the end of THE TRAITOR BARU CORMORANT that perhaps this would be such an instance. I thought, and no spoilies but, well, i was in the final stretch and thought that probably the end might make me cry. Reader it did not. Have you ever read something that was so viscerally upsetting that you skipping right past crying and went straight to nausea? because that's what happened to me. Not one tear, but a single sentence made me feel like i was genuinely going to throw up. Fuck this book is so fucking good. I really thought i might throw up thats how sad and upset i was. and it was PERFECT. What happened was exactly what needed to happen. Again, no spoilies but oh my god. Nauseous. AND THAT'S JUST THE FIRST BOOK. We then follow Baru as she achieves every single one of her goals, and goes more insane in the process. With every victory she destroys herself more, with every sacrifice she curries more favor. And she only becomes more insane and more horny. And now you may ask yourself, what does horny have to do with it? EVERYTHING. The higher she climbs, the more she injures and destroys and compromises herself, the more separation she creates between her mind and her body, the more removed she becomes from herself, the harder it becomes to unify the two, to satisfy any carnal need, harder to do as much as identify her own desires much less realize them. She loses herself, she wins, she loses more, she wins more.

The most common criticism i've seen online of the first book in the serious is that it's boring. First of all get better soon. second of all, YES Baru is an accountant she deals a lot in economic policy and money and numbers but oh my god its THRILLINGGGGG. I happen to find math quite romantic and poetic and I know that's not everyone's bag, but when in book 2 a whole page is dedicated to the description of one mathematical axiom as a metaphor for a situation Baru is trying to deal with, here i WAS almost moved to tears. It's such a good book.

Oh and did I mention? (I did not) The characters are all fantastic. Absolutely fantastic. It's wall to wall fucking hits, Seth Dickinson my close personal friend Seth Dickinson oh my god your mind your mind!!!!!!!!!!!

The novel follows Baru, a brilliant young woman who, educated in the schools of the imperial power that subjugated her homeland, sets out to gain power to subvert the empire from within.

Devilman Crybaby meets Marvel’s Venom in Exordia, the science fiction debut of Seth Dickinson, author of The Traitor Baru Cormorant. 

WHAT’S IT ABOUT

Meet Anna Sinjari, a refugee and disaffected office worker eking an existence in New York City. Her life is about to be upended by Ssrin, an alien with eight serpent heads, no qualms with cold-blooded murder, and an appetite for turtles (yum).

The universe is governed by seven passions, seven patterns which appear again and again, across species and across time. Anna and Ssrin are bound by the last and the greatest. The cosmos itself ships their very souls. Specifically for them, that means they’ll have to outmaneuver spies, armies, and government agencies to save humanity from a diabolical alien entity, hellbent on pinioning the souls of every creature on earth.

Exordia is expansive adventure science fiction that reads like a race-against-the-clock thriller in the vein of Michael Crichton, but steeped in the irony, humor, and pain of the Internet age. An alien-human epic for those who've always rooted for the monster.

Seth Dickinson - The Traitor Baru Cormorant

Shirt that says ‘everything I know about the economy I learned from Marx and Baru Cormorant’

Book names + authors under the cut

Nasir Alexander "Nax" Hall/Rion William Kwesi Turner- The Disasters by M.K. England

Linus Baker/Arthur Parnassus- The House in the Cerulean Sea by TJ Klune

Baru Cormorant/Tain Hu- The Traitor Baru Cormorant by Seth Dickinson

Imogen Scott/Tessa Minsky- Imogen Obviously by Becky Albertelli