Iv been doing a breed a day to try and raise money for my top surgery
u can whatch me draw them on my tiktok, user Eardogg
u can show support by reblogging this post, viewing, liking, and commenting on any number of my breed a day tiktoks and/or donate
Goal: $18,000
So Far: $231
Cashapp: $donniepawvito
Paypal: eardogg
Venmo: eardogg
P.S. my commisions are open if anyone is interested :D
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1.) Small black dog in a blanket: Dilly, Dog, Dachshund mutt, Male, 7 yrs old, ESA
2.) Upside down black and white dog: Lucifer, Dog, American Bully, Male, 4 yrs old, ESA
3.) Grey Cat: Arthur, Cat, Cat, 5 yrs old
4.) Sad looking black and tan dog: Moxie, Dog, Coonhound Lab Mix, Female, 2 yrs old, ESA, SD in training
#dog #cat #coonhound #american bully #dachsund #labrador retriever #mixed breed
Adorable!
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Gotcha Day
It’s Bee and Ruby’s Gotcha Day! For those of you who might know be in the know, because if you’ve never adopted a human or animal, why would you! So… ‘the gotcha day is the anniversary of the day on which a person or a pet joins a family by adoption.’ Isn’t that great! I gotcha in my family now!
Miss A’s gotcha day, you may remember, is February 14th, how perfect is that! And Ruby and Bee’s…
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American English Coonhound
These sleek and racy, lean but muscular hounds work dusk to dawn in pursuit of the wily raccoon. The sight of the American English Coonhound tearing through the moonlit woods, all sinew and determination, bawling their lusty night music, is coon-hunter heaven. Standing as high as 26 inches at the shoulder, American English Coonhounds are deep-chested, sweet-faced athletes beloved by sportsmen for their speed and endurance. Stretched tightly across the athletic frame is a medium-length coat of various patterns, some with ticking. The head is broad with a domed skull, with soft, low-hung ears and dark-brown eyes that glow with warmth and kindness. American English Coonhounds are mellow when off duty but tenacious and stubborn in pursuit of their ring-tailed prey. Their work drive and energy, the patience it takes to train them for things other than coon hunting, and their loud, ringing bark can make the breed a bad fit as house pets for novice owners. Some passionate fans of American English Coonhounds feel that without a sporting outlet for this breed's houndy virtues, you're simply wasting a good dog. (source)
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Crowns // Kate Daniels
for Philip Levine
Around the time I first read the poetry of Philip Levine,
my teeth were fixed. Two or three hundred bucks
(I’ve forgotten now) purchased a brand new me,
two porcelain crowns. In the dentist’s chair, my midget
canines were filed down to sharp, bright points
hardly larger than the bronzed end of a Bic
pen, then crammed in the black-backed caps
of two hardened, china fakes. No more
covering my mouth to obscure the evidence
of faulty genes. No more tears at images
embezzled from graduation picnics
when Darrell Dodson picked me up and slung me
in the pool, and someone took a picture
of my lips slacking back to reveal my gums
in what appeared to be a scream. No more breezes
winding through the gappy pickets of my ill-grown
teeth and down my throat. No more worrying
some boy would snag his tongue in the zigzagged bulkhead
of my upper row, and bring us both to blood.
I’ll love Levine forever for confessing his own struggles
with orthodontia, his rot-plagued “Depression mouth,”
a dentist called it, his cavities and root canals, his occipital pain,
for his photograph in Antaeus, the summer of ’78,
the stained and crooked slabs parked compellingly
behind his grin. Our teeth connected us before the poetry,
he, from the immigrant onion-eaters and temperate tipplers
of Manischiewtz. I, from a long line of tannin-stained
Irish Catholics who smoked themselves to fragile
states of calcium depletion, and a recent run of Carolina
gritballs, too poor to brush, too ignorant to care their teeth
retired in early middle age. I can see them now, perplexed
before an apple’s crispy rind, frustrated by a succulent, stringy rack
of pork ribs barbequed in the side lot of Earlene Worsham’s
gas station south of town. Levine would have understood my uncles,
enthroned on plastic-covered kitchen chairs patched with tape,
their work boots kicking up mucky clouds of chiggery dirt,
their pick ups parked nearby, shotguns in the rack,
sucking on cheap beers and harsh cigarettes,
their nails starved by nicotine to yellow curls, the car grease
embedded permanently in the creases of their hands.
When I met him, he was such a mensch, massive
in my mind, but in the flesh, something touching
about his shoulders in the worn tweed jacket, something
vulnerable in his feet in an ordinary pair of soiled, white sneakers.
He opened his mouth to laugh, one side rising up
like it does, in that derisive gesture that seems, at first, a sneer,
and I remembered my mother flexing back her lips to remove
delicately, with two stained fingers, just so, a fleck of tobacco
lodged between her teeth, and saw again my father flossing at the table
with the torn off cover of a paper book of matches,
then stubbing out his butt in the yellowed, oily pod of broken yolk
that was hemorrhaging across his breakfast plate.
I can face those images now without the shame
I carried in the days before the poetry of Phil Levine
liberated me. I can look at anything now, because I keep
his picture in my mind and his poems in my pocket.
I can stand my life because I wear the crown he constructed
for people like me — grocery checkers, lube jobbers, truck drivers,
waitresses — all of us crowned with the junkyard diadems
of shattered windshields and rusty chains, old pots
with spit tobacco congealing inside, torn screen doors
and gravestones in the front yard, just five short steps from life to death…
So there is my family with their broken beer bottles
and patched shoes, their mutts chained in a back yard
carved from a stingy pine woods, on cheap land
out near the county dump where the air swells with the perfume
of trash, a circle of them playing poker in a trailer somewhere
in the woods, or razoring the state decal from the windowshield
of a ransacked wreck to transfer to my brother’s car.
Or cleaning fish on the back porch and throwing the guts
to the tick-clogged dogs, or frying venison in a cast-iron pan
and stinking up the house with that heavy smell, showing
the buck’s big balls in a plastic cannister that once held salt.
Or burning tires in a field some autumn, scumming
the sky with a smoky, cursive black they can’t even read
but inhale poisonously again and again.
And there I am, walking along tolerantly now, with Phil Levine,
his poems in my pocket, his good rage gathered in my heart
and I can love them again, the way I did in the years before
I saw what they were and how the world would use them
and accepted the fact they were incapable of change.
We’re in a field I used to love, a redbone coonhound running ahead
her ears dragging the edges of the goldenrod till they are tipped
in pollen, like twin paintbrushes dipped in gilt. And the world
is hunting dogs and country music and unschooled voices
bending vowels and modest kitchen gardens where late tomatoes
are tied up with brownish streamers of old nylon hose.
The vast way your chest expands when the sun gradually sets
in mid-fall in central Virginia. The tobacco barns glimmering
in last light, the chinks darkening now, the slats solidifying at the close of day
and your mind opening up like the pine forest swishing fragrantly overhead
way up in the dark that is coming, but remains, for the moment, beautifully at bay.
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