One fun thing about bg3 vs dragon age games is that in dragon age, I can't think of a single character I didn't like off the bat, or at least wasn't vaguely interested in. Like yeah some of them are jerks, ogrens a little annoying sometimes, they all do bad things, but they're all easy to get attached to, then it's later on that some make decisions that hurt or disappoint you. But with balder's gate? I genuinely disliked several party members immediately. They were uninteresting, mean, annoying. But you keep playing, and you learn about them, and suddenly you realize they've grown on you like fungus and they have very deep and cool lore and thought and emotion and you get to slowly see them open up!! Both are so much fun!!!

Then again I've barely started my bg3 playthrough so who's to say ¯⁠\⁠_⁠(⁠ツ⁠)⁠_⁠/⁠¯

The 100: 7x10 A Little Sacrifice

After The Flock - the show’s weakest episode in a long time - and an unfortunate hiatus after that episode, A Little Sacrifice helped get season 7 back on track. It’s one of the best episodes of the season: it was exciting, things finally happened - a lot, we got a big revelation about what the endgame is likely to be all about, there were fights, an attempted mass murder/genocide (what would a season of The 100 be without those?), some really good character work, and the first major death of the season. 

Yes, Charmaine Diyoza was not a main character. but after being introduced as a villain in season 5, she has grown into one of the most memorable and interesting characters on the show - in large part due to Ivana Miličević’s charismatic performance - with a complex and morally ambiguous characterization and backstory (which I really hope to maybe learn more about one day in the prequel flashbacks? Please?). She has been one of my favorite characters since season 5, and I loved her development and her relationship with Octavia, her mother/daughter relationship between her and Hope, her past fights to protect “expendable” prisoners and her S7 attempts to find peace and renounce violence, and hope (!) that at least her daughter will get to have a different and better life where she wouldn’t need to resort to it.  She became a (not so little) sacrifice for the better future we saw her dreaming of in season 5 in that conversation with Kane - maybe that dream is something we will see the new generations live in the series finale?

The one thing I wasn’t too happy about (I was OK with the lack of Bellamy cliffhanger since we got him in the promo for 7x11 right afterwards) was that Clarke did not have any more screentime than in the other recent episodes. But, especially on rewatch, she had some great subtle little moments.

You know what is not subtle? Sheidheda. He’s finding new ways to be completely OTT. This time he can finally stop pretending to be Russell, so he gets a makeover, more in tune with the...interesting Grounder fashion styles, chews the scenery even more, and then - thanks to Madi - he loses an eye (just as he did during his original lifetime), getting closer to his season 6 Emperor-like look, though he’s missing a cloak this time. He also doesn’t have enough facial hair to twirl his moustache, but he actually hisses at one point. This part of the episode was, this time, really fun and intense, including a really good fight scene and some really emotional and important moments for Indra, Madi and Murphy, but doesn’t need much analysis and doesn’t require attention on rewatch.

I’m still not sure how/if these two storylines will connect. But I can see a thematic connection of sorts: Sheidheda is the embodiment of the worst parts of the Grounder culture, with the worship of violence and power and killing all those who oppose you; and not just that - he’s all egotism taken to the extreme, the kind of “wild beast” as Anders would despise, but in this case, he would actually have good reasons to. On the other hand, we have the Disciples with their sterile white rooms, order and the propaganda of the abnegation of self in the favor of the collective, and dreaming of “transcendence” instead of trying to get back to the “old ways”. But they really come off as two sides of the same coin: both ideologies are about worship of and subjugation to a leader, both believe violence is the solution, and both are against love and see it as a danger.

Brand new opening titles - these opens start with a shot of Sanctum and end with the Bardo Stone Room with the Anomaly Stone - and guess what makes a cameo near the end of the credits? That’s right, Earth. I was starting to think that any return to Earth won’t happen, but now I’m not so sure.

Sanctum

The episode opens with the immediate aftermath of Shady’s massacre of the Faithful. We see Madi’s friend Rex (that’s his name according to the credits) - the Sanctum boy who offered Madi’s other friend, the null boy, to play soccer - mourning someone, probably his mother. This scene had to be there so we’d feel some sympathy and sadness over the deaths of the Faithful rather than just be relieved they’re (mostly) gone. One of the wounded ones is Jeremiah, the same guy who developed deep gratitude for Murphy for saving his son. Although the Faithful have been very annoying, I do feel a tinge of sympathy for this guy, who’s so clueless that he never understood he had any agency in what happened to his son and seemed really convinced it was all about the will of the “gods”. He now asks Murphy to take care of his son when he dies, but Murphy insists he will not let Jeremiah die. (Trey, the annoying a-hole who was brainwashing Jordan, and used to act as the leader of the Faithful, is credited in the episode but I didn’t see him anywhere - so I have no idea if he’s among the dead, or he survived and was in a deleted scene.)  

Madi has a really nice mini arc in this episode. She already had PTSD from her experience and possession by Sheidheda in season 6, so she is absolutely terrified when she learns he is back, and when he threatens her in a really creepy way. Excellent acting by Lola. Later, after being comforted by Murphy and joining the survivors,she shows strength in comforting Rex for his loss; and in the end, overcomes her fears and risks her life to save Indra.

Not that it matters, but Sheidheda’s real name is Malachi. (I’m still gonna keep calling him Shady.) We learn that when he recites the lineage - the names and clans of all the previous Commanders, which we know from S3 is a Grounder custom for a new Commander to do. Of course, we only get to hear some of the names in the middle (a couple of random Commanders called Maffei kom Boudalankru - the Rock Line and Kemji kom Trishanakru) and the end, when he mentions Lexa and Madi. The show wasn’t going to spoil the prequel by revealing the names of early Commanders,

The fight itself was really intense and maybe the best Grounder-style duel in the show (yes, I prefer it to the 3x04 one, which involved too much showmanship to look as a real death match). Shady is obviously going to be there for a while and things aren’t going to get so easily resolved, so he wins and is about to kill Indra - who refuses to kneel to save her own life - but just as he’s about to kill her, Madi finds the courage to come as the Big Damn Hero at the crucial moment, pluck out Shady’s eye and save Indra’s life. But then as he is about to kill Madi, Indra decides to (metaphorically, since she’s lying and about to pass out) kneel in order to save Madi’s life. Indra’s arc with Shady has come full circle: this may finally make her understand her mother’s choice and realize she was unfair to her. She grew up blaming her mother for agreeing to kneel to Sheidheda and considering her “weak”. The battle had been lost, her father was already dead, and her mother made the best possible decision and wasn’t just saving herself but her daughter, too. Otherwise, as we see in this episode, Shady would have ordered the daughter to be killed, too, after the mother - as he thinks children of the people he killed should also be eliminated so they couldn’t pose a threat and seek revenge.

That last order even shocked Knight, who may be having some second thoughts about the awesomeness of “Sangedakru’s greatest champion” (but this doesn’t mean he won’t keep obeying him). Penn and the other Trikru guy we know, who are loyal to Indra, reluctantly knelt when Indra asked them to.  

Madi, Rex and the other Faithful (including Jeremiah, who has indeed survived) have gone into hiding with Murphy and Emori - and hiding at the abandoned reactor. We didn’t see Jackson, but i’m sure he’s there. (Sachin is a guest star and must skip some episodes he’s not really needed in.) So now we’re finally reached the part of this storyline where Shady is in power and our heroes are the resistance. And Murphy is now, with Emori, a part of a power couple protecting these people and taking care of them (who would’ve expected that back in season 1?) - much like we’ve seen Clarke and Bellamy do over the seasons - even though most of the same people resented them for being fake Primes just a few hours earlier. Maybe they’re finally starting to get a clue and feel respect and gratitude to people who are trying to save them just because it’s a decent humane thing to do, rather than for being self-proclaimed “gods” who participated in their murder, oppression and exploitation.

Bardo

After 4 episodes, Clarke, Raven and Miller finally left the Stone Room! Yay! Jordan and Niylah stayed in it, and as it turns out, Jordan has a much more important and interesting role to play by reading the Anomaly Stone, while Niylah’s role in S7 has been to be exposition machine for Grounder history and have bad one-liners while Miller has the good ones. I’m glad there was no prolonged “OMG are they really brainwashed and on their side?” misunderstanding, as Clarke and the rest of the group, after learning about MCap from Gabriel, quickly realized that Octavia, Echo and Diyoza are only pretending, since they haven’t blown the secret that Clarke doesn’t have the Flame.

Speaking of one-liners, Miller’s “Get the flock out of here” really made me laugh out loud.

Callie is known as the Pramfleimkepa - the First Flamekeeper - which should mean she was never a Commander (I imagine that would supersede the position of the Flamekeeper or at least be as worthy of mention). I was afraid for a moment that Niylah had given the game away when she told Cadogan that - but fortunately, he didn’t understand what it meant, as he never knew that Becca called ALIE 2.0 “the Flame”.

Gabriel and Cadogan have a long conversation over dinner (or breakfast or lunch of whatever) about Earth before the bombs and Cadogan’s beliefs. The two of them are one of the few remaining humans who knew life before the apocalypse. (After Diyoza’s death in this episode, the only other people left from that time are the Eligius prisoners in Sanctum.) But while Cadogan is chronologically ‘older’ than Gabriel, as he was a Millennial, while Gabriel was born a couple of decades later, and because Cadogan has technically been alive for thousands of years on Bardo - Cadogan spent most of that time in cryo (same as Diyoza and the other prisoners). Gabriel is the real Old Man - at least 260 years old, having lived and experienced all those years. We learn a bit more about Gabriel’s background - that his family were from Colombia and his grandmother was poor, making him a “self-made man” - another contrast between him and the love of his life Josephine (which makes their season 6 parallel to Clarke/Bellamy even more perfect). Gabriel is the go-to-guy this season for having conversations about the worship of false gods and trying to challenge the Disciples’ beliefs. Cadogan, again, denies that he’s a cult leader (sure), reveals he doesn’t believe in God, and claims he doesn’t consider himself one (he sure doesn’t mind being treated like one, though). Instead, he claims his purpose is for everyone to “transcend” and become like gods - though he doesn’t really explain what that would consist of, and he also doesn’t offer any explanations as to why there is supposed to be a “Last War” and who the enemy in that was is supposed to be. Seven episodes have gone by with the characters talking to the Disciples, and no one has ever asked that question: who is the enemy? I guess they don’t even know that, they just think that, when they type in the code, they will learn who the enemy is and the war will begin, for... reasons? He also adds some BS about “this life” being unimportant compared to afterlife. (Now, to be clear - I actually do believe in the afterlife in general (though I don’t know in which form), but I really, really hate it when religions make the afterlife the focus and treat the life we actually know and are sure we have as less important, use it as an excuse to teach people to accept any sort of crap in their lives and not ask for more instead of living their lives to the fullest and trying to build something worthwhile in this life.) Gabriel is less than impressed with Cadogan, and challenges him by pointing out that “You can’t fight a war for the soul of the human race with an inhuman army” and that a life without love, individuality or freedom is pretty worthless, but Cadogan has the afterlife as a ready excuse, even though that doesn’t really answer the question.

The most important revelation that we finally get in this episode is that Cadogan has most likely mistranslated and completely misunderstood the ancient Bardoan text that he’s based his entire belief system on. And his mistake was in large part due to confirmation bias - he saw what he wanted to see, even though the idea of ending wars and violence by starting and fighting a war is absurd. (Niylah, for once, has a good line, when she points out that every major war is supposed to be the “last” but it never is.) Jordan’s interpretation - that it is really about a test that the species needs to pass - makes a lot more sense. Not a literal test - I really can’t imagine the show introducing some kind of godlike “higher beings” - but, I think, something that will require the characters to use all their strength and moral sense and all the experience they’ve had and wisdom they may have gained, to find the best solution to save the human race and rebuild the civilization, hopefully into something better (and it’s really not too hard being better than the mess of tribalism and constant wars and conflicts we’ve seen on the show). I don’t know what this will be, but the words “the orb becomes like a star” make me thing of a natural phenomenon. 

It’s also cool that it was knowledge of the Korean language that helped Jordan decipher the text - proving how helpful it is to be familiar with multiple languages and cultures and how much it expands one’s way of thinking. Do Disciples speak any languages other than English? They seem to foster cultural uniformity, so probably not. (it’s also confirmed now that Monty was half-Korean on his father’s side - Chris Larkin is Korean, but the actress who played his mother, Donna Yamamoto, is Japanese, so I assume Monty is half-Japanese.)

If you doubted that 7x09 flashbacks were a waste of screentime, we get a confirmation early on that Echo has just been pretending to be loyal to the Disciples, while plotting revenge all the time, when she kills a Disciple and saves Hope from being sent to Skyring. This plot could have continued straight from 7x07, when Echo’s Azgeda ritual was strongly hinting that she’s out for revenge. (And yes, the writing in 7x09 was just  that clunky as I feared - of course that Chekhov’s WMD that Levitt mentioned for no reason would be used in the very next episode for someone to try to kill all the Disciples in another Mount Weather parallel.)

A tiny bit of info about the Disciples - a Disciple addressed Hope as “Seeker Diyoza”. I don’t know if that’s a title for those trying to reach Level 1 or something else.

Hope, with her usual anger and impulsiveness, reminiscent of how Octavia used to be once, and her naive black and white views, is all for revenge-genocide, too, in spite of Octavia’s and Diyoza’s disagreement. Her mother tries to, again, teach her the lesson she tried to in 7x07, that she should turn to love instead of violence and killing (which carries a lot more weight when it comes from someone like Charmaine Diyoza rather than a hippy): “I know what it's like to kill innocent people for a cause, and I promise you, it's not gonna fill that hole in your heart. Only we can do that.” But Hope retorts that “There are no innocent people here”, echoing Nikki’s words to Nelson that “There are no innocent people at the end of the world”. It’s not that Hope doesn’t have a point that everyone in Bardo is a part of the society that’s been kidnapping and torturing her family and that stole her childhood, but collective responsibility is a concept that only works in terms of moral responsibility, not as an excuse to commit genocide because you’ve decided that everyone in the other group is evil and the “enemy” and deserves death. Some people have compared it to Maya saying “None of us is innocent”, but I don’t think this comparison works, because that line changes the meaning entirely depending on whether you are holding yourself and your society morally accountable for its failings and complicity in crimes against humanity, or if you’re using it against others, in order to justify hate and commit crimes against humanity.

Even though neither Clarke nor Octavia had huge screentime in this episode and may not have done anything big (like Diyoza sacrificing herself and saving everyone, or Jordan figuring everything out), they had some wonderful, subtle little moments that spoke volumes:

I loved the hug between Clarke and Octavia - where Clarke said her condolences to Octavia and then Octavia said them back, letting Clarke know she knew what Bellamy meant to her and that she is grieving just as much. (”I’m sorry, Octavia” - “So am I”)

Raven and Miller exchanged a wordless look - probably because of how awkward it was for Miller to see Octavia again. Although these 4 people all go back to season 1 (and it was the first time in a while they were in the same room), for Miller it’s been just a few weeks since she was Blodreina and he was her follower, and the last time they saw each other (in season 6), he yelled at her that he’s not following her orders anymore - which was about him struggling with his guilt and seeing her as an embodiment of it. But for Octavia, it’s been over 10 years and a huge character development, which Miller doesn’t know about. But they had no time to go over it - instead, she just hugged him and asked him to hug her back, and he did.

When the group went to find Levitt - still tied up and bloody after Echo had tortured him and killed two Disciples in front of him to force him to tell her about Gem9, the WMD that can destroy everyone on Bardo (he must be really traumatized one - Clarke obviously immediately realized what was going on when she saw Octavia come to check on Levitt, going by the look on her face, and her look when she turned to go and the others went after her, while Octavia was still there -as if saying "I realize you need a moment with this guy, but don't wait too long". Although Levitt looked disappointed and shocked that Octavia didn’t untie him, she was really doing what was the most reasonable way to try to protect everyone - the priority was to stop Echo from killing all the Disciples, which would include Levitt, but also to stop Levitt from alerting Anders, which he would’ve done, because Octavia also wanted to save Echo and her people. It doesn’t mean she doesn’t  care for Levitt, but she’s not the 17 year old girl who’d go: “I just met you but you’re immediately the most important person to me and I’m going to prioritize you over everyone I know”.

 And then we get to the final and most dramatic scene of the episode...  Echo’s attempt to commit genocide out of revenge, while Octavia, Clarke and Raven tried to talk her down.

Octavia tried to reach Echo by, again, talking about their shared grief over Bellamy, as she did in 7x07, but again, it did not work - because Octavia and Echo, and Clarke and Echo, are different people, who grieve in different ways and think and act in different ways. It doesn’t mean that any of them are grieving more or less than another one - but their responses are very different. Octavia - this mature Octavia who is more able to empathize with others and doesn’t react with impulsive violence as she used to -  responded by trying to reach out to others who were also grieving for Bellamy, Echo and Clarke, and validating their grief, too. Clarke reacted - after the initial shock and grief - by sucking it up, as she does, in order to take care of the others, and focusing on saving the people Bellamy loved, telling Raven “We do this for him” and focusing on saving Octavia and Echo. Echo, on the other hand, reacted destructively and violently and by killing people for revenge and then plotting genocide as revenge for 3 months. This is the only way she knows how to process grief - she’s never known a different way, as I’m sure Azgeda weren’t known for compassion and sharing feelings. When Bellamy was grieving Clarke in season 6, she asked him “When do we attack?”, because that’s what she expected him to do, too. She’s also lost because she hasn’t lost just a boyfriend, but a leader and anchor in her new post-Praimfaya life, and because she had made saving Bellamy her mission she was waiting to fulfill during the 5 years on Skyring. If she had carried out her plan, I’m not sure she’d know what to do with herself. (I don’t know what it says about the mindset of us, humans of 2020, that so many fans have decided that Echo’s way of grieving is the superior one and the one that shows that she loves Bellamy the best. It certainly doesn’t show anything good.)

Octavia’s next argument - that there are many good people on Bardo she’d be killing - was even less successful, as Echo threw her relationship with Levitt back in her face, pointing out that he stole her memories, talking of him as one of their enemies, and then even saying: "Way to honor your brother's memory!" Echo came off as very judgmental here, and more than bit hypocritical - after all , she personally almost killed Octavia twice, and Bellamy started trusting her and dating her on the Ring, after she had given them both far less reason to trust her than Levitt did. Levitt actually took a risk and was helping her against Anders just out of his feelings for Octavia, while Echo only helped Bellamy and others after she was exiled and had to in order to survive. She seems to value forgiveness only when it’s others forgiving her (”Who knows more about forgiveness than us?”), even though she never expected them to and was a bit shocked that they did.

Clarke then tried to use her standard “This is not who you are” plea, but it didn’t work with Echo, since Clarke doesn’t really know Echo, and the words felt empty. There really is very little reason for Clarke to think this is not who Echo is, except for her tendency to assume Echo must have changed for the better because she’s Bellamy’s girlfriend and Bellamy loves her (see their conversation in 5x12). Clarke also tried to use her own experience - as she did with Raven earlier in the season - telling Echo that “a choice like this” would haunt her forever (of course Clarke would bring up MW, it always goes back to MW for her), but Echo rejected that comparison and, for a moment, channeled me by pointing out that Clarke’s motivations were to save her people, while Echo’s are purely revenge. Which was, however, a strange argument in context - pointing out that Clarke’s reasons were much better and she had no choice but to kill all of the Mountain Men or let them kill all of her friends and family, while Echo wasn’t achieving anything good and could just save all her people and not take revenge on the Disciples. But Echo seemed to be telling Clarke that they different, and she cannot assume that Echo will feel the same way about mass murder Clarke does.

Then Clarke finally brought up Bellamy, pointing out that he would not want a genocide to be committed in his memory. I don’t know how anyone who’s watched the show for 6 seasons could disagree with Clarke. But Echo did. What’s more, she yelled  "You have no idea what Bellamy wanted!" in a really angry, resentful way. It felt personal. I don’t know if Echo has felt romantic jealousy of Clarke over Bellamy - she has sure kept it close to her chest - but it certainly felt like some kind of possessiveness, like resenting the idea that Clarke was as close or closer to Bellamy and knew him better. In any case, this was a moment of extreme dramatic irony - because we know (and really, Echo should know as well)  that Echo is the one who doesn’t seem to know, or is simply ignoring, what Bellamy would have wanted and who he was. And she should know. She was there when he talked down Riley from killing Roan, telling him “War made me a murderer, don’t let it do it to you too”, she was there when Bellamy refused to kill 283 prisoners in cryo sleep and said “Clarke didn’t die for us to go back and make the same mistakes”. And she was there when Bellamy was grieving Clarke but decided not to take revenge for her death - not even by killing the man who murdered her, Russell - but to try to honor her memory by doing what she would want and surviving and keeping their people alive. Which directly contradicts Echo’s statement that Bellamy would be doing the same she is if one of them (Clarke, Octavia or her) were killed. Does she really not know him? Most of the time they spent together were in a time of peace and boredom with just 7 people on the Ring. She seems to be projecting her own ideas and views and character into him. 

Then Raven went on to agree with Clarke (but Echo did not resent her for saying it), pointing out how Bellamy has grown and changed and that the post-season 3 Bellamy certainly would never do that. I was slightly annoyed when she said that Bellamy of season 3 may do that - but to be fair, she did say, “maybe”. Now, season 1 or season 3 Bellamy was certainly angrier and more prone to black and white thinking when it came to enemies, and he may very well have agreed to kill all of the adult Disciples if he thought they were likely to be a threat to his people (which is what he did when he agreed to help Pike kill Lexa’s army), but he sure wouldn’t agree to kill any of them just for revenge, or to kill children and non-combatants (the one time he did it was MW, when he and Clarke knew there was no other way to protect their people from being horrifically killed, and he hated it and was haunted by it then). Nevertheless, that’s a minor thing as the point of Raven’s speech was the way Bellamy has grown and developed. Echo hasn’t really changed, certainly not as much as Bellamy wanted to think in S5. Is there still time for her to change?

In the end, love did save the day - but it wasn’t Echo’s love for Bellamy, it was her non-romantic love for Raven and Raven’s for her. Raven calling her a sister only helped pave the way - but she had to actually threaten to stay there and force Echo to choose between killing Raven and giving up her revenge, for Echo to finally stand down. The fact she did shows that maybe there’s still hope for her to change and give up revenge and violence for things like friendship.

 But then Anders had to appear and ruin everything, He could have just tried to arrest the group, rather than threatening them and giving them speeches about how he despises them for being “beasts raised in the wild”. (I’ve wondered many times since 7x05 is Anders is supposed to be smart or a complete dumbass. He was definitely a dumbass.)

Diyoza took charge, as the most experienced and tactical one, and almost.  And then Hope was again being her impulsive, angry, out of control self - Anders is always the person most likely to set her off - killing Anders (which I wouldn’t mind) but then also making her own attempt to commit genocide. (It’s funny that the four Disciples just froze and did nothing while all of that was happening.)

What happened then was both a heroic sacrifice and one of the best and most heroic death scenes on the show, a fitting ending for Charmaine Diyoza (even a visually beautiful death in a creepy way, as Diyoza turned into a crystal statue), with her final message to her daughter to be “better” than her in the future - and a heartbreaking loss for Hope, who has just been punished by the narrative/fate for her devotion to violence and hate and attempt at genocide, by causing her own mother’s death. She was obsessed with revenge for her lost childhood and the fact her mother was taken from her - instead of focusing on the future and what she still had. I’m sure that Hope will survive to the end of the series, and will have to question herself and change. She still has Aunty O to help her and be her family.

As we’re approaching the endgame, the show here made an obvious point about violence, hatred and revenge and having to give up those things - not for Anders’ unemotional duty to the collective, but for love and compassion/

Rating: 8.5/10

Do you have any ideas as to how you would have written Aveline differently?

(Anyway this turned out to be one of my favourite things I’ve ever written and oh man I would never claim to be a professional writer, and don’t meaning to sound like I’m bragging, but I think I’m in love with my alternate Aveline concept.)

Have you ever heard the song Bobcaygeon by The Tragically Hip? If you’re Canadian I’m gonna go ahead and assume you have, but if not, it’s about an RCMP officer who has become disillusioned with his job, having to sit back and watch fascists/white nationalists. Gord said the song is about asking “evil in the open or evil below the surface?” (Apparently he may specifically be drawing parallels to the Swastika Clubs and Christie Pits riot. You should look it up; no one ever talks about antisemitism in Canada.)

I highly suggest watching the music video for this song, and then imagining if in place of Aveline constantly being validated by how pure she is, we instead had a character who had her “Lawful Good” nature challenged and questioned.

Every other companion has to look at themselves, question themselves, even if not always deserved. But Aveline never does, because even when other characters challenge her, it is always written so she has the narrative’s moral high ground. And no, I’m not counting her Act 2 quest with Donnic, because that is such surface level shit in comparison to the others. Fenris is out here wondering if he’s ever been and ever will be truly free, Merrill and Anders are afraid they’re monsters, Sebastian doesn’t know if he deserves to be prince… And Aveline is afraid to talk to a man.

Imagine instead…

Act 1

Now, Act 1 as it stands I probably wouldn’t change that much, actually. Aveline is a new member of the guard, full of preconceived romantic notions of how good and upstanding the guard is, because that’s the life she’s lived. She’s a white human, the daughter of a chevalier, the widow of a templar. The law was designed to work for her, and she’s oblivious to the corruption of it.But then she finds out the shady business Jeven is involved with, brings it all to light, and is subsequently named the new Captain of the Guard. She also at this time grows closer to Donnic. She’s feeling pretty proud of herself at this point.

The only other thing quest-wise I would change, is her reaction to Magistrate’s Orders. When the elven father says that no one takes crimes committed against elves seriously, instead of her saying “You have so little faith in the law?” maybe have her, I don’t know, show a little compassion and surprise? Something other than passive-aggressively insulting him for calling out the guard?

Act 2

The Long Road quest? Scrapped. Aveline is a grown ass woman who doesn’t need Hawke managing her love life to such ridiculous extremes. We’re instead just plain shown that she and Donnic have become a couple, and maybe during Calling on the Captain, Hawke could ask about that, IDK. I’m not trying to take away her love life, just not make it as much of a forefront of her character. (I still can’t get over that we’re told Aveline either has the support of her guard or not and is better at her job or not depending on whether or not she marries Donnic. What the absolute fuck. Way to make your female character’s whole life about her male love interest, Kristjanson.)

Instead, Aveline tells Hawke that being Captain of the Guard is a lot harder than she imagined, because she fears she can’t trust her own men. After all, Jevan was hardly the upstanding citizen she expected him to be. If Hawke asks what Aveline means, she could mention that there are hundreds of outstanding reports from civilians, some filed against her very own guardsmen, that apparently have been stacking up for some time. (One of which she might mention being from the two elves in Demands of the Qun.) Another is Emeric’s investigation for the murdered and missing women. But instead of treating this like a chore, Aveline is rightly concerned that the guard is not doing its job. She asks Hawke to help her look into one of these things, because she feels an outside pair of eyes would be helpful/she doesn’t know if she can do it alone. 

As such, Hawke and Aveline then go investigate a murder mystery. The body was found hidden by the docks, and Hawke and Aveline go talk to the two guards who reported it. They say they thought the matter was put to rest but if Aveline really wants to waste her time as Captain chasing closed cases, she’s welcome to go after the Coterie, since he was carrying a letter written in some sort of Coterie code, most likely. The guard gives Hawke the letter. There’s also an optional point to go and talk to the victim’s family in the alienage, who deny any involvement with the Coterie, and that they were a good person.All this of course leads Hawke and Aveline to go after the Coterie, but after fighting their way through the hideout until reaching someone actually willing to talk, they deny even knowing who the victim is. Aveline doesn’t believe them, saying that of course they’d say that, and accuses that’s just want people like them do. But the Coterie then points out that the letter Aveline presents as evidence of their crime isn’t even written in their code, but that it’s elven. The Coterie suggests returning to the guards who told them such bullshit.Hawke and Aveline return to the two guards who found the body, and either a Hawke with an aggressive or charming personality is able to get them to confess that they were the murderers, or Aveline pulls it out of them, getting increasingly aggravated. The guards defend themselves by saying how were they supposed to know the letter wasn’t some Coterie code, and that no one will miss the victim anyway. Aveline will tell them to say that to the victim’s family, before having the guards arrested. She is visibly distressed over this.

The follow up Questioning Beliefs quest has Aveline distraught, saying that the Guard is part of Kirkwall’s problem, and asking if she’s stupid for having been so blind to it. Hawke can either encourage her to try and make things better, or quit her job. Either way, Aveline is left with some tough reality checks to confront.

(This also, of course, changes her reaction to the elves in Demands of the Qun and in The Captain’s Condolences as well.)

Act 3

Depending on what advice Hawke gave Aveline in Act 2, in Champions and Captains we either see that Aveline has stood her ground against the templars trying to take over, or let them do so. Hawke can then later either compliment or criticize her decision, criticism of which will be met with Aveline reminding “wasn’t it you who told me to try and make the guard better?” or “wasn’t it you who told me to give up on the guard?” 

Either way, Favour and Fault occurs, with Hawke receiving a letter that there are claims that Aveline is not suitable to be Captain of the Guard. Again, depending on Hawke’s advice, she’ll either be frustrated that despite trying so hard she still hears this, or wonder if they’re right.Skipping past the filler that is talking to Donnic and going right to Jeven’s confrontation, taking him down will leave Aveline feeling confident that at least she’s not him, and will never be him. Hawke once again has two options of encouraging Aveline: To stay as Guard Captain, by pointing out that Jeven’s power came from his allies, and that instead of trying to turn things around all by herself, she should look to the people of Kirkwall to help (because change isn’t going to come overnight, especially one that takes such a large culture shift,) or say that the law only keeps people from getting things done, and that if she really wanted to make a difference, she should be more like Hawke.

In the follow up Questioning Beliefs, Aveline will have renewed faith in herself that she can make a difference, either by changing the guard or announcing that she’s resigned as guard Captain and plans on fixing things herself, following Hawke’s vigilantism.

A few other Miscellaneous Things

You know I’d throw all Aveline’s dialogue insulting Isabela’s openness and comfortableness about her sexuality right in the trash where it belongs

Actually there’s just a lot of party banter I would scrap and replace with more positive interactions, with Merrill, Carver, Fenris, etc. 

I’d have her directly say that she’s bi because it’s tiring hearing people say she’s straight even though any Hawke can flirt with her, she’ll ask any Hawke that flirts with her if they ever thought about them getting together, and any Hawke can receive a kiss from her

The saddest thing about Aveline is, in my opinion, so much wasted potential. Are my ideas here perfect? Definitely not, but I do think it would make for a more interesting story and less stagnant character than what Kristjanson gave us.

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