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my-yuujin · 5 years

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Ryusoulger Solo Interview from Mynavi: Osaki Ichika

-It has been more than half of a year since the filming of “Ryusoulger”, has there been any change in your daily life before and after that?

Because the shooting is always early in the morning, it also changes my life schedule. I used to sleep until evening (laughs), but recently I can sleep and wake up early, even when I don’t have any shooting schedule. My body is already used to it.

-Is there anything that changed a lot as you are now playing as Asuna?

Recently, people told me that I have become a cutesy girl (laughs). I can see that Asuna’s fluffy character is slightly absorbed inside me. When I play as Asuna, I tend to speak with a slightly higher voice tone, and because I spend a lot of time as Asuna, my voice is a little higher even when I’ve returned to Osaki Ichika (laughs). “I may end up letting out a little flirty personality?” sometimes I also ponder about that.

-While it doesn’t suit her appearance as a cute girl, Asuna actually has tremendous strength. She shows extreme monstrous power, such as lifting someone with one hand and throwing it away easily.

Asuna is a cheerful character. It’s very fun to make her involved in many funny scenes with Kou and Melto. “Strong, but reckless” is the impression of Asuna’s personality that we try to convey, as she has been showing a lot of power since the first episode.

However, what worries me when playing Asuna is “How far should her strength be shown?”. I often consult with the directors, “Since Asuna has monstrous power, should she touch things like this, or should she be careful not to touch anything?” I myself am not strong like her, so sometimes people forget about that and say, “Huh? Shouldn’t it feel much lighter?” when I lift something. Oppositely, when it’s a scene when I want to use Asuna’s strength, I usually remind everyone, “I will hit this with a “BOOM”, so you all must react exaggeratedly, alright?” They will actually help me out with that.

-In Episode 1, Kou who teases Asuna as “Monstrous Power”, gets pushed and crashed against a rock. While Melto who witnesses that, seems to be reminded how strong Asuna is. That scene sure has huge impact in introducing Asuna.

Actually, Kamihoriuchi (Kazuya)-san directed that scene with a little surprise. In its rehearsal, I was told that it should go like: Asuna got angry with Kou, pushed him, and Melto reacted “What a strength!”. But when we actually did it, after I pushed Kou, suddenly an explosion happened with a loud “BOOM!!”. I was so surprised, and went “EHHH??” inside my heart. But since I didn’t show it on my face, the recording was regarded as an OK. Director Kamihoriuchi laughed and asked, “How’s that? Are you surprised?”(laughs). And thanks to that little surprise, Melto’s startled expression went out very real.

–Director Kamihoriuchi directed Ryusoulger The Movie, and also was in charge of episode 1 and 2 from the TV series. It can be said that he was the one who built the foundation of Ryusoulger’s shooting environment. Osaki-san, what was your impression of Kamihoriuchi-san?

When I played my part, but didn’t know how I should act for the next scene, the director said to me, “Your acting back then, when you play it by yourself, it gives you bad feeling, doesn’t it?”. He totally saw through it right away. And when I replied, “Yes, it feels bad. I can’t properly digest it within myself.” Then, he told me, “At this part, how about you do it like this?” That side of him really helps us the actors. While he does sound strict, everything he says can be easily understood by us. Even though it’s an important shooting, he’s a director who can make the work environment feel relieving.

-Action scenes are things that can’t be separated from a hero show, and you are now being challenged to perform those. Are you also good at action?

Action scenes are fun, and I love them. But I myself don’t really have a good sense (laughs). I thought I was good at moving my body, but since everyone around is a boy, it’s still hard to keep up with their speed and range. After being shown how it goes, the boys could do it quickly. But for me, it usually takes longer. So when there is time, the suit actors will teach me how to move my body and how to use the sword. After all, it must be fun if you can do at least one technique, but if you can’t, it will not be fun (laughs). There are some parts in me that hate losing. Therefore, I’m practicing every day so that I won’t be defeated by the boys. Basically, the action scenes are always exciting, as it really feels that you are being challenged.

–Asuna is presented as a character who loves to eat. In episode 9 she was shown eating yakiniku. In episode 13, it’s potato chips. In episode 16, she’s holding two fried chickens with her both hands. It’s a simple question, but did you really eat those?

Yes, I did. I originally like to eat, and the staffs also always prepare some snacks for Asuna. Even for myself, when it is a scene that I don’t have to do anything, I usually ask if there is any snack, as I’m really conscious of Asuna’s personality who always wants to eat something.

–Surely when you look at Asuna who excitedly eats anything, it is as if giving you energy, too, isn’t?

Of course, I’m also careful not to eat too much. That being said, after one scene is cut, and I don’t have to take part in the next scene, I will ask “Can I eat the leftover?”, and they let me (Laughs) Everyone else also takes part in eating them. The curry from episode 3 and yakiniku from episode 9 were delicious. I recently did a scene where we ate takoyaki. Every time Asuna eats something, I also always eat it, so I look forward to that because every food that has been prepared were so delicious.

-Ryusoulger ending song “Que Bom Dance” seems pretty popular on (T/N: Toei’s) Youtube official channel. Can you tell us some tips on how to dance “Que Bom Dance” well ?

The choreography for every dancer is the same, but when you dance, you may bring out your own personality, too. I’m not that good at dancing, but I dance with a feeling to have fun. If you bring out that kind of feeling, anyone who see your dance would say that it’s energetic, or looking cute. I guess such simple stuff is what makes you dance well (laughs).

-In episode 12 “The Illusion of scorching flame”, Asuna grew huge, because of that illusion, along with Ui and Melto. I guess it’s rare to see a real character standing on the stage of miniature set where Kishiryu and giant Minusaur usually fight. How was your feeling when being huge around buildings?

Dime Volcano really gives cool impression. Its face is small and looks stylish. I was entering the shooting site, thinking that the scene would be filmed with (T/N: green screen) compositing. I felt glad to be able to stand among Tokusatsu’s miniature set.

-Using a green screen, it seems difficult to act in the absence of anything, doesn’t it?

It is difficult to play emotions in such situation, because it is important to receive emotions sending by seeing the other person’s eyes. Instead, I have to act against the green screen, so it’s hard to insert my feelings into my acting.

–Ichinose-san, who plays Kou/Ryusoul Red, said that all six members of Ryusoulger have slight difference between their roles and their real personalities. Do you feel that you are also different from Asuna?

It’s a little different … but I guess recently, it may not be as different as before. Among the six members, Asuna and I may be the most similar in term of personality. I’m usually a very talkative and energetic person, so I feel that those parts are naturally brought out as Asuna. It’s also the same with her fond of eating. If I have to say the difference, I think it’s Asuna’s habit of puffing out her cheeks when she’s angry. I don’t do such cute expression (laughs). But, that part isn’t so difficult to act, and I can become Asuna very naturally.

-Asuna is always full of spirits, cheerful, and happily eats a lot. She is a very important character among the members, as their mood maker, isn’t she?

There are people who look forward to what expression Asuna will show, and what action she will take. Therefore, I’m working hard to enrich my expression, so that I can answer their expectations.

-On Twitter and such, we can find lots of Ryusoulger’s off-shot photos. Everyone always seems to have very much fun. Among the members, who is the most amusing when you are taking such pictures?

It’s none other than Melto’s actor, Tsuna (Keito)-kun, I think. He’s recently been bullied by everyone. It ‘s amusing because he’s a serious character. There are times when I tease that seriousness of Tsuna-kun (laughs). In episode 13, Asuna tells Melto her “real feelings”, and their friendship is broken. While it’s not realistic to reconcile that quickly later, but I guess it’s how the trio childhood friends are. I myself can be relaxed the most when there are Kou, Melto, and Asuna being at the same place, like they usually are.

-In “Kishiryu Sentai Ryusoulger THE MOVIE: Time Slip! Dinosaur Panic!!”, Kou, Melto and Asuna experience taking different moves among themselves. Is this a fresh sensation for Melto and Asuna?

Certainly, it was a great experience for us to not have Kou around. However, Melto works hard to pull everyone together, in place of Kou. And I think he’s done well in covering Kou’s absence.

-I would like to ask you some highlights in the movie. What was your impression when you were with Sano Shiro-san (Velma) as the the movie’s guest star?

In the scenes when I was co-starring with him, I felt overwhelmed by Sano-san’s aura. It’s not that it was scary, but when I was watching the scenes where he was playing, as expected, I goosebumped. But in usual situations, Sano-san was very kind, and he was even willing to start conversation with us.

-Please tell us Asuna’s important highlights in the movie.

Asuna on the TV series is always smiling and eating, so she makes lots of funny scenes. However, in the movie, the story itself is serious, and there are scenes where Asuna shows an explosion of emotions that exceeds the usual “emotions”. They’re not “anger” or “sadness”, those feelings filled my heart so much, that I didn’t even understand…. In one scene, the director (Kamihoriuchi) asked me, “Those lines, can you act them while laughing and crying?” I was worried for a brief, “What should I do?”, but I just tried to digest it within myself, and act it out by being myself. At that time, I left everything to the momentum, and the atmosphere that was created by the director and staffs. I acted while leaving my feelings going bare, so…, if I try to remember it now, the memories at that time were almost nothing. It almost felt like I was so high, like being suffocated. I was able to put out fierce expressions that may not be found on the TV series, so I would like you to check what kind of emotion Asuna expresses in the movie.

-Is there any trivia scene that you want the audiences to pay attention to in the movie?

Asuna is not only cheerful, as she also can sometimes act firm. There is a scene in the movie where she throws a peculiar gaze towards Banba, so please be sure to pay attention to it. I haven’t confirmed it (by seeing) the completed movie yet, so I’m sorry if it was ended up being cut out (laughs). Asuna is also expressive in the movie, and I hope you can support Asuna exploring those expressions.

-In the movie campaign, there should be more opportunities to meet children fans directly. Have you ever had any interaction with those children fans before?

Recently, we get talked to more often by the mothers who bring their children outside. There are a lot of girls who say they like Asuna, but boys who likes Asuna are quite a number too. Many children appeared in the movie as extras, but since my turn was in the afternoon, I couldn’t get involved with them. It seemed that one of the girls who had been filmed since morning cried, “If I don’t meet Asuna, I won’t go home!”, so I rushed immediately to meet her. I’m very grateful to her feeling, and the children’s support always become our energy. I would like to create an environment where I can interact with the children directly in various places, so please continue to support Ryusoulger and Asuna!

source: news.mynavi.jp/article/20190725-ryusoul/

#kishiryu sentai ryusoulger #asuna #osaki ichika #ryusoulger #translations #ryusoulger interview

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melledotca · 5 years

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Podcasts

I ported Parts 1-5 over from my old WordPress blog, and have updated those since. From then on has been added anew as I’ve started listening to new stuff. First post was back in 2010, so some of these I stopped listening to (or they ended) years ago. YMMV.

Part 1

A History of the World in 100 Objects

Andrew turned me on to this one, which comes to us from the BBC. If you've ever watched a show like Britain's Secret Treasures, this is quite similar, and one of the objects featured so far is one that was also on the show.

Each podcast they feature an item from world history and talk about what it is, when and where it came from, what it was for, and other socio-cultural contexts, often with interviews with really interesting folks. And there is some Attenborough. :)

Answer Me This!

Two British people get questions in from all over the world, though mostly from other British people, about anything and everything, and then they endeavour to answer them. Some of them relate to trivia, some actually require a bit of research about origins and such, and some of them are filthy and funny. Cuz, y'know, it's the internets. Host Olly really, really loves his cat, Coco, and Helen hates cats.

How Stuff Works

These were some of the first podcasts I started listening to. Stuff You Should Know has been going for a decade now, and while I listened to hundreds of episodes, I stopped listening some time ago. The landscape just filled up with too much more interesting stuff. I still listen to Stuff You Missed in History Class and Stuff Mom Never Told You, though I moved on from BrainStuff, TechStuff, and Stuff to Blow Your Mind, etc. some time ago. There have also been some video ones that I would catch up on while painting, doing dishes, etc.: Stuff They Don't Want You to Know, Stuff of Genius, Stuff From the Future. With various partnerships, etc., How Stuff works has a bunch more podcasts now, but I am kind of overflowing, so haven’t spent much time looking into them.

Fw:Thinking

This was a How Stuff Works/Discovery show (from when Discovery had acquired them, which has since been un-done). The two hosts from TechStuff and another guy hosted this one. Longer format, and tech topics that cover a potentially broader range – e.g. science that's not necessarily tech, as well as social implications and things like that. Lasted a few months on this one.

The Memory Palace

Publishing is a bit inconsistent, but I’ve had this one on the list for years, and it will stay. Interesting little vignettes from history. Sometimes funny, sometimes sad, often presented from a really unique and brain-twisting angle. And Nate diMeo rivals Roman Mars for Most Soothing Voice.

Savage Lovecast

Dan Savage's advice show, which goes along with his column, wherein people call in and leave questions, comments, rants, etc. It's human sexuality-centric, though there are cultural aspects as well, particularly those relating to non-vanilla, monogamous, heterosexual relationships and interactions. I didn't listen to this one regularly, but would binge listen for a week or two until I was tired of the weird problems of the young/old/gay/straight/bi/trans/kinky/etc. I don't always agree with Savage's perspectives or advice, but I learned a fair bit, too, which is even better than just being entertained. Gave up on it some time back.

Sawbones

The husband, Justin, plays the dumb everyman to his wife, Sydnee, who is a doctor. They (mostly she) present a medical condition, phenomenon, etc. and discuss how it was perceived and treated throughout history. As you can imagine, many of them are rather horrifying from a modern perspective, but can also be kinda funny, hence the tagline, "A marital tour of misguided medicine". Everything from headaches to fertility issues shows up, and if you're the kind of person who makes it a point of visiting 19th century surgical museums while on vacation (yup), you'll dig this. That said, eventually it started to annoy me (him, particularly), so I gave up on it.

Welcome to Night Vale

This is weird. That cannot be overstated. Ostensibly it's a community updates radio broadcast from a desert town in the US. Except there are angels and aliens and wild dogs and homicidal wheat and wheat byproducts. There's not just a local constabulary, but a Sheriff's Secret Police. There's a long and expensive boardwalk, except there is no water anywhere near the town. There's an eccentric old woman and a dreamy scientist, and random shadowy characters who come and go. Occasionally people get vaporized. Or there's a bake sale. Anything could happen. That was just the first season. Like I said, weird. But with fun music and compelling overall. I never got around to following up on succeeding seasons, but I know some people remain big fans.

The Moth

The Moth is a series of storytelling events that go on around the US, and are semi-professional. A lot of the speakers present more than once, there are awards and a championship and such. A lot of the speakers are also professional writers, and I gather you call a hot line to pitch your story idea and they work with you to polish it up and get it ready for prime time. The podcast is a distillation of these stories (which are also played on the radio in the US, I gather), and rarely disappoint. In fact there've been a couple of times when I probably shouldn't have been driving while listening, they're that engrossing. There's a book, too, of hand-picked stories. Highly recommended, but eventually I just kinda lost interest, like with TED Talks, etc.

This American Life

Was the number one podcast in the US for a long time. Don’t know if it still is. I am not a fan of the host, Ira Glass', voice, but you get used to it. It's a bit like The Moth, in that it contains in-depth stories about lives often very unlike your own. But it's also journalism, too, to get these stories, with a fair bit more socio-political commentary, whether it's about a Chicago school with a lot of gun deaths, or just how dangerous acetaminophen is. The topics cover an amazing wide range, and some shows are a lot more heart- or gut-wrenching than others, which is cool. The amount of work that must go into making these shows is staggering. All that said, I didn’t stick around very long.

Quirks and Quarks

From the CBC, podcast version of the radio show. All manner of science, and plenty of dinosaurs – everyone likes dinosaurs! I've also noticed that there tends to be a lot of women among the scientists they interview, which I appreciate. Eventually moved on from this, too.

Ontario Brewer

A great way to get to know the breweries and beers of Ontario, and the people who make them. (Craft brewing folks tend to be a lot of fun.) I find Mirella Amato, the host, to be fairly pretentious, but it's not really about her. I also tend to only listen to every other podcast. They do two per brewer, first picking a couple of their beers and talking about them, as well as the brewery history and whatnot. Then in the second one they pair the beers with cheese, chocolate, etc. A podcast about people talking about tasting things strikes me as a bit dumb. Not sure if they still make this one.

99% Invisible

Originally recommended by two very different friends, which is a good sign, and remains a staple. They had a clothing mini-series called “Articles of Interest” that was super interesting not long ago. It's about design in the world, architectural and otherwise. It looks at things you may never have seen, and things you look at every day. They could cover a specific iconic building, or a chair design that’s been ripped off a million times, or the history of pockets. A good way of shifting your perspective a bit. And Roman Mars rivals Nate DiMeo for Most Soothing Voice.

The Nerdist

I find Chris Hardwick a little annoying sometimes, and things can get pretty in-joke-y when Matt and/or Jonah are there. However, they also interview really cool people, so those are fun. I don't listen to all of them, and skip the ones where it's only Chris and co. talking, or when the guest is someone I don't know or care about. Plenty of great geek culture, though. Gave up on this one a long time ago, and turns out Hardwick IS a dick, so done with that genre.

StarTalk Radio

Neil DeGrasse Tyson's space-y show/podcast. He gets some really cool guests, but the musical bits are really annoying. Includes both Tyson talking science, and discussing with the guests. The cool part is that they're not all boffins. Could be Dan Aykroyd or Tony Bourdain or Joe Rogan. Didn’t last very long with this one. Just didn’t click.

Crash Course World History

Video series. John Green delivers the history of the world in 10-ish minute chunks. He explains the what, where, when, etc., as well as how those things affect the world now. He also has mad love for the Mongols, which never stops being funny. Aside from learning a more inclusive, less west'n'white version of history, you'll also get fun tidbits, like how the Silk Road (which wasn't just one route) helped bring the plague (Black Death, anyone?) to Europe from Asia.

Thug Notes

Big props to Dave for turning me on to this one. Sparky Sweets, PhD (alias), delivers book/play summaries and analysis on classic works of literature, from Austen to Shakespeare, in 5-ish minute increments, accompanied by entertaining animations and charmingly colloquial language. Frankly, his summaries and analysis are better than a lot of the formal education in lit that I've received. And way funnier. I don’t think many of these get made anymore as they got acquired and he’s been doing other projects.

Part 2

CANADALAND

News, media, and criticism about Canada. Jesse Brown is the guy who broke the Ghomeshi scandal. It's opened my eyes to how little I knew about what's going on, news-wise, in the country, and who's making the news (and what their agendas are).

Caustic Soda

Violence! Disaster! Weirdness! Big time geeky, lots of science, lots of grossness, sometimes really interesting guests. Plus the Muppet Show cover theme song for when they have guests always makes me grin. Has been over for a while, but the archive is worth a listen.

Criminal

In keeping with the true crime vein, stories recounting actual crimes with interesting details, weird twists, or lingering mysteries. Fits in well for folks who like Serial and such.

The Truth

Short radio plays/vignettes that are odd, affecting, and strangely engaging. It's really hard to describe, but hooks you quickly. I tend to go a while not listening to it, and then I’ll catch up and an episode will totally grab me.

Part 3

CANADALAND: COMMONS

COMMONS is the second podcast CANADALAND started producing, covering Canadian politics and related topics. It initially drew me because it was sort of a “politics for people who aren’t into politics” twist. In addition to covering news and issues, they would get into things like what the Senate is and how it’s for, or dig into terms like populism or what a fiscal conservative is, which is handy. The podcast has cycled through several sets of hosts and with each iteration has had a very different focus and flavour. The second group focused a lot more on social justice issues. They have mostly had hosts who are relatively young and people of colour, which I think helps expand the perspectives. With the most recent iteration the host is a journalist who has been exploring corruption in Canada.

Freakonomics Radio

Same schtick as the books, etc., and one I'd listened to some time ago, but then it seemed to disappear. Back now and enjoying it. Economics isn't really my thing, either, so it's interesting to see it approached from angles that do interest me, or have a certain "WTF?" aspect, like an episode on the economics of being a sex offender (it's a really bad idea - aside from being punished for the crime, you're going to be punished socially and financially pretty much forever). Stephen Dubner has since gone out kind of on his own, and I think has plans to take the production in new directions, so we’ll see what they get up to.

All the Books

This one’s great because it’s about books and I get lots of recommendations and I like the hosts. It used to be frustrating because it was expanding my TBR list too quickly, but I learned after a while that the hosts and I don’t love the same things, so most of what they love/recommend isn’t going to be a huge priority for me. There’s a backlist show/episode interspersed with new releases, too, which I don’t really follow, but it’s an interesting rabbit hole. They get a nice variety of genres, author types, etc. as well.

Gastropod

This one is one of my favourites. It’s about food, but explored via science and history. And of course there’s the odd weird taste test, because food and entertainment. There's some cute "friction" between the hosts sometimes, as Nicola is British by birth, and so has very across-the-pond opinions on many things related to cuisine, manners, etc. Whereas Cynthia is American and Jewish and her east coast experiences reflect that, too. The ladies are both writers and journalists and have gone on some amazing adventures. And hey, what better way to learn all about a gazillion varieties of potato than to go to Peru and attend a festival for them. WILL make you want to eat and drink all the things.

Invisibilia

This one's about unseen factors that shape our world, though that sounds pretty vague, and if you just start listening to episodes things can seem kind of random. They will cover huge topics, like how humans' tendencies to assign (or chafe against) categorization shapes our world, or how our expectations of "disability" may be off base. Sometimes the approach is a bit more sideways/quirkier, though. I really like the combination of stories and anecdotes focused on the topics, but also how they blend that with science and studies and all that other rigorous stuff. They’re longer episodes, and seasons are spread out pretty far (I think the hosts have a lot of other projects), but good for a long walk and a think.

Mystery Show

Defunct now, but was super quirky and charming. The premise is that the host and chief investigator takes on a mystery for each episode. Something that's been bothering someone for some time (could be weeks, could be decades), and solves it. That could mean finding out something, returning something to its owner, etc. It can't just be something solvable by using the Internet, as we're so prone to doing these days. (I will note that my perception of the host based on her voice was SO completely off base when I finally saw a picture of her.) It’s one of those story-centric podcasts where the premise seems frivolous, but totally isn’t in the fullness of time, as it were. One of the earliest episodes I listened to was about returning a unique belt buckle to a chef. Turned out to be an amazing chase and surprisingly poignant. Certainly unique, and really gets you pondering unknown or unsolved things in your own life and how one would go about solving them (especially without the internet).

White Coat, Black Art

This one’s from the CBC, and the host is Dr. Brian Goldman, who’s a long-time ER physician in Toronto. The premise is looking at healthcare from “all sides of the gurney”. It goes well beyond emergency medicine, though, and tackles issues like wait times, marginalized or ageing populations, managing disabilities, the opioid epidemic, and broader ties to history, politics, and society. In a country where we have a huge Baby Boomer cohort getting ever older, and the challenges that brings, there's a lot to talk about. He also has some fantastic and intriguing guests, and some fascinating glimpses into how healthcare gets handled elsewhere (like the US and Europe), for better or worse.

Part 4

The Allusionist

Helen Zaltzman from Answer Me This talks about the English language. Quirks of words and phrases, where sayings came from, invented languages, colloquialisms and slang, history and evolution, you name it. She has some great guests from other relevant podcasts, too, which make for some fun times. Good stuff for word nerds.

Another Round

Another now defunct Buzzfeed podcast, but was really excellent. American, and largely focused on Black culture. (Both hosts are Black women.) Highly irreverent, and regularly makes fun of white people and mainstream culture - moments in white history are some of the funniest stuff I’ve ever heard. It's not all goofing off, though. There's a lot of discussion of race and related issues, gender, socioeconomics, straight up pop culture (it is from Buzzfeed...) and some really great interviews from people like Hilary Clinton, Valerie Jarrett, Anil Dash, and Hannibal Burress. You never quite know what you're going to get, which makes it more fun. Archive recommended.

The Black Tapes

I started listening to this one because Paul Bae of You Suck, Sir is one of the producers. I gave up after the first season. It was just trying too hard and dragging out waaaay too much. It’s a radio drama about investigations of the paranormal, a bit X-Files-y. The idea being a serialized investigation of an unsolved case each episode, but they got away from that pretty quickly. The dialogue is also a bit rough sometimes, and they go way over the top with the soundscaping for suspense and drama, which I found really distracting.

Death, Sex & Money

Does what it says on the tin, though depending on the interview, focus, and stories, might get more or less of any one of those foci. Mostly interviews and discussions with really interesting (sometimes famous) people about the stuff we don’t talk much about openly. And of course there’s plenty of, “I can’t believe I said that!” The one with Jane Fonda was excellent.

Lore

History, folklore, and stories woven together. This was Aaron Mahnke’s first podcast, and it has since spun out into a media empire with books, a TV show, and more podcasts, etc. Mahnke’s delivery style has smoothed out over time. He was a bit... Shatneresque for a while there. The stories are true, with a hint of mystery and plenty of the unexplained. But Mahnke does a good job of weaving in myth, folklore, the supernatural, and other relevant things to give richness and context to the stories. And they never entirely wrap up tidily. His Cabinet of Curiosities is a good, shorter sister accompaniment to this.

Planet Money

A bit similar to Freakonomics... but not really. All manner of finance-related topics covered from a variety of angles, though US-centric, unsurprisingly. Sometimes more finance-centric, but other times gets way more into psychology, anthropology, etc. There was an episode on the anatomy of a scam was fascinating and heartbreaking. Great investigative work. But then there are others like the one about "delicious cake futures" that're just irreverent and hilarious.

Reply All

"A show about the Internet". Which it is, but... that doesn’t really tell you anything. This one is often SO much fun, and they go down some incredible rabbit holes, whether they’re explaining internet culture to their boss by unravelling a tweet (”Yes, Yes, No”) or exploring a weird tech mystery, like a phishing incident. You will definitely learn things you had no idea about, become fascinated by fraud, and realize you barely know anything about the breadth and depth of internet culture.

Still Untitled: The Adam Savage Project

Another round of serious geekery. Mythbusters' Adam Savage and friends just... talk about stuff. Projects they're working on, particularly Adam's, geeking out over... things. Things they like, things they've made, things other people made that they wish they had... There's a definite maker bent and a geek pop culture bent. Like The Martian has gotten a lot of love over the past while. But they talk about everything from billiards to camping, and it goes along with the Tested show as well. For science! I didn’t end up keeping up with this one for long, since I’m not that kind of maker and the shows were fairly long.

Stuff Mom Never Told You

This one I've been listening to for years, through several iterations of hosts. The focus was a bit more political and career-centric with the last hosts, and a bit more cultural with the current ones. All things feminism and gender, and the related issues where those things are concerned. It’s US-centric, so some of the content isn’t always entirely relevant outside the country (like healthcare and reproductive rights), but good to be reminded that Gilead isn’t entirely fictional...

Stuff You Missed in History Class

Like the above, have been listening for years, so time to give it its due. It is an American podcast, so there's plenty of US history on offer, but they do cover plenty of other countries, time periods, and types of history. Everything from fashion, to art, to great dynasties, to titillating scandals, to amazing characters, to disasters (both ancient and modern-ish). They try to include plenty of history that’s not just white and male-centric (though they get plenty of complaints about “too many women”, because people are assholes. They also have really interesting interviews, often with authors. This Day in History Class is their little sister podcast, which is a 5-minute daily on what happened that day historically.

Part 5

50 Things That Made the Modern Economy

Coming to us from the BBC World Service, this one reminds me somewhat of my much-loved A History of the World in 100 Objects. It considers a wide range of products and services, from barcodes to insurance to paper. They explain where these things came from, why they were revolutionary, their broader influence and importance, and their ongoing value and evolution in today's world. Episodes are fairly short, so good for a quick hit thought provocation, or you can save them up for a fascinating topical binge (and see how some threads of history, business, tech, etc. fit together).

Crimetown

Exposes the seedy underbelly of various places and people. Season one was Providence, Rhode Island (including infamous mayor Buddy Cianci and New England crime boss Raymond Patriarcha). Season two will focus on Detroit. The first season had characters and stories that were straight out of the movies, including the wise guy accents. Classic mobsters and mayhem. Great for true crime fans, but with a bit of a twist.

The Infinite Monkey Cage

The longer format of the weekly BBC Radio 4 show, with Robin Ince as the straight man, and British science's favourite media son, Prof. Brian Cox. Each episode irreverently tackles a science topic, from sleep to gambling to climate change, assisted by a panel of scientists, academics, writers, and comedians. The schtick wore a bit thin for me after a while, though one Christmas episode on ghosts was a particular highlight.

Longform

As advertised, these are long interviews (typically an hour or a bit more) with a variety of interesting folks, the key connecting thread being that they're all writers or editors (or both). That's a pretty broad category, though, as interviewees range from Ta-Nehisi Coates to Nate Silver to Malcolm Gladwell. I don't listen to every one, but when you get a good one, man, is it interesting stuff. Problem is you don’t know before you listen what ones will be gold, and it’s a lot of time to commit.

Note to Self

Defunct now, this one styles itself as "the tech show about being human", which is true, though it leans heavily at times on lifehacking and projects - things like making ourselves more efficient, establishing good habits, etc. None of that was really my thing and I tended to skip those episodes. It also learned a lot toward issues and lifestyles of the modern family, which can either be interesting from a peripheral perspective (since I don’t have kids) or more blablah I don’t care about. Stuff about digital privacy, racism online, etc. were pretty universally interesting and useful topics, though.

Only Human

This one wraps science and humanity around politics and currently events (US-centric). Like US "bathroom laws" and how they tie into real families with trans kids, and the clinics and medical staff that work with and treat those kids. Or medical care on Native reservations accompanied by centuries old well-earned mistrust of the establishment. Or accompanying a doctor whose mission it is to provide safe abortions in the south, and how increasingly difficult that's become. I thought this one was defunct, but looks like I just stopped listening after a while. (I know they went through a pretty intense self-improvement project phase, which was of zero interest.)

Revisionist History

Malcolm Gladwell’s first dive into podcastland, and definitely one of my favourites. After the 2016 US election, this show and Tony Bourdain’s Parts Unknown kept me sane. In each episode, Gladwell takes a historical event, recounts it, then deconstructs it and re-recounts it from other angles, shedding new light and context on it. In certain ways it’s classic Gladwell. It tackles racism, sexism, homophobia, and all the other big -isms. It gives names to issues and societal quirks you’ve always been aware of but never had definitions for. Some stuff is broadly culturally or historically fascinating, but I guarantee something will hit you way closer to home than you ever expected. So far this one’s three seasons in, and he’s how started a network, Pushkin Industries, which also now includes the Broken Record music podcast.

See Something Say Something

Buzzfeed used to have some fantastic content by great diverse voices. I’m not sure how much of it is left now that this, Another Round, and probably others have ended. This one is about being Muslim in America, and is an instance where I have no issues with stories, perspectives, and content from Millennials and those younger. Mixes pop culture with religion, intellectual discourse with goofy irreverence, and you’ll definitely learn stuff every episode. The number of smart, successful female guests was also always a highlight.

Weekly Infusion

Didn’t last long with this one, but checked it out since Nicole Angemi, who I follow on Instagram, was a guest. It ended up a bit slick and overproduced for my taste, though it did dig into medical issues, pathology, etc., which is up my alley. They did make things really accessible, perhaps almost too much so. And they had celeb guests or other notables who either have a stake in the medical issues being discussed, or are experts in that field. I listened to episodes about anaphylaxis to epilepsy to synesthesia, so something for everyone if the format is cool with you.

You Must Remember This

The first couple seasons were a great binge for me, covering all the fascinating stories, scandals, juicy trivia, and big characters in the first century of Hollywood. There were some fantastic series, like Charles Manson's Hollywood, the Blacklist/McCarthy Communist witch hunts, Hollywood during WWII, or “Six Degrees of Joan Crawford”. But since then it’s gotten more meh. Just topics or series that don’t interest me or that feel like they’re getting a bit too peripheral. May still be fascinating to super hardcore movie history buffs, though. The most recent series was really side content to go along with the book she has coming out, so we’ll see if future seasons are any more like the older stuff or not.

Part 6

Aaron Mahnke’s Cabinet of Curiosities

This is the same guy who does Lore and Unobscured. These episodes are shorter, each with a couple of stories about a wide variety of people, places, things, events, etc. that are unique, odd, or generally unexplained. Because they don’t have to fill out a longer episode, you’re more likely to hear about things that weren’t covered in a bunch of other podcasts.

Broken Record

Malcolm Gladwell’s second podcast outing, in addition to my beloved Revisionist History. It’s only a few of episodes in so far, and music podcasts haven’t really been my thing, but the first episodes have been super interesting. I did skip the third one since I don’t like Rufus Wainwright. Definitely willing to give this one a few more episodes to see how it plays out. The guests are the folks who’ve been there and done that and have all the stories.

Committed

This one’s a season in, and it’s about relationships, but it’s wide and deep. Getting pregnant at 14, infertility, a terminal brain tumour, lost at sea, second marriage, life sentences in prison... these are not your average suburbanites. Or they are, but it’s parts of their lives you’ve never known. Elevated snotbomb risk from time to time, but really well done and there’s something relatable in every episode.

Bodies

Also one season in. By women, for women, about women (though anyone else listening in will learn A LOT). Stories of health and issues and the struggles of getting correct diagnoses and treatment and how life and bodies change. I suspect most women would relate to something in every episode, even if it’s not specifically about an issue you’ve dealt with. Men would probably have a lot of holy shit moments listening in.

No Such Thing As A Fish

The researchers for the UK quiz show QI sit around and riff on their four favourite facts of each week, along with supplementary facts and random anecdotes, bad puns, dumb jokes, and taking the piss out of each other. It’s very nerdy and a lot of fun and will fill your brain with excellent trivia. They do a lot of live shows as well, so many of those are a bit themed to wherever they are on that week.

OPPO

Another CANADALAND podcast, which I have recently gotten rid of due to overload. Jen Gerson and Justin Ling basically spend each episode kvetching at and interrupting each other regarding politics and issues of the day. Not sure how well they actually represent particularly opposing political views, but she’s a woman and lives in Calgary and he’s a gay dude in Toronto, so, okay? I do find out about issues I hadn’t heard much about, so that’s good. I think it’s more just YMMV re. the hosts.

The Secret Life of Canada

This one was picked up by the CBC and I am still kind of bitter that I missed the ladies at the Kitchener Library a while back (I wasn’t listening to the podcast yet, but still). Basically, stuff you never learned in school about our country’s history, and which, frankly, should pretty much just replace our still very white, patriarchal, colonial history teachings.

Sidedoor

From the Smithsonian, the podcast covers all kinds of stories, people, events, and things from the museum. A bit hard to pin down, but super interesting, and talks about everything from a famous skeleton in their collection (the guy used to work for the Smithsonian!) to Gullah cuisine. Very American-centric, unsurprisingly, but enjoyable for history/anthropology nerds.

Small Town Dicks

True crime stories, but the twist is that the detectives who investigated them are the ones talking about them. The hosts are Yeardley Smith (best known as the voice of Lisa Simpson) and Zibby Allen, who I wasn’t familiar with. Then they usually have one or both of Detectives Dan and Dave, who are twins and cops (though one’s retired now and the other’s been promoted to Sergeant), as well as frequently guests who are other cops talking about the specific case of the week. I’ve found the handling of the subject matter both really in-depth (and sometimes pretty horrific or even comical) but also respectfully done, which is more than I can say for some other true crime podcasts I’ve tried.

Sold in America

A fairly new 8-part series about sex work in the US with a focus on trafficking and the many issues directly entwined with it — previous trauma, poverty, unemployment, addiction, etc. I’m almost to the end, and it’s been excellent, and often quite uncomfortable. It is US-focused, but the issues there are no different from here or anywhere else. The host Noor and her team travel a lot of talk to a lot of people whose lives this is or has affected, so these aren’t third-hand stories; this is lived experience, from women at the Bunny Ranch in Nevada to trans youth trying to overcome homelessness.

This Day in History Class

The little sister of Stuff You Missed in History Class, a daily, five-minute quickie of what happened on that date historically. Good snack for history nerds. Sometimes ties into longer episodes on the same or related topic that SYMIHC will be covering as well.

Unladylike

The two former co-hosts of Stuff Mom Never Told You went out on their own and are working on a feminist media empire (their book came out last month). Same topics re. feminism, gender, politics, sexism, diversity, culture, etc. Sometimes lighter, sometimes super heavy, but really interesting and they have some fantastic guests. And they can swear now. In addition to all the doom and gloom out there, they do also try to bring the good news (and diversity), too.

Black Tea

Former CANADALAND: COMMONS co-host (and current Melle coworker) Andray Domise and his friend (lawyer and activist) Melayna Williams get into culture, issues, and current events, particularly relating to Black communities in Canada (and somewhat the US as well). A lot of it goes over my head (big reveal: I am not Black, and I am old), but it’s cool to learn about stuff I know nothing about, and a common complaint I have is that too much of the media I consume, especially podcasts, is US-made/centric, so the CanCon is refreshing. Also at times very funny, though when there is a rant to be ranted, they don’t hold back.

The Butterfly Effect

Author/journalist/film maker Jon Ronson did this one-off series investigating the effects of the explosion of the online porn industry on the legacy porn industry. He was fascinating by the idea that online porn as we now know it is basically attributable to one guy in Belgium (and one company), and wanted to know what the far-reaching effects of that have been. It’s fascinating, and weird when you end up having moments almost feeling sorry for people and producers in a business that is, to put it mildly, problematic and exploitative. However, at the same time, it is a fascinating dive into human psychology.

Death in the Afternoon

New podcast by the ladies behind The Order of the Good Death, including Caitlin Doughty, its founder, who has written two books and has a popular death-positive YouTube series; Sarah Chavez, who you have very likely come across online as she’s widely involved in death education, culture, etc.; and Louise Hung, their coworker, who has also written broadly and extensively online. Typically they start off digging into some story/urban myth about death (or a sensational death) and breaking down the truths and fallacies and intricacies of the story. Then Sarah will tell a longer story of death relating to the issue at hand, which often involves mystery, folklore, etc.

Dirty John

This was originally an LA Times series, which was turned into a podcast, and is now being made into a TV series. True crime story centring around a truly horrific dumpster fire of a human being and the family he terrorized. Sensational, certainly, but also mind-blowing that it actually happened, and a lot of psychological explorations. Big time potential triggers for mental and physical abuse, drug addiction, violence, and other issues.

Ear Hustle

All about life inside San Quentin prison in California, and hosted by Nigel Poor, who volunteers there, and Earlonne Woods, who has been incarcerated there, but whose sentence was commuted as of US Thanksgiving 2018, so he’ll be free shortly. One imagines things will change somewhat with him shortly being on the outside, though he’ll remain a producer on the show and will report on post-prison life. The show does a good job of fleshing out and humanizing the inmates and stories, though doesn’t sugar-coat that some of these men are in for really bad stuff. It also sheds light on broader issues like the prison pipeline, over-representation of people of colour, and challenges of life after prison.

My Dad Wrote A Porno

There are three hosts, all friends, and host/story reader Jamie’s dad “Rocky Flintstone” is the writer dad in question. Apparently a while back he learned of and/or read 50 Shades of Grey and figured he could do that. (Given how terrible it is, who couldn’t?) So he took himself to the garden shed and wrote... Belinda Blinked. The resulting podcast is Jamie, James, and Alice reading the book(s) and talking about it (mocking it savagely). It’s filthy, the writing is terrible (and Mr. Flintstone seems to lack even basic understanding of female anatomy, among other things). The commentary is hilarious and frequently includes education about things like female anatomy (as much for James, who is gay, as anyone). They just finished the fourth book as of November 2018, and will return with the fifth next year. After the annual Christmas special, of course.

Taste Buds

Another offering from the CANADALAND folks. One season so far, and I won’t be tuning in for a future one. The premise of a former restaurant critic sitting down with restauranteurs is potentially interesting, but nothing about the actual execution of it really grabbed me. It’s also all in Toronto, so places I’ve never been and mostly people I’ve never heard of (and don’t care).

Thunder Bay

Also a CANADALAND offering, and the result of hitting their crowdfunding goal last year. A five-part series hosted by former COMMONS host Ryan McMahon (who is an Indigenous person) about the city, people, politics, and culture of Thunder Bay, ON. Accompanied, unsurprisingly, by the corruption, racism, social issues, and deaths of a number of Indigenous youth over the last few years. It’s a horror show, and not easy to listen to, but the degree of racism, sexism, and corruption shouldn’t really surprise anyone with their ears generally open. Or if it is surprising, then listen to it twice. Also a good thing to send to anyone who tries to argue that Canada doesn’t have the same kinds or level of issues as the US.

Unobscured

Aaron Mahnke’s latest podcast, and a historical deep dive. (Kind of like the historical flip side to the cultural side that is Revisionist History). For the first season he’s digging into the Salem Witch Trials. It’s a degree of background and detail that very few people are likely to be familiar with, and it had way more to do with politics, power struggles, religion gone awry, misogyny, and other familiar social ills than with ergot poisoning, religious fervour run amok, the devil among us, or whatever else has become the pat stories in the succeeding few hundred years. As I understand it each season will be regarding one event and take a similarly deep approach. It’s at times a bit more detail than I care about, but I’m still curious about how it’ll wrap up and what next season will bring.

Part 7

Code Switch

One of the NPR family. Had to pick and choose of the backlist, since it’s been on the air for several years and there’s NO WAY I’d be able to listen to them all. However, it is really interesting to hear their discussions/insights of major events months or years later. The hosts are people of colour, as are the guests, so the focus is on race identities and issues. Being NPR, it’s pretty American-centric, but like most other things, that still affects the world beyond their borders. Sometimes hard to listen to, but I absolutely always learn something.

Dressed

This is one of those where, on the surface, it’s not my thing, but then I end up getting really engaged and learning tonnes. This one is from the How Stuff Works/I Heart Radio network, and is about the history of fashion. Now, fashion itself isn’t really my thing, but fashion is very much tied to history, politics, gender issues, the environment, global trade, race relations, and a million other things. I don’t listen to every episode, but I always learn stuff. The two-parter on the history of Black Dandyism is an excellent example of a topic that ties in all the subjects I mentioned and more, and was just super interesting.

Ologies with Alie Ward

Definitely a new favourite, though I’m still about a year behind in the backlog, and episodes tend to be 1-2 hours long. Host Alie Ward refers to it as a “science adjacent” podcast, though it is scientific and in the top 10 on Apple’s Science podcast rankings. Basically, Alie interviews an “ologist” in each episode, an expert on a given topic, anywhere from squids to crime to postcards. The personalities of the ologists really come through, which make it funny and quirky and sometimes things go down the strangest and most charming rabbit holes. A big bonus is that few of the ologists are old bearded white dudes. (Though the bearded old white dudes are delightful, too – mushrooms!) Alie’s asides and inputs take a bit of getting used to, but I enjoy them now. Sometimes they’re additional educational tidbits she researched, sometimes they’re just dorky moments. It’s one of those shows where, even if the topic doesn’t seem up my alley, I listen anyway, because I already learn and enjoy myself. And when there are topics like dogs I’m basically a slavering fangrrl. Also, excellent Instagram recommendations.

Terrible, Thanks for Asking

I was iffy about this one, though the host was a guest on another podcast I listen to and was really interesting, so I gave it a shot. It’s definitely not for bingeing, as it’s basically interviewing people and telling stories about the worst times in their lives. (There’s something of the flavour of Committed as well.) And the host, Nora McInerny, knows what she’s talking about in that realm. (She’s one of those stories that you would think was just too over the top if it was on TV.) Definitely shows you a lot of facets of life, though, and there’s much to learn and empathize with. Just... make sure you have something fun for a palate cleanser.

30 Animals That Made Us Smarter

Also from the BBC, and I love their series. This one basically takes aspects of nature that we’re researching to benefit the human world and influence new tech. Kingfisher beaks for faster trains, tardigrades and vaccines, etc. Short, fun, fascinating. Around the same time I learned about this one I also learned that 50 Things That Made The Modern Economy is also back with a new season, so that’s back on the list, too. Definitely recommended.

Atlanta Monster / Monster: The Zodiac Killer

I’ll say right up front that I didn’t love either of these, but was in a lull where I needed more content. I’m not a fan of this style where they really try an manipulate episode to episode, where it’s like, “He totally did it!” followed by “They’re totally railroading him!” And so on. Plus, neither series has a conclusive answer, which... is that ever satisfying. But it’s got the expected stuff for the true crime junkies.

Crackdown

This is a really interesting piece of journalism. It’s a series about the drug war, opioid crisis, policy, and the real world of addiction as produced by people who have addictions. The host was a heroin addict for years and has been on Methadone for quite some time as well. They also lost one of their editorial board members to overdose basically between the production of the first and second episodes. It’s real, raw, and often very angry, as it should be. It explores a lot of angles, like the disaster that was replacing Methadone, and Portugal’s decriminalization of drugs, to the dangers of the supply and using these days. Not pretty, but should pretty much be required listening for anyone living somewhere with an opioid crisis... which is pretty much everywhere...

Disgraceland

Self-described as “rock ‘n’ roll true crime”. It’s pretty much pure voyeurism, and absolutely illustrates the worst of humanity, but also doesn’t let us off the hook for our complicity in how celebrities act and why they’re allowed to be (expected to be?) like that. I mean, the first episode was about Jerry Lee Lewis and how he pretty much got away with murdering his fifth wife. (His fourth died under pretty sketchy circumstances, too.) If you like (auto)biographies by 80s/90s metal band members and that sort of thing, you’ll love this one. I tend to really like the behind the scenes stuff of just about anything, including history, and this fits that bill.

The Dropout

Basically, if you would rather listen to the story of Elizabeth Holmes and Theranos instead of reading the book, this is your podcast. Based on what a friend said about it I was expecting it to be a bit different. I didn’t love it, but it does have plenty of twists and turns and sketchiness and intrigue. Unlike my previous gripe, they really also don’t try and make you go back and forth on whether you think they committed fraud or not. Or, at least, if they were trying to, they really failed. This is a standalone series, so is a shortish binge, pretty much.

The End of the World with Josh Clark

They put a lot of resources into this one, but given how long Clark’s mainstay podcast Stuff You Should Know has been one of the top downloads overall, he knows what he’s doing and probably has some sway with a passion project. (And given everything is branded with the “with Josh Clark” bit, his involvement is very intentional.) Basically, this one looks into ways we might wipe ourselves out - rogue AI, biotech, natural disasters, etc. It’s interesting and well done, but I found myself zoning out from time to time. The sound design also gets a bit over the top sometimes, which bugs me. I also think they dragged it out too much. They didn’t really need the end episodes.

Jensen and Holes: The Murder Squad

This is newish for me (and they’re only a few episodes in). It’s kind of an evolution in true crime programming. Jensen is a journalist and Holes is a recently retired investigator/profiler/scientist. His recent claim to fame is helping catch the Golden State Killer. (And Jensen helped finish Michelle McNamara’s book on the same subject after she died.) Both of them are specialists in unsolved and cold cases, and have decided to start focusing more on trying to get them solved rather than just reporting on and looking into them themselves. There’s a huge true crime fanbase with amateur sleuths out there, and this endeavours to harness that, along with new tech, social media, etc. Crowdsourced criminology, basically. Interesting idea, and I look forward to seeing how it plays out. Each episode they take a known killer, or known victims, and present what’s known about the victims, crimes, locations, killer, MO, etc. They interview people who were involved or investigated the crimes at the time. And they put the case information up on their website - facts, photos, maps, etc. and let the audience do their thing as well. So this one doesn’t talk about cases til the end of things, but if what they’re trying works, could be some fascinating stuff.

Lagered Tales

This one is put out by Beau’s All Natural Brewing Company out of Vankleek Hill in eastern Ontario. It features a rotating cast of hosts from among the brewery’s staff, and covers a variety of topics, from brewery news, industry events, local stories, deep dives on beer topics, chats with other folks who work at Beau’s, as well as Canadian entertainers and other interesting industry people. It’s folksy and well-produced at the same time, and while it won’t be up everyone’s alley, I find it fun.

This Podcast Will Kill You

LOVE this one. Haven’t been listening long, but totally binged the whole backlist. It’s two disease ecology grad students, both named Erin, and they talk about... diseases! They both have PhDs and one of the Erins is also in medical school, so they know their stuff re. infectious diseases. It’s both solidly scientific and accessible to the average person. They cover pathogens, parasites, etc. in depth, as well as what they do to people, how they spread, their histories, how dangerous they are to humanity overall, etc. They also have signature cocktails for every disease/episode. Perhaps not for the squeamish, but super interesting. Also occasionally dad-level bad jokes, which is just excellent.

Part 8

Everywhere

Fairly new and part of the I Heart Radio family (which bought the How Stuff Works family). Host Daniel is a travel writer, and he is intermittently joined by friends/colleagues (including Holly from Stuff You Missed in History Class). It is about travel, but also not. It’s not about “I went here and this is what it’s like and what I recommend”, though there are bits of that. It’s more about recommendations for how to travel well, both for your own enjoyment and the benefit of the people and places you see. He has an overarching “commandment” theme for each episode, but they’re positive, i.e. “Thou shalt” rather than “Thou shalt not”. Can get very philosophical and poetic, and his voice/manner of speech has taken me some getting used to. Not sure it’ll be a long term addition to my list, but still enjoying it half a dozen episodes in.

Solvable

Another from the Pushkin Industries stable (Malcolm Gladwell and co., so Revisionist History, Broken Record, and others). In this one several hosts take turns talking to experts in various fields working to solve the world’s big problems, from civil war to cervical cancer. It’s smart, deeply informative, and does leave you feeling more informed and, dare I say it, hopeful. Another one where, even if you don’t think the topic is right up your alley, you listen anyway because it’ll suck you in with learning and fascinating perspectives. And then there are some like the interview with former Australian Prime Minister Julia Gillard that are total “holy shit, YES“ experiences.

Your Undivided Attention

Fairly new, and I’m only abour four episodes in, but really enjoying it. Deep dives on the big platforms and technologies we use, and how they’ve been designed and built to control us, along with the lack of ethics and oversight going into how these companies develop tools and algorithms, because revenue and time on site and data mining is a bigger priority than actually not being evil. It’s hosted by Tristan Harris, who used to be a design ethicist at Google, and Aza Raskin, who has the dubious distinction of having invented infinite scroll. (His dad, Jef, worked at Apple and invented the Mac computer, Magic Mouse, and more, and wrote The Humane Interface.) At various points during their interviews with other industry experts (ranging from former YouTube developers to former CIA operatives) they also have asides where they do deep dives/discussions on various points or ideas that have come up in the interview. Doesn’t get overly technical for a lay audience, and will definitely get you thinking and paying more attention to how you use your devices and online services, and how you are being guided, manipulated, and used by the biggest companies in tech.

The Anthropocene Reviewed

Hosted by author and YouTube educator John Green, he picks two things that are part of the human-centered world (the anthropocene) and reviews them as a... human in the world, basically, and based on his life experience. He ends with giving each a star rating out of five. He has some method to the madness of the two things he picks, and how he feels they relate to each other, but he doesn’t really explain it. Teddy Bears and Penalty Shootouts, the Lascaux Cave Paintings and the Taco Bell Breakfast Menu – really anything is fair game. In his typical style, he relates personal memories and anecdotes, waxes philosophical, and wonders about questions big and small. He also at times goes mildly off-topic to address tougher issues, like depression and anxiety disorder, which he’s dealt with all his life, and which in one way or another relates to one of the topics he’s discussing. It’s strange and quirky and an enjoyable way to see the world through someone else’s eyes.

Hit Man

This one just got started, but so far has an interesting premise. The host heard about this small press-published book from years ago, which I’d also heard of, called Hit Man: A Technical Manual for Independent Contractors. It’s literally a murder manual, and has allegedly figured in an assortment of killings. In this case, though, there’s a specific multiple homicide that it gets tied to, and the eight-episode arc dives into that case and the surrounding story. Will probably appeal to true crime fans, but haven’t heard enough yet to determine if it’s a keeper.

Noble Blood

Another from the I Heart family, and it’s both historical and true crime, in a way. It’s also pretty new, so not a lot of episodes so far. Basically it’s about noble/royal and famous people from history who came to a bad end. The host kicked off with one about Marie Antoinette. Pretty sure you know what happened to her. There’s another about King Charles II, and one about an Australian butcher who claimed to be a long lost baronet. I like dirty history, so am looking forward to more of thing one.

Part 9

The Dream

Apparently the host wanted to call this something with “scams” in the title, but there were some legal issues there. But that’s what this podcast is about. Season one was about MLMs. Multi-level marketing, aka direct marketing, networking marketing, or, more closely accurate, pyramid schemes. Not only is it educational about what they are, how they work, and who they target, it explains a lot about who is susceptible (again, targeted) and why they persist, even though like 99% of people who attempt to get rich quick with them fail and lose money. Sometimes a LOT of money. The second season is about the “wellness” industry in all its predatory glory. Unsurprisingly, there’s a fair bit of overlap with MLMs, how women are disproportionately sucked in, etc. It’s pretty US-centric, but then, these scams exist all over the world, and I think we all know someone who’s tried to flog that crap at us, so super relatable.

Gravy

Created by the Southern Foodways Alliance, so pretty much entirely American-centric, but doesn’t lose anything for it, since there’s a tonne about culture, history, immigration, class issues, and other more broadly relatable topics. It’s all about the evolving American south through a food lens. It’s as engaging as it is hunger-inducing, and I guarantee you’ll be surprised at just how non-homogenous the South actually was and is.

mortem

This one’s new from the BBC, and is only a few episodes in so far. The host is Carla Valentine, who has a fair bit of a media presence already via her Instagram and TV work, among other things. It’s a semi-fictional, semi-scientific series, with the stories broken up into several chapters, one per episode. In each story, there’s a murder victim and a mystery about who done it. Could be an elderly woman found dead in her kitchen, or a discorporated jawbone found on the Scottish coast. These actual “murders” are fictional, but the processes and procedures Carla discusses are quite real, as are the medical, law enforcement, and forensic experts she talks to as if they were real investigations. Entomology, forensic odontology, a soil expert, you name it. Fortunately to date they have solved all the cases, so there is that pleasant sense of closure.

Make Me Over

This is a series presented by the maker/host of You Must Remember This, all about image and expectations in Hollywood. Weight, age, plastic surgery, drugs, racism - it’s got it all. It uses the same celebrity and Hollywood history lens as YMRT, and, for reasons that should be obvious, focuses on famous women from various eras, from Esther Williams to Vanessa Williams. Instead of Karina Longworth narrating these stories, she’s recruited a series of writers, journalists, and others to research and explore characters and stories that have interested them. It’s pretty damning, though I can’t imagine the realities of the Hollywood machine would be a surprise to anyone at this point.

27 Club

This one comes from Jake Brennan, host of Disgraceland, and continues the theme of celebrities behaving badly. Though in this case it ends up killing them, as each season will tell stories of one celebrity who died at the age of 27, hence the name. Season one is about Jimi Hendrix, and season two will be Jim Morrison. Presumably Kurt Cobain, Amy Winehouse, and others will follow. Unsurprisingly, it’s a lot of sex, drugs, and rock ‘n’ roll, though depending on your age and musical tastes, I imagine some featured performers’ stories will be more familiar than others. No shortage of crazy stories and self-destructive behaviour, with plenty of rock history in the mix.

Cautionary Tales

Tim Harford hosts this one, among many, many other things he does. (I also follow his 50 Things That Made the Modern Economy.) It’s been on hiatus a while. Or maybe he was only planning one eight-episode season. I don’t recall. Basically, it’s stories of mistakes, from the ancient world to modern times. Who did what, how decisions were bad, what went wrong, and what can we learn from that. There are often stories or parts of them we may know, from history, the arts, and beyond, but these are angles you’ve likely never heard of or considered. There are plenty of whoa moments when you realize how history would have been differently written without these errors.

Decoder Ring

From the website: “In each episode, host Willa Paskin takes a cultural question, object, or habit; examines its history; and tries to figure out what it means and why it matters.” Which does make it sound drier and more anthropological than it is to the ears. Like I guarantee you had no idea how long the song Baby Shark has been around, how many versions there are, and how many countries and origins can claim it. Or how ice cream trucks became a thing. Or the term “friend of Dorothy” and how it relates to the entirety of modern gay culture. Did you know “cancel culture” was as nasty as it is today back in the 1860s? And, near and dear to my heart... rubber ducks. History, anthropology, technology, economics, it’s amazing how interconnected things are, particularly those we rarely stop to consider.

Disorganized Crime: Smuggler’s Daughter

It may not be the case for everyone, but for me, definitely a glimpse into a world and someone else’s childhood that’s VERY much not like my own. The host and her parents are pseudonymous, but back in the 60s and for several decades, her parents (largely her dad) were fairly big time pot smugglers in California. It weaves together the 60s counterculture and its hippie proponents, the history of California and its regions and the people who’ve inhabited it before it became the sterile, exorbitantly expensive tech wonderland it’s become. And how those hippies built their thriving businesses. It ties in how the world changed over time and the business with it, becoming less of a gentleman’s game and more of a dangerous illegal business. And how the 80s war on drugs blew up everything and ruined a lot of lives.

Dolly Parton’s America

An absolutely fantastic nine-part series from WNYC Studios, and largely thanks to the fact that Dolly Parton was in a car accident years back and befriended her doctor. (The main host is his son.) A lovely combination of history, tracing Dolly’s life and origins, her career, her business savvy and the empire she’s built. All woven beautifully together with her music, interviews with her and those around her, and related stories from modern history and culture that she influences, like how Dolly became a gay icon. A brilliant, talented, and fascinating woman and some of her stories beautifully captured.

Historic Royal Palaces

Recorded talks by British academics, sometimes on site where the people they’re discussing lived and historical events took place. Eg. talking about the Tudors at Hampton Court Palace. There are people and eras we know a lot about, like the Tudors, Henry VIII’s wives, etc. But also ones looking at medieval queens and their lives, power, and roles, through to Princess Diana and how she was different than anyone before her. Women’s roles, women in power, how being LGBTQ+ was looked upon and lived historically, fashion and its meanings and uses, and other fascinating and very human topics also get explored.

Outliers - Stories from the edge of history

In partnership with Rusty Quill, for each episode a writer or playwright creates basically a one-act play about a character of their choosing. Typically they’ve given a few options and select one whose history, location, and circumstances are interesting. The general idea is that the focus is on some “nobody” who happens to be present for and fictionally shed a light on much bigger people and events. They’re essentially two-parters, with the second piece being an interview with the playwright and getting into the history, what captured their imagination, issues with the process, and other interesting tidbits. Often, the scullery maid, the valet, the prison guard, and others, can have a fascinating “voice”, and a more interesting take on historical events than any scholar.

Part 10

This is Love

From the folks who make Criminal, just, y’know, love-ier. I gave it a try when it was first launched, but it didn’t really grab me, so didn’t continue listening. Several seasons went by. And then to trumpet the arrival of Season 4, they did a crossover pair of episodes with Criminal, about some wolves in Yellowstone, and they got me. Season 4, you see, is all about animals, so I’m a half-dozen episodes in so far and really enjoying it. Because animal love stories! So far they haven’t been sneaky bastards with some “the dog dies at the end” twist, fortunately. Whether I’ll stick around for Season 5, who knows.

The Dose

Sort of a sister podcast in shorter form than CBC’s White Coat, Black Art, with the same host. It’s been COVID-centric since March, for obvious reasons, but did launch slightly before the pandemic, so early episodes were about things like aspirin and heart attacks, BMI and what it means and if it’s relevant, etc. I did some skipping over time when I was overdosed on COVID news, but they are broadening coverage again as time goes on, but keeping the topics very up-to-the-minute relevant, like discussing how racism in the healthcare system can affect people and make COVID treatment and outcomes worse.

Over the Road

By and about long-haul trucking (in the US), which may be a dying way of life, we’ll have to see. Hosted by “Long Haul Paul”, who’s been a trucker for several decades, and who is also a folk singer/songwriter (also intermittently featured). The stories are accompanied by a cast of characters, and truckers and those in their world are pretty much all characters. They cover a broad range of topics, like different kinds of trucking and how they’re perceived in the culture; how technology is affecting trucking and what that means short- and long-term; who chooses a career in trucking and why, and how that affects family and the the rest of life, etc. Since Dad drove truck for a bit, I’ve had a glimpse into that world, but it’s really engaging, whether you know anything about it or not. And it’s work that touches all of us, whether we know it or not.

Cool Mules

A six-part special series from Canadaland about ye olden days of Vice Media (around 2015), when coolness and exploitation were the name of the game, which ended up with cocaine smuggling-related convictions for “Slava P” and a bunch of young kids who made some really bad choices and were manipulated by people who shouldn’t be anyone’s role models. Proof that not all criminal masterminds are evil geniuses.

Home Cooking

Global treasure, chef, cookbook writer, columnist, and Netflix star Samin Nosrat and Hrishikesh Hirway (aka Hrishi, broadly talented media dude and most familiar to me as the guy behind the Song Exploder podcast), decided to make a podcast series for folks stuck at home during the pandemic, possibly with a limited pantry, and perhaps forced to cook more than they were used to. There’s a running joke about beans... There are delightful guests and it’s a lot of goofy fun. There are terrible puns, and solid cooking advice that anyone can use. Alas, to date it’s only four episodes, but savour them like a fine meal, my friends.

Permission to Speak

I didn’t think I was going to get into this one, but every episode has managed to bring something that held my interest or got me thinking. Host Samara Bay is a voice coach for everyone from Washington to Hollywood, so her work ranges from teaching accents and dialects to helping women in positions of power (or who want positions of power) to speak up, to helping leaders engage their audiences instead of desiccating them or putting them to sleep with dry speeches. Every episode she has a guest, usually women, from a wide variety of professions and backgrounds, and their discussions cover a lot of ground, but there’s are always useful and engaging nuggets of realization, learning, and things anyone can act on.

Part 11

The Last Archive

This one’s newish and from Pushkin Industries, whence comes favourites like Revisionist History and Broken Record. Professor and historian Jill Lepore tells stories, digs into history and artifacts, and endeavours to answer, “Who killed truth?” And yet, none of that really clearly explains the episodes, which remind me a bit of the Decoder Ring podcast as well. Each episode features a story from the past, some historical episode, tied to some tangible thing that draws us into the largely narrative and context. (These things are from the fictional Last Archive.) If you like the kind of history that ties in weird and wonderfully disparate aspects with unexpected threads right through to the present day, this one’s for you.

Tumanbay

A narrative fiction podcast, now three seasons in, and with some book tie-ins to date with other media in the works. While fictional, it ties to the real history of the Mamluks in Egypt, and some of the world’s very real histories, cultures, religions, etc. The intermittent narrator is a key character in all seasons, and very much an anti-hero with an abiding interest in self-preservation. Game of Thrones fans with a bit of a more Middle Eastern interest would likely enjoy it, though there’s definitely a lot about palace intrigues and sabre rattling and invasions and the like.

My Funeral Home Stories

Grant, the host, is from a family that owns several funeral homes, crematories, and other death-related services. He started working part-time in the family business when he was 13, and while they didn’t immediately throw him into the deep end, he saw and experienced things at an age that would raise a lot of people’s eyebrows, I’d suspect. However, if you’re not squeamish, this is the guy you want to be seated next to at a cocktail party, because he has stories, and some of them are equal parts insane and horrific. Some of his descriptions are really graphic, so it’s definitely not for everyone. He also has sort of a running narrative/stream of consciousness thing going as he recounts what he was thinking during these events, and some of it is funny, dark, and at times weirdly random and unrelated. It tracks as very realistic for the average human in very non-average situations.

#podcast #audio #storytelling

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untilthefoglifts-blog · 6 years

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Marvelous Mrs. Maisel' Creators Talk Long-Term Plan, Amazon Turnover and More 'Gilmore Girls'

Almost a year after the launch of Netflix's Gilmore Girls revival, series creators-writers-directors-producers Amy Sherman-Palladino and Daniel Palladino are back with a new original series. Like Gilmore (and the beloved Bunheads), the husband-and-wife team have again crafted a light, quick-witted hourlong show centered on a fast-talking, whip-smart female protagonist. However, that's where the comparisons end.

The Marvelous Mrs. Maisel, premiering Nov. 29 on Amazon, is set in 1958 in New York City, a few hundred miles from the confines of Stars Hollow. The series centers on Miriam "Midge" Maisel (House of Cards' Rachel Brosnahan), a married mother of two whose life is turned upside down when her husband leaves her and she suddenly discovers a hidden talent for stand-up comedy. As she navigates her suddenly tumultuous personal life, Midge also navigates her way through the stand-up comedy world, a path that will ultimately take her to Johnny Carson's couch.

Maisel marks just the beginning of the Palladinos' relationship with Amazon. The series earned a rare two-season pickup in April and the duo signed an overall deal there in September. The latter comes in the midst of major turnover at Amazon, which saw top-level execs, including studio chief Roy Price and head of comedy and drama Joe Lewis, exit under less-than-ideal circumstances as the studio sets its sights on finding the next Game of Thrones.

Ahead of the series premiere, THR spoke with the braintrusts behind Maisel about going back in time, their experience thus far at Amazon, the "tough" process to find their lead and, of course, the prospect of more Gilmore Girls.

How did the idea for the show come about?

Amy Sherman-Palladino: My father was a stand-up comic so I grew up with a lot of comics sitting around our backyard eating deli and talking about the Catskills and talking about Greenwich Village and touring and sharing anecdotes and trying to make each other laugh. So that premise just stuck in my weird DNA.

Dan Palladino: And all those guys of her father's age were all starting out in the late '50s.

Sherman-Palladino: I think it scared me perhaps in an advantageous way. When I was talking to Amazon about doing something with them, I thought that would be a good venue to do on Amazon: a woman in the late '50s who gets sucked into that world and suddenly finds a voice and a talent and ambition that she had never known was there. And we could shoot it in New York so I could live in New York and wake up in New York and live in New York and work in New York.

This is your first period project. Most of the other things you've worked on are set in the present so what were the biggest challenges that came with that?

Palladino: It seemed like the perfect time to place her because there was a real sea change coming in comedy with Lenny Bruce and people like that that were not telling pre-written stand-up jokes. They were sometimes discussing things just off the tops of their heads.

Sherman-Palladino: A lot of stream of consciousness.

Palladino: Or they were talking about current events, which was edgier at the time. Those guys, Lenny Bruce especially, led to George Carlin and Joan Rivers and they led to Sarah Silverman and Jerry Seinfeld and all of that crew so it just seemed like an interesting time for her to dive in. She doesn't look like a woman who would go into comedy. We explore how people react to how she looks and her pursuing comedy at that time in other episodes. It just felt like the perfect year to start following a woman just boldly going into this really, really impossible business.

Sherman-Palladino: Plus, we wanted to do something with some scope. We wanted to do something that had a lot of visual places to explore and 1958 New York, especially re-creating that in modern New York, is both tragically impossible and hard, and very rewarding and exciting. We have this unbelievable crew of people working with us who have made it possible so it just felt like let's go for something that has a great visual theme to it also.

What drew you to Amazon? How did those conversations begin about working with them on something?

Sherman-Palladino: We had a really great relationship with Netflix on the Gilmore movies and we were pretty decided at that moment that the streaming world was our new permanent home forever if we ever worked again. Just because they were people that spoke our language. I sat down with [Amazon Studios head of current hour] Marc Resteghini, and he just was a guy who listened and understood and they felt like a company that was looking to do different stories. When I first was at Warner Bros. when dinosaurs were on the Earth and pitched Gilmore, The WB [the network that evolved into The CW] prided themselves as being the network that encouraged voices because they had Joss Whedon and J.J. Abrams. Sitting with the Amazon guys felt like even a broader version of that. They want those different experiences and those different characters and those different voices out there and they felt like people that would not be terrified of us and find us annoying problem children, but actually find our independent style a little delightful. So far, they are either lying or they actually do find us delightful. Either way, I'll take it. I don't need honesty, I just need to do my thing.

What were the specific points that made streaming so compelling as compared to cable or pay cable or broadcast?

Palladino: The main thing is once you got away from, especially the four-network model and even the cable model, there's just room for a lot of different kinds of characters, a lot of different kinds of voices. We've been in this business a long time. When we started at broadcast networks, you pitch a strong woman character and you see men in the room get very nervous about a strong woman character because often they worry that if the woman is strong, she's not going to be likable. Now you pitch a Midge Maisel, there's no nervousness, there's no question about that. That's actually a pretty big sea change. It's fantastic that that's happened. That's a result of having so many outlets that there's a less uniform business model sort of guiding everybody in their choices. Because that's how you end up with the same cop show, the same medical show over and over and over and over again.

Sherman-Palladino: The other thing about Amazon and Netflix and streaming services is because they want everybody there, they want everybody at the table, they are going to be open to a lot more. You go to some places and they say, "This is what we do. We are this so it has to fit it into our tiny little hole." There is no tiny little hole at Amazon or Netflix, the sky's the limit. That's really important when you're people like us who have very strong opinions about your work and what you want to do and aren't interested in having to explain why you made those music choices. There's a trust level in terms of who you are and your body of work that you don't get at a network. They simply don't have the trust that you're not going to completely screw 'em over and waste their money. For some reason, there's no trust. It doesn't matter who you are or what your background is. You're all the same, you're all failures until you've proved differently as far as they're concerned.

Amazon had so much trust in you they gave the show a rare two-season pickup. How did that impact you in terms of writing and planning for the show's long-term future?

Palladino: It really helped us because we could tell specific crew because we were trying to get the best crew available.

Sherman-Palladino: You got a job next year, kid!

Palladino: It didn't affect the longer-term plan because if you go into any series, we're big believers that you should be able to see years down the line and a lot of writers actually don't do that. They come up with thoughts and they actually don't know what's coming.

Given how the serialized the show is and you actually put in the series descriptor, this show is going to show her from discovering her talent to Johnny Carson's couch, how long do you see the show running?

Sherman-Palladino: Thirty-five years.

Palladino: And when we say Johnny Carson's couch, we mean the couch on set. With everything going on right now, we have to be clear.

Sherman-Palladino: In this day and age, it can mean something else completely.

Palladino: It's the one on his set that's on camera. We're not hiding the fact that this is going to be a journey of success. It's the journey that we think is going to be interesting for the audience.

Sherman-Palladino: But her personal journey is really what the show is about and so it's not really a spoiler to say, "Oh, by the way she's going to be famous or she's going to be successful." This show is really about how her shifting dynamic affects her family, her husband. It's really about all of those personal dynamics.

Do you have a number of seasons plotted out?

Sherman-Palladino: I think we know what our trajectory is for the first four to five seasons. And then I just want to see if I’m still breathing at that point. If I am, then we’ll continue or Dan and his new wife will continue!

So much of this series hinges on the title role. How did you find your Mrs. Maisel? How long was that search and what did that entail?

Sherman-Palladino: It entailed a lot of really good actresses coming in and reading for it, which we are very grateful for. It was tough. It was a lot. It's a tough part. And the toughest thing was we knew we were probably going to have to get an actress who was not a comic, which is what we got, and whose comedy had to be story so that they would have something to latch onto because comedy is its own animal. Great comics, they take years and years and years to hone that persona and those jokes and the timing and we wanted to be able to show the audience in the pilot when Midge goes up on stage that she has the potential of being something really great. We didn't want to just tell the audience that, we wanted them to see it. We needed to find that one-in-a-million girl. Rachel came in and we had been told by our L.A. casting director, Jeanie Bacharach, there's nothing on paper that says that she could remotely do that because she was mostly drama but she just felt like Rachel was special enough that she would be able to be our girl. She came in and she read and we worked with her and we talked and by the time that she left, it was very apparent that she was it. She came, she saw, she conquered.

When you were meeting with these actresses, did you actually have them read jokes or do stand-up to see how they would be in that context?

Sherman-Palladino: We had them do the stand-up scene.

Palladino: Every actress came in and every actress was off-book. They had memorized the scene and they came in to do the stand-up and it was me yelling, like the audience would, back to them and kind of applauding and trying to give them energy. It was really tough.

Sherman-Palladino: It was very grueling for Dan. It was exhausting.

Palladino: It was terrible. You should do a whole separate article on how grueling the process was for me. But really, they just came in and did it and it's a high-wire act to do that in a casting session. Rachel knew how to approach it from a character's point even though she was never dumb enough to try stand-up.

You signed an overall deal with Amazon, but before that there was speculation about more installments of Gilmore Girls given its success on Netflix. Right now, where do you stand on the future of Gilmore Girls and your interest in doing more episodes?

Sherman-Palladino: We've got the Gilmore clause, we've carved it out. (Laughs.) The thing about Gilmore Girls is, it's an amorphous thing. The reason that it happened the first time is because we all went to that Austin [ATX] Festival and we all sat together and there was an open bar and we were all sitting there saying, "It feels good now, let's do it now." I think it would have to be a similar situation. There would have to be an open bar and we would have to have the right story and the right format and it would have to be a time where the girls and us all felt like, 'Yeah, let's dive in again.' There's nothing being planned right now but it's open if the muse strikes.

There's recently been a lot of executive changes at Amazon. Now that you have an overall deal, how concerned are you about going forward at the studio? How are you feeling about Amazon given those recent exits?

Sherman-Palladino: Our guys at Amazon are Marc Resteghini and Ken Lipman, and they're still there. They're good guys. Our people have been very constant.

Palladino: What’s kind of cool about how our brief time so far has been at Amazon is, at this point, we're kind of like independent filmmakers or independent TV makers on our own. They know that the deal is: here's what we're going to try to do. Let us do it to the best of our ability, meaning like don't throw a lot of different things at us. Take it or leave it as is, and let us do our thing and they were amazing on that with Maisel. We gave them what we promised…

Sherman-Palladino: …And they did what they promised.

Palladino: We're still independent producers within the Amazon realm and we're happy there because we need cameras, we need financing, we need an office, we need a home, and they're happily providing all of that. It's been good and we're looking forward to a really great relationship with them. Learn To Ask Questions For Girls.

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