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cleolinda · 1 year

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Tyrannosaurus Rex (Zoologist, 2018)

(Zoologist Perfumes)

Zoologist Tyrannosaurus Rex is a gargantuan scent that sinks its teeth into the world of delicate fragrances and rips it wide open. Primitive woods and florals seize you and snatch you away to an ancient era. Smoky, charred wood warns of the danger of smouldering fire, setting your senses on edge, while droplets of metallic rose oxide offer a chilling premonition of blood-lust. The mighty Tyrannosaurus Rex is sometimes menacing, sometimes fascinating, but never, ever ordinary.

Perfumer: Antonio Gardoni Top Notes: Bergamot, Black Pepper, Fir, Laurel Leaf, Neroli, Nutmeg Heart Notes: Champaca, Geranium, Jasmine, Osmanthus, Rose, Ylang Ylang Base Notes: Resins, Cade, Cedar, Civet [synthetic], Frankincense, Leather [synthetic], Patchouli, Sandalwood, Vanilla

As is my wont, I read user reviews across various sites first. These reviews described Horrors. The word "barbecue" was used more than once. But once again, I look at this list of notes and I think, all of this sounds fine. Civet musk can be a little hard to handle; I haven't worn or smelled it much. But I actually like the scent of black pepper, that's fine. "Cade" seems to be smoky distilled juniper tar, and the Parfumo listing replaces the word cade with "Canary Islands juniper." Love a juniper, sounds good. Not sure what "resins" we're talking about, but I enjoy some incense, and "resins" are frequently in that ballpark. Let's give it a whirl.

For some reason, I opened the sample without gloves or even a tissue in my hand, which is what I usually do. I get perfume headaches, after all, and if I get one from just opening a vial, we're putting it back. So I wasn't really ready to wear it, but I was curious. Tyrannosaurus Rex got on my fingertips—

(Troubled Birds)

—and there was nothing I could do about it.

T-Rex does not wash off. It doesn't. I went back to the notes to figure out why. And also, to figure out HOW it opens with a huge belch of slaughterhouse.

Like, I knew, I KNEW this was going to happen, I keep saying that I did my research and I knew what was going to happen when I put this or that fragrance on and then somehow I'm still left reeling when that's exactly what happens. The first thing—well, let's skip to the second thing right now. The Fragrantica note listing specifies "kyara incense" rather than "resins," and that's a precious Japanese incense that—ohhhh, it's oud. You have to follow this linguistic chain of kyara to aloeswood to agarwood to oud, but that's what it is.

Raw materials such as agarwood are becoming increasingly rare due to the depletion of the wild resource. [...] The highest regarded wood, ranjyatai, dates back to at least the 10th century and is kyara wood from Laos or Vietnam, and was used by emperors and warlords for its fragrance. It is said to contain so much resin that it can be used many times over. (Wikipedia: Incense in Japan)

If patchouli is the funk of kings, oud is the odor of emperors. It's not going to wash off, and perhaps more to the point, it would be an extravagant waste if you tried. Oud is valued in Indian perfumery, but it's particularly loved in Arabian fragrance—and I'm talking about both ancient traditions and modern industries here. It's been getting more popular in European and American fragrance for maybe the 10+ years or so, softened for the Western market as "the new patchouli." If I'd known that T-Rex was going to lead me here, I would have scoped out some oud fragrances and planned a whole deep-dive post; instead, we'll do that sometime in the future. For now, I'm aware that oud is—"polarizing," that's a good word:

Maybe you've had a whiff of some popular fragrances featuring oud, like Tom Ford Oud Wood, Byredo Our Immortel, or Maison Francis Kurkdjian Oud Satin Mood. They're distinctively different compositions that all share telltale qualities that oud offers. For one, they last a long time. Even after an oud fragrance dries down on the skin, you can still detect a trace of it radiating from one's body heat — musky, earthy, woody, and a bit smoky, like an incense. It's difficult to describe, but once you've smelled oud, you can most likely recognize it anywhere. On its own, it's quite polarizing, but when combined with a fragrance's note composition, it can add depth and complexity to any kind of scent. (Allure)

To be blunt about it: what this article dances around is the fact that a lot of people think that some ouds smell "sweaty" or even "fecal." I've personally seen this over and over in English-language user reviews at Fragrantica, Basenotes, that kind of all-encompassing database site. And I think there could be a cultural lack of appreciation at play there; it’s also true that some things just do not work with some people, biochemically, no matter how open-minded they are. I wanted to fistfight some European aldehydes. It happens. It’s also true that oud genuinely contains indole, a chemical that also makes some jasmine, ylang ylang, and gardenia flowers smell unpleasantly animalic or, yes, like shit. (Notice that jasmine and ylang are also in T-Rex.) I've never had a problem smelling white florals as unpleasant—and I’ve had jasmine and gardenia plants in my yard—just strong as fuck. I’ve also been lucky enough that the "urine" note in Mitsouko doesn't come out on me. Maybe, in trying T-Rex, the chemistry odds will actually be in my favor.

And I have to say, as a disclaimer: "kyara incense" isn't the official wording on the Zoologist website; I don’t know where this information came from. But after smelling the perfume—I'm not very experienced with oud, but I'm going to say, it tracks. Especially if your goal is to make a—let's say, "confrontational" fragrance.

But I don't think indolic notes are really the big news in T-Rex. The first thing I got was the rose: "Droplets of metallic rose oxide offer a chilling premonition of blood-lust." Bear in mind that rust is iron oxide; T-Rex gives off a very similarly rusty, blood-coppery note from that rose oxide, rather like raw beef. And I can tell it's truly the oxide note, because I can smell actual rose kind of trailing behind it.

My first thought was, who the fuck has ever used rose oxide in a perfume before? Well, it turns out that it doesn't smell like an rogue episode of Hannibal broke out when it's used in a rose accord or a fruit context:

Rose Oxide is the perfect aroma chemical for [a] vibrating, elegant and pulsating rose scent. It is used in many fragrances and [has a] highly impactful high cis quality, fresh, radiant and powerful. It is ideal for all kinds of compounds, used as an ingredient in cosmetics, personal care products, fragrances, cleaners, detergents, home care, perfumes etc. [...] It also adds to the flavor of select fruits like lychee and Gewürztraminer [a wine grape.] Rose oxide is a flavor rich component and can be seen in some essential oils like the Bulgarian rose oil and in roses. Rose oxide is one of the important fragrance materials in creating rosy notes for perfumes. (essentialoil.in)

(That link includes a lot of actual chemical notation, if you're interested in that. Note: "Cis" in this context refers to the spatial arrangement of atoms, "all on one side," not in an opposing "transverse" setup. Today I learned!)

Along that line, the supplier Pell Wall describes their rose oxide as "Floral-rose, green-geranium, bright-clean, metallic, wet. Diffusive and powerful." You'll notice that geranium is also in T-Rex; I would imagine, to boost the rose note, but also to underline the green notes of laurel and evergreen that create a dark, earthy wilderness under the raw meat aspect. I'm guessing that the juniper tar (an interesting nod to the tar pits people associate, however incorrectly, with dinosaur bones) adds some volcanic smoke, although it doesn't actually blend with the "meat" for me. Animalic civet and indole notes must be what give some flesh to the blood. And then of course, you also have the leathery skin of the dinosaur, combined with that (synthetic) civet musk. I'm not sure if the black pepper functions as the darkness of the forest, the wearer's sensation of encroaching threat, or, uh, seasoning.

So, on my skin, I’m getting both a dark dinosaur habitat sort of foundation, and then also “bloodlust” lurching through, with perhaps also the indolic effluvia associated with an abattoir, and I am using fancy words to dance around how gnarly this is. I do not like the slaughterhouse accord. Somehow, who could have guessed, I do not like it. I don't get much leather in the drydown, but in my experience, my skin just eats leather notes, I never get them. The "habitat" base is not very Me, but I actually do enjoy it a little? I already had essential oils of half the notes; I’m down with a lot of them in theory. It’s mostly the oud, the black pepper, and the juniper tar that lend such a menacing tone, I think. It's kind of stony and green, but a very dark and trampled green; it reassures me that I could try more oud and be okay, probably.

And of course, The Funk of Kings is in there—a patchouli that may be as harsh and peppery as the one I got at the beginning of Coco Mademoiselle. Between the stay-funkt patchouli and the immortal oud, I never had a chance of washing this off. (In fairness to me, I tried it twice and I did ride out the second wear.) If you're going to try this, buckle up and commit to it. Tyrannosaurus Rex is the Fuck Around and Find Out of perfume, and I'm not sure who actually wears it for the sake of wearing it. Maybe that suits an extinct animal, on some level: it's stored in your fragrance collection to be exhibited now and then, a marvel of creation, but not given life very often on the skin. You know what would happen if you did—you saw the end of Jurassic Park, and this perfume did too.

Perfume discussion masterpost

#uh jurassic park spoilers I guess #perfume #perfume discussion #perfume: zoologist #gifs #note: oud #note: rose #note: indole

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lailoken · 27 days

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Hey Lailoken. I'm trying to make something to help aggressively protect me (and to be specific that my luck isn't stolen) so I'm putting together a charm but am stumped at what to use. In terms of stones I'm thinking obsidian, malachite and would be open to the wooden beads depending on trees. What I see available for wood beads is: birch, boxwood, cypress dragon blood vera, oak, purple heart wood, rosewood, tiger's aloeswood, yew. In terms of symbolism for "protection" I think of mythical animals like dragons, griffins, unicorns etc. So maybe an image of that attached would help? Additional suggestions welcomed!

Based on what you're describing here, I would suggest using a mixture of materials associated with the respective virtues of protection and fortune. In particular, I would focus more on fashioning it as a ward against Energy Theft, and then work in Good Fortune as the secondary point of focus for your work. An example of this might be grouping together a bead of Tiger's Eye (for Luck) that's bracketed on either side with beads of Black Tourmaline (for Shielding.) Each of these groups of three could then be separated with counter beads of Pyrite, which is folklorically associated with both Luck and Shielding. If adequately empowered in a suitable ritual, a talisman using these materials could help to establish and sustain a Ward of the kind you describe.

#anonymous #ask #ward #warding #luck

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the4chambersofmystery · 4 months

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Agarwood, aloeswood, eaglewood, gharuwood or the Wood of Gods, most commonly referred to as oud or oudh

#oud #agarwood

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radical-revolution · 10 months

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The Knots Untie - Rumi

Fire is whispering a secret in smoke's ear,

This aloeswood loves me

because I help it live out its purpose.

With me, it becomes fragrance,

and then disappears altogether.

The knots untie and open into absence,

as you do with me, my friend.

Eaten by flame and smoked out into the sky.

This is most fortunate.

What's unlucky is not to change and disappear.

This way leads through humiliation and contempt.

— Rumi

Aloeswood is a very rare and exceptionally lovely incense

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transgenderer · 7 months

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Agarwood, aloeswood, eaglewood,gharuwood or TheWood of Gods, most commonly referred to as oud or oudh (from Arabic: عود, romanized: ʿūd, pronounced [ʕuːd]), is a fragrant dark resinous wood used in incense, perfume, and small carvings. It is formed in the heartwood of Aquilaria trees when they become infected with a type of mold (Phialophora parasitica) and secrete a resin to combat the mold. Prior to infection, the heartwood is odourless, relatively light and pale coloured; however, as the infection progresses, the tree produces a dark aromatic resin, called aloes (not to be confused with Aloe ferox, the succulent commonly known as the bitter aloe) or agar (not to be confused with the edible, algae-derived agar) as well as gaharu, jinko, oud, or oodhaguru, in response to the attack, which results in a very dense, dark, resin-embedded heartwood. The resin-embedded wood is valued in East and South Asian cultures for its distinctive fragrance, and thus is used for incense and perfumes.

First-grade agarwood is one of the most expensive natural raw materials in the world,[4] with 2010 prices for superior pure material as high as US$100,000/kg, although in practice adulteration of the wood and oil is common, allowing for prices as low as US$100/kg.[5] A whole range of qualities and products are on the market, varying in quality with geographical location, botanical species, the age of the specific tree, cultural deposition and the section of the tree where the piece of agarwood stems from.[6] As of 2013, the current global market for agarwood is estimated to be in the range of US$6–8 billion and is growing rapidly.[7]

The odour of agarwood is complex and pleasing,[24] with few or no similar natural analogues. In the perfume state, the scent is mainly distinguished by a combination of "oriental-woody" and "very soft fruity-floral" notes. The incense smoke is also characterized by a "sweet-balsamic" note and "shades of vanilla and musk" and amber (not to be confused with ambergris).[6

note: apparently "amber" is apparently not the smell of actual amber, its a specific combination of other scents called amber

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leahsfiction · 1 year

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菩萨蛮·风柔日薄春犹早

to the tune "Pusaman"

li qingzhao

weak wind, cold sun - it's still early spring my lined shirt brought on a surprising good feeling

i slept a while, felt slightly cold found plum petals in my hair

the direction of home i don't think about, until i'm drunk

aloeswood coils waiting to be lit the smoke has left, the wine lingers

#gushiwensday #my translation #not rly satisfied with this attempt but we go on #translation #li qingzhao

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garden-ghoul · 1 year

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happy Gushiwensday Monday, another lovely Li Qingzhao for you today. Its name is just the first line.

the wind is gentle and the sunlight thin this early in spring. putting on my heavy jacket instantly improves my mood. went to sleep, woke up shivering just a little--- ah, the petal on my forehead is all messed up. where my homeland is I forget unless I'm drunk. sunk-in-water incense burns down the hours. the savor of wine always runs out... but it hasn't run out yet.

original text and notes under the cut.

菩萨蛮·风柔日薄春犹早

风柔日薄春犹早，夹衫乍著心情好。睡起觉微寒，梅花鬓上残。故乡何处是，忘了除非醉。沉水卧时烧，香消酒未消。

My goal for this one was Maximum Old Man hours. (I know the poet is a woman but she’s really being an old man, you feel me?) This time I managed to surpass Laurence!

the wind is gentle and the sunlight thin --- a fun juxtaposition of adjectives conveying mixed feelings about the weather. 柔 seems to have mostly positive connotations like soft and supple, while 薄 is weak, meager, or unkind. Gushiwen nevertheless translates 日薄 as warm lovely sunlight.

the petal on my forehead --- 梅花 literally means plum blossom but more specifically it refers to a style of makeup---as I understand it, the style where you have a little forehead thingy, apocryphally attributed to a princess who had a plum petal fall on her forehead and thought it looked neat. In summary the poet smudged her makeup by sleeping on it.

sunk-in-water incense --- it doesn’t say this is incense but it’s apparently a type of incense. Aloeswood, maybe? I thought it was nice to keep the literal name because I originally thought this meant “I’m sunk in the drink.”

the savor... run out yet --- a line with a really nice structure. 香消酒未消 fragrance disappear wine, not yet disappear. I was thinking of fragrance as both the literal vapor rising off the wine and also the allure of drinking it or of the world when drunk. now that I think of it I’m pretty sure Laurence’s translation was the correct one; fragrance has disappeared but the wine hasn’t yet.

#translation #li qingzhao

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butiki · 1 year

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drinking mezcal neat, burnin aloeswood incense & listening 2 gamelan + bad bunny having a real moment feeling like Crayfish, 6th–7th century, Moche (Loma Negra)

#post

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ynx1 · 1 year

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When Allaah ta'ala decrees a matter, it's

كن فيكون...

"Verily, Our Word to a thing when We intend it, is only that We say to it:"Be!" - and it is." (16:40)

Meaning, We issue the command once, and then it happens. Allaah does not need to repeat or confirm whatever He commands, because there is nothing that can stop Him or oppose Him. He is the One, the Compelling, the Almighty, whose power, might and dominion have subjected all things. None has the right to be worshipped except Him, and there is no Lord other than Him

The Noble Qur'an Footnote (Muhsin Khan and Taqi-ud-Din al-Hilali)

a) The Statement of Allah [Subhanahu wa Ta'ala]:

"Verily, Our Word (Command) to a thing when We intend it, is only that We say to it: 'Be!' -- and it is." (V.16:40)

Narrated Mu'awiyah [radhi-yAllahu 'anhu]: I heard the Prophet (ﷺ) saying, "A group of my followers will keep on following Allaah's Orders [i.e., following strictly Allaah's Book (the Qur'an) and the Prophet's Sunnah (legal ways)] strictly and they will not be harmed by those who will deny (disbelieve) them or desert (stand against) them till Allaah's Order (the Hour) will come while they will be in that state."

[Sahih Al-Bukhari, 9/7460 (O.P.552)]

b) Narrated Abu Hurairah [radhi-yAllaahu 'anhu]: Allaah's Messenger (ﷺ) said, "Allaah said: 'I have prepared for My pious slaves things which have never been seen by an eye, nor heard by an ear, or (even) imagined by a human being.' "

[Sahih Al-Bukhari, 4/3244 (O.P.467)]

c) Narrated Abu Sa'id Al-Khudri [radhi-yAllaahu 'anhu]: The Prophet (ﷺ) said, "The people of Paradise will look at the dwellers of Al-Ghuraf (the lofty mansions i.e. a superior place in Paradise) in the same way as one looks at a brilliant star far away in the east or in the west on the horizon; all that is because of their superiority over one another (in rewards)." On that the people said, "O Allaah's Messenger! Are these residences (lofty mansions) for the Prophets which nobody else can reach?" The Prophet (ﷺ) replied, "No! By Him (Allaah) in Whose Hand my soul is, these are for the men who believed in Allah and also believed in the Messengers."

[Sahih Al-Bukhari, 4/3256 (O.P.478)]

d) Narrated Abu Hurairah [radhi-yAllaahu 'anhu]: Allaah's Messenger (ﷺ) said, "The first batch (of people) who will enter Paradise will be (glittering) like the moon on a full-moon night and those who will enter next will be glittering like the brightest star. Their hearts will be as if the heart of a single man for they will have neither difference nor any enmity amongst themselves, and everyone of them shall have two wives, each of whom will be so beautiful, pure and transparent that the marrow of the bones of their legs will be seen through the flesh. They will be glorifying Allah in the morning and afternoon, and will never fall ill, and they will neither blow their noses nor spit. Their utensils will be of gold and silver, and their combs will be of gold and the fuel used in their censers will be of aloeswood and their sweat will smell like musk."

[Sahih Al-Bukhari, 4/3246 (O.P.469)]

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talldarkandroguesome · 2 years

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2nd of Last Seed, Tirdas

I was brought in to testify before the Council as to Urtisa’s dereliction of duties and her status as a member of the House, and my spouse, revoked.

The initial questions were easy, I gave nearly identical testimony to her trial. I spoke of her bribing of servants, drugging of my meals, and her manipulation of those around her to gain more power. I mentioned that what few activities she had participated in and those causes she claimed to champion, as soon as she was in the Temple, she stopped participating in those supposedly charitable causes and keeping up with even her son, ceased. As soon as her carefully crafted network of influence was taken from her, she had stopped putting up the appearances.

I allowed a letter she had sent to me while in the Temple with a subtly threatening tone to be entered at evidence as well and answered questions about it. Within it she did imply she might see Sildras come to harm, which was a particularly damning bit of evidence, since most would assume that even if she were to give up her duties as a wife or member of the House, she would still see to those of a mother, caring for her own blood. This showed that she was willing to forgo even that. And being the mother of an heir was also one of her duties to the House. The letter showed that she had no interest in that either.

When it came to speaking about the times I had seen her when she was allowed off the Temple grounds, I said that she was still seeming to conspire again myself and my family. When asked about the last time, I did as I was advised and referred them to my solicitor. I let her do most of the work at that point, giving only the shortest and vaguest answers when need be. Yes and no answers where I could get away with it and saying certain things were a private matter.

Did it make me look a little guilty, of something perhaps, but once the idea that perhaps I had certain feelings for her, they seemed to take their questioning in that direction. When they tried to specify the types of feelings I said it was complicated and that I did not feel the need to disclose anything beyond that. The solicitor took over so and asked that the Council leave it to the more amorphous concept of feelings. And then I could honestly answer, with a well-practiced, disgruntled huff, yes, and said I would say no more about it than that. I made it clear that I was not happy about having these feelings and even less pleased that they were being disclosed to the entire Council.

They dismissed me, with a caveat that they may call me back again later on to clarify other information that comes up. I agreed and grumbled off the stand and out of the room. I saw Mother flash a small, piteous look in my direction and I gave her a small nod and forced smile before I left.

Afterwards it was time to meet with Almalexia. The thing I dreaded even more than the Council meeting.

I headed to the Temple and stopped just outside to take a prayer to The Three to watch over me and give me strength and guidance. I thought of Sildras and how much I loved him. I thought of Qau-dar and little Khes and how I longed to see them once more. I thought of Nabine and the girls and how much I wished to be there when they returned in a few months to spend time in Mournhold with me. I thought of Avon. I thought of Ervis. I thought of Mother and how I did not wish that look to have been the last of hers I saw. I thought of Father and the fact that he had to have called in some favors on my account with helping Count Ravenwatch. I thought of uncle Urnel and how he was always trying to help me. This was my family and I held their images tightly in my mind as I took a deep breath and went to announce myself to one of Almalexia’s Hands

The Hand brought me to a waiting room and I was served tea and a light meal as I waited. That nostalgic combination of incense: aloeswood, sandalwood, cedar, myrrh, and sacred lotus. I felt a sort of calm, despite myself, as I breathed in that scent. Somewhere gentle music was playing, it sounded like ancient court style songs, rather than the usual songs of praise.

A different Hand came to retrieve me and brought me to a different floor on one of the higher levels of the Temple. Everywhere the walls, floors, and ceilings shimmered with light from the golden patterns on the jade colored stone. At times I had to slow and avert my eyes as best as I could not to be blinded with the strong rays of sunlight that reflected off the golden patterns through the open windows.

We stopped before a towering, ornately carved door. The Hand rapped once, twice, thrice upon the heavy door, each time reverberating through the hallway like a Temple bell, echoing off every gold and green surface. The door opened on its own, revealing a chamber of equal splendor inside. And there, gazing upon a golden fountain shaped in the image of Saint Nerevar, was the hovering figure of the country’s matriarch, her golden skin shimmering like the sun bathed halls where I yet stood.

She turned towards me and told me to come and speak with her, her Hand being dismissed to shut the doors behind me.

We were alone. Two immortals, once mortal. One now a living god, the other, a follower of the Gods who she had followed as a mortal. There was a special sort of irony to all of this. And yet, despite the parallels, just as with the Count, our situations were not the same. They could never be. And if anyone outside the True Tribunal knew how to end me, it was likely Almsivi. And so I stood before my possible executioner.

Almalexia floated closer to me and gave a smile and said, in a soft voice, that it was good to see me. I gave my best smile and said that it was always an honor to be before her. And she laughed and told me not to try to flatter her, though she appreciated the formality.

I apologized and asked her to what I owed a private audience with a living god.

She gave me a look over, her gaze piercing into me in a way that made my breath catch in my throat. With a gentle extension of her hand, she told me that she had heard about the situation of my first wife and how the Council was trying to free me up to marry me off again. I nodded as she continued that she understood how much of an inconvenience that all might be. She also understood that many of the Council was actually advocating for me to take on new responsibilities and she had a bit of a task if I would be willing to accept it.

I asked if I could learn the details before agreeing and she made a dismissive wave of her hand as she told me that of course I could.

Almalexia explained that it had been disturbing her to hear that the Llodos Plague had been spreading, seemingly growing more virulent as it went. It had begun to reach into Stonefalls and Deshaan and was, at its current trajectory, poised to find its way to Mournhold. She wished to learn what the cause of the plague was to prevent it from entering the city if possible. It would be devastating to reach the capital and would be detrimental to the war effort, the balance of power, and even House politics. Not to mention how it pained her to see any of her children hurting, let alone when it was on such a scale and within her own city.

I did no disbelieve that she cared for the people that worship her. Yet I could not help but notice that there was something to the fact that it was now, when it was headed towards Mournhold, her seat of power, that she decided she must put an end to these things once and for all. It would reflect poorly upon her if she could not, as a god, stop people from suffering.

So I asked her if the honor of being selected to this task was on account of my being the only one who did not have to worry about any permanent death should I contract the illness. She told me that while that was part of the reason, it was the only one. She had seen how the Council was treating me of late and knew that, should they see I was busy with other, holier, duties, it might get them to have a better disposition towards me. Besides, would I not wish to avoid the many obligations I would have to be brought before the Council for testifying? Opportunities for the Council to learn about my soul’s location.

It all made sense. I could be effectively blackmailed into this and she got her way. I knew I could not say no. It would be of great benefit to me to agree and one did not say no to a god, no matter if they were yours or not, especially when you lived in the city that was theirs. So I said I would do so and asked if I could have a week to prepare.

She told me she was shocked to hear such selfish words, every moment I delayed were more lives lost. No, she would give me two days most, though she reminded me that that time was blood on my hands, lives lost that might have been saved.

I gave my formal thanks for hospitality and vowed to complete her task. Then I left, a Hand waiting to take me back down to the public areas of the Temple.

What was I supposed to fetching do?! Now I have to go an put myself in the way of a plague! I know nothing of medicine! And yet, it would be too dangerous to hire someone who does.

Perhaps I can find someone. Someone to at least assist me in minor ways. At a distance.

I am too angry to write more. I need a drink.

#ESO #TES #RP #Dunmer #Elder Scrolls Online #The Elder Scrolls

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aloeswood1 · 1 month

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What Are the Health and Wellness Benefits Associated with Aloeswood?

Aloeswood, also known as Agarwood, has been revered for centuries not only for its distinct fragrance but also for its potential health and wellness benefits. In this comprehensive exploration, we delve into the various aspects of how Aloeswood contributes to overall well-being. From traditional practices to modern research, understanding the health benefits associated with Aloeswood provides a holistic perspective on its significance.

Aromatherapy and Stress Reduction

https://jpcdn.it/img/small/aa1cdbf5f2107ca756281227f9392eb1.jpg

Aloeswood is renowned for its captivating and calming fragrance, making it a staple in aromatherapy. The inhalation of Aloeswood's rich and woody scent has been linked to stress reduction and relaxation. Aromatherapy practices involving Aloeswood aim to alleviate anxiety, improve mood, and create a tranquil environment. The aromatic compounds present in Aloeswood are believed to interact with the brain's limbic system, influencing emotions and promoting a sense of well-being.

Research studies suggest that inhaling the essential oils released by burning Aloeswood can have a positive impact on the autonomic nervous system, helping to balance stress levels. This traditional use aligns with contemporary wellness practices, where individuals seek natural methods to manage stress and enhance their mental and emotional health.

Spiritual and Meditative Practices

Aloeswood holds a sacred place in various spiritual and meditative traditions. Its use dates back centuries in rituals and ceremonies, where the profound aroma is believed to facilitate a connection between the physical and spiritual realms. The calming effect of Aloeswood is thought to aid in meditation by promoting focus, clarity, and a serene state of mind.

Practitioners often incorporate Aloeswood into incense blends, allowing the fragrant smoke to create an atmosphere conducive to contemplation and spiritual exploration. The ritualistic use of Aloeswood in meditation aligns with the belief that its aromatic properties can elevate consciousness and enhance the overall meditation experience.

Traditional Medicine and Ayurvedic Practices

Aloeswood has been a significant component in traditional medicine systems, including Ayurveda, where it is valued for its potential health-promoting properties. In Ayurvedic practices, Aloeswood is associated with balancing the doshas—Vata, Pitta, and Kapha—leading to improved overall health. It is believed to have anti-inflammatory, antimicrobial, and analgesic properties.

Ayurvedic formulations may include Aloeswood to address various health concerns, such as respiratory issues, digestive disorders, and skin conditions. The incorporation of Aloeswood in Ayurvedic medicine reflects the holistic approach to well-being, where physical, mental, and spiritual aspects are considered interconnected.

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Antioxidant and Anti-Inflammatory Properties

Modern scientific studies have shed light on the antioxidant and anti-inflammatory potential of Aloeswood. The essential oils extracted from Aloeswood contain compounds that exhibit antioxidant activity, helping neutralize free radicals in the body. Free radicals are linked to oxidative stress, which plays a role in aging and various health conditions.

Furthermore, the anti-inflammatory properties of Aloeswood have been explored in both traditional medicine and contemporary research. These properties may contribute to reducing inflammation in the body, potentially offering benefits for conditions associated with chronic inflammation.

Enhancing Sleep Quality and Respiratory Health

Aloeswood's calming effects extend to its potential role in promoting better sleep quality. The soothing aroma is believed to induce a sense of relaxation, making it a popular choice for individuals seeking natural remedies for sleep-related issues. Incorporating Aloeswood in bedtime rituals, such as using essential oil diffusers or sachets, may contribute to a more restful and rejuvenating sleep experience.

In addition to its impact on sleep, Aloeswood is associated with respiratory benefits. Traditional practices often involve the use of Aloeswood to address respiratory conditions, and contemporary research suggests potential respiratory health advantages. The inhalation of Aloeswood's essential oils may have a positive impact on the respiratory system, making it a valuable element in natural remedies for respiratory well-being.

Conclusion:

Aloeswood, known as Agarwood, transcends its reputation as a fragrant wood by offering a spectrum of health and wellness benefits. From its role in stress reduction through aromatherapy to its use in spiritual practices and traditional medicine, Aloeswood has left an indelible mark on cultural practices worldwide. The modern exploration of its antioxidant, anti-inflammatory properties, and potential benefits for sleep and respiratory health aligns with the ancient wisdom that has revered Aloeswood for centuries. As the intersection of tradition and science continues to unfold, Aloeswood stands as a captivating element contributing not only to olfactory experiences but also to holistic well-being.

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jarwoski · 2 months

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Agarwood , aloeswood , eaglewood ou gharuwood

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ubaid214 · 3 months

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Discovering the Artwork of Agarwood Harvesting and Distillation

Agarwood, also known as oud or aloeswood, is really a rare and valuable resin that's captivated civilizations for generations having its charming smell and myriad uses. Based on the heartwood of Aquilaria woods, mostly within Southeast Asia, agarwood is renowned because of its serious, woody aroma, and its cultural and spiritual significance. This short article goes into the world of agarwood, exploring their origins, manufacturing process, national importance, and modern applications.

The Origin and Formation of Agarwood:

The trip of agarwood starts with the Aquilaria trees, which are native to parts such as for example Southeast Asia, India, and Bangladesh. The resin is not within every pine but is a result of an all-natural security device set off by a fungal contamination and other outside stressors. Since the tree defends it self, it provides a resin-infused heartwood, slowly transforming into the sought-after agarwood.

Harvesting and Production:

The method of harvesting agarwood is both a skill and a science. Old-fashioned techniques include looking forward to the normal illness, but in contemporary farming, techniques like synthetic inoculation are used to encourage resin formation. When the resin is rolling out, the heartwood is carefully harvested, and the resinous wood is then distilled or produced to obtain the important agarwood oil. trầm hương

National and Religious Significance:

Agarwood supports a revered invest different countries and religions. In lots of Southeast Asian nations, it is considered a image of position and prosperity. In the Middle East, agarwood has deep roots in standard perfumery and is often associated with luxury. Moreover, it plays a substantial position in a variety of spiritual ceremonies and is used as incense in Buddhist, Hindu, and Islamic rituals.

Modern Applications:

In the current earth, agarwood has discovered their way into numerous industries, primarily perfumery and aromatherapy. Distinguished because of its complex and alluring scent, agarwood is a prized ingredient in high-end scents, often known as "water gold." Additionally, the therapeutic attributes of agarwood essential oil allow it to be a sought-after element in aromatherapy, thought to market relaxation and emotional well-being.

Sustainability Challenges and Conservation:

The increasing need for agarwood has increased issues about their sustainability. Overharvesting and illegal logging have led to the depletion of organic agarwood assets, threatening the living of the Aquilaria trees. Conservation initiatives and sustainable harvesting techniques are crucial to guarantee the endurance with this important resource.

Realization:

Agarwood, having its rich record, mesmerizing fragrance, and diverse applications, stands as a testament to the harmonious connection between character and human culture. Once we appreciate the draw of agarwood, it becomes imperative to harmony our admiration with responsible practices, fostering a sustainable potential with this amazing present from the heartwood of the Aquilaria tree.

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