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#afro-colombian girls
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If they make an Encanto 2 they should absolutely explore the girls relationship with their dad's side of the family. I get that they had to have Mirabel be the only superpowered one in the family, but she's got to have a family on her dad's side.
Oh I totally agree! I would love that especially for Dolores and I want to see more of the Black side of the family. ;(
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omgthatdress · 1 year
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Oh, look, another blonde hair, blue eyed doll from AG. I watched the cute little stop-motion short film AG made for Courtney, and I have to admit, it was fucking cute and her charm won me over.
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There’s *some* actual historical engagement with the popularization of video games. The biggest thing is that her mom is running for mayor of their fictional town in California (because of course Courtney has to be a Valley Girl) and faces a bunch of sexist BS on a TV interview. It covers the space shuttle era of space travel, Challenger disaster and the emotional impact that had on the United States.
In her second book, Courtney has a classmate with AIDS. I’m glad that was included, because putting AIDS and HIV-positive kids in schools was a huge fight in the 80s. Here in Tampa, the mother of Eliana Martinez, a disabled girl who had contracted HIV in a blood transfusion at birth, went to court to get her daughter into school, and a federal judge ruled she could go to school as long as she spent the day in a glass cage like an animal. It was that bad. Eventually, Eliana was able to attend school without the cage because her mother, Rosa, was amazing.
In spite of everything I like about Courtney’s story, let’s be real. AG’s 80s doll should have been Latina. A Cuban-American girl living in Miami, with at least one parent who’s an Operacíon Pedro Pan adoptee, and with relatives who came over during the Mariel Boatlift. And I’m not just saying that because my parents were living in Miami in the 80s, I’m saying it because Miami was an incredible place in the 80s.
Operacíon Pedro Pan was a program by the U.S. State Department and Catholic Church for Cuban children to be sent to America when parents feared they would lose their parental rights and their children would be sent to communist indoctrination camps. It was a chance for their kids to be raised as Catholic in free America instead of atheists under the brutal Castro regime. About 14,000 children were removed from Cuba to be mostly re-settled in Miami.
You may be familiar with the Mariel Boatlift if you’ve seen the opening scene of Scarface, which actually sums up the situation pretty well.
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Now, granted, Mariel only happened between April and October of 1980. Even after the boatlift officially ended, people seeking to flee Cuba continued to come on boats. The “wet foot, dry foot” policy meant that anyone fleeing Cuba who managed to set foot on American soil was guaranteed asylum. However, they had to face the US coastguard trying to intercept them and turn them back on the water. Refugees from Haiti fleeing the Duvalier regime also flocked to Miami, but since Duvalier was right-wing, Haitians weren’t granted the same protections as Cubans were and it was absolute bullshit.
On top of all that, Miami also had thriving African-American, Afro-Caribbean, Colombian, Jewish, and gay communities. There was just SO MUCH incredible stuff going on in Miami in the 80s, and I mean, hello, Miami Vice was a whole aesthetic!
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You could include all the stuff that’s going in in Courtney’s books and STILL pack in so much more amazing history. The overall vibe I get with Coutney’s collection is that even though there’s some good stuff in her stories, it’s more about selling 80s nostalgia than actually teaching 80s history, which is a travesty. I know it’d be hard to engage with 80s politics and Ronald Reagan without pissing off a *lot* of people, but you can still engage with some serious 80s history if you just look outside of the blonde hair, blue eye box.
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bountyhunterdaily · 1 month
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DAY 40 the bounty hunter trolls but they're all regular people existing in the lonely real world
Lore under the cut! :D
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Chabila "Chaz"
-37
-Works as a saxophone player in multiple different lounges all across cities.
-is genuinely passionate about his music but he doesn't seem to catch anyone's eyes with it. He does so with his looks.
-Desi
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Hickory Engel
-35
-an office worker. Specifically an editor for a newspaper.
-earnestly listens to vinyls of recordings of yodeling to calm his nerves. People make fun of him for it when they find out.
-trans ftm, most people don't know. He doesn't know many people.
-austrian
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Woo Eun-Wan "Wani"
-25
-Accounting Major. Is currently working as a convenience store clerk.
-Wants to form an indie global kpop girl group, has no fucking clue how to do that.
-scatterbrained.
-control freak
-korean chinese
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"Tresillo"
-26
-that's his SoundCloud artist name!
-trying to make music his actual career, has enough charisma and self confidence to think he can pull it off.
-the only people who actually support his dreams are his 2 girlfriends (platonic loving nickname)
-afro colombian
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signed-sapphire · 2 months
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Okay so I have like three exams in the coming week and won’t have much time to finish this SO take some WIP “The Fallen Star” AU Asha in 3D Disney style
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As you can see so far only her face is transformed but I will be giving my girl the full princess dress @mythartist21 designed bc it is gorgeous
Details + comparison pics under the cut!
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So I wanted to change Asha’s canon design a bit.
I gave her fuller lips and a longer nose bc we only had Jasmine for the nose rep in Disney Princesses, and she’s Afro-Hispanic! Show off her black features!
I also darkened her skin bc… I get that people from North Africa can have lighter skin, heck, Pepa from Encanto showed good rep for the lighter skinned Colombians! But like… we only have one other black princess. Let’s show off that skin color diversity
She also has wider shoulders, a bigger chest, neck, and waist, bc she’s not white but also WOMEN WITH MUSCLES>>>
Asha isn’t super jacked but she does have muscle defining and I want to write in a scene where she has no sleeves on so we can appreciate her arms
RatLD had Namaari’s back and my bisexual ass needs some more women to simp for
Eyeshadow as a reference to Elsa but also I felt she needed some color on her face. Miiiight change it later on when I add in her hair beads but for now she has eyeshadow
Gonna keep the many Rosas symbols bc she’s the princess of the kingdom, what do you expect?
Also she just looks older in general (even though she’s still seventeen like canon!Asha) which I think lends itself to her royal status idk
+ technically more realistic proportions which ig can be a callback to the times when animators did rotoscoping?
Dimples. Bc they’re fantastic
Keep in mind I will be editing this a bit more, this is still a WIP! But I won’t have much art done this week sooooo take it
(Comparison pics! ⬇️)
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dear-indies · 8 months
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heya do you know of any fcs who have played a role or just generally look more punk/alt and who have resources? (big bonus if they are tattooed) thank you
Benjamin Bratt (1963) Peruvian of Quechua descent, German (including Sudeten German), and English - DMZ.
Clemens Schick (1972) - Barcelona-Krimi: Blutiger Beton.
Chris Messina (1974) - Harley Quinn: Birds of Prey.
Lesley-Ann Brandt (1981) English, East Indian, German, Spanish, Dutch, Khoisan, Ashkenazi Jewish - Lucifer.
Miyavi (1981) Japanese / Korean-Japanese.
Nyla Rose (1982) Oneida / African-American - is a trans woman.
Riz Ahmed (1982) Pakistani - Sound of Metal.
Levy Tran (1983) Vietnamese.
Richard Cabral (1984) Mexican.
Asia Kate Dillon (1984) Ashkenazi Jewish / Unspecified - non-binary and pansexual (they/them).
Jaimie Alexander (1984) - Blindspot.
Clayton Cardenas (1985) Mexican and Filipino.
Deepika Padukone (1986) Konkani Indian - XXX: Return of Xander Cage.
Maika Harper (1986) Inuit - Mohawk Girls.
Kali Reis (1986) Wampanoag, Nipmuc, Cherokee, and Cape Verdean - is Two-Spirit (she/her) and queer.
Diane Guerrero (1986) Colombian - Doom Patrol.
Jurnee Smollett (1986) African-American, possibly other / Ashkenazi Jewish - in Harley Quinn: Birds of Prey, The Twilight Zone.
Uraz Kaygılaroğlu (1987) Turkish - Üç Kurus.
Ritu Arya (1988) Indian - The Umbrella Academy, Humans.
Macarena García (1988) - Pesar De Todo.
Nico Tortorella (1988) - is non-binary (any pronouns), poly and demisexual.
Mae Whitman (1988) - pansexual - Jack.
FKA twigs (1988) African-Jamaican / English, Spanish.
Tóc Tiên (1989) Vietnamese - Furies.
Rob Raco (1989) - Riverdale.
Hannah John-Kamen (1989) Nigerian / Norwegian - Killjoys.
Úrsula Corberó (1989) - Money Heist, Snake Eyes.
Tom Maden (1989) French, Belgian [Walloon], Portuguese, Afro Caribbean, African-American, English, German - Lifeline.
Chang Ryul / Yull Jang (1989) Korean - My Name.
Yamada Yuki (1990) Japanese - Tokyo Revengers.
Eric Graise (1990) African-American - is a bilateral amputee - Queer as Folk.
Oliver Stark (1991) - MindGamers.
Ryan Sitkowski (1991)
Vico Ortiz (1991) Puerto Rican - non-binary (they/them) and poly.
Tyler Posey (1991) Mexican / English, Scottish, Irish, German, distant French - is queer and sexually fluid.
Avan Jogia (1992) Gujarati Indian / English, Welsh, some German, Irish, French - Johnny, Now Apocalypse.
Jessica Henwick (1992) Chinese Singaporean / English - The Matrix Resurrections.
Kiana Madeira (1992) Irish, Unspecified First Nations, Black Canadian / Portuguese - Fear Street.
Simone Susinna (1993) - 365 Days: This Day.
Bia Arantes (1993) Brazilian - Órfãos da Terra.
Park Gyu Young (1993) Korean - Sweet Home.
Joseph Quinn (1993) - Stranger Things.
Yves Mathieu East (1994) Afro Asian - is queer.
Emma Dumont (1994) - The Gifted.
Remington Leith (1994) Unspecified Indigenous Brazilian and White.
Keshi / Casey Luong (1994) Vietnamese.
Lyrica Okano (1994) Japanese - The Runaways.
Lily Sullivan (1994) - Romper Stomper, Evil Dead Rise.
Natasha Liu Bordizzo (1994) Chinese / Italian - Ahsoka.
Lina Ahn (1994) Korean.
Sasha Lane (1995) African-American, Māori, English, Scottish, Sorbian, French, Cornish, distant German, Italian, Belgian Flemish, Russian, and Northern Irish - is gay and has schizoaffective disorder.
Sophia Taylor Ali (1995) Pakistani / Sicilian Italian, Danish, Norwegian, German - Uncharted.
Ryan Potter (1995) Japanese / Ashkenazi Jewish, Swedish, English, German - is bisexual - Titans.
Adeline Rudolph (1995) Korean / German - Chilling Adventures of Sabrina, Resident Evil.
Rish Shah (1995) Indian - Do Revenge.
Brandon Perea (1995) Filipino and Puerto Rican - Nope.
Ashton Sanders (1995) African-American - Native Son.
Kehlani (1995) African-American, French, Blackfoot, Cherokee, Spanish, Mexican, Filipino, Scottish, English, German, Scots-Irish/Northern Irish, and Welsh, as well as distant Cornish, Irish, and possibly Choctaw - non-binary womxn (she/they) and is a lesbian.
Emma Mackey (1996) - Sex Education.
Leah Lewis (1996) Chinese - Nancy Drew.
Rhea Ripley (1996)
Tati Gabrielle (1996) Korean, African-American / African-American - Chilling Adventures of Sabrina, Uncharted.
Hero Fiennes Tiffin (1997) - After.
Do Han-se (1997) Korean.
Evan Mock (1997) Bisaya Filipino / White.
Lizeth Selene (1997) Mexican [Black, White, and Unspecified Indigenous]- is genderfluid and queer (she/they).
Archie Renaux (1997) English, Punjabi Indian - Gold Digger.
Murakami Nijiro (1997) Japanese - Alice in Borderland.
Bahar Sahin (1997) Turkish - Duran.
Chella Man (1998) Hongkonger and Jewish - is deaf, genderqueer and pansexual (he/they) - Titans.
Brianne Tju (1998) Chinese, Indonesian - High School.
Fin Argus (1998) - genderqueer (they/them).
Beabadoobee (2000) Ilonggo Filipino - is bisexual.
Quannah Chasinghorse (2002) Hän, Gwich’in, Sicangu Oyate Lakota Sioux, and Oglala Lakota Sioux.
CG (?) Black - non-binary (they/them) - Queer as Folk.
MEMO FOR ME TO WORK ON MOVING MY ALTERNATIVE FACECLAIM MASTERLIST TO GOOGLE DOCS SO I CAN ADD MORE PEOPLE BC THE TUMBLR MASTERLIST HAS A LIMIT!
All of these have resources, anon!
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gumbxz · 2 years
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steve harrington x ex!friend reader
🔆🔆🔆🔆
reader has some resentment from basically being ditched from steve, around the time when they just started freshmen year, which steve is completely oblivious about and has no idea of doing that. which makes him confused and he tries to apologizes to reader abt it haha ,, season 5 concept maybe- reader helps stevie with some problems and tags along with the squad to help kill vecna 😼
genre// angst hurt/comfort(?)
reader is also um….afro latina bc i said so haha (i love morenas ong….)))
🔆🔆🔆🔆
steve harrington. king steve is what most of the high school jerks would call him. practically kissing his ass just because of how much of a cool dude he is for being a total dick. i have to say it but glamorizing big huge dicks like steve sure was the fun of all things
steve harrington and (y/n) (l/n) we’re and unluckily pair. never to be seen before in highschool. because no one knew. even steve the “hair” harrington forgot about it.
middle school was where the two of you were a pair that couldn’t ever be separated. no matter what happened, it was unlike you two to be torn apart. steve would always treat me like a friend. someone that he could talk to and vent about his parents to. i of course listened, because it’s what he would’ve done for me. middle school was where our problems slowly started.
to be fair—i’ve always loved steve. yes. the beautify dark skinned girl from the quiet town set in no-where in indiana. was inlove. with the popular cool rich kid steve harrington. every single girl that would pass by the pair in middle school would always talk badly about them.
“why is steve with her? i bet she smells terrible.”
“she’s so hairy on her arms.”
“i bet she’s only friends with him for his money.”
those were the things kids in hawkins middle school would say about you two. but steve didn’t care, and neither did you. you were too busy focusing on what type of activities you’d both do after school.
my parents loved steve. maybe more then me at some point. steve really preferred coming over your house because of how much your mother would spoil him. telling him to eat nearly the entire dinner when he was so close to throwing up.
steve’s parents however. they didn’t really like me that much. and i’m not surprised. it’s the 80s what more could they expect. brown girls weren’t really common in indiana. you’d be lucky to even be in a neighborhood full of good people.
some nights you’d stay and sleepover at steve’s house. his parents trusted him to that extent. but his father was still concerned about what you might do.
one night. you heard steve’s father whispering about you to steve’s mom. the door to steve’s room was open just a little. a small crack of light entering the dark room. steve had a bunkbed and called dips on the top bunk before you could make a choice. but you didn’t mind, it beats sleeping on the floor like most sleepovers you’ve had.
as you rest, you over hear the conversation his parents share about you.
“steve is going to get himself mixed with those people. he’s already friends with one of them. i bet she’s doing this for money..or..or drugs!” his father said in a hushed tone
“don’t say that now. she’s a good girl. and she treats our stevie so well. why would she do that.”
“i can tell the way she looks around the house. it’s almost like she’s planning something. have you seen the news, honey? those damn colombians and mexicans…”
“that’s enough out of you. she’s a child! and our son has trust in her. so trust the decision our son makes.”
his mother finished and it got quiet for a moment before the light shut off. you could only stay and think about the things they said. it’s nothing you haven’t heard of before. but it was a different pain. it made you overthink, and maybe it was best that this should be your last time sleeping here every again. you’re clearly not welcome. that was the longest you’ve stayed crying in bed.
as soon as you both finished middle school and started your freshmen year. the two of you began to lose touch. of one another.
“steve! where were you? i thought we were gonna go watch superman together.”
steve shut his locker and turned to look at you. he looked like shit. he definitely went to some party and got drunk.
“huh? superman huh. shit- i-i forgot. something came up and my friends wanted to like.. hang out.”
“but. you were the on that planned the whole hang out? ..and you chickened out on your own plan?”
“well i’m sorry. i had better stuff to do.”
“better stuff to do? wow. i see how it is. i bet that better stuff was getting your knob wet.”
you began walking away. unbelievable. was all you could think of. steve grabs your arm and stops you from walking away from the situation.
“hey hey. that’s not what happened. we just- drank is all—no girls.”
“no girls my ass. we’re they pretty at least? i bet they were the perfect things you’ve ever seen, huh.”
“what the hells your problem? look, just because i hang out with different people, doesn’t make it the end of the world, alright? i’m still friends with you.”
“are you really? or are you starting to catch on to the things your “pals” are saying about me.”
“what are you talking about?”
“i see the way you look at me. you look at me with disgust. it’s different now, it’s like you can’t stand being associated with me.”
he shook his head and rested both his hand on his forehead and let out a deep breath.
“and what if thats what it was about? what if they’re right. what if you are just a druggie from out of town trying to get close to me just to take my money?”
everyone was watching all of this unfold, whispering and gossiping about you. you couldn’t believe him. the only real friend you ever had said these things about you. and you trusted him. all your life. for it to only mean nothing.
“you know what. i thought you were different from the racist assholes in this town. clearly i’m wrong. you’re the same as them. and to think.. that you actually cared about me. to think steve would see me the same way he sees any other “normal” girl.”
you stayed strong. trying your best to stay strong and have that small self respect keep you alive. steve had nothing to say. there was nothing to say. and from that day on. the two of you haven’t said a thing. you wouldn’t even bat an eye. even when you’ve reached your junior year. steve looks at you with regret, not knowing what else to say to you when he sees you. you don’t care. at least you pretend you don’t care, but inside you miss that same boy.
you missed that boy that would wait after school to walk you home after getting extra work done in your class. you missed that boy that would stick up for you and take a few punches for you. you missed that boy that would share his lunch with you when you brought nothing. you missed steve harrington.
(present time now ^_^ !)
steve needed your help. you were a genius. of course he needed your help. but you were really doing this for the cute weird kids of hawkins.
“so everything you’ve faced against was in dnd?”
“yeah! kind of..” dustin finished
“well.. why don’t you try to think of what might happen next? didn’t nancy say a big red monster was gonna attack hawkins or something?”
“yeah.” the boys said in unison.
“so why don’t you research on your dnd thing and maybe plan ahead, this game clearly has a relation to all the shit you’ve been facing. it only makes sense. you just need a head start.”
after you finished. everyone seem to have caught on and began scrambling through your entire nerd collection. the only one that couldn’t seem to be looking for clues and relations to this thing was no other then.. steve.
he took this chance to speak to you in private. whispering to you and asking to talk to you in a more.. quiet place.
you shut the door to your room quietly and stand against the hallway wall and glared at him while looks at you with those soft brown eyes.
“so what’s up?”
“look (y/n), i wanna say. thank you. thank you for helping us. even if it isn’t major- it seems to be getting us through it, especially during this time—“
“—no problem. is there anything else you wanna say?”
he took a deep breath and moved a strand of hair from his face aside.
“i did some pretty cruel shit to you in our freshman year. i put gum in your hair. i called you names which were just awful. i was really immature. but after some maturing, i realized how awful i was. and how bad i treated you which you didn’t deserve since everything about you was never true. we’ve been through so much before, and i don’t ever want to put you through that again. and i’m sorry.”
“i appreciate the apology, stevie. just one thing, i don’t forgive you.”
“but i said i was sorry?”
“yeah, and i don’t forgive you. people can change and stuff but, you can’t change the pain that was left there. you don’t understand betrayal and heart break. because that never happened to you, because you had friends. and i didn’t.”
“that’s the thing- i understand you now because i’ve been through the same thing too.”
“no! you don’t understand. you don’t know what it’s like to have loved someone secretly. to only have your heart and soul be stabbed and lied to.”
you realized what you said and quickly stopped talking and looked away, trying to cover your face.
“wait wait wait. you- you love me? all this time?”
“no. i don’t. i shouldn’t. you don’t deserve to be loved by me, what you did to me is unforgivable. and i hate you for it.”
he tries holding you, stoping you from cowering away from him.
“that’s okay if you hate me. i’d hate me too if i that happened to me. but, i’m sorry. i really am. but i’ve struggled trying to find what i wanted. to maybe look to other girls that could fit that piece that i wanted. to realize, you’re all i ever wanted. all i could ever need.”
you were flabbergasted, you really were. you couldn’t help but realize your tears were running over your cheek, and down your chin.
“i always loved playing mommy and daddy when we were kids. it always felt like..like the real feeling. the feeling i’ve always dreamed of having. but it’s stupid. it’s stupid knowing that i couldn’t have that. it was stupid of me for thinking i could ever have a chance with someone, knowing that i was different and not..perfect.”
“(y/n). you being yourself is what’s perfect to me. you opening up to me right now is just- wow. i never thought you’d have it in you. don’t think i’d ever leave you because i- i wanna stay. i’m gonna stay with you.”
“you’re not- you’re not gonna leave me? you don’t think i look different?”
“you look perfect. just as perfect as the day i lost you.”
you were crying. your inner child is resting easy now. being held against steve- your first love, was all you could ask for.
his lips kissed the top of your head, holding you tightly against his chest, the only thing you could hear was his soft breathing and heart beating. everything was perfect. your body fit so well against his.. it’s almost as if. you were made for him, as he was made for you.
it may have been the end of the world maybe but, you’re happy to at least have short moments sharing it with steve harrington. you felt distracted, but it was a good distraction. right now you didn’t have a care in the world of what people might think of you. or what people might think of the two of you.
(edit: changed the song to this bc it just fit hehe..)
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ml-appreciation · 2 years
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ML! Ethnicity Headcanons!
welcome to this new section of this blog called “ML! Headcanons”! where i will explain some hcs and ideas that i have on my head for a few couple of days now. also this is the 1st one but more will come soon!
So, the 1st one (already mentioned) will be about the characters ethnicities, while i was watching the show i always thought what the characters nationalities are... since some weren't stated in the show, but atleast we have headcanons :) weeeeeellll, i have nothing much to say but, i'll leave ya with these HCs of mine ;) See ya later! i will post more HC megaposts soon!
Ah, one more thing: feel free to ask me what i'm missing here and i'll add it in the post! ;)
I’ll go with the Students First!:
Rikochet - Afrolatino (Mexican/Puertorican)
Buena Girl- Mixed Latina (Chilean/Mexican)
Flea - Mixed Afrolatino (Colombian/Mexican)
Pulgita - Mixed Afrolatina (Colombian/Mexican)
Penny Plutonium - White (Canadian)
Loco Mosquito - Latino (Argentinian)
Dragonfly - Afrocaribbean (Cuban)
Potato Patata Jr. - Black (African-American)
Cindy Slam - White (American)
Pierre del Fuego - Mixed Black-White/Asian (Afro-Jamaican/Filipino/American)
French Twist - Mixed European-White (French/American)
Snow Pea - Mixed European/Latino (German/Chilean)
Zero Kelvin - White (Icelandic)
Electricity - Mixed Black/White (Afro-American)
Megawatt - White (American)
Protozoa - Black (African-American)
Sonic Sumo - Blasian (African-Japanese)
Double Ninja Ninja - Mixed Asian/Latino (Japanese-Mexican)
El Gundamo - Mixed Blasian (AfroVietnamese-Japanese)
El Pacifico - Southeast Asian (Taiwanese)
El Oscuro Invasor - Black (Afro-American)
Tic Tac Toe - Mixed Afrolatino/White (Uruguayan-Canadian)
Minotoro - Asian/Latino (Malaysian/Dominican)
El Perrito - Mixed Latino (Chilean/Argentinian)
La Flamencita - Southern European (Afro-Spaniard)
Botas Del Fuego - Southern European (Afro-Spaniard)
Tibor The Terrible - Northern European (English/Swedish)
La Piñata - Latina (Mexican)
Ensalada de Frutas - Mixed Latino/Asian/Native (Argentinian/Filipino/Hawaiian) note: his mom is latina-asian and his dad is hawaiian
Francisco of the Forest - White (American)
Coco Demento - Southern European (Italian)
Tomato Tomata - Black (African-American)
Private Reinhardt - Northern European (German)
Haystack Grande - Mixed Afrolatino/European (Peruvian-Irish)
Skelantonio - Afrolatino (Ghanaian-Mexican)
Mariposa - Mixed Afrolatina (Afro-Brazilean/Chilean)
Muñeca - White (American)
Zebrita Twins - Latinas (Venezuelan)
Caballero de Acero - Black (African-American)
Princess Enigma (I know she was cut from the “Party Animal” episode but whatever) - Mixed Asian-Latina (Chinese/Peruvian)
The adults are next!:
Mr. Midcarda - Latino (Mexican)
Sr. Hasbeena - White (American)
Headmistress - Mixed Latina (Dominican/Brazilean)
Dolor de Kurtz - Mixed European/White (Polish/American)
Custodio - Latino (Argentinian)
El Fundador - Afrolatino (Puertorican)
Mama Maniaca - Afrolatina (Mexican)
Lonestar - Afrolatino (Puertorican)
Abuelito - Afrolatino (Mexican)
Bueno Dad - Afrolatino (Mexican)
Buena Mom - Latina (Chilean)
Mr. Flea - Latino (Mexican)
Mrs. Flea - Afrolatina (Colombian)
El Rey (BOTH toy and real versions) - Latino (Mexican)
Hairy Knuckles Now!:
Primadonna Hodges - Black (African-American)
Carlton “Cold” Jones - White (American)
Heavy Traffic - Mixed Asian/White (Thai/American)
Ham Hands - White (American)
Original Characters (or Fancharacters) which i might show them later on:
Inferno - Blasian (Afro-Filipine)
Angelique - Blasian (Afro-Filipina)
Miura - White (American)
Conejita Blanca - White Latina (Chilean)
Bruja Cosmica - Blasian (African-Korean)
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cyarskj1899 · 1 year
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YEAR IN REVIEW
The 100 Best Songs of 2022
Bad Bunny, Beyoncé, Steve Lacy, Pharrell, and Quavo and Takeoff were just some of the artists whose songs this year we won't forget 
BY ROLLING STONE
DECEMBER 5, 2022
WHAT MADE A great song in 2022? Was it an irresistible beat and a sense of humor? An introspective, bittersweet dream? An absolute dance floor banger? Was it lo-fi, high-res, loud, soft, twangy, poppy, sleek, distorted, hugely anthemic, or perfectly tiny? The answer was yes — all that and more. Or maybe it was a song that imperiously declared any and all doubters to be a bunch of munches. You’ll have to listen to all 100 songs here to be sure.
Find this playlist on Spotify. 
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50
Bad Bunny feat. Bomba Estereo, ‘Ojitos Lindos’
KEVIN WINTER/GETTY IMAGES
Calling Bad Bunny unpredictable is starting to feel like a cliché, but his collaboration with the Colombian electro-fusion band Bomba Estéreo was a genuine surprise — and a standout on Un Verano Sin Ti that netted him a Record of the Year nomination at the 23rd annual Latin Grammys. Produced by Tainy, the track marries the best of Bad Bunny’s laidback baritone with Li Saumet’s spunky delivery for one of summer’s most wistful tracks. Saumet told Rolling Stone that her verses came to her instantly, a process she described as “very magical.” “That’s how things come together when they come from a real place,” she added. — J.L.
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49
Sky Ferreira, ‘Don’t Forget’
LORNE THOMSON/REDFERNS
Pop disruptor Sky Ferreira’s first single since 2019’s chaotic “Downhill Lullaby” is a colossal synth-pop anthem with a vengeful streak — “I won’t forget, I don’t forgive,” she wails on the chorus. Ferreira’s petulant alto is made for sentiments like the rancor and anger that animate “Don’t Forget”; when swirled into the echoing synth strings and overdriven guitars, it sounds even more menacing. Ferreira’s second full-length, Masochism, has been on the verge of coming out for about seven years, but if “Don’t Forget” is any indication, its eventual arrival will be a gift to the patient. — M.J.
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48
Rema, ‘Calm Down’
REMA/YOUTUBE
Rema likes to call his spin on the Afrobeats sound “Afro-rave.” Is it much different than regular Afrobeats? Not a ton. Is it sublimely lovely all the same? Yes it is. Rema is the kind of singer who savors simple pop pleasures; the gently rolling “Calm Down” is literally about trying say hello to a girl who’s mellow and dressed in yellow, with a track that’s appropriately warm, bright, and captivating. The big-eyed wonder in Rema’s voice makes it sound like he’s the first guy ever to behold the majesty of girls or colors. — J.D.
47
Gunna, ‘Banking on Me’
WILL HEATH/NBC/NBCU PHOTO BANK/ GETTY IMAGES
So much of the polarizing discussion about the state of R&B hinges on the way that artists have fused the music with hip-hop — a style popularized by many others, and now embodied like no one else by Gunna. Over tender Metro Boomin production, he croons to his fantasy girl, telling her exactly why she’s his type. “Know you fuckin’ a man that’s made, hey/Keep it low-key, she ain’t after fame,” he sings on his straightforward love note. Instead of leaning on a Nineties R&B sample, he channels that energy in his own manner, stretching out over an unconventionally lengthy three-plus minutes. Released on Valentine’s Day, it’s a song that displays Gunna doing what he does best over the kind of production that allows him to do so. — A.G.
46
King Von and 21 Savage, ‘Don’t Play That’
KING VON/YOUTUBE
King Von’s “Don’t Play That” starts by letting the beat run for eight bars. The Kid Hazel-produced track employs the kind of electro-pop loop an indie act might license for a car commercial. But then Von subverts the mood with his characteristic menace, matter-of-factly rhyming, “I did a drill with a face mask/I wash my hand with the Ajax.” The late Chicago rhymer delves into a gritty, braggadocious verse, and 21 Savage follows up with the same. Von was known for rhyming over sinister, high-octane production, but “Don’t Play That” shows what he could do over a more palatable soundscape. His effortless delivery radiates the vibe of a burgeoning master of his craft. It’s tragic that “Don’t Play That” instead became the lead single for a posthumous album from an artist slain before his time. — A.G.
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45
Marshmello and Tokischa, ‘Estilazo’
MARSHMELLO/YOUTUBE
Tokischa has a rare gift for provocation that’s yielded some of the most exhilaratingly unfiltered music on the planet, along with some of the worst tweets this side of the guy who made The College Dropout. On her single with the boldly behatted DJ/producer Marshmello, she pulls off one of her most stunning coups: taking a mainstream EDM beat as big and empty as they come and making it thoroughly, distinctly her own. Boasting about sex, drugs, and other pastimes over a high-gloss house vamp, she vividly renews the commitment to hedonism that underlies all great dance music. If she can make Marshmello cool, what can’t she do? — S.V.L.
44
Kaitlin Butts, ‘What Else Can She Do’
We’re all familiar with the sad country song about a woman stuck in a one-horse town, slinging hash in some roadside dump as she dreams of a big, wide world she’ll probably never touch. Oklahoma singer-songwriter Kaitlin Butts gives us something different; in her devastatingly sung version, the woman makes it out of Nowhereville but washes out because, “Her small-town pretty didn’t play in the city too well.” Too proud to go back home, she throws on her apron and heads out for another 12-hour shift pouring coffee for strangers. The result is a perfect shot of Red Dirt naturalism — Theodore Dreiser’s Sister Carrie by way of Kacey Musgraves’ Same Trailer, Different Park — and proof that Butts is herself deserving of much bigger things. — J.D.
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43
Pheelz and BNXN, ‘Finesse’
PHEELZ/YOUTUBE
This was the year of stacked vocals in Afropop, in which tracks like Wizkid’s “Bad to Me” and Burna Boy’s “It’s Plenty” featured what sounded like a mass of mighty but whimsical singers. Pheelz and Bnxn’s “Finesse” came earlier, though, and used the trick to delightful effect on its carefree hook, in which the Nigerian artists throw caution and money to the wind. In March, it was one of the most Shazamed songs in the world, and deservedly so. — M.C.
42
Lizzo, ‘About Damn Time’
KEVIN WINTER/GETTY IMAGES
“I write songs about feeling confident!” Lizzo proclaimed in a Saturday Night Live sketch last April, about the time this bumping disco strut debuted. The bit was a joke, but that line wasn’t, and “About Damn Time” is the best proof possible. Lizzo has never sounded so effortlessly celebratory, and the easy groove, which samples the World’s Famous Supreme Team’s early-Eighties bubblegum jam “Hey D.J.,” fits her like a pair of faux-snakeskin boots. No wonder — co-producer Ricky Reed’s endlessly uncoiling bass line delivers a good time all by itself. — M.M.
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41
GloRilla feat. Cardi B, ‘Tomorrow 2’
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GloRilla’s come up has been one of the joys of 2022, recently culminating in her breakout hit “F.N.F (Let’s Go)” earning a Grammy nomination for Best Rap Performance. It’s a particularly appropriate category for GloRilla, as part of the magic of her tracks is her raw delivery. The visceral umph that punctuates her bars on “Tomorrow 2” could make you twist your face into a grimace. Then, the gleeful venom of Cardi B’s uber-quotable verse could make you laugh in disbelief. “Long ass weave, it be ticklin’ my ass crack/Wonder what I’ll do tomorrow that these hoes will be mad at,” is one of many Cardi couplets that make her so loveable.–M.C.
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40
FKA Twigs feat. Shygirl, ‘Papi Bones’
GAELLE BERI/REDFERNS
FKA Twigs is as celebrated for her dancing as she is for her avant-garde, experimental R&B, but it wasn’t until this year’s Caprisongs that she focused on making sweaty, beat-driven songs meant for everybody to dance to. “Papi Bones” taps into the star’s Jamaican heritage and features an excellent cameo from British DJ and artist Shygirl. The result is a sexy and fun anthem for all the “champagne bubble girls” and a perfect step forward for Twigs. “I grew up listening to Afrobeats on pirate radio stations, or when I was a teenager, at Notting Hill Carnival,” she said earlier this year. “So I really wanted to show that side of myself, and connect with who I was when I was around 16 or 17 and started seeking out music and clubs and people that represented my heritage.” — B.S.
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39
Smino feat. J. Cole, ‘90 Proof’
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Smino and J. Cole share a penchant for unearthing the intertwined roots of hip-hop and the blues with tender melodies and concerns — and that’s why they made such an excellent duo when they reconnected for “90 Proof.” Romantic love is Smino’s central meditation on the track, backed by warm guitar and crisp drums; the kind of love that stretches and molds you into something different, maybe better. Through most of his quick but hefty verse, Cole’s cautious gloating deviates from Smino’s thematic path, but the Dreamville head takes melodic cues from the St. Louis rapper’s template. It’s some of both of their best work this year. — M.C 
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38
Seventeen, ‘Hot’
HYPE LABELS/YOUTUBE
Seventeen’s popularity grew exponentiallythis year following the release of their fourth studio album, Face the Sun. The 13-member South Korean group known for self-producing, both in songwriting and choreographing, filled the album with hits like “Cheers” and “Darling,” but “Hot,” the lead single, towers above them all. You can’t help but to “drop it like hot, hot, hot” when you hear the Wild West-inspired guitar strum that kicks off the track. — K.K. 
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37
Wizkid, ‘Bad to Me’
WIZKID/YOUTUBE
Wizkid’s tour-de-force couple of years celebrating the success of Made in Lagos and its hit single “Essence” could have made for a tough act to follow, but the Nigerian superstar took on his follow-up in stride. “Bad to Me” was the lead single off his latest album More Love, Less Ego, and it further solidifies him as the type of genre-unifying pop superstar music very much needs. The slick tune is an infectious, fun victory lap for the star — don’t be surprised if it’s heating up everyone all winter long. — B.S. 
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36
Alex G, ‘Runner’
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One of the year’s most memorable indie songs, and an instant standout from Alex Giannascoli’s God Save the Animals, “Runner” contains lines both pure of heart (“I like people who I can open up to/Who don’t judge for what I say, but judge me for what I do”) and utterly dark (“What’s a couple grand rolled up in your pocket?/I won’t tell nobody, baby you don’t tell nobody”). Giannascoli plays every instrument on the song — including synthesizer and drums — to create a blissful, free-wheeling rocker with comforting echoes of Tom Petty. Need proof? Listen to the chorus of “Louisiana Rain” right after “Runner,” and you’ll see what we mean. — A.M.
35
Blackpink, “Pink Venom”
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When Rosé yells, “I’m so rock & roll!,” believe the woman. Blackpink kick down the door in their summer hit “Pink Venom,” an unbelievably fun raising-hell anthem full of Eighties hair-metal glam. Even the song title sounds like the name of a tribute band playing Poison and Def Leppard covers at the sleaziest bar in town. The Blackpink queens warn you not to mess with them, because you can’t handle their “Pink Venom,” boasting in Korean and English. It peaks as Rosé sneers, “Look what you made us do,” proving that bad blood is a universal language. — R.S.
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34
Ozzy Osbourne, ‘No Escape From Now’
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More than half a century has passed since Black Sabbath invented heavy metal as we know it, but on “No Escape From Now,” a track off Ozzy Osbourne‘s Patient Number 9 album, he and his Sabbath bandmate, guitarist Tony Iommi, have rooted themselves in the present. “Gone are the yesterdays,” Osbourne keens over Iommi’s brooding riffs, “Tomorrow’s getting cold … There’s no escape from now.” As on the best Sabbath epics (and this song stretches nearly seven minutes), the pair find a syrupy groove that evokes several grim moods, from the dark to the really dark, with help from Red Hot Chili Peppers drummer Chad Smith and producer-bassist Andrew Watt. It’s only a partial Sabbath reunion, but it lives up to the legacy of the Iron Men. — K.G.
33
Karol G and Becky G, ‘Mamiii’
KEVIN MAZUR/GETTY IMAGES
A meeting of two goddesses: the Colombian pop/reggaeton queen Karol G and the L.A. pop singer Becky G. They’re not exactly in a forgiving mood. In “Mamiii,” they drag their no-good exes for one of the year’s fiercest and funniest break-up songs, choosing violence in every possible way over a lilting guitar. The stars destroy any two-legged rat of a man who ever did them wrong, and if he wants to get back in touch, he should call “1-800-jódete.” (In other words, “fuck off.”) It’s a tribute to sisterhood as well as rage, proving that both of these Gs know how to twist the knife. — R.S.
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32
Jelly Roll, “Son of a Sinner”
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A longtime fixture of Nashville’s rap underground, Jelly Roll made a turn toward country with his latest project and revealed himself to be a great singer with a raspy tenor. Born Jason DeFord, Jelly Roll sings believably and candidly about his struggles with addiction in “Son of a Sinner,” trying to feel OK about being “somewhere in the middle” and “just a little right and wrong” instead of always squeaky-clean. It was a story of personal struggle without a tidy ending, but it turned out to be one that a lot of people understood very well. — J.F.
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31
Oxlade, ‘Ku Lo Sa — A Colors Show’
URIVALDO LOPES* 
When Asake — the Nigerian street-pop star whose debut album seemed to have generated the biggest buzz of the year — told his friend and peer Oxlade that he had a hit on his hands in “Ku Lo Sa,” the singer was skeptical. Asake was one of the first people to hear the song that would soon go global, and knew its tender pleas, pointed hook, and delicate rhythm were irresistible. “He was like ‘Yo, the song is going to go crazy,’” Oxlade told Rolling Stone. “‘I was like, ‘Ehh, every song, everybody says it’s going to go crazy.’” Over 150 million streams later, it looks like Asake was right. — M.C.
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30
Earl Sweatshirt, ‘2010’
EARL SWEATSHIRT/YOUTUBE
“I’ma need a bigger bag for the cohort,” begins Earl Sweatshirt on “2010.” The former Odd Future rapper has evolved into one of the genre’s great abstract artists, depicting his all-too-public life in poetic yet incisive terms. Over a tickling keyboard beat from Black Noi$e that sounds like a light sprinkling rain, Earl remembers a youth spent with his mother “rockin’ Liz Claiborne” and recaps a journey of “triumph over plight and immense loss.” The wordplay may not be easy to decode. But the imagery he conjures, thanks to lines like “rainy day came, couldn’t rinse the stains off,” will resonate with anyone. — M.R.
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29
Omar Apollo, ‘Evergreen’
CHRISTINA HOUSE/LOS ANGELES TIMES/GETTY IMAGES
Love triangles are brutal; being the side that’s cast out when the two others form a line is pure agony. That’s the cruelty that Omar Apollo excavates on “Evergreen,” as teardrop guitar licks spill against the soft edges of his falsetto. Apollo packs it all in there — anger, anguish, self-loathing, doubt — but still builds to a bridge bursting with defiant confidence: “You know you really made me hate myself/Had to stop before I break myself/Shoulda broke it off to date myself.” Apollo has always excelled at these kinds of songs, and it’s thrilling that such a superb display of his skills has finally scored him a well-deserved place on the charts and the broader pop ecosystem. — J. Blistein
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28
Muna, ‘Home By Now’
CHELSEA GUGLIELMINO/FILMMAGIC
Muna have a  reputation for not giving a fuck. But “Home By Now,” the highlight of their self-titled album, is a surprising pop lament placed amid brash confessionals. The narrator of this song is unsteady on their feet, but they’re not so much desperate for a doomed relationship, as they are reaching for the feeling of shelter, a place to rest. The song acts as a much-needed momentary retrospective in an otherwise future-forward album, and it adds to the queer themes richly embedded in Muna’s work. “Home By Now” is reminiscent.  It’s longing. It’s the feeling of driving in a tunnel with the windows down— recalled long after the car is parked. — C.T.J.
27
Asake feat. Burna Boy, ‘Sungba (Remix)’
ASAKE/YOUTUBE
It’s a little wild to think that Asake’s current reign as Nigerian pop’s streaming record-breaker only began this year. Within one month of the release of “Sungba,” from his debut EP, a remix and video with Burna Boy made the already-formidable track a powerhouse — Burna even performed it solo at his history-making Madison Square Garden show, sending the audience into an uproar. An electric meeting of the South African house sound amapiano and Nigerian flows, the “Sungba” remix demonstrated the strength of Asake’s sound, and he hasn’t let up since. — M.C.
26
Midland, ‘The Last Resort’
MIDLAND/YOUTUBE
Move over the Eagles’ “The Last Resort,” there’s a new “The Last Resort” in town. This great Midland song is more proof that Nashville has become America’s leading soft-rock exporter (c’mon, L.A., this is supposed to be your thing). It’s top-shelf Buffett-core, a smooth, heartbroken ballad from the saddest bar on the beach, with steel guitars coming down like a tequila sunset. Midland sing about going down the coast, chasing a case of the blues as big as the ocean, and it goes down so well because, deep down, the dude in this song isn’t some self-pitying bum — dude knows, it’s his own damn fault. — J.D.
25
Sam Smith and Kim Petras, ‘Unholy’
SAM SMITH/YOUTUBE
If Sam Smith planned to come back with a bang after their 2020 LP Love Goes, “Unholy” proved to be the perfect song with which to do so with. Accompanied by the sass of trans pop star Kim Petras, Smith “threw out the rule book” and stepped away from his signature ballad sound to create a catchy, dirty song about a “daddy getting hot at the body shop” behind mummy’s back. The sexy banger quickly skyrocketed on the charts, making Petras and Smith the first trans and nonbinary artists to reach Number One on the Billboard Hot 100.–T.M.
24
NewJeans, ‘Hype Boy’
HYPE LABLES/YOUTUBE
With its addictive choreography and catchy chorus — “‘Cause I know what you like, boy/You’re my chemical, hype boy” — this was a standout from NewJeans’ hit-filled first EP. “Hype Boy” lets each member’s voice really shine through, and Hanni notably contributed to the cute lyrics that encapsulate young love (“got me chasing a daydream”). NewJeans’ peers and seniors in the K-pop industry, like Stray Kids, StayC, Twice, and even JYP are still covering the “Hype Boy” dance at events and concerts. RM of BTS was also recently captured singing and dancing along to a recent performance. It’s the kind of phenomenon that makes it clear NewJeans have hit on something special. — K.K.
23
Carly Rae Jepsen & Rufus Wainwright, ‘The Loneliest Time’
CARLY RAE JEPSEN/YOUTUBE
Carly Rae Jepsen always knows how to find the emotional core of any glossy pop confection, and her wonderful team-up with Rufus Wainwright ranks right up there with her finest moments.  “The Loneliest Time” is a classic disco duet about two old lovers breaking free from a breakup of Shakespearean proportions to get right back where they started from, with Rufus and Carly sharing a chemistry on the level of Stevie Nicks and Kenny Loggins in “Whenever I Call You ‘Friend’,” which is to say, as sweet as it gets. — J.D.
22
Villano Antillano, ‘BZRP Music Sessions #51’
It seems like it would be massively intimidating to stack up to the talent that Bizarrap, the rising Argentine producer, regularly features on his ultra-popular BZRP Music Sessions — but the Puerto Rican rapper Villano Antillano barely batted an eye when she took the mic for a knockout video that blew away the Internet (155 million YouTube views and counting). Antillano, who has broken barriers as a trans woman in pop, storms onto the song with a barrage of flexes and double-entendres, wiping the floor with her haters. All hell really breaks loose once Bizarrap accelerates the beat: Antillano whips out a black handheld fan, waving it triumphantly with each explosive bar. — J.L.
21
Zach Bryan, ‘Something in the Orange’
MICKEY BERNAL/GETTY IMAGES
The breakthrough single from Oklahoma-raised singer-songwriter Zach Bryan is a bare-bones showcase for his weathered wail and painfully precise descriptions of how heartbreak can ravage the mind. Accompanied by a ghostly slide guitar and his own strumming, Bryan pours out his heart to a straying lover, with the encroaching dusk — the “orange” that bleeds into all of Bryan’s imagery — serving as a harbinger for a long, lonely night of solitude. Bryan’s lament smolders with regret and anger, threatening to burst into flame at any moment. — M.J.     
20
Noah Cyrus, ‘I Burned L.A. Down’
NOAH CYRUS/YOUTUBE
The Cyrus family legacy runs from “Achy Breaky Heart” to Plastic Hearts, but youngest sister Noah Cyrus goes her own way on “I Burned L.A. Down,” a highlight from her debut album, The Hardest Part. It’s a stark acoustic country-pop burner about feeling trapped in a one-sided relationship with a California guy — and maybe also with California. Cyrus mourns, “You can’t make a god of somebody/Who’s not even a half-decent man.” It’s a West Coast cousin to Taylor Swift’s “Maroon,” feeling lost in a city where you used to feel at home, after your heart gets broken there. — R.S.
19
Megan Thee Stallion, ‘Plan B’
MEGAN THEE STALLION/YOUTUBE
When Megan premiered “Plan B” during her Coachella set this April, heads exploded. The scorn in her precise raps for an ain’t-shit ex was incinerating, each diss hotter than the next. “Popping Plan B’s ’cause I ain’t planned to be stuck with ya,” is mild compared to everything that comes after. And with the threat to reproductive rights becoming especially dire two months after the song’s premiere, “Plan B” is an incredible assertion of those rights’ importance. — M.C.
18
Ashley McBryde, Caylee Hammack, Brandy Clark, and Pillbox Patti, ‘Bonfire at Tina’s’
ASHLEY MCBRYDE/YOUTUBE
Country rebel Ashley McBryde turns this old-school drinking song into a future-school celebration of sisterhood. “Bonfire at Tina’s” is the highlight of Lindeville, her concept albumabout a small town full of wild characters, inspired by the great Nashville songwriter Dennis Linde. She sings about a group of rowdy girlfriends who don’t always see eye-to-eye — but they watch each other’s backs, pour each other drinks, light each other’s joints. She shares the microphone with Brandy Clark, Caylee Hammack, and Pillbox Patti. As she warns, “Small-town women ain’t built to get along/But you burn one of us, boy, you burn us all.” — R.S.
17
Doechii & SZA, ‘Persuasive’
PARAS GRIFFIN/GETTY IMAGES
Doechii scores her most undeniable track yet with “Persuasive,” teaming up with SZA for the killer remix duet. The song evokes a druggy up-all-night vibe where falling head over heels in love can feel like being blunted out of your mind. She keeps singing the sleepy hook, “She’s so persuasive/That marijuana/She’s so flirtatious,” over a moody Seventies R&B groove. SZA adds her signature swagger, demanding, “Get off my balls, I said it nice.” They keep coming back to the key question, “How does it feel to be you?” The answer: damn good whenever “Persuasive” is playing. — R.S.
16
Burna Boy, ‘Last Last’
BURNA BOY/YOUTUBE
This heartache anthem was a huge hit for the Nigerian superstar, topping Billboard’s Mainstream R&B/Hip-Hop Airplay chart and racking up more than 100 million streams on Spotify alone. You can hear why: The beat samples a different love-gone-bad anthem, Toni Braxton’s 2000 hit “He Wasn’t Man Enough,” creating a seductively moody bed for Burna Boy to vocalize with canny self-assurance. Burna’s delivery is both elegant and a little broken as he laments lost love and turns “I need igbo and shayo” — weed and booze, basically — into a sung hook that lit up stereos from Lagos to L.A. — C.H.
15
Rina Sawayama, ‘This Hell’
RINA SAWAYAMA/YOUTUBE
There are so many amazing lines in this bonkers country-pop bash, from “Got my invitation, to eternal damnation” to “Fuck what they did to Britney, to Lady Di, and Whitney.” But the award goes to the opener, where Sawayama utters “Let’s go girls,” effortlessly invoking Shania Twain. Artists from other genres dabbling in country music is nothing new, but Sawayama does it better than nearly anyone here, proving she’s just trying to have a good time — while also inspiring change. “I get messages from people who connect the idea of country music with their conservative parents,” she told Twain in their recent Musicians on Musicians interview for RS. “They’ve been like, ‘You’ve taken trauma out of the genre. Thank you.’” — A.M.
14
Ice Spice, ‘Munch (Feelin U)’
WORLDSTAR HIPHOP/YOUTUBE
Bronx rapper Ice Spice landed one of the year’s breakout hits with “Munch (Feelin’ U),” a track that found her blending the rhythmic aggression of drill with a cool vocal style. On musical terms, she sounds unflappable, dismissing suitors and gawkers alike. Ice Spice’s image was as omnipresent as her music this summer, as fans debated her come-up. Only time will tell if “Munch” is just a TikTok-fueled one-off or the start of something bigger, but for now we’ll keep it on repeat. — M.R.
13
Pusha T, ‘Dreamin’ of the Past’
PRINCE WILLIAMS/WIREIMAGE
The simple, Donny Hathaway-sample-driven backdrop of “Dreamin’ of the Past” was the perfect canvas for Pusha T’s winding raps, which touch on everything from bankrolling Christmas with drug money to his annoyance with women who can’t pronounce the name of a luxury fashion house. Kanye West, who produced the song, offers a quick, smart, but slightly troubling verse; his reflections on finance, faith, and family feel foreboding given all we know and have seen of him now. But this is clearly Pusha’s show.— M.C.
12
Yahritza Y Su Esencia, ‘Soy El Unico’
YAHRITZA/YOUTUBE
When Yahritza Martinez first played “Soy El Unico” for her brother Armando, he was surehis 13-year-old sister was playing a cover. It’s for good reason: The stunning acoustic ballad, steeped in the traditional ballads and corridos of her parents’ native Michoacán region of Mexico and guided by Martinez’s stunning old-soul vocals, sounds like it’s existed forever. The reality is that the devastating torch song, which Martinez wrote by observing teenagers around her going through heartbreak, is a bonafide hit: After going viral on TikTok earlier this year, it topped the Latin music charts and racked up nearly 100 million streams on Spotify alone. But even if it hadn’t become nearly as popular, it’d still be the most astonishing debut single of the year. — J. Bernstein 
11
Kendrick Lamar, ‘N95’
KENDRICK LAMAR/YOUTUBE
Kendrick Lamar’s “N95” opens with a flurry of commands: “Take off them fabricated streams and them microwave memes.” His intro hearkens back to De La Soul’s 1989 track “Take It Off,” yet Lamar is not only distinguishing himself from his peers, but also confronting a world tentatively lowering its N95 masks amidst the ongoing Covid pandemic. “Bitch, you ugly as fuck!” he exclaims before adding “you outta pocket” in a different tone of voice. With moody, bass-y production, this is Lamar confronting societal clichés with restless intellectual fervor, and claims that he doesn’t care about the consequences. — M.R.
10
Drake feat. 21 Savage, ‘Jimmy Cooks’
DRAKE/YOUTUBE
Nestled at the end of Drake’s club-music adventure Honestly, Nevermind, “Jimmy Cooks” finds the 6 God on familiar ground, snapping and talking trash with 21 Savage. “Love the way they hang babe, fuck the silicon,” he opines lasciviously. “I be with my gun like Rozay be with lemon pepper,” adds 21. The track is split into three parts, including a Memphis rap-sampling intro as well as a beat apiece for the two rappers, and they bounce around the track with effortless bars, completely in the pocket. — M.R.
9
Harry Styles, ‘As It Was’
KEVIN MAZUR/GETTY IMAGES
The lead single from Harry Styles’ third album balances its agitated inner monologue, where the shape-shifting pop star picks at the details of a relationship in crisis, with spun-sugar synths that give cover to his torment. From its playful opening — Styles’ goddaughter Ruby giggling “Go on, Harry, we want to say goodnight to you!” — to its singsong bridge, during which Styles’ thoughts are ping-ponging around his head at “high-speed internet” velocities, “As It Was” paints an unusually vivid picture. Everything might seem fine on first glance, but it all becomes more troubling (“What kind of pills are you on?”) with each repeated glimpse. — M.J.   
8
Beyonce, ‘Break My Soul’
MASON POOLE*
What timing! Beyoncé’s spiritual successor to Johnny Paycheck’s immortal “Take This Job and Shove It” came into a post-Nomadland world of increasingly transient work. By year’s end, it could have been written for the engineers flocking from Twitter. The record hit like a shock wave — was Beyoncé really doing house music? She was, indeed — and her interpolation of Robin S.’s classic “Show Me Love” and sample of Big Freedia’s New Orleans bounce classic “Explode” (“Release ya job!”) has already helped pivot the wider pop world to house as a lodestone. — M.M.
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Pharrell feat. 21 Savage and Tyler, The Creator, ‘Cash In Cash Out’
PHARRELL/YOUTUBE
Pharrell came back strong with “Cash In Cash Out,” with a little help from the all-star duo of 21 Savage and Tyler, the Creator. Pharrell neither sings nor raps on the track — he just keeps that hypnotic, minimalist 808 loop pumping, and with a beat this cold, that’s all he needs to do. 21 Savage flexes his rudest humor, boasting, “She swallow all my kids, she a bad babysitter/Kim Jong-Un, in my pants is a missile.” Tyler, on a roll after Call Me If You Get Lost, reports that he refused a multi-million-dollar show — “I declined because the stage didn’t match my ethos” — and slips in the boast, “Going both sides, you could say I’m B-I.” — R.S.
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Quavo and Takeoff, ‘Hotel Lobby’
AARON J. THORNTON/WIREIMAGE
When Quavo and his nephew Takeoff seemingly broke with Migos member and cousin Offset and dropped “Hotel Lobby,” it seemed like an escapade before the band eventually got back together. Now, after Takeoff’s senseless murder in November, the duo’s side project has taken on tragic significance. As always, the Atlanta rappers float together like Golden State’s splash brothers. Takeoff brags how his “diamonds be dancing like Bobby [Brown],” while Quavo warns he’s “claiming that stick/Nigga made one wrong move, just popped him.” It hurts to think that the fun wasn’t meant to last. — M.R.
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Rosalia, ‘Despecha’
XAVI TORRENT/REDFERNS
In conversation, Rosalía dazzles with an encyclopedic knowledge of genres, exploring sounds that aren’t her own with a sheer, genuine love of music. That same sincerity comes through in songs like this one, which she premiered during this year’s epic Motomami tour. “Despechá” uses a mambo piano line as starting point, then delves into merengue territory chiseled by touches of avant-pop. Her respect for the bounce of the Dominican Republic’s most trusted dance format is poignant, but it is the soaring energy in her vocals that moves this summertime single closer to the sacred ground she’s aiming for. “Despechá” suggests that Rosalía’s future experiments in global hitmaking may be just as inspired as the milestone that was Motomami. — E.L.
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Taylor Swift, ‘Karma’
TERRY WYATT/GETTY IMAGES
“I’m still here.” With three words, Taylor Swift not only cemented Midnights as a middle finger to the people who prayed for her downfall — she sealed this song’s fate as its album-defining hit. Yes, “Anti-Hero” is the single, and “Maroon” is the one your moody friend keeps quoting. But “Karma” marries Swift’s mastermind lyrics (check out how “Karma is my boyfriend” shifts from smirking metaphor to lovebird literality as the song goes on) with the sleekest, most flexible production tendencies from longtime collaborator Jack Antonoff. When the track list was first released, some fans fixated on the hope that “Karma”  would relate to a long-rumored lost album. But any disappointments about getting an easter egg wrong were swept away by a tenacious revenge song so quintessentially Swift that the tour choreography is practically decided after one listen. — C.T.J.
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Steve Lacy, ‘Bad Habit’
SCOTT DUDELSON/GETTY IMAGES
Steve Lacy says “Bad Habit” clarified his vision for his stellar album Gemini Rights, which, sure, is about a breakup, but also about the parts of you that pulse and pull and contradict and  coexist all at once. It’s fitting, then, that its thesis track cruises like a daylit ride through a psyche in healing, at once peaceful and turbulent. Lacy’s lyrics make peace with the parting and long for reunion; he knows he has power, but gives some away. There’s musical genius in making melancholy groovy enough to soundtrack the summer and soar to the top of the charts. This thing happened for a reason. — M.C. 
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Beyonce, ‘Cuff It’
MASON POOLE*
Ranking one Renaissance cut above them all is no small task, but the impact of “Cuff It” is undeniable. It has thrived as a single, replete with jovial dance moves that spread like a contagion — and It’s strikingly placed on an album where sequencing is integral to the experience. At track four, the immediacy and ease of its funk is in sharp and exhilarating contrast to the shadowy electronic music that comes before it. As soon as “Cuff It” starts, we’re jetted to an ethereal disco in outer space, welcomed at the doors by the genre’s greatest practitioner, Nile Rodgers, who co-wrote the track and plays guitar on it. Aided by the Chic icon’s magic touch, Beyoncé reached the pinnacle of the modern throwback. — M.C.
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Bad Bunny, ‘Titi Me Preguntó’
KEVIN WINTER/GETTY IMAGES
The good news:  Bad Bunny brought frantic dembow beats, a classy sample by bachata master Anthony Santos, and a coda with a dash of Latin psychedelia to the global mainstream. Even better? He did it all with panache and a healthy sense of humor. Using the archetype of the concerned Latin American aunt asking about her nephew’s potential girlfriends as a starting point, the Puerto Rican icon launches into a hilarious tirade of salacious puns to a bouncy party vibe that — in typical Bad Bunny fashion — unexpectedly morphs into moody self-reflection. More than any other track off Un Verano Sin Ti, “Tití Me Preguntó” showcases Benito’s unbridled creativity, his eccentric pop genius. — E.L.
CONTRIBUTORS: Jonathan Bernstein, Jon Blistein, Mankaprr Conteh, Jon Dolan, Brenna Ehrlich, Jon Freeman, Dewayne Gage, Andre Gee, Kory Grow, Christian Hoard, Maura Johnston, CT Jones, Michelle Hyun Kim, Kristine Kwak, Ernesto Lechner, Julyssa Lopez, Leah Lu, Angie Martoccio, Michaelangelo Matos, Patricia Meschino, Tomás Mier, Mosi Reeves, Rob Sheffield, Brittany Spanos, Lisa Tozzi, Simon Vozick-Levinson
IN THIS ARTICLE:
Bad Bunny,
best songs of 2022,
Beyonce,
Harry Styles,
ice spice,
Taylor Swift,
Year in Review
MUSIC
MUSIC LISTS
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fromfaewithlove · 4 months
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Some Reflections on My Time in Europe So Far.
Ive been here for almost a month now so I thought I’d share a little specifically as it pertains to race, gender, languages, and nationalities. European racism isn’t better or worse it’s just more awkward also it’s very dependent on gender.
In the northwestern big cities Paris, Amsterdam, Berlin etc it was pretty normal / non noticeable but there’s a lot of young black people there and all kinds of black as well. Biracial, African American, East and West African, and a lots of islanders so we fit in pretty seamlessly. When approached people assumed I was French Canadian and that he was from Texas (lol we have very different accents). If we didn’t speak at all people in the Netherlands assumed we were Afro-German students. The real tensions didn’t arise till we went southwest to Italy.
As soon as we crossed into the country from the Swiss border Italian police pulled my boyfriend off the train and started yelling at him in Spanish asking if he was a Colombian drug dealer and they tore through our bags (we’re both afrolatinos and mostly speaking Spanish in Italy because we don’t know Italian he also has a thick Ecuadorian accent from living there) We were asked if we were Colombian several times -even after they had our American passports. However once we pulled out our college ID’s and threw around some ultra midwestern slang (a few over drawn howdies and yeppers) their tones changed and all of sudden they claimed they were helping us not profiling.
They did the same thing to a group of Asian girls demanding them to give up all their fentanyl - I felt so bad for them they weren’t older than 15 on a student exchange and the cops wouldn’t let their host parents step in at all. Multiple people tried to step in for both my bf and I as well as the other girls but the cops were pretty hostile to them too. Eventually they let us all go but the whole debacle made us miss our next connecting train. Overall me and my bf experienced the worst xenophobia when we spoke Spanish. When addressing the authorities English was always our best bet. Unfortunately this was not our only experience with Italian law enforcement on this trip.
I was genuinely just ignored a lot when I wasn’t with my bf which was fine by me. I didn’t associate it with racism as much as people who didn’t speak English not attempting to speak to me unless they absolutely had to (waiters, airline workers, people working in shops). People weren’t necessarily as nice or as helpful but it seemed to be more of a difference in work culture in general. Customer service is just a much bigger thing in the states. Service with a smile just doesn’t really exist here. Additionally, contrary to common belief ( i.e. TikTok videos about girls trying to speak in their target language and being quickly shut down) most people in Europe don’t actually speak English and it’s a hassle for them to try. They speak about as much English as Americans who last took a language class in middle school and now open Duolingo 3x a year claim to know a little Spanish.
However once I spoke French things changed tune. No matter what country I’m in I received the best customer service (which wasn’t much lol) when I spoke French. I equate this to French just being a significantly easier linguistic switch to make in countries that already speak Romance languages. And France being significantly closer than England or the States.
We experienced some racism from other Americans abroad who assumed me and boyfriend were thieves. It was fucking hilarious. In most Italian train stations there are loud PA announcements in English warning people to look out for pickpockets and guaranteed you know who the Americans were because they would immediately stare at us like they saw the ghost of negroes past while checking for their belongings. At one point I failed to contain myself with this one woman i was waiting in line behind in order to get a train ticket and said “oh please bitch you’re okay”.
It was so funny tho cause I’d watch Italian teens pickpocket and steal and they weren’t necessarily good at it - it was just that most of the tourists were too racist to pay attention to who the real thieves were. They weren’t looking for the normal looking European guy in converse in jeans that’s inching up on them, they were trying to avoid the POC. I will say, in Italy a few guys tried it unsuccessfully just because they’d be so obvious (granted I’m from a big city so I’m used to knowing when someone is trying to get me in a situation and pretty adept at getting out of them).
Regardless of the culture shock and xenophobia/racism. I know for a fact I’m gonna move back to Italy in less than a year. It’s beautiful and warm year round, housing and food are so much more affordable and it’s without the same threat of political instability that currently exists is other places I was considered moving to. Additionally this racism just isn’t as bad. In America racists treat me like I’m a threat to their very existence, here i mostly felt like an alien that people weren’t sure how to address. And free college + affordable healthcare and greater access to travel and study/use more languages are absolutely worth a few awkward uncomfortable situations for me.
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I posted 1,687 times in 2022
That's 1,687 more posts than 2021!
584 posts created (35%)
1,103 posts reblogged (65%)
Blogs I reblogged the most:
@inthetags
@incorrectmadrigalfamilyquotes
@naoko-world
@the-seas-song
@justanisabelakinnie
I tagged 1,426 of my posts in 2022
Only 15% of my posts had no tags
#encanto - 901 posts
#isabela madrigal - 587 posts
#reblog-o-log - 477 posts
#isabela my beloved - 465 posts
#isabela is best girl - 458 posts
#dolores madrigal - 422 posts
#camilo madrigal - 316 posts
#mirabel madrigal - 304 posts
#not isabela madrigal - 251 posts
#encanto headcanons - 219 posts
Longest Tag: 132 characters
#like there’s little miss perfect there’s ordinary there’s show and tell there’s primadonna there’s me and my husband there’s no boys
My Top Posts in 2022:
#5
People: You can’t possibly hear an image! The image:
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296 notes - Posted August 14, 2022
#4
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credit to @reesethedndencantolover​ for helping me move Pepa from Isabela’s place to Camilo’s! 
305 notes - Posted April 7, 2022
#3
Omg I’ve vbeen waiting to do this for so long!!!
If the grandkids had Twitter:
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406 notes - Posted September 15, 2022
#2
Hot take that shouldn’t be a hot take but Isabela is not the high school mean girl queen bee bitch that some of y’all like to think she is. 
468 notes - Posted February 20, 2022
My #1 post of 2022
Encanto Characters’ Birthdays and Their Significance
Isabela Madrigal was born on August 7, the day of the battle of Boyaca and the month during which the Festival of Flowers is celebrated. 
Dolores’ birthday is August 31, coinciding with the International Day for People of African descent as well as Saint Raymond Nonnatus’ Feast Day, said Saint also being the patron saint of confidentiality. 
Mirabel’s birthday is March 6, the same as Gabriel Garcia Marquez, as an homage to him due to his works being the Encanto staff’s inspiration for magical realism. 
Luisa’s birthday is November 14, also known as the Civic Day of the Colombian Woman, which itself is set on the date of the execution of Colombian war heroine and spy Policarpa Salavarrieta. 
Camilo was born on December 28, which is also Holy Innocents Day, the Colombian equivalent of April Fool’s Day. 
Julieta, Pepa, and Bruno are born on October 17, tragically, coinciding with the date of the start of the Thousand Days’ War. 
Agustin was born on June 19, which is Fathers’ Day in Colombia. 
Felix’s birthday is November 11, which is also Cartagena’s Independence Day. 
And finally, little Antonio was born on May 21, which falls on the same date as Afro-Colombian Day. 
Alma’s birthday is currently unknown. 
I hope you found this information as interesting and as fascinating as I did! The source is the Disney fandom on the wiki as well as Jared Bush on Twitter. It’s amazing how their birthdays all fall on significant dates while still being in the right order! 
570 notes - Posted June 3, 2022
Get your Tumblr 2022 Year in Review →
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camilo-makesyousmile · 5 months
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Camilo Carlos Castillo Madrigal – Character Sheet
my mama told me when i was young, "we are all born superstars" / she rolled my hair and put my lipstick on in the glass of her boudoir / "there's nothing wrong with loving who you are" / she said, "'cause he made you perfect, babe / so hold your head up, girl, and you'll go far"
Archetype — The Joker Birthday — December 28, 1998 Zodiac Sign — Rising Libra, Capricorn Sun, Virgo Moon MBTI — ENFP Enneagram — Type 7: the Enthusiast  Temperament — Sanguine Moral Alignment — Chaotic Good Primary Vice — Sloth Primary Virtue — Patience Element — Air
Overview
Mother — Josefina Carolina Madrigal-Castillo  Father — Félix Diego Madrigal-Castillo Mother’s Occupation — Assistant to the mayor Father’s Occupation — Nurse Family Finances — Middle ground? Not rich, not broke lol  Birth Order — Middle! Brothers —  Antonio [middle name] Castillo Madrigal Sisters — Dolores Adalia Castillo Madrigal Other Close Family — the Madrigals, im not listing them all Best Friend — TBD Other Friends — TBD Enemies — TBD Pets — all of Antonio’s friends Home Life During Childhood — Idyllic, loving family, beautiful house, beautiful town--happy and fulfilling childhood surrounded by love <;3 Town or City Name(s) — Encanto, Isle de Silvia, Avalor; Swynlake, England What Did His or Her Bedroom Look Like — It’s always been the same! Camilo’s bedroom in Casita is a massive auditorium with many fun house mirrors. His bed is actually “backstage” so to speak and difficult to get to if you don’t know how. (It’s a Metaphor for him hiding behind all his different faces.) It has excellent acoustics and when he was little, especially, he used to invite everyone into his theater to see him perform.  Any Sports or Clubs — Theater! Also, he’ll play some football but mostly casually.  Favorite Toy or Game — Charades, ofc.  Schooling — Primary in Avalor, was 16 when they came to Swynlake so he went to secondary in the UK; did not go to college Favorite Subject — Theater lol Popular or Loner — POPULAR! Important Experiences or Events — Getting his gift, Mirabel not getting hers, Antonio getting his (Cami was PRESSED), Avalor…  Nationality — Avalorian-Colombian Culture — Avalorian-Colombian Religion and beliefs — Catholic, tho they have a loosey goosey version of the Bible they follow lol
Physical Appearance
Face Claim — N/A Complexion — Brown skin with freckles on nose/cheeks, some pimples, but not a lot; very little facial hair, etc.  Hair Colour — Dark brown afro with some red highlights in the sun Eye Colour — Hazel Height — 5’7 Build — Wiry, but short Tattoos — Probably a few? I gotta think more about this Piercings — Nose and ears Common Hairstyle — A nice proper fro that they sometimes twist Clothing Style — Queer lol Mannerisms — Big and expressive!! Usual Expression — Smiling!
Health
Overall (do they get sick easily)? — Nah and if they do, tia Julieta got them! Physical Ailments — None Neurological Conditions — Kleptomania Allergies — None Grooming Habits — Stays pretty well groomed tbh. Loves a face mask and manicure. Sleeping Habits — Sleeps a lot bc of his powers -- will fall asleep anywhere. Eating Habits — Eats anything. At all times is snacking on something.  Exercise Habits — Doesn’t exercise a whole lot, at least not purposefully Emotional Stability — Pretty good tbh, Camilo is pretty even-keeled Body Temperature — This is always the weirdest question why is this here? NORMAL Sociability —  Extremely sociable and good with people Addictions — Stealing things, maybe a lil alcohol dependency Drug Use — None  Alcohol Use — Too much probably
Your Character’s Character 
Bad Habits — Not caring enough about things, saying whatever is on their mind, no matter the cost lol Good Habits — Always a friendly face and a good listener, tbh  Best Characteristic — Being funny and charming Worst Characteristic — Too unattached Worst Memory — Fleeing Avalor Best Memory — Getting their gift! Proud of — Their family! Embarrassed by — Their family!  Driving Style — Do not let them behind a wheel, too irresponsible Strong Points — Fun, carefree, easily excitable, loyal (these are the traits of a dog)  Weakness — Being serious about stuff Fears — Something happening to his family Phobias — None…?  Secrets — Their stealing… Regrets — NOTHING BABY! (lies) Feels Vulnerable When — People try and make them be serious.  Pet Peeves — People trying to make them be serious.  Conflicts — Caring about their family v wanting to do their own thing Motivation — Do it for the bit!!  Short Term Goals and Hopes — Doesn’t really have any…  Long Term Goals and Hopes — Also doesn’t really have any… Sexuality — Queer Day or Night Person — Night  Introvert or Extrovert — Extrovert Optimist or Pessimist — Nihilist?  Greatest Want — To make everyone have as good a time as they are 🧡 Greatest Need — To maybe take things a lil more seriously
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axl-simp · 1 year
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This is giving me Damian and Anya vibes. Update: Her name will remain as Cecilia because I literally got a migraine trying to think of a new name for my little Afro-Colombian girl #camilomadrigal #mirabelmadrigal #encantooc #camilomadrigalfanart #mirabelmadrigalfanart #camiloencanto #mirabelencanto https://www.instagram.com/p/ClGFUlbugGu/?igshid=NGJjMDIxMWI=
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systemalexi · 1 year
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Afro-Colombian Girl Internet dating
Afro-Colombian Girl Internet dating
If you’re looking at Colombian young lady dating, it can be tricky to find the appropriate one. Many of them are very poor, and their education is not very good. That’s why you need to take it slow and pay attention to about the culture ahead of you start going out with. A good way to initiate is with a web based dating service. These types of sites offer information of Colombian girls who are…
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dear-indies · 1 year
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hey guys! i was hoping u could help me out with a fc i've beenstruggling with. i'm looking for a male fc, about mid-university or grad school age(so like 23 at the minimum)... i want him to have very :pleading_face: energy if that makes sense? like he's just kind of adorable in a really pathetic way, like a puppy begging for ur snacks. i would also like if he has longer hair. the rest isn't set in stone, so go wild! tahnk you both so much 💕
Dev Patel (1990) Gujarati Indian.
Tyler Posey (1991) Mexican / English, Scottish, Irish, German, distant French - is queer and sexually fluid.
Jake Borelli (1991) - is gay.
Jordan Rodrigues (1992) Filipino.
George MacKay (1992)
Dylan Llewellyn (1992) - esp in Derry Girls.
Danny Ramirez (1992) Colombian and Mexican.
Joe Keery (1992)
Casey Cott (1992)
Kit Young (1994) Ugandan / Scottish.
Noah Galvin (1994) Ashkenazi Jewish / Irish, Italian - is gay.
Philemon Chambers (1994) African-American - is gay.
Jack Wolfe (1995)
Darren Chen (1995) Taiwanese.
Angel Bismark Curiel (1995) Taino, Afro Dominican, Spanish - has asthma and a heart murmur.
Lee Do Hyun (1995) Korean.
Brandon Soo Hoo (1995) Chinese.
Chance Perdomo (1995) Afro- Dominican and Guatemalan.
Kim Min Jae (1996) Korean.
Roman Zaragoza (1996) Akimel O’odham, Mexican, Taiwanese, and Japanese.
Mason Gooding (1996) Afro-Barbadian, African-American / European.
Tony Revolori (1996) Guatemalan [Spanish, Unspecified Indigenous, possibly other].
Toheeb Jimoh (1997) Nigerian
Gulf Kanawut Traipipattanapong (1997) Thai.
Nam Yoon Su (1997) Korean.
Rish Shah (1997) Gujarati Indian.
Charlie Gillespie (1998)
Michael Cimino (1999) Puerto Rican [Taíno] / Italian, German, Swiss-German.
Bolded those with longer hair! All these suggestions can totally have that vibe.
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ukranistani · 2 years
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Approaches for Meeting and Dating Afro-Colombian Girls Trying to find White Folks
Approaches for Meeting and Dating Afro-Colombian Girls Trying to find White Folks
Colombian young ladies are among the most beautiful women in South America. They can be inexpensive and simple so far. Here are some tips for achieving and internet dating Colombian young girls: First, be thoughtful. They do not continue to keep to schedules, which means you need to be flexible with the dates. Second, captivate affection. Colombian girls are usually self-sufficient, so take it…
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dnewstrending · 2 years
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Colombia’s shift to the left: A new ‘pink tide’ in Latin America? | Elections
Colombia’s shift to the left: A new ‘pink tide’ in Latin America? | Elections
The solar is rising on a brand new day for Colombians, particularly for many who Vice President-elect Francia Marquez calls the “nobodies”: girls, Indigenous communities, Afro-Colombians, LGBTQ+, working class, disabled individuals and all of the others who’ve been disproportionately impacted by poverty, state violence, discrimination and environmental destruction within the nation. On Sunday,…
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