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undertheinfluencerd · 3 years

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Sam Raimi’s Spider-Man trilogy redefined the superhero genre and the summer blockbuster. The three films provided audiences with a sense of escapism unlike anything they had seen before, thanks to its heart-pounding action scenes and collection of beloved characters.

RELATED: Spider-Man Villains Ranked Least-Most Likely To Win The Hunger Games

Peter Parker, his friends, and his foes all got many chances to show off their abilities on the big screen. Indeed, the trilogy’s characters star in some of cinema’s most unforgettable moments. From upside-down kisses in the rain to heartfelt monologues about the responsibilities of a hero, Sam Raimi’s trilogy has plenty of scenes that rank as some of the most memorable in cinematic history.

10 Eddie Becomes Venom

To say that Topher Grace’s depiction of Venom is unpopular would be an understatement. In fact, most fans agree he was one of the things Spider-Man 3 got wrong. That doesn’t mean his character didn’t have some thrilling moments on-screen, though.

Eddie’s most memorable scene in the movie is his transformation into Venom. As Peter gets rid of the symbiote while in a belltower, the alien falls and lands on Eddie, quickly overtaking him. A killer soundtrack and fittingly gloomy atmosphere accompany the transformation. And even if Eddie ended up being an underwhelming villain, his conversion into Venom is definitely memorable.

9 Flint’s Confession

Every fan knows that Spider-Man 3 has way too many villains. None have enough room to shine or prove themselves as worthy heirs to Goblin and Ock’s legacies, but they still get some redeeming moments. In Sandman’s case, it’s his final monologue to Peter, where he confesses his guilt about the part he played in Uncle Ben’s death.

Enhanced by Thomas Haden Church’s performance, the scene succeeds in providing some much-needed closure for Peter. Sandman is less a villain and more a tragic figure of circumstance, and his confession to Peter confirms it.

8 Goblin’s First Flight

Willem Dafoe redefined what it means to be a comic book villain. His take on the Green Goblin is the perfect mix of over-the-top and seriousness, adding a sense of gravitas that overcomes the more cartoonish aspects of the role.

The character has plenty of memorable moments in the first Spider-Man movie. However, his initial confrontation against Spider-Man during the World Unity Fair will go down in cinematic history as one of the best action scenes of all time. It is fast-paced and thrilling, wasting not a single moment of its four-minute length. The Goblin gives an impressive display of his powers, proving that he will always be Spider-Man’s best villain.

7 Otto Octavius’s Sacrifice

Sam Raimi’s first two Spider-Man films succeeded because of how much they fleshed out the villains. They weren’t just CGI creations trying to take over the world, but three-dimensional characters with ambitions and limitations of their own. Spider-Man 2‘s Otto Octavius is one of the genre’s most compelling villains, one who succeeds in winning the audience’s sympathy while remaining a fearsome threat.

RELATED: 10 Things Only Comic Book Fans Know About Doctor Octopus

During Ock’s final moments, he sees the error of his ways and decides to go down with his creation. Proclaiming he will “not die a monster,” Octavius sacrifices for the greater good. Thanks to Alfred Molina’s committed performance, the moment is one of the trilogy’s most memorable, cementing Octavius as one of the genre’s most complex characters.

6 J. Jonah Jameson Saves Peter Parker

J.K. Simmons as J. Jonah Jameson is the very definition of spot-on casting. The actor took an already well-known character and translated him into the screen seamlessly and faithfully. Throughout his tenure in the trilogy, he gets plenty of comical moments, but his most memorable is his protection of Peter Parker.

When the Green Goblin blasts into the Bugle’s offices, he threatens Jameson and asks for the name of the photographer who takes Spider-Man’s pictures. Jameson refuses to tell on Peter, telling the Goblin the reporter sends his stuff through the mail. The scene shows a new and unexpected side to JJ, a glance at the empathy he works so hard to hide.

5 Uncle Ben’s Lesson

Uncle Ben’s death is one of the defining moments in Peter Parker’s storyline. It’s the first of many (many) tragedies to happen to the character, inspiring him to become a hero in the first place. Sam Raimi provides enough room for Uncle Ben’s character to develop before arriving at the inevitable conclusion.

Cliff Robertson’s heartfelt monologue summarises the essence of Spider-Man. “With great power comes great responsibility” has become one of the most enduring phrases in pop culture, adding a more profound layer to Raimi’s trilogy. And while Uncle Ben has little screentime, his presence remains throughout the entire trilogy, thanks in large part to his now-immortal words.

4 Aunt May’s Advice

Rosemary Harris remains the most compelling and memorable cinematic Aunt May. She imbued the role with plenty of warmth and empathy, avoiding the one-dimensional approach of subsequent movies. Harris’ Aunt May wasn’t just another peripheral character; on the contrary, she was Peter’s anchor, a constant source of inspiration for both the boy and the hero.

Her role as Peter’s guide is blatantly clear during her monologue in Spider-Man 2. While she packs her things to move out from her house, she talks to Peter about the nature and importance of heroism. Her speech is the gentle push Peter needed to understand the true role of his superhero counterpart. It’s a sweet but unforgettable moment that confirms Aunt May’s importance in the friendly neighborhood Spidey’s life.

3 Goblin’s Last Flight

Throughout the Raimi trilogy, Harry Osborn suffers almost as many ups and downs as Peter himself. The loss of his father leaves him devastated and desperate to find someone to blame, leading to his descent into the Green Goblin persona. Alas, Harry was never his father, and he proves it at the last moment.

RELATED: 10 Most Powerful Variants Of Green Goblin In Marvel Comics

Sporting the Goblin costume, Harry goes to help Peter fight Venom and the Sandman. The two confirm their friendship, and Harry bravely dies fighting the enemies. Harry’s sacrifice continues the recurring theme in the trilogy that every victory comes with a steep price. It’s also a perfect send-off for the character and a way to restore the Osborn legacy.

2 Mary Jane’s Upside-Down Kiss

For all its strengths, the Raimi trilogy has one undeniable flaw, and that’s its treatment of Mary Jane Watson, Peter Parker’s main love interest in the comics and most movies. The character barely received any development beyond her damsel in distress role. Still, Mary Jane is a crucial figure in superhero movies; she defined the “superhero girlfriend” role for better and worse.

Out of all her moments in the trilogy, Mary Jane’s most memorable is her upside-down kiss in the rain with Spider-Man. It’s not only one of the most iconic scenes in modern cinema, but a perfect summary of MJ and Peter’s relationship. The setup may seem a tad outdated under a 2021 eye, but Kirsten Dunst and Tobey Maguire’s chemistry is so electric that fans can let go of the more dubious elements of the scene and enjoy the romantic aspect.

1 Spider-Man Stops A Train

Tobey Maguire’s Spider-Man remains as beloved now as he was back then. His take on Peter Parker gained new life thanks to the internet; indeed, Maguire’s Spidey is the king of memes, from Bully Maguire to the now-iconic “I missed the part where that’s my problem.”

However, this Spider-Man remains a blueprint for cinematic superheroes, thanks to his many heroic moments on screen. None is more memorable or inspiring than his efforts to stop a speeding train in Spider-Man 2. The scene works not only as an action setpiece but as a demonstration of Peter’s strongest power: his perseverance. Peter will never stop trying, even if all the odds are against him. Spider-Man is so relatable because he makes multiple mistakes and spends his time trying to fix them. But the point is, he will always try, and the train scene is the perfect representation of Spider-Man’s essence.

NEXT: 10 Unpopular Opinions About The Sam Raimi Spider-Man Movies (According To Reddit)

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mirkwoodshewolf · 4 years

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Falling for you; Tom Holland x reader

*Author’s note*

And here we go with another fic this time I’m posting up a Tom Holland fic. So the premise of this is that you reader are the daughter of RDJ and have been chosen to be apart of Spider-man: Far from home. I won’t spoil anything else but that’s basic characteristics for you the reader. And like I said this isn’t the end. I’ll be posting some more fics coming up in the next little while.

Warnings: FLUFF, teasing dad!RDJ, injuries (falling off a wire).

Taglist:

@waddles03

@psychosupernatural

@plethora-of-things

@ixchel-9275

@dancingcoolcat

@jd-johndeacon-or-jackdaniels

___________________________________________________________

It was like any other day on set. But being the daughter of the one and only Robert Downey Jr. the studio will treat you like royalty, even though I don't want to go to the extreme. And how did I manage to join the cast, well funny story actually for the next Spiderman movie Far from home Director Jon Watts wanted to introduce Peter Parker's new love interest, Carmen Dela Cruz otherwise known as "The Jaguar".

Much like the Black Panther character for speed and stamina, the Snow Leopard was introduced in Spiderman issue 312 number 2, a Latina character from Guatemala, she comes to America hoping to make a better life and save her family from a war that is going on so that they can make a better living in America.

She takes the mantle of "The Jaguar" when she was just 16 years old cause according to the comics, she was beaten and assaulted one night and left for dead but the spirit of the Jaguar warrior came to her and granted her the power and strength of all the jaguar warriors that came before her. She used her powers to get revenge on the gang that assaulted her and has vowed to protect any woman who is threated by assault. She's a protector of women and vows to never let anyone go through from what she went through.

She's teamed up with the Avengers in the past as well as Spiderman but you can see her majorly through the Black Panther comics as being a cat warrior herself, she looks up to T'Challa as a proud mentor and guide.

Now you may be thinking "AHH why another white-washing a character like this?" Well not true, cause you see my mom is actually from Guatemala herself, before my dad met his current wife Susan, after the divorce with his first wife, he met my mom and she ended up pregnant after a one night stand. But even after my birth, I've been constantly taken back and forth between both my parents even though they continued on with their lives and married different people.

But once I became 18, I permanently decided to stay near my dad's while I still visited with my mama. Now I have done acting in school and in college but this was my first breakout and my dad recommended me the part thinking I would be good at it.

So having seen Kevin and growing up with him ever since the beginning he and Jon both gave me a shot and after 2 callbacks, I got the part for Carmen and this would be her big debut onto the screen, as well as my own.

I was currently going over my new lines when I bumped into someone and that someone turned out to be none other than Tom Holland.

"Oh sorry (y/n)." He said.

"No, no it was my fault. Hey, did you get the new re-write of the script?"

"Yeah Jon just gave it to me actually, do you maybe want to go over some lines before we start filming?"

"Sure." We got together along the side and I said, "Can we go over pg.24 I'm having a hard time with that scene."

"Okay pg. 24 it is." We both opened our scripts to pg.24 and Peter first began his line. "What made you change your mind?"

"The same reason why I told you not to get involved with Mysterio in the first place. Maldito you Americans never listen to since or reason, particularly you white boys." I said in Carmen's thicker accent.

"You know, I think it's because you can't resist me. I mean twice in a row we've met you've saved me and always talked to me, even though you said this would be the last time you would."

"Don't be a fool, I'd never fall for someone as reckless as you, Spiderman. Anyone who listens to Stark is automatically a fool to me."

"Don't speak ill of Mr. Stark he is—he was the greatest man to ever live. He—he died a hero."

"I know he did, as did Captain Rogers." For this movie, Carmen always looked up to Steve Rogers as a child because he always knew what was best and he knew to never give up on a fight. He was her hero, even though she never got to meet him.

"Then tell me the real reason why you came and found me?" I turned towards Tom and seeing him so close to me, knowing that our character would eventually be together, but not by the end of this movie, I felt my heart flutter almost chanting out his name as I looked deeply into his eyes. I breathed heavily in character and turned away muttering incoherently in Spanish as it said in the script. "Carmen,"

He took my wrist and a shot of electricity shot up my arm. I turned back towards Tom and seeing him stand so close to me almost made me go weak at the knees. We stared into each other's eyes and just when Tom began to lean forward over a megaphone we both heard my dad's voice.

"Alright you two lovebirds on the set now!" I tensed up and turned towards my dad and flipped him the bird. "Don't you point that finger at me young lady or you're grounded!"

"I'm 20 years old dad you can't tell me nothing!" I cried back out to him. I turned towards Tom and said, "Well we better get to costume and makeup."

"Yeah guess we should." He said solemnly. We stood there in silence before he cried out as he took on ahead, "Race you!"

"Hey no fair you got a head start!"

Filming proceeded as planned, I was now being strapped onto some wires for the last big fight scene with Mysterio.

"You all good?" asked the stunt director.

"Yeah I'm all good. I can do this stunt Erik don't worry about it."

"Okay, but I'll have Stacey on standby should you need her." I nodded and saluted to my stunt double Stacey and Jon then told me how things were gonna go.

"Alright so Tom's already been swung into the crates, you come up from the top of the warehouse and meet up to Jake. All you need to do right now is just grab onto him, don't begin any of the fighting sequences yet, we'll work on that on the levitation bars."

"You got it Jon" I gave him a thumbs up.

"Alright you're all set." Aaron my wire guy said.

"Thanks dude."

"Alright clear the set please!" Jon said into his megaphone. I crouched down on my marker and waited for rolling and then action. "Quiet on the set please!" I took a couple of deep breaths and got into Carmen's mindset as I stared at Jake who was on wires just ahead of me. "And action!" The crates moved around which was my cue to jump out and just before I reached Jake, I let out the Jaguar Warrior cry but on my first take I totally missed Jake by like three feet.

The entire crew was laughing as were me and Jake.

"That was terrible!" I cried out. "Can that please be in the blooper reel!?" I laughed out.

"Reset let's go again!" Jon called out. I was then guided back to my cue point and I set myself down on the catwalk and went back to my marker. "Rolling, take 2! And.....action!" Th crates moved again and this time I jumped from a different angle and let out the Jaguar cry again and this time I managed to grip onto Jake. "Cut! Okay that was great! Let's just get one more for safety!". I released Jake and I was guided back to my catwalk.

But as I got there I noticed that one of the wires seemed a bit loose one me, with Jon starting from the top for a final take, I tried to hurry and tighten the wire as best I could and quickly got to my marker.

"Places please! And.....action!" The scene repeated itself and as I leapt out on cue, suddenly the wire snapped and I was dangling by one wire.

"Okay not good! Not good!"

"Cut! Get the mats under her now! Hang on (y/n)!" I looked towards Jake who was trying to come over towards me and he reached out telling me to take his hand. Just before I could grab it, my second wire snapped and I fell over 10 feet from the air and landed on the mat beneath me.

I let out a groan and soon I heard voices surrounding me and I heard emergency services telling everyone to back up and give them some room. I felt this sudden pain in my arm as I let out a scream of pure agony.

"We know sweetheart, we know but you have to lie still for us" one of them said as they began to examine me. "Broken shoulder, we have to get her to the hospital, get the gurney in here!" I was then set up on a gurney as I screamed and moaned in pain.

I was wheeled across the set and to an ambulance vehicle and I heard one of the men say.

"Now Ms. Downey, I'm gonna give you a sedative, it should help dull the pain and help you sleep. You'll be alright, we're taking you to the hospital now." Next thing I knew my vision was going fuzzy and then I went out like a light.

When I woke up, I found myself in the hospital with a sling over my arm and my shoulder bandaged.

"You're awake," I turned to my right and saw Tom standing before me, as well as Harrison and Zendaya.

"How you feeling chic?" asked Zendaya.

"A little funny, so what do I got?"

"You broke both your shoulder and your wrist in the fall plus a mild concussion. The doctors said you're lucky to be alive, most people falling from that height usually end up in a coma if not dead or multiple broken body parts."

"Gee thanks Harry" I said sarcastically.

"Good to know the Downey sarcasm is still intact." Zendaya praised.

"Hey guys could you give us a moment along please?" Tom asked. Zendaya and Harrison both looked at each other with a know it all grin before Zen said.

"Sure, fine."

"Don't have too much fun you two." I flipped them off as they left my room leaving Tom and I alone.

"How are you feeling?" he asked me.

"A bit in pain, but I've had worse, once I broke my leg when I was just 9 years old doing a risky bicycle stunt that my friends dared me to do. Boy dad was so pissed he never let me ride a bike again for 6 months."

"You serious?"

"Yeah." When I looked back up at Tom, I noticed that his eyes now held such worry and fear as he said.

"When you fell I—I was so worried that you'd....that you were gonna be.... I even tried to ride with you to the hospital but they wouldn't let me. God never before did I wish I really was Spiderman I—"

"Shhh it's okay Tom. It wasn't your fault. I should've spoken up and had the wiring guys tighten my wire before anything. If it's anyone's fault, it's mine." I then felt Tom take my free hand in his and I looked right back into his eyes again.

And damn that heartrate monitor because it was starting to spike up and I let out a groan of embarrassment to which Tom softly chuckled and he said.

"If it helps you feel better, my heart would probably be doing the exact same thing." I looked at him and he continued, "When I first met you I—I thought you were the prettiest girl I've ever seen, I know the press always says that it's me and Zendaya but truthfully I hope and pray that once Far from home comes out that they'll start to say you and me. God I hope I didn't freak you out or ruin this friendship because I—" I stopped him with a kiss.

He placed his hands on my cheeks as the kiss got a little deeper before I finally separated from him.

"You're so much like Peter, you ramble on too much." He chuckled nervously and he said.

"So....when you're released do you—wanna go out for coffee or something?"

"Coffee sounds wonderful, Parker." I teased using Carmen's accent as I said Parker.

"Cara mia Carmen." He leaned in and kissed me once more. Just before anything could go further we both heard my dad's voice say.

"Alright you two, don't be sucking each other's faces off!" We separated from each other and we both cleared our throats in embarrassment.

"Really dad?"

"Hey! Be thankful that once you two lovebirds got together I was gonna allow hand holding and little pecks but after my virgin eyes have been tainted with what I had just seen I may not allow any PDA at all." I shook my head at him and I turned my attention back to Tom and he smiled down at me as he took my hand in his and gave my knuckles a kiss.

Man I wish my release would come faster, I really could use that coffee right about now.

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aion-rsa · 3 years

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WandaVision Finale Ending Explained

https://ift.tt/eA8V8J

This article contains WandaVision spoilers.

After eight near-perfect episodes, the story of WandaVision has concluded with a finale installment that sticks the landing on all fronts, including multiple cinematic battles, several heartfelt goodbyes, and a long-overdue moment of agency for a heroine who has so often been denied a choice in her own future.

But while “The Series Finale” is a deeply satisfying coda to what is probably Marvel’s most emotionally satisfying outing to date, it leaves us with more than a few questions about where these characters go from here. Let’s break down what happened in the WandaVision finale, and what it might mean for the Marvel Cinematic Universe going forward.

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Wanda Transforms Into the Scarlet Witch

Thanks to Agatha’s pronouncement last week, we already knew that Wanda was the legendary Scarlet Witch but in “The Series Finale” we see her fully embrace her chaos magic, right down to an amazing contemporary riff on her traditional comics costume. (That headpiece! The cape! We love to see it!)

There’s even a return of the mind control visions we saw her deploy to such great effect in Avengers: Age of Ultron. What can’t this Wanda do?

Granted, we still don’t know what all this power now means for her character in a larger sense, but to be fair, neither does she. Wanda’s abilities as displayed in this episode are fairly tremendous, as she uses witch runes to neutralize Agatha, wipes her mind, and brings down the Hex she’s built around Westview, freeing its residents.

In the episode’s post-credits scene, however, her abilities appear to have grown even further, as she’s able to take in a scenic lake view even as her astral self is also busy reading the Darkhold, right down to making its pages turn on their own.

This is a move we’ve seen Stephen Strange pull before, but according to Agatha, Wanda is even more powerful than the Sorcerer Supreme. So….what else will she be able to do? That seems to be what she’s trying to find out.

Westview Returns to Normal (Sort of)

During her (quite frankly pretty badass) battle with Agatha, the older witch frees several Westview residents from Wanda’s mind control, forcing her to face what she’s done to the townspeople in her quest to build a perfect life. The simultaneously angry and desperate crowd of Westview residents – who look like nothing so much as a suburban take on a horde from The Walking Dead – confront Wanda and reveal a bit of what it must really like as a person who lives under the town’s spell.

The most harrowing victim is certainly town queen bee Dottie, who comes to herself long enough to beg Wanda to allow her to see her daughter, or perhaps write her into the larger storyline as one of the twins’ friends. But we also learn that Wanda has been projecting her grief and pain into Westview’s nightmares, forcing them to suffer right alongside her, rather than providing a peaceful, perfect escape.

What Happened to Agatha Harkness?

At least one resident of Westview won’t be returning to normal, however. After Wanda defeats Agatha by scattering witch runes around the Westview Hex to neutralize her magic, she uses her own power to wipe Agatha’s memories and essentially turn her into nosy neighbor Agnes, the WandaVision “role she chose,” for good.

Your mileage may vary on whether this is an acceptable ending for Agatha – a character who was, admittedly, often monstrous, even though she was right about the way that society is all too willing, even eager, to vilify powerful women out of fear (and often just because it can). On the plus side, since nothing lasts forever in the Marvel Universe and Agatha Harkness is a pretty powerful witch in her own right, there’s every chance this character will reappear down the road. After all, Agatha was Wanda’s mentor in the comics and she tells Wanda here that her magical expertise will be needed in the future.

We Said Goodbye to Wanda’s Kids (Or Did We?)

As products of the Hex, young Billy and Tommy Maximoff’s fates were always going to be tied to it, so in choosing to break the illusion, Wanda also accepts that she’ll have to say goodbye to her sons. In one of “The Series Finale’s” most heartbreaking scenes, she and Vision, knowing what’s coming, tuck the boys in for bed one last time, as the red glow of the shrinking boundary line edges closer to their house.

Wanda also thanks the boys for choosing her as a mother. Reader, I cried. Plus, this basically confirms that Billy and Tommy aren’t entirely constructs of Wanda’s imagination. They’ve come from somewhere, and possess something like souls. How that all happened is anyone’s guess – here’s your entry point for Mephisto, folks! – and it’s something future series can explore, but it’s certainly the way I’d prefer to read it.

But, since the last thing we hear on WandaVision is also the voices of Tommy and Billy shouting to their mother that something is wrong, it seems pretty likely we’ll see some version of these characters again. There’s precedent in the comics after all, and finding her lost boys is a pretty powerful narrative throughline to carry over to Doctor Strange in the Multiverse of Madness.

What Happened to White Vision?

Paul Bettany’s dreams of essentially working with himself are realized, as Vision and the White Vision come to blows in the skies of Westview. But despite the epic battle between the synthezoids – or, synthezoid and Mind Stone-fueled recreation of that same original, as the case may be – physical combat isn’t the most compelling, or even interesting part of their encounter.

Instead, it’s philosophy. Yes, you read that right. Upon realizing that the two are too evenly matched for either to emerge victorious, Vision decides to engage the White Vision in a thought experiment about their shared existence, and whether either of them is truly the man (robot?) they claim to be. The two end up in a sort of pseudo-philosopher’s debate about The Ship of Theseus, a thought experiment centered on issues of identity and meaning, and what makes a thing real.

This is surprisingly deep stuff for a Marvel property but the conversation contains tantalizing hints about what we could expect as we head into Phase 4 of the MCU. After all, it will likely contain stories full of magic, mutants, and transformation of all types; this is simply WandaVision giving us a metaphorical anchor to hang onto throughout. Well, that and providing a way to bring Vision – or some version of him – back for good, as Westview Vision restores White Vision’s memories and gives us all a reason to hope that he and Wanda will one day be reunited again.

Was the Vision in Westview Real?

Yes and no. The Vision that lived in Westview and shared a house with Wanda wasn’t physically the Vision we’d previously seen in the Avengers films. He was a flesh and blood construct, created by Wanda’s power, informed by her grief memories, and born from the piece of the Mind Stone that lives inside her. (This makes sense, given that the rise of Wanda’s magical abilities was connected to her initial exposure to the Mind Stone. As Agatha puts it, the Scarlet Witch is forged, not born, and for Wanda, that crucible was her time with Hydra and the Infinity Stone that served as a sort of cosmic gasoline on her sleeping abilities that might never have stirred otherwise.) This Vision represents Wanda’s hope and sadness, but mostly her love.

And, as a result, even Westview Vision doesn’t greet his oncoming demise with sadness, or even fear. Instead, he reasons, he and Wanda have been here before twice already, forced to say goodbye before their time. And since their relationship has survived before, there’s every reason to believe it will again, and they’ll find their way back to one another.

Monica’s Powers, the Skrulls, and Captain Marvel 2

Unfortunately, thanks to everything else going on in “The Series Finale,” Monica Rambeau doesn’t have a ton to do here. However, she does get a straight-up hero moment, where she throws herself in front of a bullet (or four) for Wanda’s kids and reveals a heretofore unseen ability to phase through objects and slow them down. She also frees the real Ralph Bohner, and happily helps send dirtbag SWORD director Tyler Hayward to prison.

Happily, however, despite her limited screentime in this episode, Monica’s MCU future looks bright. In the mid-credits scene, she’s approached by a Skrull disguised as a SWORD agent who takes her aside and reveals she was sent by a friend of her late mother, Maria’s. And that friend, who is most likely Nick Fury, would like to see Monica – in space.

We’d all basically assumed that Monica, who is Maria’s daughter and clearly has some as-yet-unprocessed resentment toward Carol Danvers, would be a significant player in the upcoming sequel Captain Marvel 2, but perhaps there’s an even broader future in store for her, as part of the SWORD-like organization Fury and the Skrull named Talos formed at the end of Spider-Man: Far From Home.

Who Was the Fake Pietro Maximoff?

Sadly, the character played by Evan Peters in WandaVision was not actually Wanda’s brother Pietro ported over from the FOX X-Men universe like we all hoped. So, yeah, unfortunately, that means mutants technically still do not exist in the MCU, and that’s a problem another movie or series will have to address.

While trapped in his self-described “man cave”, Monica discovers that the Fake Pietro is really just Ralph Bohner, the mysteriously absent husband Agnes was constantly complaining about throughout the season. Agatha kept him under her spell using an enchanted necklace, and when it was removed his real identity returns. Whether the fact that Agatha’s punishment to live as her Agnes identity involves being really married to Ralph is unclear but in Westview, anything is possible, I guess.

Wanda’s Future and Doctor Strange 2

Wanda has long been confirmed as a major player in the upcoming sequel Doctor Strange in the Multiverse of Madness, but we haven’t known how exactly she would fit into this story, having never exactly met Stephen Strange before. But since the WandaVision post-credits scene confirms that the new Scarlet Witch is determined to learn more about her powers, it seems that will change fairly quickly. The only question is, how?

Stephen Strange has served as a mentor to many magic users throughout Marvel Comics history and could certainly be someone that Wanda seeks out to help her access and control her new abilities. But, given that she’s also currently DIY-ing her knowledge of witch history with a magical item that is basically subtitled the “book of the damned” it’s also very possible that she and Strange will end up at odds over the Darkhold’s existence, her possession of it, or both. Plus, there’s that interesting wrinkle of her still hearing the voices of her construct children that shouldn’t still exist outside of Westview thing. Time to explore the multiverse, anyone?

The post WandaVision Finale Ending Explained appeared first on Den of Geek.

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nerdinreview · 3 years

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“WandaVision In Review”

The first of many Marvel Disney+ shows has just recently concluded. With fan theories running rampant, and twists and turns during almost every episode, it isn’t surprising that WandaVision was so successful. However, the show is not without its own issues as nothing can ever be quite perfect. Below is our spoiler-filled review of WandaVision.

My first impression when watching the early (first two) episodes of WandaVision was confusion. I had a hard time trying to determine why Disney and Marvel would take us on a nostalgia tour through classic television series featuring two underserved and underutilized Avengers. I have to admit, I wasn’t overly invested in the project in the beginning. I enjoyed the references to The Dick Van Dyke Show and Bewitched, but I honestly didn’t care much for it past that point. Despite this, I kept watching for curiosity’s sake, and it certainly paid off.

When it becomes clear that Wanda is more in control of this reality than was initially assumed, I was hooked. I’m a big fan of Wanda Maximoff as a character. In the comics she has been a force to be reckoned with and the Marvel Cinematic Universe hadn’t seized the opportunity to really utilize her until this point. It was exciting to see Wanda use her powers in a way we hadn’t gotten to see on screen before, and the ending definitely implies that this is just the tip of the iceberg for her.

As someone who has been critical of Vision in both comics and film, I have to say that this did wonders for his character as well. We finally get to see a more “human” side of the synthezoid. That said, it’s hard to determine how real this side of him was, as he’s technically a manifestation of Wanda’s grief. At the very least, we get to see Vision as Wanda saw him, which is almost beautiful in its own right.

As mentioned above, some of the best content to come out of WandaVision is the character development. While the two titular characters had the most development, I’d be remiss if I didn’t mention the other characters who stuck out. The first of which is Monica Rambeau. The last time we saw this character she was a child in Captain Marvel, and while she may have been dreaming for the stars, she had a lot of growing up to do before she became the version of her we see in the show.

Monica was another bright spot in the show, she was fearless, and certainly didn’t back away from a challenge. She, similarly to Wanda, is dealing with grief. Losing her mother in addition to the last five years of her life, would be maddening to anyone, yet Monica jumps right back in to work at SWORD, and is often the voice of reason throughout the series. It was also incredibly exciting to see Monica get her powers after being exposed to the boundaries of Wanda’s “hex” three separate times. We even got to see her powers in action, first being able to withstand Wanda’s attack to get her to leave the neighborhood again, and then being literally bulletproof in the finale. I don’t think I need to go too deeply into the significance of the MCU literally giving us a bulletproof black female superhero! It was amazing, seeing her protect Billy and Tommy, while also being impervious to Hayward’s attack. It was a powerful scene that only highlighted Monica’s character even more.

However, what impressed me most about this character was her empathy to Wanda. No one would have been overly critical of Monica if she had taken Hayward’s side. After all, she too was held hostage by Wanda and forced to play a role in Wanda’s show. The experience was even described as “excruciating,” in Hayward’s retelling of Monica’s experience, and yet Monica is unyielding in her opinion that Wanda is not doing this maliciously. In fact, she willingly exposes herself back into the “hex” despite knowing that it is quite literally altering her DNA, with unknown side effects. This was something that Jimmy Woo wasn’t even willing to expose himself to once. During his first scene in the show, he says he doesn’t enter the town because he can “feel” that they’re not supposed to go inside. He stays true to that throughout the series, only entering Westview when Wanda breaks down the “hex” during the final episode.

As mentioned previously, Jimmy Woo was another character we got to see develop a bit since his Ant-Man and the Wasp appearance. He and Thor’s Darcy Lewis, were oftentimes the comic relief in the show when things got heavier. However, we got to see a side of Jimmy Woo’s character that we hadn’t seen before. While he was appreciated in Ant-Man and the Wasp, he was often at odds with Scott Lang as he was assigned to make sure that Scott was following his house arrest. It was refreshing to see Jimmy defy Hayward and fight back, being a key role in thwarting his escape.

It was nice to see Darcy Lewis get in on the action as well. In the Thor franchise she was often comic relief but rarely in the spotlight during action scenes. While she still didn’t do much fighting in WandaVision it was refreshing to see her stop Hayward with her stolen truck, and have her be the leading expert during SWORD’s investigation of Wanda. It was particularly exciting to see that she has earned her doctorate, so she is no longer Jane’s intern, and isn’t playing second fiddle to Jane Foster or Erik Selvig.

Finally, Kathryn Han’s Agatha Harkness is also deserving of praise. With the exception of a few of the films, Marvel has had a bit of an issue with giving fans villains that were worthy adversaries to their favorite heroes. This was not the case with Agatha Harkness. Seeing her toy with Wanda throughout the series was a highlight of the show and seeing her be a full fledged witch was equally as exciting. While Wanda defeated her in the finale, they certainly left the door open for Agatha to return, and I certainly hope they find a way to incorporate her in the future.

While I have mostly praised WandaVision, I have to mention some of the negatives as well. Overall, I greatly enjoyed the show, there are still a few points that I took issue with. The first of which is Maria Rambeau. Maria Rambeau was last seen in the Captain Marvel film and had become a bit of a fan favorite. She was a pilot, similar to Carol Danvers before gaining powers from the Space Stone, single mother, and according to WandaVision the eventual director of SWORD, yet she is killed off-screen from cancer.

While this is frustrating for a number of reasons, I was particularly miffed because Marvel still has a long way to go in terms of diversity in their films, and to kill off one of your few female black characters off screen left a bit of a sour taste in my mouth. That’s without getting too deep into the fact that many fans were hopeful that Maria and Carol might have a romantic relationship in the sequel, and this all but confirms that won’t be the case. This adds another layer to the fact that Marvel has yet to have an LGBTQ+ hero in the films.

Additionally, the Marvel films have always handled Wanda and Pietro’s Romani roots poorly. Not only are the actors not of Romani descent, the culture of their characters is often used as a prop or a joke. Specifically, Wanda’s costume in the Halloween episode being referred to as a “fortune teller.”

Additionally, having the twins willing join Hydra--a Nazi organization while having Romani and Jewish roots, through their father Erik Lehnsherr, in the comics has always rubbed me the wrong way. WandaVision had an opportunity to remedy that when Wanda is reliving her past. They could have easily given us a one off line about Wanda and Pietro not knowing that it was Hydra when they signed up to be experimented on and didn’t find out until later. Unfortunately, all we get is a line about the twins wanting to “change the world.”

One of the other issues that I took was the presence of Evan Peters’s Quicksilver. Initially, I was very excited to see him show up on the show and hoped that this meant we’d be seeing more of Fox’s X-Men in future Marvel films. Not only was he not the real Quicksilver, but he was instead just a long running “boner” joke, as he was Ralph Bohner, Wanda and Vision’s next door neighbor that Agatha was controlling. While I wasn’t expecting him to be a huge character, I was hoping for something a bit more significant than Ralph Bohner.

Finally, something that has been sticking out in my head for a while is Jimmy Woo’s missing person. Jimmy Woo mentions in his first scene that Quantico had sent him to investigate a missing person in witness protection, who lived in Westview. Initially, this was who I believed Evan Peters’s character to truly be, yet when Jimmy sees him on screen in the All New Halloween Spectacular episode, he just makes a note that Pietro has “the wrong face,” and doesn’t indicate that he recognizes him. In fact, Jimmy’s missing person is never mentioned again later in the season and it seems as though that was just a plot device used to include him in the show.

Overall, I greatly enjoyed WandaVision. It was refreshing to have Marvel be able to spend six hours to devote to character development and plot rather than it just being action-centric. I think the show was an excellent first step in setting up a post-Iron Man Cinematic Universe. After Avengers: Endgame, so many characters were lost, and it felt like a finale of sorts. I think this was a great way to continue the story with a whisper rather than a bang, and I look forward to their upcoming Disney+ content.

WandaVision is currently streaming on Disney+.

#wandavision #wandavision review #marvel #review #wandavisionreview

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newyorktheater · 4 years

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Angela Lansbury, who is appearing tonight as Lady Bracknell in a one-night benefit staging of Oscar Wilde’s The Importance of Being Earnest at Roundabout’s American Airlines theater, was interviewed at Lincoln Center library over the weekend by Irish Rep’s Charlotte Moore as part of the 37th season of The League of Professional Theatre Women’s Oral History Project. Lansbury, 94, recounted her first role in the movies, as the saucy maid in Gaslight at the age of 17. From then on, “I was a utility actress, as far as MGM was concerned. They could put me into almost any role, and I would act it.” Two decades after that first Oscar-nominated screen role, she won her first of five Tony Awards. Three quarters of a century after she began, she’s still preparing for roles. “It’s terribly important to get out of yourself and into that character. Leave yourself at home.”

So many people (and journalists!) complained that the public impeachment hearings made for dull theater that others angrily denounced the “theater critic school of journalism” and Saturday Night Life responded with a soap opera called “Days of Our Impeachment.”

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Her dignity in responding to Trump speaks volumes. I wonder if this is riveting enough for the “theater critic” school of journalism. Schiff uses the opportunity t make clear Trump is engaged in witness intimidation. This is a moment. A real moment.

— Jennifer Rubin (@JRubinBlogger) November 15, 2019

Covering the news like a fucking theater critic. This is why Donald Trump is president. This is why our missiles are shinier than our schools. This is why the Climate Crisis will destroy us all. https://t.co/ukmWBv99EA

— Bradley Whitford (@BradleyWhitford) November 14, 2019

But then others, such as Washington Post theater critic Peter Marks, rightly denounced the denouncers for besmirching theater critics.

The dismissive use of theater criticism is misapplied, anyway. By people who should know better. If you are not observing a performance in the room, you aren’t a theater critic. You are a TV critic.

— Peter Marks (@petermarksdrama) November 14, 2019

A lot of denouncing in America these days — and more to come:

Schedule of impeachment hearings in the coming week

Week in NY Theater Previews & Reviews

Rick Borutta, personal assistant to Elaine Stritch

Preview: “Nobody’s Bitch”: Elaine Stritch as Boss

Elaine Stritch kicked Rick Borutta in the stomach every day. That, anyway, is how he says it felt at the beginning. “Other than that, she was rather likable,” says Borutta, who worked as her personal assistant for four years, an experience that he has turned into a solo show, entitled “Nobody’s Bitch,” which he is bringing to New York for the first time for one night only at The Duplex on November 26th.

Michael Benjamin Washington

Fires in the Mirror

It would be hard to overstate the city-wide trauma that occurred in Crown Heights, Brooklyn in August, 1991, nor the power of “Fires in the Mirror,” the groundbreaking documentary play about it nine months later at the Public, which introduced New York theatergoers to the astonishing theater artist Anna Deavere Smith. That power comes roaring back in a revival at Signature that, for the first time, features an actor other than Smith…“Fires in the Mirror” offers, without judgment and with implicit compassion, a breadth of personalities — rabbis and reverends, activists and everyday residents — with views that conflict, contradict, supplement or concur. But how they present themselves and what they say also often resonate way beyond what happened in Crown Heights.

Tina The Tina Turner Musical

The thrilling final minutes of “Tina” are all that a rock concert should be, and the main reason to see this jukebox biomusical about one of the world’s most electric performers, portrayed by Adrienne Warren in a star-making role. It may not be reason enough, though, especially for those of us who recall the 1993 movie, “What’s Love Got To Do With It,” which covers the same remarkable life of the outsized talent born Annie Mae Bullock to a sharecropping family in Nutbush, Tennessee.

Slava’s Snowshow

In the 26 years since the Russian clown Slava Polunin began touring, “Slava’s Snowshow” has been performed “thousands of times to millions of people in hundreds of cities,” according to the playbill. It doesn’t mention how much confetti, water and fusillades of giant beach balls have been dumped on, squirted, and shot at audiences. I’d say tons just in the performance I saw at Broadway’s Stephen Sondheim Theater, where the silly, wordless, plotless, pointless and popular 90- minute show (plus intermission) is running through January 5. Much of the show is a series of moments too sketchy to be called scenes and too scenic to be called sketches

User Not Found

Keep those cell phones on; that’s where “User Not Found” largely unfolds. Yes, this terrific site-specific play takes place in a café near BAM in Fort Greene, where Terry O’Donovan portrays a fellow café dweller also named Terry grieving the death of his ex-lover Luka. But this inventive, pointed work of theater asks us to consider how the current public immersion in the digital world affects both life and death. And so, to that end, the theatergoers are each given a headphone and a smart phone in order to follow Terry’s story, though he’s standing (and moving around, and eating) right in front of us, and speaking directly to us. But he’s also answering his text messages, and looking at his dead lover’s social media accounts – and we’re looking right along with him. “User Not Found” is an unusual show that requires some initial adjustment, dips into what feels like sci-fi, but ultimately, and surprisingly, becomes quite touching…in more ways than one.

BrandoCapote

“BrandoCapote” is a play with a script by Sara Farrington inspired by a fascinating interview Truman Capote conducted with Marlon Brando at the peak of his popularity in 1957, while the movie star was filming “Sayonara” in Japan. It is also a dance theater piece choreographed by Laura K. Nicoll that mixes modern American with traditional Japanese movement, enhanced by vivid Japanese costumes. And it is the latest showcase for director Reid Farrington’s inventive technical experiments in integrating filmed images into live theatrical performance: Very brief clips from more than a dozen of Brando’s film performances (from Oscar-winners “On The Waterfront” and “The Godfather” to such oddities as “The Island of Doctor Moreau”) are projected crisply onto Japanese umbrellas of varying sizes that the cast members suddenly unfold.

Each of these elements of “BrandoCapote” intrigued me and impressed me. But all three put together lost me.

The Week in New York Theater News

Santino Fontana in Tootsie

Tootsie will close on Sunday, January 5, 2020, having played 293 regular and 25 preview performances at the Marquis Theatre.

Forbidden Broadway The Next Generation will close December 1st.

The Drama Bookshop has found a new home a block south of the old store and will reopen in March, 2020.

wow. the new @dramabookshop animated by architect @DavidKorins https://t.co/ukykIRLoFs

— New York Theater (@NewYorkTheater) November 12, 2019

Accessibility Corner

https://www.nytimes.com/2019/11/13/theater/tiny-tim-a-christmas-carol-disabled-actors.html

Tiny Tim is being portrayed by a disabled actor (actually two.)

In Mockingbird, Russell Harvard, a deaf actor, finally gets his wish not to be defined solely by his deafness: Harvard assumes two supporting parts (both of them hearing characters): Boo Radley, the mysterious, rarely seen neighbor of the intimidated youngsters, Scout and Jem Finch, and more prominently Link Deas, the inscrutable local dismissed as a drunk.

A celebration of the life and legacy of Broadway legend Harold Prince will take place on Monday, December 16, at The Majestic Theatre (247 West 44th Street). Beginning at 1:30 PM, the tribute is open to friends, family and the theater community, and will feature tributes and performances from colleagues and loved ones. Doors will open at 1PM. The Majestic is the 31-year home of Mr. Prince’s record-breaking production of The Phantom of the Opera, the longest-running show in Broadway history.

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MasterVoices will begin its 2019-20 season on Thursday, November 21 at Carnegie Hall with the concert staging of George and Ira Gershwins’ 1933 musical Let ‘Em Eat Cake, with a book by George S. Kaufman and Morrie Ryskind, a comic satire about a populist U.S. President who is voted out of office and stages a coup to regain power.

Theater has a problem with people of color by Jose Solis: I’ve been working professionally as a theater critic since 2013; I’m a board member of the Drama Desk (where I also serve as part of the nominating committee), and I’ve written for every reputable publication in town. For as long as I’ve been attending theater in the city, my name and brown skin have made me the target of bullies and racists. I’ve been asked if I’m with the catering staff at theater critics events, been chastised by angry ushers to turn my cell phone off, even if I have never taken my device out of my pocket during a performance, and often been asked if I’m sure I belong in the orchestra, as ushers point me to the mezzanine. My skin has become so thickened by the mistreatment and rudeness of theater employees that I might as well be a walking callus. I experience this, in part, because I’m a rarity on Broadway. In the 2017-2018 season, 75% of Broadway audiences were Caucasian, according to statistics compiled by the Broadway League. Theater clearly has a people of color problem: It’s not only that many people of color have no interest in revivals of revered but irrelevant plays featuring beige ensembles, it’s also that when we do come to the theater, we are told that we’re invading white spaces. When I see a show with a white friend, people often ask the friend if they brought me to the show and ask me if it’s my first time at the theater.

“Time 100 Next” list honors Broadway veterans @ALISTROKER, @BeanieFeldstein and @jeremyoharris https://t.co/lUgGDwG2Gb pic.twitter.com/XFRyJ88hUQ

— New York Theater (@NewYorkTheater) November 13, 2019

Have a play in mind you think we should have in our circulating collection? There’s a form for that! https://t.co/UooR75cEFu

— NYPL Theatre (@NYPL_Theatre) November 14, 2019

How Theater Directors Use Fragrances to Create “Poetry for the Nose”

From at least the late 19th century, when David Belasco had actors cook and brew coffee on stage to heighten the realism of domestic scenes, to recent efforts to evoke a piney forest or the tang of gunpowder, directors have tried to involve an audience’s olfactory sense to intensify their experience. …“The difficulties of controlling an odor once released into a large room like a theater are very complicated,” said Stuart Firestein, a neuroscientist at Columbia University and former theatrical actor and director.

(I don’t think you need a neuroscientist with a back to point this out.)

Celebrating 25 Years of Disney on Broadway raised $570,426 for Broadway Cares/Equity Fights AIDS.

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#Stageworthy News of the Week: Angela Lansbury 77 years later. Impeachment as Theater? Stritch The Bitch? Drama Bookshop Finds a Home! So many people (and journalists!) complained that the public impeachment hearings made for dull theater that others angrily denounced the "theater critic school of journalism" and Saturday Night Life responded with a soap opera called "Days of Our Impeachment."

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theconservativebrief · 6 years

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It’s hard for a supervillain to shine when their greatest enemy, the superhero who defines them and vice-versa, has been recently vaporized by an Infinity Gauntlet-wearing mad titan. But if there’s any Spider-Man villain that can stand alone, it’s Venom, the squid-ink-colored inverse of Peter Parker.

Venom is hitting theaters this weekend without Parker, who was last seen getting dusted away, along with half of humanity, by Thanos in Avengers: Infinity War. It’s fans’ first opportunity to see the iconic character come to life since his ignominious debut in 2007’s Spider-Man 3, and it presents a chance for Sony to perhaps absolve itself of some of the grievances leveled at that film. It’s also an opportunity to get to know the beloved symbiote and its host, Eddie Brock (played by Tom Hardy), on their own terms and not defined by Peter Parker.

From his beginnings as an editorial solution to the puzzling logistics of superhero uniform maintenance, to his weird alien and vampiric associations, to what he says about the future of Sony’s Spider-Man universe, Venom as a character represents a lot more than just the opposite of his most famous adversary.

Given Venom’s current status as one of Spider-Man’s most iconic foes, the character’s origin story is, fittingly, a hilarious combination of chance and pragmatism.

In 1982, Marvel asked readers to send in ideas for its comics, and a fan named Randy Schueller wanted to give Spider-Man a new black costume made of unstable molecules. Marvel ended up paying Scheuller $220 for the basic idea, and one year later Spidey appeared in a black costume.

But according to artist John Byrne, the fledgling idea that would eventually become Venom began much earlier, as a solution to a simple problem concerning superhero costumes. It happens in movies, television shows, and in comic books: Superheroes have a huge fight and their precious uniforms emerge as torn up as the heroes wearing them. But in the next installment, those uniforms are back and good as new.

Byrne, who was working with writer Chris Claremont on Iron Fist at the time, noticed this illogical pattern.

“I didn’t much like the notion of Danny Rand [a.k.a. Iron Fist] sitting in a corner with a needle and thread,” Byrne writes on his official website. “So … I suggested that the outfit was made of some kind of biological material that ‘healed’ instead of having to be patched. We never got around to using that in Iron Fist, and years later, after Spider-Man got his alien costume in Secret Wars, Roger Stern asked if he could use the notion, and added the idea that the suit was some kind of symbiote.”

The idea of a symbiote comes from the symbiotic relationships we see in nature — when two organisms (e.g., clown fish and anemones) form a bond that benefits both. Venom being symbiote began with the kernel of an idea from Byrne that Stern then implemented; eventually, writer David Michelinie and artist Todd McFarlane took the reins and created Venom as a fully fleshed-out character, along with a proper, plural noun and alien race known as the Symbiotes.

Derived from the meaning of their name, the Symbiotes need a host to bond with and give that host superpowers (Venom has super strength, agility, and shape-shifting abilities) in exchange for life force, usually in the form of adrenaline. When people refer to Venom, they’re referring to the specific, villainous Symbiote that initially bonded with Spider-Man (who took on a black appearance as a result), as well as the character that is the result of the Venom Symbiote and its post-Spider-Man hosts, the most notable one being Eddie Brock.

Venom explains his moral code. Venom

While Venom has had multiple hosts in comics over the years, the one that we (and the Symbiote) keep coming back to is a man known as Eddie Brock.

Part of that is due to the similarities Brock shares with Peter Parker: Brock was a journalist, like Parker, and blames Spider-Man for his career failings. Brock thought he had cracked a big murder case, but it turns out his source (the murderer) was a false confessor. When Spider-Man revealed the real murderer, Brock lost his job and had to write for gossipy tabloids (which inspires the name “Venom”), and blamed Spider-Man for his downward spiral.

Brock’s story and his connection to Spider-Man are intriguing in that they doesn’t fit the typical supervillain/superhero mold. Spider-Man saving the day unintentionally ended up ruining Brock’s career, and Brock mistakenly sees this all (including his own oversight of being too trusting) as Spider-Man’s fault. It’s a sort of inverse symbiosis, a bond that’s mutually damaging to both adversaries who, at least in the beginning, ostensibly have the same sense of morality.

But the other major reason that Venom became such a phenomenon is that the character functions as something of an antihero — or perhaps an antivillain.

The ’90s era of comic books was punctuated by a fascination with “edgy” characters who weren’t all good or all evil. Venom’s co-creator McFarlane, who first gained acclaim working on Spider-Man, would go on to create Spawn, a comic book about a demonic vigilante that was wildly popular in the ’90s.

Characters that straddled the line between good and evil — heroes who had destructive urges or a history of killing (think: Wolverine and the Punisher) and conscientious villains (think: Magneto or even Deadpool) — became beloved. And Brock’s Venom fit this mold of moral ambiguity.

As Venom became one of Spider-Man’s most fearsome foes, writers also explored Brock’s line of morality. In 1993’s Venom: Lethal Protector, written by Michelinie and drawn by main artist Mark Bagley, Venom serves as a vigilante of sorts and protects the poor and homeless people in San Francisco. (The movie is loosely based on this comic.):

Venom saving the day in Venom: Lethal Protector. Marvel

The logic works: Brock was inspired by Watergate and wanted to use his journalism for good, fighting crime and weeding out corruption, before a series of unfortunate events took him down a path he couldn’t pull himself out of. But just because an alien symbiote has bonded with you, bestowed you with immense power, and tempts you with your darkest desires doesn’t mean that you should abandon everything you stand for — just some things.

Venom: Lethal Protector also pits Venom against other, more vicious symbiotes with less humanity, allowing writers to establish a moral spectrum that ends up casting Venom in a more positive light.

Perhaps the most important character in establishing Venom’s heroic baseline is called Carnage, the result of the offspring of the Venom Symbiote bonding with Brock’s jail cellmate, Cletus Kasady. Carnage is more violent, more murderous, and more sadistic than Venom (though Carnage gets to play a hero in the crossover event called Axis) and in existing, shows how human Venom can be.

In comic book history, Spider-Man and Venom have worked together to defeat Carnage to save humanity — the old “the enemy of my enemy is my friend” strategy. But while they do occasionally team up in instances like this, it usually isn’t very long before Venom returns to his usual terror-inducing self and he and Spider-Man are archenemies once again.

One of the big questions surrounding the most recently rebooted version of Spider-Man is whether — and how — Sony plans to make a universe around the character following the historic deal between Sony and Marvel to share his rights. While Sony and Marvel have a deal in place for Spider-Man, they haven’t, according to Variety, hammered out a deal for the other Spider-Man characters to which Sony owns the rights, though both studios are reportedly open to it.

Since the first appearance of Tom Holland’s Spider-Man in Captain America: Civil War, the character has been interacting with the Marvel Cinematic Universe, in both his solo venture Spider-Man: Homecoming and this year’s Avengers: Infinity War, which sealed onscreen Spidey’s fate — for the time being, at least.

Further, in the comic books, Spider-Man has usually appeared either alongside the Avengers or worked on his own, meaning that Sony doesn’t have a built-in superhero team it can pull from the way Marvel has. (Recall, if you will, that the Marvel Cinematic Universe as we know it is the result of Marvel having sold off its most recognizable characters and having to go all-in on the nascent Avengers, who were much less well-known a decade ago than Spider-Man, the X-Men, and the Fantastic Four.) And the more intriguing characters in Spidey’s world have — until recently with the rise of Silk and Spider-Gwen — usually been villains like Venom, Doctor Octopus, or the Green Goblin.

So if Venom does well, Sony can conceivably build out its Spider-Man universe with other solo movies about related characters, like Silk, or even an esoteric villain like Kraven the Hunter. We already know that a film starring Jared Leto as the vampire Morbius is on the way; there’s potentially a wealth of other Spider-Man-adjacent character movies in the Sony pipeline.

But a bad showing by Venom at the box office might give Sony executives pause. Sony has seen firsthand the effect of diminishing returns on Spider-Man, with the disappointment of Andrew Garfield’s Spider-Man, and implemented a change in installing Holland as its new web-slinger. Should Venom underwhelm, its not difficult to see Sony reacting in a similar way and going back to the drawing board once again.

But even if that turns out to be the case — and given the rough critical reception Venom has drawn so far, it might very well be — that won’t take away from the character’s rich and oft-amusing history.

Original Source -> Venom, Spider-Man’s symbiote supervillain, explained

via The Conservative Brief

#IFTTT #The Conservative Brief

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etechwire-blog · 6 years

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Spider-Man PS4 release date, news and features

New Post has been published on https://www.etechwire.com/spider-man-ps4-release-date-news-and-features/

Spider-Man PS4 release date, news and features

Games based on superheros have a pretty patchy history. Before Rocksteady blew us all away with the Batman Arkham games, superhero titles usually felt like cheap experiences rushed out to cash in on fan excitement surrounding an accompanying movie.

The exception was Spider-Man 2, a Treyarch-developed tie in to the movie of the same name, which, for the first time, put us into the shoes of the legendary web-slinger in a fully open-world New York.

With such an amazing legacy to live up to, who could blame us for being excited when at E3 2016 Sony announced a new Spider-Man game was in development from Insomniac Games, the development studio behind the Ratchet and Clank, Resistance, Sunset Overdrive and Spyro the Dragon games?

[Update: E3 2018 and the PlayStation Showcase brought us some brand new Spider-Man footage just a few months ahead of the game’s release. The footage is a who’s who of villains, with Electro, Rhino, Scorpion, Vulture, and Mr Negative all making appearances to really punish Spider-Man. Not only does the footage give us a good look at combat, it really showcases the traversal mechanics. Spidey moves fluidly both on foot and through the air. It’s clear that the game is very cinematic, moving fluidly between gameplay and cutscenes. Watch it for yourself below:]

Cut to the chase

What is it? A new Spiderman game from the studio behind Ratchet and Clank and Spyro the Dragon series

When’s it out? September 7 2018

What can I play it on? PS4

Spider-Man PS4 Trailers

The most recent trailer came with the announcement of Spider-Man’s release date. You can watch for yourself below:

Paris Games Week in 2017 saw another trailer and it gave us a much better look at the game’s story than we’ve ever seen before. Giving us our first look at Peter Parker without the Spider-Man costume and showing well-known characters like Mary Jane, King Pin and even Miles Morales it’s well worth a watch. You can see it for yourself below:

At E3 2017 Sony showed off a second trailer for the game, which gives us a more in-depth look at the game’s combat and story.

At the previous year’s E3 Sony announced the game with an impressive reveal trailer. Features shown off in this first trailer include a city with internal, as well as external, areas to explore, vehicle-based missions (for Spidey’s enemies, not the man himself, thank god), and a whole load of web-based fighting.

Spider-Man release date

Sony has now confirmed that Spider-Man for PS4 will be released on September 7 2018.

Spider-Man PS4 Features

Read on for the few details that have been released so far.

Development is coming on well

Spider-Man developer Insomniac Games has posted an update on the current state of the game to Twitter to bring in 2018. It’s a small update, but a sweet one, as it tells excited players that the game is now far enough into development that it’s being tested by the whole studio. This is pretty promising given the only release date we have for the game so far is 2018.

Day 2 of a studio-wide #SpiderManPS4 playtest is underway. Yes, this is our official job! #gamedev pic.twitter.com/gVBpQtHtoVJanuary 5, 2018

Ratchet and Clank Engine

Just after E3 2016 Insomniac confirmed that the game would be running on the same engine as the recently-released Ratchet and Clank remake for the PS4.

The news was confirmed by the official Insomniac Games twitter account, although it also stated that the development team has been iterating on the engine since.

The PS4 version of Ratchet and Clank is one of the console’s best looking titles, so we think its engine being used to power the new Spider-Man game is no bad thing.

Heh, Rachel. We always iterate our engine between games. We don’t have more than one though.June 27, 2016

Not based on Spider-Man: Homecoming

Although the game being released this year coincides nicely with the return of Spidey to the big screen with Spider-Man: Homecoming, the game’s creative director, Bryan Intihar, has confirmed that the game will not be tied into the movie.

The news was confirmed in a post on the official US PlayStation blog which said that, “Nope, this isn’t the same Spider-Man you’ve met before, nor is our game based on the upcoming movie.”

While it’s a shame that we won’t be web-slinging through the streets of NYC as Tom Holland, we can’t help but think this has the potential to be a good thing for the game, as its developers will be free to forge their own path without having to stick to the plot, characters, and themes of the movie.

In a recent behind-the-scenes look at the game shown at D23, Insomniac said that the game will actually be more inspired by the Ultimate Spider-Man comics, featuring an older, 23 year old hero.

A more seasoned Peter Parker

In the same blog post, Intihar said that the game will feature “a more seasoned Peter Parker who’s more masterful at fighting big crime in New York City.”

At this year’s D23 it was revealed that in this game Peter would be 23 years old and more experienced as Spider-Man.

Rather than sitting through yet another Spidey origins story, we’re going to jump right into the fun gameplay stuff. According to Insomniac, the game will more fully explore how Peter Parker and Spider-Man’s worlds collide in an attempt to tell a human story as well as a superhero story.

While it’s always satisfying to see the downtrodden nerd get blessed with super-powers, this isn’t necessarily fun from a gameplay perspective.

Hopefully this direction will allow players to jump right in with a fully powered-up superhero, and get to the good stuff right away.

So what is the story?

In the trailer shown at Paris Games Week 2017 we got our best look at the game’s story yet. Though the game is separate from the movie universe, the Peter Parker in the trailer does look remarkably like Tom Holland. It seems that William Fisk (or Kingpin as he’s more well-known as) is locked up, resulting in less crime and a Peter more at ease with his life.

Suddenly, a new villainous faction run by Mr Negative appears to cause problems while Norman Osborn makes a play for the Mayor’s office. The trailer also gives us a glimpse of Aunt May and a redhead who we assume must be Mary Jane.

Miles mystery

Interestingly, Miles Morales appears to play a much larger role than we initially thought given that Peter introduces him to Aunt May and tells her he’ll be helping out. Miles Morales is also someone who takes up the role of Spider-Man in the comics universe so it’ll be interesting to see what kind of help he offers Peter. Certainly his appearance suggests that this Spider-Man game will be breaking some new story ground.

An open world

We know this game is going to feature an open world and we really can’t wait to swing around it. One of the most satisfying things about previous open world Spider-Man games was being able to see New York from the web slinger’s point of view and we’re looking forward to seeing what the latest gaming engines can do here.

According to Insomniac this is the biggest game map they’ve created and will be even bigger than their Xbox exclusive Sunset Overdrive map, Sunset City.

Quick-time events

From the trailer shown at E3 2017 it looks as though the game will make use of quick-time events for its more action-packed moments. We’re not fans of how these can take away control from the player, but we won’t know the effect for sure until we try out the game for ourselves.

What we want to see

With so little solid information released about the game, we can’t help but speculate as to what direction Spider-Man’s first PS4 outing might take. None of this is in any way confirmed, but we’d love to see these features make their way into the new game.

A friendly Spider-Man

Spider-Man has always been one of Marvel’s lighter-hearted heroes. He’s a quippy, funny, teenager who’s almost, almost, more concerned about his grades than the fate of the world.

While past games and movies have included gun-toting villains, we hope the new game doesn’t stray too close to the real world. We want colourful bad-guys with bombastic plans, not the gritty realism of the Nolan Batman films.

This isn’t an excuse to shy away from having an impactful story, but if it could stop short of a Logan-esque bleak-fest then we’d be very grateful.

A neighbourhood Spider-Man

Related to the previous point is that we’d like to see Spider-Man stay true to his roots as a neighborhood superhero, rather than the more globe-trotting heroes seen in the Marvel Cinematic Universe.

As far as we’re concerned, the Spider-Man 2 game was at its best when Parker was doing something as simple as retrieving a child’s balloon. He’s a character that’s motivated by trying to clean up the city he loves, rather than grander ambitions like trying to save the world.

We’re reassured that the game won’t be related to the Homecoming film which seems to tie Spidey more into the wider Marvel Universe, and hopefully this will mean that Insomniac are free to focus on the New York setting rather than worrying about the rest of the Avengers.

A wide cast of supporting characters

Not being related to the movie should also allow Insomniac to explore Spider-Man’s ecclectic cast of villains, which range from the Sinister Six, to Venom, Doctor Octopus and Kingpin.

However, with Disney owning the rights to most of the Marvel Universe and Sony owning the rights to Spider-Man’s corner of it, it’s difficult to know exactly how much of the Marvel IP Insomiac has access to.

There has been a lot of crossover between Spider-Man and Daredevil in the comics, with Peter Parker even donning Daredevil’s suit to act as a decoy on one occasion, but with the Daredevil license currently being used by Netflix for an original series it’s not clear whether the character is up for grabs in the game.

There are lots of unknowns at this point, but it’s definitely a case of ‘the more the merrier’ when it comes to Spider-Man’s supporting cast.

E3 is the world’s largest exhibition for the games industry, stuffed full of the latest and greatest games and gaming hardware. TechRadar will be reporting live from Los Angeles all week to bring you the very latest from the show floor. Head to our dedicated E3 2018 hub to see all the latest news from the show.

#date #features #news #PS4 #release #SpiderMan

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Spider-Man PS4 release date, news and features

Update: At the PlayStation Experience this year Insomniac Games showcased a video that explains what Spider-Man means to the studio and what players can expect from the game's villains.

A large chunk of the video focuses on the Jekyll and Hyde-inspired villain Martin Li/Mr Negative who will be Spider-Man's central foe in the game. You can watch this video for yourself below:

Read on to see all the latest news from the game.

Original article continues below…

The exception was Spider-Man 2, a Treyarch-developed tie in to the movie of the same name, which for the first time put us into the shoes of the legendary web-slinger in a fully open-world New York.

Cut to the chase

What is it? A new Spiderman game from the studio behind Ratchet and Clank and Spyro the Dragon series

When’s it out? 2018

What can I play it on? PS4

Spider-Man PS4 Trailers

The most recent trailer for the game was shown at Paris Games Week in 2017 and it gave us a much better look at the game's story than we've ever seen before. Giving us our first look at Peter Parker without the Spider-Man costume and showing well-known characters like Mary Jane, King Pin and even Miles Morales it's well worth a watch. You can see it for yourself below:

At E3 2017 Sony showed off a second trailer for the game, which gives us a more in-depth look at the game's combat and story.

At the previous year's E3 Sony announced the game with an impressive reveal trailer. Features shown off in this first trailer include a city with internal, as well as external, areas to explore, vehicle-based missions (for Spidey’s enemies, not the man himself, thank god), and a whole load of web-based fighting.

Spider-Man release date

An official release date is yet to be confirmed but at the very least we know we're not going to see this game until 2018.

Spider-Man PS4 Features

At the moment, details on the new game are thin on the ground, with both Insomniac and Sony remaining tight-lipped on many of the game’s key details. Read on for the few details that have been released so far.

Ratchet and Clank Engine

Just after E3 2016 Insomniac confirmed that the game would be running on the same engine as the recently-released Ratchet and Clank remake for the PS4.

The news was confirmed by the official Insomniac Games twitter account, although it also stated that the development team has been iterating on the engine since.

The PS4 version of Ratchet and Clank is one of the console’s best looking titles, so we think its engine being used to power the new Spider-Man game is no bad thing.

Not based on Spider-Man: Homecoming

The news was confirmed in a post on the official US PlayStation blog which said that, “Nope, this isn’t the same Spider-Man you’ve met before, nor is our game based on the upcoming movie.”

In a recent behind-the-scenes look at the game shown at D23, Insomniac said that the game will actually be more inspired by the Ultimate Spider-Man comics, featuring an older, 23 year old hero.

A more seasoned Peter Parker

In the same blog post, Intihar said that the game will feature “a more seasoned Peter Parker who’s more masterful at fighting big crime in New York City.”

At this year's D23 it was revealed that in this game Peter would be 23 years old and more experienced as Spider-Man.

Rather than sitting through yet another Spidey origins story, we're going to jump right into the fun gameplay stuff. According to Insomniac, the game will more fully explore how Peter Parker and Spider-Man's worlds collide in an attempt to tell a human story as well as a superhero story.

While it’s always satisfying to see the downtrodden nerd get blessed with super-powers, this isn’t necessarily fun from a gameplay perspective.

Hopefully this direction will allow players to jump right in with a fully powered-up superhero, and get to the good stuff right away.

So what is the story?

In the trailer shown at Paris Games Week 2017 we got our best look at the game's story yet. Though the game is separate from the movie universe, the Peter Parker in the trailer does look remarkably like Tom Holland. It seems that William Fisk (or Kingpin as he's more well-known as) is locked up, resulting in less crime and a Peter more at ease with his life.

Suddenly, a new villainous faction run by Mr Negative appears to cause problems while Norman Osborn makes a play for the Mayor's office. The trailer also gives us a glimpse of Aunt May and a redhead who we assume must be Mary Jane.

Miles mystery

Interestingly, Miles Morales appears to play a much larger role than we initially thought given that Peter introduces him to Aunt May and tells her he'll be helping out. Miles Morales is also someone who takes up the role of Spider-Man in the comics universe so it'll be interesting to see what kind of help he offers Peter. Certainly his appearance suggests that this Spider-Man game will be breaking some new story ground.

An open world

We know this game is going to feature an open world and we really can't wait to swing around it. One of the most satisfying things about previous open world Spider-Man games was being able to see New York from the web slinger's point of view and we're looking forward to seeing what the latest gaming engines can do here.

According to Insomniac this is the biggest game map they've created and will be even bigger than their Xbox exclusive Sunset Overdrive map, Sunset City.

Quick-time events

From the trailer shown at E3 2017 it looks as though the game will make use of quick-time events for its more action-packed moments. We're not fans of how these can take away control from the player, but we won't know the effect for sure until we try out the game for ourselves.

What we want to see

A friendly Spider-Man

Spider-Man has always been one of Marvel’s lighter-hearted heroes. He’s a quippy, funny, teenager who’s almost, almost, more concerned about his grades than the fate of the world.

This isn’t an excuse to shy away from having an impactful story, but if it could stop short of a Logan-esque bleak-fest then we’d be very grateful.

A neighbourhood Spider-Man

A wide cast of supporting characters

Not being related to the movie should also allow Insomniac to explore Spider-Man’s ecclectic cast of villains, which range from the Sinister Six, to Venom, Doctor Octopus and Kingpin.

There are lots of unknowns at this point, but it’s definitely a case of ‘the more the merrier’ when it comes to Spider-Man’s supporting cast.

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