#about the vanderbilts and the astors
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just sayin' that the analogue for bertha is alva vanderbilt, but george's is jay gould — ruthless robber baron, but also family man and orchid enthusiast. jfells is being picky-choosy, so we'll go down the consuelo route in s3, but i think he'll veer off-course at some point. he's done it enough already (gladys' debutante ball was actually a costume party, etc.) that i do not foresee divorcée suffragette bertha happening anytime soon. thanks for coming to my ted talk.
(while we're here, please look at what people wore to alva's costume ball, specifically the lady whose costume included TAXIDERMIED CATS.)
#the gilded age#bertha russell#george russell#bertha x george#also would highly reco both anderson cooper and katherine howe books#about the vanderbilts and the astors#they're really engaging and fun#and oh my god these people were TERRIBLE
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I have two major predictions for the last two eps of s2 of The Gilded Age.
highly likely but I desperately don’t want it to happen: Bertha and George separate after Bertha finds out that George put his own money into the Met (nbd) and that he lied to her face about doing so (v big deal especially because iirc he lied about it in the SAME SCENE where she said please never conceal anything from me again)
unlikely but I would be delighted: Mrs. Astor, in a desperate bid to win the opera war, promises Bertha that if Bertha lets the Duke go to the opening at the Academy instead of the Met, then Mrs. Astor will marry her daughter off to Larry. but Larry, who has proven headstrong and reckless about love, does not want this. meanwhile Marian, who has already once before attempted to elope, desperately does not want to marry the guy who pressured her via public proposal. Marian and Larry elope.
now, if both these things happen, it could lead to the least likely yet most desired (by me) twist: Bertha and Agnes, united by outrage and loneliness and mutual contempt, have a torrid affair that goes from hatefucking to grudging co-conspirators who respect each other but pretend not to.
#the gilded age#bertha is based on Mrs Vanderbilt who DID get divorced which was a huge scandal and trendsetter#and Bertha loves to set trends scandalously. but Julian….. AT WHAT COST.#then again Robert and Cora on downton made it through ten thousand ups and downs#the downs included Robert being a moron in general AND Robert contributing to Sybil’s death via snobbery about doctors#and I’m gonna assume that George will neither kill Gladys nor become a total loser#so i have some hope that the Russells will eventually pull through. if and when George gets his shit together#but in the meantime it’ll be agony#i ask only that we get one (1) good sex scene each before and after the breakup#and that during the breakup bertha has an affair with Agnes#or with Carrie. or with Mrs Astor. etc.#thank you.
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Vampire Waltz - ch 14
Max Phillips x female reader
Co-written with @absurdthirst
A mysterious inheritance, sprawling mansion, eccentric roommates, friendly bat, and coven of New England witches are the newest chapter of your life after being unceremoniously dumped and kicked out by your boyfriend. For Max, the biggest change in his life is you, and what exactly he's going to do about the fact that he is stuck living with you as long as his sire continues to punish him for that incident at his last office...
Rating: Mature, but this blog is always 18+!
Word Count: 9.4k
Warnings: *Blanket warnings for this series: deceased parents, cursing, food, blood and blood drinking, depictions and references to abusive relationships. Anxiety and trauma responses. Self-worth issues.* Cute and cocky Max, the triumphant return of Cutie the Bat, so much fluff, dancing as foreplay, discussions of sex.
Summary: An unexpected invitation yields surprising revelations, and Max has some help in planning a night that neither of you will ever forget.
Notes: This week enjoy a colorized photo of Cornelius Vanderbilt II and wife Alice's palatial primary residence at 5th and 57th in Manhattan. Sold in the late 1920s, the mansion was later demolished and the current Bergdorf Goodman's location built in its place. At the end of the chapter I've added in a black and white photo of the house's ballroom, which makes a special appearance in this chapter!
Ch 1 ~ Ch 2 ~ Ch 3 ~ Ch 4 ~ Ch 5 ~ Ch 6 ~ Ch 7 ~ Ch 8 ~ Ch 9 ~ Ch 10 ~ Ch 11 ~ Ch 12 ~ Ch 13
The entirety of the journey traveling from Newport to the Vanderbilt’s house on Fifth Avenue is far more tiring than you had anticipated, and when you walk in the front door of the grand mansion — with its palatial fireplace that you have only seen in photos from the Metropolitan Museum of Art — it suddenly makes a lot more sense why people talk about travel being such an undertaking in the past. You are, in point of fact, exhausted. And dirty, which is unexpected. The kicked up dust and dirt from train terminals, unpaved roads, and all manner of other frustrations has your wishing for a bath.
That will have to wait, though, as almost the moment you walk through the door Mrs. Vanderbilt is by your elbow with an envelope. “This arrived for you this morning, dear,” Alice tells you with an impressed smile. “It seems you have been summoned.” The look of confusion on your face must be particularly lustily unintelligent because Alice Vanderbilt’s smile softens into something maternal. “Mrs. William Astor has asked you to tea, I suspect. You must have made quite an impression on her at the Brown’s ball.”
“Oh!” The imposing woman in her fifties had made quite the impression on you, as well, and you carefully open the envelope that Alice has pressed into your hand. It is exactly as Alice predicted, and you look up at the grandfather clock in the hall. “Just a few hours…” you murmur, looking over at Max, Annie and Emmanuel with concern pursing your expression. “It…seems to only be addressed to me?”
“Because the invitation is just for you.” Alice hums, as if the answer is obvious. “Do not be alarmed, most often highly statured ladies like Mrs. Astor prefer their socializing in smaller circles.” She leans in and lowers her voice. “Less gossip that way.”
“I will do my best not to embarrass any of you with poor manners.” It’s an honor, in this time and this place. You know that. But that doesn’t mean you’re not seriously nervous.
“After watching you charm a ballroom, I would never dream of such a thing.” Alice waves away your concern. “Come. You must be exhausted by your journey. I will have some tea and refreshments sent to your rooms.”
While Annie and Emmanuel are shown to separate rooms on opposite ends of the long second-floor hallway, you and Max are let into a green-and-white decorated guest room on the third floor that sports one slightly larger bed. The footman who showed you the way leaves you with a bow and closes the door to give you privacy, leaving you standing with Max in the middle of the luxurious room.
“Swanky.” Max hums as he looks around the room. “I have to admit, there’s something missing in modern decor. It’s just not as…elegant.”
“I like that we have the whole newlyweds thing going for us,” you admit, looking around the room while you lean into his side. “They just assume we want to be close to each other. And they’re right.”
Max smiles smugly. “Of course you want to stay close to me.” He brags, winking at you playfully. “You want my body.”
“If you’re going to be cocky about it, I’m not going to tell you what I’ve been thinking.” Raising one eyebrow at him, you dearly wish you were in comfortable jeans and a sweater so you could just plop down on the mattress and stretch out. The traveling dress you have on definitely won’t permit that.
He eyes you wickedly and bites his lip. “Yeah?” He hums. “You don’t want to tell me that you’ve imagined me under that dress of yours? Tongue at work while you pretend to be prim and proper?”
“I’ve been imagining more than that.” It seems like every step you take with him only spurs you onto the next a little faster. Knowing that his tendency toward caretaking with you isn’t just a show or just to get in your pants means more than you can really say. Max loves you, fully and without ulterior motive. And you love him the same.
“Oh yeah?” He snags your waist, pulling you close and grinning as he pulls the bow around your waist loose. He’s teasing you, but he also knows you must be desperate to get out of your dress.
“Maybe.” Flustered and dreamy-eyed, you put your arms around his neck and let him hold you as close as he wants. “Are you really gonna get me all riled up before I have to go have tea with the Mrs. Astor?”
“Why don’t I relax you before you have tea with the Mrs. Astor?” He poses. “Make you cum while you clean up.”
“A very dirty way of getting clean.” You hum, tipping your head back to silently ask for a kiss. “And maybe…a preview to tonight?”
“My wife is greedy.” Max boasts happily. “Wanting to sleep with a tongue inside her.”
“I was thinking maybe…” You can’t help it, biting your lip to keep the grin blossoming across your face from getting too big. “Of a different part of you…”
“Fingers?” Max lifts a brow at you and grins when you shake your head. “Toe? I’ve never tried that before, to be honest.”
"I'm ready." You tell him, warmth in your cheeks and in your smile. "If you are."
“Are you sure?” Max asks seriously, reaching up and brushing his fingers over your pulse. “I don’t want you to rush because you think I’m impatient.”
"I'm sure." His sweetness is part of the reason, but you know he would deflect if you said so. "I love you, and I want to celebrate that."
“It will be good.” He promises sincerely. “Like you’ve never experienced before.”
“If it’s good then it definitely will be like I’ve never experienced before,” you joke, rolling your eyes in exaggeration to make him laugh. “Honestly love, please don’t feel any pressure. I just…I want to share this with you. That’s all.”
“I’ve felt plenty of pressure.” Max jokes, smirking at his innuendo. “But if you’re ready, the perfect place to make love to my wife for the first time, would be in the bed at the Vanderbilt’s mansion.”
“Time travel bragging right.” Every time he gets so proud to call you his wife it gives you a little shiver and you grin.
“And it’s not like we are breaking into a museum to do it.” He chuckles and turns you around to start unbuttoning the back of your traveling dress. “It will be quite the ‘feather in your cap’ as your grandfather likes to say.”
“And we’re even in the time where people actually wear feathers in their caps.” His nimble fingers are quick to undo the outer layer of your dress, pulling away the top to let you stretch a little more easily in just your corset cover and corset above what seems like miles of petticoats. Without those big sleeves it’s a lot easier to move.
Max snickers. “I’m just grateful we didn’t come to a time where wearing tights was fashionable.” He jokes.
“Why not?” You smirk at him over your shoulder. “You’ve got great legs.”
“Yeah, but it would leave nothing to the imagination, package wise.” He snorts.
“Those big ‘ol pantaloons they wore over the tights would.” It reminds you of a Shakespeare show you saw once, and the idea of Max back in that time scraping out thees and thous makes you giggle. “Maybe I’ll get the hang of this time traveling stuff and we’ll be time tourists. Who knows?”
He hums, knowing that you both can be time travelers in your own time as well, watching history unfold as you both remain ageless.
Max helps you out of your skirt, letting you shed all those extra pounds of beading and embroidery for a little while before you have to put on something suitable for Mrs. Astor. You have very little idea of what Renée packed but you’ll manage, just enjoying the freedom of lighter layers for now. Petticoats and a bustle don’t weigh too much, you’ve been surprised to find.
“Better?” Max loves the sight of you in the undergarments of the time, honestly playing into the time period movies that he had watched when he was younger. Sometimes hoping to get laid, but that one – Pride and Prejudice – that was just a guilty pleasure.
“It’s so hard to move in the full dresses.” Which is why you’re wiggling happily and stretching everywhere now that you have a little freedom. “At least we didn’t come back to the age of six-foot crinolines. You wouldn’t be able to get near me at all.”
“I don’t know what that is, but a crinoline sounds horrible.” He gives you a mock look of horror. “Don’t sent us there.”
“I promise.” He gets the giggle out of you that he was hoping for, and you turn to lean against him because you still have the bustle underneath your petticoats tied in place so you can’t just back up into his arms.
“How come the history books never talk about how dirty traveling is?” Max snorts, knowing that both of you need a bath.
“Because no one wants to read about horse shit and dust everywhere.” You laugh along with him. “I wish I had time for a bath but apparently travel by horse-drawn carriage takes foreeeeever.”
“You want to get clean, baby doll?” Max smirks. “I can clean you up real quick.”
“Speed bath?” You raise one eyebrow at him.
He chuckles. “Perks of moving fast, sweetums.” He had overheard the nickname on the dining car last night and had fallen in love with it, to tease you with, of course.
When you roll your eyes it’s entirely joking, but you cross your arms appraisingly and smirk. “Alright. Go for it.”
“Done, baby doll.” He snaps his fingers as if he were a magician, drawing your eyes away from the trick before he begins to move quickly.
When he wants to be, Max is a whirlwind. Before you know it your petticoats are strewn around the room and your corset seems to disappear in a flash, along with your chemise and stockings, all while you barely feel him touch you. The tornado of movement carries you so easily to the bathroom and within minutes you’re scrubbed clean and dry again.
When he stops moving, it’s obvious that Max has also cleaned up while taking care of your quick wash. Grinning and not even breathless as he eyes you. “Believe me now?”
“Baby,” you smirk, the expression rolling over your features with glee. “I never doubted you. I just wanted to see you show off.”
“Good.” He winks at you and shrugs. “Now you are all clean and can enjoy your visit with Mrs. Astor.”
“Wish me luck?” Walking over to the set of buttons built into the carved wood detailing of the guest room, you press the one marked to connect to you maid and sigh. You are definitely going to need Renee’s help picking out a dress.
“Of course.” Max snaps his fingers again. “I could come with you.” He offers with a coy grin.
“I don’t think the Mrs. Astor would take kindly to a bat in her house.” Though you grin broadly at the idea.
“I would make a fashionable hat accessory.” He huffs, miffed that you might deny him the opportunity.
“If you think you can hold still for an entire tea visit, I’ll take you with me.” It’s sweet of him to want to come with you, though you know it’s also because he’s an incorrigible gossip.
He tuts because he knows you’ve got him there. There’s no way he wouldn’t ruffle his wings or trill at you in his bat form. “She might like bats.” He grumbles.
“She might.” When he pouts you can’t help but kiss him, and your hand on his chest feels the thrilling thud of a single heartbeat as your lips brush his. “And if she does, I’ll bring you next time. If there ever is a next time.”
“Ooookaaaaayyy.” He rolls his eyes, playing up the pouring before he shrugs. “Tea sucks anyway. Kind of like me.” He jokes, waggling his brows. “Get it?”
“Har har har.” The exaggerated laughing noise makes both of you bust out into giggles just before a knock sounds at the door and Renee enters.
“You rang, Ma’am?” She asks politely, stock still in her own immaculate uniform. No doubt she had already cleaned herself up from the trip.
“I was hoping you might have packed a nice tea dress for the trip, Renee.” Standing in your chemise and robe in the middle of the room is more than a touch unconventional, but so are you. “I’ve had an invitation from Mrs. Astor.”
“Ohhhhhh.” Her eyes widen slightly and she nods eagerly. “I have a beautiful teal tea dress that would be perfect.” She insists.
“Well,” you flash both of them a smile, with Renee zipping right past you to the closet where your and Max’s clothes have been stored. “Here goes nothing.”
******
More than an hour later, after all the fuss of redressing, restyling, saying your polite ‘good afternoon’s to the Vanderbilts, and being bundled in and out of a carriage all on your own to take you a mere twenty minute carriage ride from number 1 West 57th Street to 350 Fifth Avenue. The house is even grander than the old photo on the damn Wikipedia page you’d seen ages ago, and you swallow thickly as you walk up to the door and ring the bell. Somehow you’re just certain Mrs. Astor’s butler will be the most intimidating possible version of that career choice.
Instead of the butler answering the door, Mrs. Astor herself is the one that pulls the door open. She had been sent word that you had accepted her invitation and had been looking out for your carriage to arrive. “Mrs. Phillips!” She beams as she opens the door wider and steps back. “I am so pleased you decided to accept my invitation.”
“It was very kind of you to ask me.” Astonished to find the woman herself standing in the front hall of her house, you falter and damn near curtsy as a footman appears to whisk your gloves and reticule away. The small hat perched on your head — not adorned with a particular bat — stays firmly in place.
“When Alice Vanderbilt told me you were going to be in town, I knew I had to have you to tea.” She slides her arm through yours and notices you craning your neck around to look at the interior. “You and Mr. Phillips will be building homes, correct? Let me give you a tour? We have so many modern conveniences.”
“We haven’t decided where to build yet.” Polite conversation seems the way to go, as Mrs. Astor escorts you around the first floor of the fashionable and enormous brownstone they call home. “We may make our home in Newport year round.”
“I would love to have a permanent home.” She admits easily. “Packing up everything I need from one home to another is so tiring at times.”
“But the summers are not always pleasant here, and winters can be isolating in Newport.” She leads you through the hall to a stunning sitting room and it’s really all you can do not to stare the way you did your very first day at your home in Newport. “There must be some advantages for being able to travel where the weather is nicest?”
“Of course there are. I know that I am very fortunate to be able to escape the intolerant weather.” She knows that she is privileged and is thankful for her children’s sake. “I would love a frolicking bath in the gardens. Or a pool, but William says that it’s too much effort.”
“Max doesn’t particularly care for the beach. I think he would probably love a pool instead.” Although, the thought of him indignantly turning into a bat just to be out in the sunshine to see you in a swimsuit almost makes you giggle.
“Then perhaps you will have an indoor pool?” She suggests. “You can swim no matter the weather outside.”
“Perhaps.” She seems delighted for you at the prospect so you smile. “And if we did, you would certainly be welcome to visit.”
“I would be visiting often.” She admits with a grin as she guides you back towards the parlor where the tea is being laid by one of the footmen.
If you had any intention of staying in this time, it would be an immense compliment. But as it is, you have to take the fact as what it is — if you get stuck here, then Lina Astor is a valuable ally to have. “You will be most welcome, pool or otherwise.”
“You are kind. And that is a refreshing thing to find.” She hums, smiling as she settles you both down on the sofa. “Very refreshing indeed.”
“It was an honor to receive your invitation.” It is, and you’re aware of that, but you’re still wondering why she invited you here other than the fact that you’re staying with the Browns. It’s not as though she knows you’re their granddaughter.
“Then I am happy you accepted.” The footman has disappeared, and Mrs. Astor leans forward to pick up the teapot. “It is not often I find other kindred spirits in my circle.”
“I—I’m sorry?” The comment takes you off guard, and you feel a little like a deer in headlights at the moment.
Her smile turns slightly coy and she tilts her head. “I don’t think that I’m mistaken.” She tells you conversationally. “Another time traveling witch?”
The mistake you made was reaching for the teacup that the footman had set beside you before leaving the room at exactly the moment Mrs. Astor said the words ‘time traveling’. Your hand clatters past the cup and saucer, nearly upending the small table beside you as your eyes grow as wide as dinner plates. “E—excuse—” Oh, Max is going to be so mad he isn’t here for this. “How could you possibly—?”
“Know that you aren’t from this time?” She muses and sets down the tea set to tap her brows. “You must have just waxed your brows before you travelled back.” Her eyes are flashing with intrigue. “What year had you left?”
"I—" It automatically makes you hide your hands, like she could somehow know that you had just taken off your nail polish the day before. "Um...2023..." you murmur, feeling very oddly like you've been caught by the Time Travel Police or something equally insane.
“Ohhhhhh.” She smiles excitedly and leans in. “Tell me about it, please?” There’s a plea in her voice that is barely noticeable under the excitement.
You don’t even know where to begin, swallowing hard and realizing that the conversation might not make any sense – in an insane sort of way – without context. "When...when have you, um...traveled to?" This time you manage to get the teacup firmly into your hands, but you're sure they must be shaking violently as you can't tear your eyes off the prim and proper madam of New York society.
“I think you misunderstand.” Lina shakes her head and reasons that it’s not a logical conclusion. “I was born in 1965. This is the time I travelled to.”
"What?" When you almost drop the delicate teacup all over again, you just shove it back onto the table.
“I would never have believed it myself.” She admits easily, continuing to talk. “However, how do you deny yourself in photographs from decades before you were born?” She asks. “I know some might think there a doppelgängers, historical figures that look like other people in different times, but I believe, like me, they are witches who have travelled to their proper times.”
"Does that mean...that once we travel...that we're stuck?" You ask, eyes widening impossibly yet again. "We go back to our proper time and stay there?" The possibility hadn't occurred to you, but it seems alarmingly real to hear her talk about it.
“Perhaps that it the wrong wording.” Mrs. Astor concedes. “Because I could have chosen to go back, but why would I when my soulmate was in this time?”
"I suppose that would account for the decision." The way your mind seems to be scrambled is the only thing that makes perfect sense at the moment, but shaking your head doesn't seem to set any of your thoughts straight at all – except one. "So there is a way to go back, then?"
She frowns slightly, tilting her head. “You mean you didn’t come here on purpose?” She asks softly, trying to understand why you would travel through time if not for a reason.
"It was an accident," you admit, feeling all the more amateurish for it. "I was trying to cast a protection spell and it...sort of imploded around me. Instead of banishing the person from where my soulmate and I were, it brought him here with us."
“Oh my.” Her eyes widen slightly and she knows there must be more to the story. “Hopefully, that person is no longer a bother to you and your soulmate?”
"No." A fact which has brought you no small amount of relief. "No. He certainly is not." This might be the most insane situation out of all of the insane situations you've ever found yourself in, and you lean forward in your seat unconsciously. "So..if you were born in 1965...do you mind if I ask where you were born? I'm endlessly curious now."
She grins and leans in. “California.”
"This is just...absolutely insane." The shake of your head still doesn't align your thoughts, but at least this time when you laugh in disbelief you don't feel foolish for it. "And you just...saw yourself in a history book?"
“Imagine my surprise.” She snorts and shakes her head. “But I just knew that it was me.”
"And I thought my story was crazy," you huff, exhaling like it's the biggest relief of your life.
“Believe me, there’s few who know my story.” Lina laughs, reaching over and covering your hand with your own. “How do you explain a colored rose tattoo on your pelvic bone to a man who has never even thought of a tattoo?”
“Oh my god.” Barely managing not to snort when you burst out into giggles, you cover your mouth and manage to recompose yourself. “That…that would not be easy,” you admit readily. “Although I guess at least it’s somewhere easily hidden.”
“Yes. William has accepted that I am from a different time, but my maid believes it is a strange birthmark.” She snickers.
“That is a remarkably detailed birthmark, Mrs. Astor,” you snicker softly, shaking your head. “Mine is essentially a blob.”
“Just so.” She agrees. “How are you acquainted with Mr. and Mrs. Brown, really?”
“I suppose it’s a moot point, to ask you to keep my secrets when you’ve already shared yours. We’re in this together.” And what a fucking weird person to even say that to, you think with an internal huff. “They are my grandparents. But only Mr. Brown knows who I really am.”
“Grandparents…how delightful.” She hums as she picks up your cup of tea and hands it back to you. “I expect that it’s easily possible because of your vampiric bloodline, your mother waited to give birth to you?”
“I should not be surprised that you know so much, I suppose?” It’s astonishing to you, but maybe it shouldn’t be. Doesn’t everyone have friends who keep their secrets? Especially within the magical community. “Yes. She did. She waited quite a while.”
“Your grandmother is the leader of her coven in Newport.” She reminds you. “I am the leader of the coven here. William has actually talked to your grandfather about immortality.”
“Really?” Imagining the Astors in the future makes your head spin a little, but how is it any weirder than you coming back to this time? “If you ever find yourself in 2023, come and visit.”
Picking up her own tea, she adds a sugar cube and stirs it. “Your soulmate is immortal? Or just a lucky human? I wasn’t quite able to tell.”
“Max is immortal.” And you almost laugh to yourself, thinking again how much he would love to be here for this. “My grandfather was his sire…either several years ago or it will be many years in the future. Depending on how you look at it.”
“How fascinating it all is.” She wonders, blowing on her tea and taking a small sip. “What a wonderful connection. I hope that your time here is fruitful?”
“I hope so, too.” You admit, blowing out a sigh of your own. “Of course, if I can never figure out how to get us home, our time here will be permanent.”
“Yes,” at the mention of that, Lina straightens. “That is why I asked you to tea. To get to know you, but also inquire if you are well versed in the spells.” She sets her tea down and stands, moving over to the bookcase. “I have all my own spells here, including the one to bring me to my William’s time.”
“I am not particularly well versed in any spells at all.” The idea of an Astor family grimoire piques your interest as you watch her move amongst the shelves, pulling things out quickly in a very particular order until a hidden panel in the wainscoting pops open. Of fucking course Mrs. Astor has a secret compartment for her grimoire. “My magical education came late in life.”
“The perhaps I might give you a copy?” She asks, knowing that you might not have your own family grimoire. If her own could assist you in creating one, she would be delighted.
"Are you serious?" At least the more modern phrase won't sound too foreign to her as you stare at the petite figure of Lina Astor over your teacup. "I—I mean—that would be so incredibly generous of you."
“I will start writing it out immediately.” She promises as she brings the leather-bound book over to the sofa. “By the time of your grandmother’s ball, it will be in your hands.”
"Then I suppose we're here until at least Samhain." A few weeks in 1885 won't do you any harm, but it makes your smile flicker slightly at the thought of missing your own Samhain ball. It makes you wonder how Allison and Eddie are doing – what they're doing – and if Yayo has even explained what's going on.
“Delightful.” She winks at you, even as she speaks properly. “You and I will have to have tea again then. I will call on you?”
"Any time." In the back of your mind you vaguely recall that the appropriate length of a social call in this time period is something absurd like fifteen minutes, and you figure that period must be up. "We're staying with the Cornelius Vanderbilts until Friday, then returning to Newport."
Nodding, she understands your reasoning and bites her lip. “I will be attending the opera tomorrow night, will you be attending as well?”
"My grandparents were kind enough to let us use their box." An actual box at the opera sounded like a beautiful night to you and Annie had been over the moon to bring Emmanuel to the Academy of Music. "My soulmate has never been to an opera before, so we should be in for a fun night."
“Then I will see you at intermission.” Lina decides with a warm smile. “I have to admit that I am very glad you came to tea. It had been a long time since I have talked about…things.”
"I'm glad I wasn't too nervous to accept." Standing from the sofa, you have just enough time to compose yourself before a footman steps up to the drawing room door. You can see your gloves and reticule lying on the table in the foyer and you know that that's your signal. "Thank you for having me, Mrs. Astor. I look forward to seeing you again."
“Call me Lina.” She demands softly, setting the book down and leaning in to give you a quick hug. “We are sisters after all.”
"I will see you tomorrow night, Lina." You squeeze her back gently before striding from the room and accepting your things from the footman with a smile. Whatever you had expected this visit to be, it was nothing like that at all, and you're all the more glad for it as you get into the carriage.
As soon as the door closes, the bat that had been sitting up on top of the curtain flutters down and lands in your lap, squawking.
"Well, hey Cutie pie. I know you." It's all you can do not to burst out into giggles, but you scoop Bat Max up in both hands and let him snuggle into your chest as the carriage lurches and starts off down the street to take you back to the Vanderbilt's house. "You're never going to believe the visit I just had," you tell him honestly, blowing out a deep sigh.
Max turns his head and practically sticks it down your bodice, thankful that the tea dress is lower cut than your traveling dress. Flapping his wings and squeaking in response to you.
"If you wanted to grope me, you could do it in human form," you snort, giggling at the little bat's antics. "So it turns out..." you cuddle your soulmate's animal form as the carriage bumps and jostles along the road, hand wrapped around his small body to keep him safe against you. "The legendary Mrs. Lina Astor? Is a witch."
Snuggled happily between your breasts, Max trills, hating that he has to pull away, but he can’t transform in your dress. “What?!?” He demands as soon as he is very much in a human form again, eyes bugged out in surprise.
“I swear on every god I can think of,” you promise, holding your hand up like it’s some kind of solemn oath. “But it gets crazier. She’s a fucking time traveler, too!”
“Bullshit.” Max huffs, not thinking you are a liar, but who can that be?
“I swear!” The way you practically double over cackling — or you would have doubled over if not for the corset — tells him how dead serious you are. “She was born in 1965. Saw herself in history books and knew she had to come back.”
“Isn’t that a mind fuck?” Max’s eyes widen. “One of the most historical female figures in America is a time traveler.”
“She’s going to make me a copy of her grimoire,” you murmur, voice full of awe as you lean into your soulmate’s side. “I can’t fucking believe I found another time traveler. And by accident!”
“It seems as if she recognizes something about you.” He worries about that slightly, but with Mrs. Astor as an ally, it would smooth a lot of issues for you should they arise.
“She noticed my eyebrows.” It’s such a stupid detail to you that it’s laughable, but it’s completely on point when you look at it. The fact that you had gone to the salon with Allison just the day before everything happened is what made your appearance stick out to a woman who actually knew what eyebrow waxing was. “She said she’d help me. So I can get us back safely. But…the copy of her grimoire won’t be ready until Samhain. So it looks like we have two more weeks in 1885.”
“I won’t mind that.” Max admits with an easy grin. “Although you might.” He snorts, lifting a brow. “You start your period in two weeks.”
“Pain killers in this time have cocaine and heroine. I am not taking a damn thing.” You’re not surprised at all that your blood drinking soulmate with a superhuman sense of smell already knows your cycle, so you just bypass that face completely. “I will be begging for hot chocolate, though.”
“All the hot chocolate you can drink.” He promises with a smirk. “I think your mother likes my hot chocolate too.”
“She does.” And of course he’s smug about that. He deserves to be. “But you can’t cave and give her the recipe. She used to make me Swiss Miss when I was a kid.”
“Oh no.” He huffs. “This is my secret recipe.” He insists. “You only get that when you’ve been married to me for a hundred years.”
"Real married or pretend married?" You tease, grinning as you snuggle deeper into his side.
“Real.” He snorts. “Have to make sure you’re with me for me and not my hot chocolate.” He teases. “Although, before I forget….do you want to dance tonight?”
"I'd love to." Your hand slips gently into his, fingers threading together, and you squeeze his hand in yours. With your head on his shoulder at the carriage bumps along the road, this is pretty damn close to bliss.
“Good.” Max’s fingers caress your palm. “I hired a little band of musicians to play for us after Alice said I could use the ballroom tonight.”
"You hired a band?" Reeling back to look him in the eye, your eyebrows shoot up to your hairline in surprise. "What's the occasion? Did I not know it was your birthday or something?"
“No.” If he was still living, his cheeks would be scorching hot, but he does look a little embarrassed. “Since it’s…since you want to…” he waggles his brows suggestively in an endearing immature way. “I wanted to make it special. A night you wouldn’t forget.” He also wants to show you that you deserve some to put in the effort for you.
"Honey..." Your gasp, you have realized since being with someone who doesn't need to breathe, is so uniquely human. He might be looking slightly embarrassed, but your jaw is on the floor of the carriage and tears have sprung up into your eyes as you stare at him. "You—really?" It's so far outside of the realm of what you could ever have expected that you don't even know what to say. "For...me?"
“Was it dumb?” He had been sure that you would love it. “It’s dumb. I should have asked, right?” He panics and shakes his head. “I’m sorry, Dolly, I just wanted to make it special.”
"Max." Tugging on his hand slightly makes him look at you, and you shake your head fiercely even as you reach up with your free hand to touch his cheek. "That is the sweetest, most thoughtful, most romantic thing anyone has ever done for me and if we weren't already engaged I'd been asking you to marry me right here in this carriage." The watery shine in your eyes is nothing less than pure happiness and pride, and you lean forward to kiss him with soft surety. "In fact, I'm prepared to say fuck it and get married right here in 1885, just so I can proudly call you my husband for real."
He stares into your eyes for a moment, the unease fading and he bites his lip. “I just wanted you to feel special.” He admits quietly. “You are special. And I want you to believe it.”
"My whole adult life, no one has ever believed in me or loved me the way you have." It's somehow simultaneously exhilarating and humbling, the magnitude to which Max's love is worn entirely on his sleeve. It's obvious, not just evident, and you never thought that you were worth someone's entire devotion the way Max has given every ounce of himself over to loving you. "I hope I give back even half of what you do. And I'm glad we have literally all the time in the world for me to learn to love you exactly as well as you love me. Because you're special too, sweetheart."
“Of course I am.” He flashes you a smirk that is pure bravado, and more than a little facade, but he won’t argue with you. It would be pointless when you would say you weren’t worth it to him.
"I just never want you to doubt it, that's all." Max deals with his insecurities in very different ways than you do. You know that. So instead of huffing at him or rolling your eyes or anything of that sort, you just smile and kiss the corner of his mouth again.
“I knew I should have gone with you.” Max pouts, but he knows his presence might have derailed the conversation.
"Today will hardly be the last that we hear or see of Lina Astor," you remind him with a grin. "She might even pop up to 2023 to see us sometime."
“That would be pretty fucking cool.” Max muses. “Her husband has certainly made enough money to support them.”
"I don't know if he's ever actually time traveled with her, but it would be pretty fun if they popped into the future to visit." The two of you lean back again in the carriage, resting against each other's sides as it pulls around the corner of the avenue. "Can you imagine throwing a ball in 2023 and having an Astor show up?"
“No one would know who they were.” Max points out. “They could move through the time in complete anonymity.”
"Unless we find the one person who is like...an Astor family historian or something." That person must exist, you're sure of it. But thankfully, you definitely don't know them. Although if you did? That would be an interesting introduction. "You do know that if I get my time traveling down as well as hers, we could do that, too?"
“Has she travelled to other times as well?” He asks, confused as he wonders. Could that explain why the Astors had a golden touch in business?
"Visits are so short here that I didn't really have time to ask," you admit sheepishly. "But I offered for her to come and visit us in our time and she didn't immediately shut me down or anything, so I have to think it's possible. It's magic not like...a wormhole or a tear in the space-time continuum, right? So theoretically a witch who can master it should be able to pick their destination just like Marty McFly plugging a date into the Delorian."
“Do they make it in a broom model?” Max jokes, chuckling at his own humor when you roll your eyes. “It’s funny and you know it.”
“I’m getting a bumper sticker for abuela’s fancy car when we get home,” you inform him, laughing under your breath at your own bad joke. “My Other Ride Is a Broom.”
“You would not put a sticker on that car.” Max is horrified in a decidedly male way about that, his eyes wide and anguished. “My car’s probably been towed off, or stolen.”
“I’m sure Yayo had it picked up. After all— he knows where we are.” The carriage rolls to a stop and you stretch as much as your dress allows. “Home sweet temporary home.”
“What a temporary home it is.” Max snorts, admiring the grandeur of the facade. “I could see having a gothic style architecture if we were here permanently. Play up the spooky vibes.”
“Maybe we should build a house anyway,” you joke with a grin. “Come and go as we like once I figure out how to get us back and forth.”
“Which house in history has an ambiguous past?” Max asks, lifting a brow curiously.
“There’s a lot of them.” Off the top of your head there’s things like Boldt Castle in New York and the Winchester Mystery House. “And I bet Yayo would take care of it for us.”
“Hmmmm.” Max is thoughtful a moment before he shrugs one shoulder. “Perhaps it’s one of ours.” He tells you. “Stranger things have happened.”
“Maybe we’ll get back and Mrs. Taylor will hand us an extra set of keys.” The thought makes you grin, and the carriage jostles just as one is the Vanderbilt’s footmen comes out to open the door and lend you a hand. What seemed unnecessary and dramatic in period films now makes perfect sense. If you didn’t have help getting out of this carriage you’d never be able to find the sidewalk for all the dress you have to wear.
Max managed to turn into a bat before the footman opened the door. That way he will not cause any questions amongst the staff about how he wasn’t with you and then he was. Luckily for stealth, the dips and flounces hide your bat-ified soulmate from sight and you just climb the steps into the house neatly after saying thank you to the footman without anyone being any wiser.
Max smirks a batty little smirk and clings to the folds of your outfit, enjoying being carried into the house with no one the wiser.
******
When Mrs. Vanderbilt also falls in love with an idea, she isn’t one to sit on it. Max asking for the ballroom to dance with his bride sounded like the most thoughtful and romantic thing that she had ever heard of. She had pointed him in the direction of a small orchestra, and had personally gone to the kitchen to have the idea of a dinner for two planned out with the cook with a footman assigned to serve the quiet meal.
There were flowers everywhere. She must have sent Renee out to purchase every flower from every corner within a ten block radius. Bouquets of them set around a small garden table that has been laid out for two, a champagne bucket beside it. The candles and glass lanterns low enough to give the enormous room a romantic, intimate glow. You had been hustled through another bath, a fresh ball gown that had to come from somewhere, although you don’t remember seeing it amongst your purchases even though it is vaguely familiar, and some of Alice’s own jewels around your neck when you are escorted into the room to find Max waiting for you. His own bath done and his tailored tuxedo making him look every inch the dashing, handsome vampire that he is.
“This is a lot more than just dancing…” you gasp, one gloved hand going straight to your heart as you look around. The Vanderbilt’s expansive ballroom looks like it has been taken over by a fairy kingdom with the way it overflows with blossoms, and you look to Max in awe. “It’s stunning, love. You’re… you’ve…” There really aren’t words for the way your heart swells in your chest, and you walk over to him with sure steps to wrap your arms around him. “My soulmate is the sweetest man in the whole world,” you murmur against his chest.
“I didn’t do all this.” Max admits with a shake of his head. “I just mentioned that I wanted it to be special.”
“No?” You pull back from him, incredulous, and look around then down at yourself. “This dress?”
“Well…” he shrugs. “I asked Alice if there is a dress that was suitable for a night of dancing.”
“So I need to write Alice the world’s best thank you note for hosting us. That’s what you’re saying?” Looking at the pair of you together in the nearby mirrored wall paneling, though, your eyes widen in recognition. “I know this dress!” You realize just a second later.
“Really?” Max frowns for a moment and tilts his head. “From where?”
“From the attic.” Your eyes are wide when you look back at him and you practically giggle. “The day that we all dressed up and went to the mansion?” It seems like years and years ago that you were first getting to know the girls in the Newport coven, and the pang of missing them hits deeply. “Allison wore this.”
“How interesting.” He guides you over to the table and pulls out a chair for you to sit down.
"I guess it goes to show that this was supposed to happen?" When he sits down across from you, the two of you exchange a shared, soft smile. "Maybe we shouldn't be surprised anymore? Since life has thrown us so many curveballs already."
“It’s been nothing but adventure since you’ve arrived.” Max admits with a chuckle. “But I’ve enjoyed the ride. How about you?”
"I wouldn't change a single thing." And you really wouldn't. Even the parts filled with uncertainty or fear have brought you closer together, but more than anything he has given you strength and confidence that you never had before. Loving Max has made you a better person, inside and out. "And I'm very excited for every adventure that is still to come."
Smirking proudly, Max takes the bottle of champagne from the bucket and looks at it and then at you. “Sweetheart….do you want me to have this taken away?” He asks softly. “I don’t think Alice knew.”
"If you want to have some, it's okay." He likely won't, having insisted since the day he found out why you don't drink that he will abstain right along with you. But it's also not like this meal will hold much interest for him considering his preferred diet, so you give him the choice.
The bottle goes back in the bucket and he shakes his head. “I’m good.” He knows that you wouldn’t want any, but he always wants to continue to make sure that you know that if you want to have some again, you have that option.
The footman, confused by the turn of phrase, seems to understand that champagne will not be necessary and steps forward to remove the ice bucket and its contents. “I’ll let Alice know that we don’t drink alcohol when I thank her for tonight,” you tell Max. “It’s…all of this is absolutely beautiful.”
“Whatever you want to tell her, baby.” Max from before would offer advice, but he has learned that you just want to explain and not have your feelings or ideas overruled. “Tonight is about you and I want it to be perfect.”
"Tonight is about us." It's about growing closer and about this last, large step forward. You can't be sure if it's taken longer than you thought or far less time than you would have imagined, but having now spent enough nights actually sleeping with Max along with getting to know him, the time for euphemistic sleeping together feels exciting.
He might not feel that way, but he doesn’t argue. Knowing that it’s important for you that he also be included. His soulmate is actually very considerate and he is grateful for that. “Do you want to eat before we dance?” He asks with a grin. “Or work up an appetite?”
"I would hate to interrupt the chef's schedule." According to your abuela, meals in this time are a well-orchestrated dance all in their own right, and you look to the footman for any kind of confirmation or denial of a firm schedule existing. "Might we have time for a turn or two before the meal begins?"
The man smiles at the question, thinking briefly, and almost bows to you with his deep nod. "I will make sure of it, Mrs. Phillips. Please, enjoy yourselves," he says before excusing himself.
The tails of the tuxedo are something that Max believes should still be around in his own time, flicking them out as he stands and glides around the table. “Will you waltz with me, Mrs. Phillips?” He asks, bowing as any gentleman of the time would. Your Yayo had spent time to make sure that Max fit in and did not make any social blunders.
"Mr. Phillips, I would be delighted." You're both up and out of your chairs again, and the leader of the small band that has been hired takes Max's cue to strike up a lively but simple waltz. The man clearly took working up an appetite literally, and you have to smile as Max puts one hand around your waist and draws you in close – a perfect ballroom frame supporting both of you in place before he leads you into the dance.
Like every time Max has danced with you, he is struck by how seamless it is. It’s as if you and he become one at that moment and move in perfect coordinated unison. There’s not a split second’s hesitation, no faltering. Working easily as if you had been partners for a lifetime, which one day will be true.
The swells in the music become dips and turns, the swaying of your frame in Max's keeping you in time and making sure no feet ever get stepped on. The movement is smooth as silk and completely entrancing, although you know that some of your favourite moves are impossible in a gown this large. All that matters is that you and Max stay connected, moving together with fluidity and grace. Sometimes it feels like the happiest you've ever been are these moments dancing with Max, and you wonder if tonight might somehow equal that or make it feel even more magical than it already does.
The mood is already romantic, the music and the dance coupled with the lighting and what both of you know is to come. It’s fairy tale quality and still Max wishes for more. Wanting you to remember tonight forever, looking back at the moment that you truly became his and he became yours. For all his easy flirtations and past liaisons, he wants to continue to romance his soulmate, for everyday to be an opportunity for you to fall more in love with him.
"You're thinking awfully hard about something," you murmur when he pulls you back to his chest after a turn. His expression of concentration is so easy to pick out, and always makes you want to smooth your thumb over his forehead to soothe the creases away.
“Thinking about you.” He admits easily. “How you deserve so much more. How special you are.” He knows you will protest, but he will just have to dance with you more.
"The perfect example of why we're soulmates." Humming softly, you squeeze his shoulder with your off hand and offer him a soft smile. "We think the world of each other and nothing of ourselves." He has masked it with bravado for pretty much his entire life, but when it comes down to it, he has just as many issues with how he perceives himself as you do. "I love you, Max. Completely. You're the most special thing in the world to me, so if I'm as special as you say we're a hell of a team."
The words are the soft, sweet ones that he has craved his entire life and he savors them. Tucking you against his body and closing his eyes. “We are a hell of a team.” He insists. “Now we just need to find out what dancing between the sheets looks like for us.”
He manages to say it quietly enough that it doesn't echo across the ballroom, keeping it for your ears only, and you giggle with soft delight. You're actually excited for this, which isn't something that you were sure you would ever feel again. "I think it'll be very rhythmic," you tease.
He chuckles and nods. “A steady, continuous rhythm.” He promises. Unlike any previous lovers, Max doesn’t get tired. Any changes in the pace would be because he fumbles or he wants to change, not because he’s unable to keep it up.
"Mr. Phillips, I think that counts as scandalous," you hum, fanning yourself with your own hand dramatically and wishing that just this once you actually had one of those fancy hand fans to tease him with.
"You would faint in shock at all the scandalous things that I would do to you, Dolly." Max snorts playfully, sending you a hot look as he dips you low and presses his face into your breasts before slowly dragging you upright again.
“Maybe I would.” Considering there is an entire group of strangers in the room, you demure a little even though you’re shivering with anticipation on the inside. “Perhaps I am terribly proper and ladylike and this is where I’ve belonged all along.”
“I can see that.” He growls, flashing his fangs at you playfully for a split second. “And I am the wicked vampire ready to defile you.”
When you giggle and have to smother a snort, it’s because you’re sure that anyone overhearing this would assume you were really into sexy role playing or at least fantasy foreplay. When the fact is, it’s just who you are. A little silly, a lot romantic, and entirely devoted to making each other happy.
Around the room, your skirts swish and sway as he leads you. Speeding up and then slowing down along with the music. His eyes always on you as he twirls you around the dance floor. Aware that some of the Vanderbilt staff have peeked in, but it doesn't bother him, never minding an audience.
They're peaking in from around the corner screen and through the pocket doors at the end of the room, and you're dimly aware of their presence without ever minding it for a single second. Renee is probably with them, which makes you smile, and you hope she is enjoying the attention of fielding all sorts of questions about Miss Brown's mysterious new friends.
Max spins you again, taking this as seriously as any dance competition. He’s not expecting perfection but it seems that together, you move flawlessly. Making him proud of your abilities and he beams as he pulls you close again.
When the song draws to a close, Max holds you close to his chest instead of going for some dramatic end pose, letting the last strains of music fade away with you held fast to him as your heart beats wildly out of time. After a moment you become dimly aware of a soft clapping and glance over at the band, all of whom are politely applauding your performance. Your cheeks burn hot instantly and you laugh, but curtsy. It must not be often that they get a private show like this.
Max grins, proud of you and his movement shows it as he guides you back to the table for the first course. “My little ballroom dancer.” He coos softly. “So perfect.”
“I’m just following your lead, love,” you remind him softly. There is nothing but pure love in your eyes.
“Nothing I love more than to lead you around the dance floor, and hopefully something more tonight.” He smirks slightly and helps you sit down.
“I think we’ve moved past hope and into certainty.” As you sit down you give his hand a squeeze. You’re ready. Completely ready.
“Never want you to feel like you can’t end things immediately.” Max sits down and he immediately reaches for your hand.
“I know.” And you appreciate it more than you can say. “But I don’t think that will be the case.” If you’re honest, you’ve started to crave the closeness of him, so tonight is exactly what you want.
“I guarantee it won’t.” He winks at you playfully. “But I do want my wife to tell me exactly what she expects of her husband.”
“I promise.” And you will. Just…not where an army of servants can overhear every detail. That conversation is reserved for when you’re actually alone.
He can see the way your eyes flicker to the staff and he hums. “As you wish, Queenie.”
Dinner is gorgeous. An intricate dance all its own, executed with a precision that you really have to admire. Alice’s staff is amazing and the food is to die for. The band plays several more lovely songs for you, and you and Max dance well into the night. When you finally thank them for their time and go upstairs for the evening, you feel like you’re floating on air.
Max marvels at how warm and soft your hand is in his. Waiting for you to start sweating or even get slightly clammy from nerves, but you never do. Just soft sighs of happiness and beguiling smiles as you look over at him. "Tired, sweetheart?"
"Not at all." You've said goodnight to Renee and to Emmanuel's valet already, telling them you don't need help getting ready to sleep tonight, and that leaves just you and Max alone in your room together with a fire to keep you warm. "I do want to go to bed, though."
______
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Recently read: And it's time to start another year of reading wrap-ups! I set my goal to 80 again for the year and have decided to start book journaling, so maybe I'll have more insight for you this time around other than "I liked it! Next!"
No Way Down: Life and Death On K2 by Graham Bowley was a super engaging audiobook - I think I finished it within two days because it was so interesting! While I liked it, the writing just didn't engage me like other mountaineering books have, so it gets a slightly lower score. I've watched documentaries about the 2008 K2 disaster, so not a lot of information in here was super new to me, but if this is your first time hearing about it, it'll be a thorough read/listen. (★★★.75)
Duke Most Wanted was a flop. I thought the other two books in this series were fun, if simple, romances, but this one just bored me to death. Did not buy the romance or the hero's turnaround from being a drunk reprobate in a few weeks. Also, Lenora Bell really likes using (and overusing) similes and metaphors related to her heroine's passion/interest, and it became pretty obnoxious in this book. (★★)
I really wanted to like The Duchess Takes a Husband more than I did because Harper St. George is one of my favorite new historical romance authors, but some of the magic was lacking in this book as compared to the other three in the series. I liked the leads, but their romances could've used some more development. (★★★.5)
Astor: The Rise and Fall of an American Fortune gets a star because of ACoop's audiobook narration, but this wasn't as strong as his Vanderbilt book. It's not a particularly thorough history of the Astor family and it becomes more about their legacy and cultural impact in later chapters, but I think it's a good intro to New York and the Gilded Age. (★★★.5)
Finally broke down and got new Kate Bateman books! A Wicked Game was simply fun. Loved the characters and the writing style; Bateman knows how to write effective and delightful banter! I finished this while high on various pain meds (whee root canal) so I might need to do a re-read to properly appreciate the final third, but I was very satsified overall. (★★★★)
Please welcome A Demon's Guide to Wooing a Witch to the top of my DNF pile for the year! God, what an insipid piece of nonsense this was. I was hoping this would maybe course correct the issues I had with the first Glimmer Falls book because we'd be dealing with the dastardly villain and the angry best friend getting paired up... but no! I should have quit this book the second said angry best friend slammed some harassing dude's head into the bar 20 or so pages in (proportional response! learn it!) but instead I toughed it out to about 40% where everyone got into a bar fight for ~fun~ and decided NO MORE. Stop giving me shitty paranormal romances with weird, half-baked acceptance politics storylines that you have to spell out like your readers are five my god. (★)
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The eighth episode is here!
In this episode, meet @letmetellyouaboutmyfeels (aka Mads), learn about her writing process, and hear how Rachel turns a conversation about fic into one about livestock(?!)!
Listen to a preview above, stream the full episode on Anchor.fm, or find it on platforms including Spotify, Apple Podcasts, Google Podcasts, and more.
See the show notes below for timestamps of when specific discussion takes place, and for links to @letmetellyouaboutmyfeels and her works, and her recommendations for works by creators @f0x-meets-w0lf @macarenaandrad3 @nymika-arts @catdadeddie @henswilsons @hattalove @tripleaxeldiaz @cowboydiaz @extasiswings @eddiediass @thisissirius @elisela @theleftboobgrabber
Show Notes:
Topics:
Welcome and guest intro (02:29)
How Mads got into 9-1-1 (05:16)
Why Buddie Quarantine Bedmates IS canon (30:20)
Favourite things about the show (33:29)
Favourite character (45:22)
Favourite episode and scene (53:48)
Discussion of Mads' writing and fic (1:07:00), focused on: Leading with the Left (1:07:26) (featuring: Mads' start in Buddie fic (1:08:43); Rachel's alternate title suggestion (1:13:30); the trials of writing an alternate canon (1:16:45); Buck would be a stripper (1:34:07); and a tangent about Further Than Blood (Or Than Bones) (1:41:54)); Your Fingerprints Smeared On My Heart (Lead Me Back to You) (1:47:31) (featuring: particular and changing tastes in soulmate fic (1:53:20); spiritualism was an influencer scam (2:18:00); some history of sexual practices in the 19th century (2:24:26); and an aside about livestock (2:37:46)); and Sunlight is Fire (Burning is a Matter of Degrees) (2:49:05) (featuring: how Mads' got into writing monsterfucking fic (2:49:45); monsters we probably won't be getting from Mads (2:59:22); and why Rachel's favourite thing about this fic involves orgasms having a taste (3:16:05))
What Mads' is working on (3:32:10)
Mads' fandom history (3:35:25)
Thoughts on Season 6 so far and predictions for the rest of it (4:11:34)
Recommendations for creators and fanworks (4:25:56)
Goodbye and outro (4:38:25)
Referred to in episode:
Mads' Tumblr and AO3
Fics discussed: Leading with the Left; Your Fingerprints Smeared On My Heart (Lead Me Back to You); and Sunlight is Fire (Burning is a Matter of Degrees)
Other fics of Mads' mentioned: Guilt Takes a Lunch Break at Two in the Morning (her very first buddie fic); Drowning in Dreams (You're My Raft); I Hit the Accelerator (But the Car was in Reverse); Love Like Taffy; Held Together I Come Undone; Further Than Blood (Or Than Bones); This is a Theatre Department, Not a Circus (Timeless college musical theatre fic); Don’t Play Games (Come My Way) (the Hating Game AU); Let My Ink Stain Your Pages (the Castle AU); The Monsterfucker's Symphony; her first buddie monsterfucker fics (Bring Me Your Heart, I Want to Eat It; Ruin Me Like Castle Walls and Burn Me Like a Village; and Heart, I Implore You); Curl Up in my Heart and Let Me Keep You (cat Buck fic); Direct Deposit; and Turn it on Full Blast (the firehose smut fic)
extasiswings on Tumblr and AO3
911bts Tumblr
yramisoruniverse's Willow x Tara vs buddie shooting comparison Tumblr post
Some books Mads read with researching for Your Fingerprints Smeared on My Heart (Lead Me Back to You): Supernatural Entertainments: Victorian Spiritualism and the Rise of Modern Media Culture by Simone Natale; The Season: A Social History of the Debutante by Kristen Richardson; When the Astors Owned New York by Justin Kaplan; and The First Tycoon: The Epic Life of Cornelius Vanderbilt by T.J. Stiles
Tumblr post about horses being fucked up and not having enough toes
MistMarauder's podfic of Ruin Me Like Castle Walls and Burn Me Like a Village
fanart for Sunlight is Fire (Burning is a Matter of Degrees)
museaway on AO3
the Bly Manor breakup comparison Tumblr post
Mads' recommendations:
w0lftails (f0x-meets-w0lf)'s fanart including put me right where i belong
macarenaandrad3 (Jayhsketch)'s fanart including the Two hot for the devil. series
nymika-arts' gifs and original content
catdadeddie's gifsets
Mr LAFD Updates Man series and hoping it gets to you by henswilsons (hammersmiths)
by act of grace by hattalove (hattalove)
maybe one day i’ll fly next to you by tripleaxeldiaz (spinningincircles)
cowboydiaz's paperback fic books
of men and of angels fic and the give you my wild (give you a child) series by extasiswings (extasiswings)
stay soft; get eaten by eddiediass (eddiediass)
the trees of vermont series by thisissirius (thisissirius), elisela (elisela), and tripleaxeldiaz (spinningincircles)
When I watch the world burn, all I think about is you by theleftboobgrabber (theleftboobgrabber)
Contact details:
Dispatch Tumblr: dispatchpodcast.tumblr.com
Dispatch email: [email protected]
Rachel's Tumblr: burnthatbridge.tumblr.com
Credit:
Intro and outro music by BrightestAvenue from Pixabay
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Hi !
Can you do one where tommy has an affair and falls in love with a very suductive and manipulative reader ?
@l1-l4 did one similar "devil is a woman" and its SO GOOD , like ...art siriously you need to read it
Dont feel pressured to write anything , thank you 🙂
Oh i love her fics, especially the one where Grace’s sister has an affair with Tommy.
I was going to make this set in like season 6, but them I'd have to write about Ruby, and he cheats on Lizzy in canon already, so this oneshot takes place in season 3 to make the reader way more evil lol
Venus
Gif by @retromafia
If you asked anyone, especially his insipid Irish wife, you’ll hear how Thomas Shelby never cheats.
That things between the two of you were over when she came back fat with his bastard.
If anyone asked his driver, the maid who washed his clothes and Polly, especially Polly who knew him better than anyone else, you’ll hear about the woman he loves who looks like Venus herself.
You met him as a nude model posing for Churchill, you had fucked him with your eyes as he agreed to kill whoever Churchill asked him to kill.
That led to drinks at his pub, a day at the races, a week shopping and fucking in London and all while you remained the chaste widow of some rich old man who died trying to consummate your week-long marriage.
People even thought you were still a virgin waiting for her handsome nouveau riche boyfriend to make a move.
You were no angel, you were a demon straight from hell. And the world was just so blind to the fangs you hide beneath your pretty lipstick.
Even Tommy forgot how wicked you were until you unleashed hell after he fucked up with Grace.
Grace Shelby had one boy lost to her forever and a loveless marriage behind closed doors.
You made sure everyone and their dog knew it on both sides of the Atlantic.
He married her out of duty, he hadn’t even touched in the two years he made her wait for the wedding he never wanted.
You see, she had assumed Tommy was the daddy, but when the dates didn’t add up, you tearfully told darling Clive’s bereaved mummy how Grace had claimed the little blonde cherub was the product of an affair with your boyfriend because she had never loved sweet, sweet Clive.
Her late husband’s parents had issued an ultimatum that same day, forget Thomas Shelby or forget Clive Junior. They were powerful, Clive’s mum was born a Vanderbilt and his paternal grandmother an Astor, even here no one would dare fuck with them.
But she chose a man over her own child, something no person rich or poor would ever forgive thanks to those tips you gave the tabloids.
You’d never liked Grace, not when you knew her from finishing school nor when the two of you had your court presentations together. You came to loathe her when you discovered your beloved Thomas had fucked her in the same sofa he had said he loved you.
But you still loved him, and he loved you, so you forgave him after punishing him for two years.
Your idiot lover had gotten the marriage license already when he believed the bun in the oven to be his and because of that General Curran had threatened to throw him and his family into prison if he didn’t marry his stupid niece.
You didn’t forgive him for his sins until you showed up at his wedding wearing white and stole the show.
You didn’t care about driving attention to yourself , you feigned innocence and said you assumed that because the bride wore such a garish shade of purple you were free to wear white.
Can you ever forgive me, Y/N? He had asked so sweetly as you led him to the master bedroom that bitch had no idea you decorated.
If she knew that everything had been done by you for you, she’d run for the hills.
You’d kill to see her destroyed, but revenge takes time, something your viper of a mother had taught you well.
He loved you, he felt alive when he was with you, and you knew he wasn’t lying as the two of you fucked on his marriage bed to prove it.
Grace is only here until I can get rid of her, he said when the two of you removed any trace of your affair and returned to the party downstairs.
“Doesn’t Mrs. Shelby look stunning?” your ‘friend’ asked another lady as Grace entered her gala looking like she wanted to cry.
Tommy had used Section D to get his divorce, a divorce that had hit Grace like a missile this morning.
"Pretty and ornamental like a statue.” You heard her companion titter. No one liked Mrs. Shelby, in fact no one cared about her.
"A statue that should've been left in the attic, if you ask me."
Not her family, not her husband, not her so called friends. Society hated her, especially when ‘someone’ discovered a story about sweet and innocent romance she had destroyed like the wicked bitch everyone thinks she is.
The guests were only here because you shared the charity with her just as much as you shared the man who funded it.
They came as a favor to you, you who was so sweet and kind and would never abandon a child you bore for a man who didn't love you.
If Grace knew about it, she’d die.
You made a mental note to send an invitation for your wedding in Paris next month.
February 14, a Valentine’s Day wedding for two star-crossed lovers in the most romantic city in the world.
Tommy was yours, heart, soul and body. She could have his name and money for now, but even that would be taken away from her in a heartbeat.
You'll be generous of course, give her some cash and have her return to Northern Ireland where she'll die in obscurity like she deserved. It's not like you'll ever need your late husband’s country home now that you have Arrow House.
“I heard from the housekeeper that he had every trace of her removed today.” Polly gave you a knowing look. She hated Grace for what she did in 1919. “Apparently this is the last time she is appearing in society as his wife.”
“Vengeance is mine, I will repay, says the Lord.” You quoted like the saintly women you pretend to be.
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What we accomplished on the discord stream.
Have the first 490 words of the story of how Charlie and O'Reilly worked together. Enjoy.
(Potential spoilers ahead, nothing's betaed yet)
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"Unless yer a better liar than anticipated, I believe ye can read."
An address like that was bound to draw people's attention, and Charlie Mulligan was no exception to that rule. He quirked a brow at the man across the table, searching the bastard's face for a clue on what that was supposed to mean.
This guy was absurdly hard to read, and that bothered Charlie. It had already bothered him the night before when the guy had approached him in a different establishment in town. Quinn O'Reilly he had said was his name. Charlie didn't doubt that. Mainly cause he already knew it was the truth. O'Reilly was but a year or two older than Charlie himself, and already had a bounty on his head that could solve about every monetary problem of your common fella this side of the Mississippi.
And probably on the other side, too.
A bounty like that usually only comes from two things: Killing a lot of people, or pissing off a few right ones. O'Reilly, despite his age, had done plenty of the latter (which was why Charlie agreed to hear him out), and a bit of the former, which brought Charlie confirmation about who he was talking to from decently unusual sources.
Being able to speak to the dead had its highs and lows, and somethings it felt akin to a bloody seesaw
"Yer not going to elaborate till I ask, right?" Charlie groused, and O'Reilly cackled, pushing a newspaper clipping across the table.
"Well, read this then. 'Tis what we're after."
"Yer kiddin', ain't ya?" was the first thing that left Charlie's mouth upon seeing what the article was about. "'Van Rossem family set to return to New York'" he read out loud, just quiet enough to not draw the attention of the other patrons of the little middle-of-nowhere saloon. "Ya want me help stealin' from the Van Rossems?"
The other man smiled like a snake, and about as cocky as one.
"Unless all the talk I heard 'bout ya being good enough to trick a bloody corps of Greybacks into givin' their supplies to Union soldiers is all just tall tales, I think yer the right man for the job, Mulligan."
"Flattery will get ya nowhere," Charlie answered, but he grinned amused nevertheless. For a moment, then his brows furrowed again, and he leaned back in his seat, tipping his glass to his lips, eyes locked with O'Reilly. "So, cards on the table now. What exactly are ya after? There's quite some choice with the Van Rossems."
This was no exaggeration. The Van Rossem Family was up there with Astor and Vanderbilt and the like, and their art collection was legendary. From halls full of the old masters, over jewelry collections to exclusive clothing, were it not for their equally legendary security measures, their mansion just a stone's throw away from New York City would be every two-bit burglars paradise.
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Kate, someone suggested on twitter that there should be a series about the Kennedys just like The Crown but then someone was like "pff what parvenus lets do the Roosevelts instead" and another was like "Roosevelts, Vanderbilts, Astors, Rockefeller...like there are several more American The Crown worthy names before Kennedy."
Like weren't the Vanderbilts considered new money too???? didn't they also come up around the same Patrick Kennedy was a politician? late 1800s? Astors were also very new money...like the OG came around in late 1700s and made money off of skinning rabbits and opium. Same for the Rockefellers they got rich around or just a little bit before the Kennedys did. The Roosevelts were dutch settlers but they made their money in the same way colonial wealth/slavery/drugs and etc.
I guess my thing is like...there really is no "blue blood" posh American families. Because even if they are so proud to be the first ones here or from the mayflower (the Bush family) they were literally not nobles/rich or blue bloods when they got off that boat. Nobody who was an actual rich or aristo person was on the mayflower. So it's just kind weird to act like one is superior than the other imo. But the whole social class/system in America is weird.
I also think a show about them would be more interesting because they were at least the outsiders and even tho they didn't have many presidents as the roosevelts or bushes, they had a much more social impact than they did in a weird way. like there's a reason why when people think of american dynasties they come first and not the bushes. Their come up and how they made themselves thee american dynasty is just so interesting.
however i also don't want a show made about them and since they kind of shut down the last show made about them i hope they do it again lol. anyways thank you for my ted talk.
All those families would make good TV but the Kennedys are more recent/relevant and have a better storyline. If a series a la the crown were to be made about them, I'd like it to not fall into the trap that the crown did (just following the popular topics and not digging deeper). The only obstacle with that is getting past Kennedy PR/Lawyers bc they are notorious for shutting down projects.
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What The Gilded Age Gets Right About Infamous Architect Stanford White
In reality, White lived a scandalous life that ended in murder. On the new HBO series, he fares better—so far.
By Nancy Bilyeau Feb 1, 2022
Up until the very minute he was shot on the rooftop of Madison Square Garden, Stanford White might have considered June 25th, 1906, to be a good day.
White, 52, the defining architect of the Gilded Age, the man who helped design Madison Square Garden itself, was sitting at one of the best tables that the rooftop theatre afforded, listening to the song “I Could Love a Million Girls,” when millionaire playboy Harry K. Thaw walked up to White’s table.
Minutes later, as White lay bleeding on the floor, Thaw announced, “I killed him because he ruined my wife.”
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Harry K. Thaw photographed in 1906 eating breakfast—catered by Delmonico’s, of course—in a New York City jail cell after killing the architect Stanford White.BettmannGetty Images
The murder trial of Thaw, husband to gorgeous young showgirl Evelyn Nesbit, was the first to take on the description “Trial of the Century.” The courtroom revelations of White’s brutal seduction of Nesbit when she was 16 shocked and horrified America. In a country still abiding by Victorian standards, debauchery was supposed to be carefully hidden. Laying bare the lifestyle of White—by no means alone in his womanizing, heavy drinking, and overspending—helped usher in the twilight of the Gilded Age.
One of the ironies of Stanford White is that the man whose life was raked over in an ugly and sordid trial had devoted decades to celebrating what was most beautiful in architecture and art—and to celebrating New York City, the city he adored. The Washington Square Arch, the Metropolitan Club at East 60th Street, the Judson Memorial Church at 55 Washington Square, the Villard Houses at 455 Madison Avenue, the Players at 16 Gramercy Park South, and the Bowery Savings Bank are just some of his achievements.
As the series The Gilded Age, now streaming on HBO, makes clear, in the 1880s, Stanford White—who’s played on the series by John Sanders, and is summoned to supply his architectural magic for established society and gatecrashers alike—was the man to call in when someone with a fortune wanted to build a deeply impressive home. He was hired by Astors, Vanderbilts, and J.P. Morgan. He was also hired by those people with “new money.” White moved between the two groups with ease.
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Cynthia Nixon and Christine Baranski in The Gilded Age, the new HBO series that features real-life (and scandal-plagued) architect Stanford White as a character.Alison Cohen Rosa/HBO
Debra Schmidt Bach, curator of decorative arts and special exhibitions at the New-York Historical Society, tells Town & Country, “The artistry, size, ornament and structures of [White’s] buildings embody the energy and optimism that many felt the Gilded Age held for the United States.” In other words, he was the perfect man for his era.
White himself did not spring from “old New York” or from new money either. His father, Richard Grant White, “was a cranky bohemian who fancied himself an English gentleman yet was blackballed from the Century Club and was chronically broke and in debt, who had studied to be a doctor and also passed the bar but was, in practice, a music critic, a Shakespearean scholar, a linguist, a lecturer, a cultural gadfly, a sonneteer and an employee of the Custom House,” wrote Suzannah Lessard, the great-granddaughter of Stanford White in her bestseller The Architect of Desire.
Stanford attended public schools, a fact he denied later, saying he had been privately tutored. White in fact had no formal architectural training, which was not that unusual for the 19th century. He worked as an apprentice to Henry Hobson Richardson, and toured Europe, before joined two young architects, Charles Follen McKim and William Rutherford Mead, to form the firm McKim, Mead and White. He also married Bessie Smith from a prominent Long Island family.
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Stanford White designed any number of New York City landmarks, including the Washington Square Arch (pictured), the Metropolitan Club, the Bowery Savings Bank, and the Judson Memorial Church.Alexi RosenfeldGetty Images
“White's most significant contribution to New York City and American architecture was vision,” says Bach. “White was well versed in European classical art and architecture of the period and saw the possibilities that Beaux Arts forms and vocabulary symbolized for the United States during a period of massive economic expansion.” McKim, Mead & White designed hundreds of civic, commercial and resort and club buildings, public art structures, and elaborate private homes.
“Well versed in art, antiques and architecture, White designed buildings that were not simply dressy evocations of Gilded Age wealth, but also reflections of the seismic industrial changes that occurred following the Civil War and the possibilities that new building, transportation, and communication technologies held for a country also in the midst of huge demographic growth,” says Bach.
White was indefatigable, socializing whenever possible not just because he richly enjoyed the city’s entertainments, but he made contacts for McKim, Mead & White. Lessard said that at the firm, White was “tolerated because of his charm—powerful when he turned it on—and his overflowing giftedness. He was the baby of the office, a big, inspired toddler, indulged, angelic, oblivious, tyrannical.”
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Madison Square Garden Theater, where Thaw shot White in 1906.BettmannGetty Images
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His creations can be found outside New York City. He designed Rosecliff and several other houses in Newport, Rhode Island, and the Frederick Vanderbilt Mansion in Hyde Park, New York. The firm’s Boston buildings included the Algonquin Club, the Boston Public Library, Harvard Stadium, and the Symphony Hall. His work on the University of Virginia is considered one of his few misfires.
White’s dissipated dark side was no secret to his friends. He was a predatory seducer of teenage girls, seeking out actresses or dancers who were from impoverished families. Evelyn Nesbit fit the profile perfectly. After befriending her and her mother as a supposed benefactor, White paid for the mother to visit relatives out of town and then insisted Evelyn, 16, drink a great deal of champagne, which may have been drugged as well. She passed out to find herself naked in bed next to a naked Stanford White.
The details of Nesbit’s trauma were coaxed from her at court to help build a defense for her mentally unstable husband. But other shocks were revealed. White would have been dead within the year if not murdered. He suffered from Bright’s disease, his liver was in terrible shape, and he had incipient tuberculosis. Not only was his health nearly destroyed by his way of life, but he was close to broke. Yawning underneath the Gilded Age veneer was a canyon of debts.
Evelyn Nesbit Thaw, who was seduced by Stanford White as a teenager and whose husband subsequently murdered the architect, leading to the first-ever "trial of the century."GraphicaArtisGetty Images
“He was known to believe that he should live as well or better than his wealthiest clients,” says Bach. “His charming personality and reputation for lavish living brought him wide public visibility, including among Americans who otherwise may not have known about his architecture or heard much about his exploits.”
White’s rise and fall are echoed in the tragedies of certain public figures in the 21st century. As Bach says, “His extravagant lifestyle, and lack of discretion or concern for those who were impacted by his actions, despite producing outstanding work, has much in common with some of the high profile, publicity-seeking business and artistic innovators who exploit media attention today.”
https://www.townandcountrymag.com/leisure/arts-and-culture/a38834397/the-gilded-age-stanford-white-true-story/
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Opulent Origins: Understanding the Roots of Old Money Aesthetic
In the realm of luxury and opulence, there exists a distinct aesthetic often associated with old money—the kind that whispers of heritage, tradition, and a refined sense of taste. It's a style that transcends trends and exudes a timeless elegance, captivating the imaginations of many. But what exactly are the origins of this old money aesthetic? Delving into the depths of history and culture unveils a rich tapestry of influences that have shaped this enduring phenomenon. Old money aesthetic
At its core, the old money aesthetic is steeped in the traditions of aristocracy and nobility. Originating in Europe during the medieval period, the concept of old money can be traced back to landowning families whose wealth was passed down through generations. These noble lineages cultivated a lifestyle centered around privilege, refinement, and exclusivity. From lavish estates adorned with intricate architecture to extravagant feasts that showcased culinary prowess, the aristocracy set the standard for luxury living.
One of the defining characteristics of the old money aesthetic is its emphasis on understated sophistication. Unlike the flashy displays of new wealth, old money prefers to exude a sense of effortless elegance. This preference for subtlety can be attributed to the aristocracy's desire to distinguish themselves from the nouveau riche, who often flaunted their newfound riches through ostentatious displays of wealth. Instead, old money favored quality over quantity, investing in timeless pieces of art, heirloom jewelry, and bespoke tailoring that spoke to their discerning taste and refined sensibilities.
The Renaissance period marked a significant shift in the development of the old money aesthetic. As Europe experienced a cultural reawakening, wealthy patrons became patrons of the arts, commissioning masterpieces from renowned artists and architects. This era saw the rise of opulent palaces adorned with frescoes, marble sculptures, and ornate furnishings, reflecting the wealth and influence of noble families. The Italian Renaissance, in particular, introduced a newfound appreciation for classical beauty and symmetry, which would go on to influence the design principles of the old money aesthetic for centuries to come.
During the Age of Enlightenment, the old money aesthetic underwent further refinement as intellectuals and philosophers championed the pursuit of knowledge and reason. This era saw the emergence of salons and coffeehouses where the elite gathered to engage in intellectual discourse and cultural exchange. The values of education, civility, and refinement became synonymous with the old money lifestyle, shaping the social norms and etiquette of the upper class.
The Industrial Revolution brought about profound changes in society, ushering in an era of unprecedented wealth and innovation. While the nouveau riche amassed fortunes through industrialization and commerce, the old money aristocracy remained steadfast in their adherence to tradition and heritage. Yet, they were not immune to the changing times. Many noble families diversified their investments, venturing into industries such as banking, railways, and shipping, which further consolidated their wealth and influence.
In the aftermath of World War I, the old money aesthetic experienced a resurgence as the world sought stability and reassurance in the face of uncertainty. The Roaring Twenties saw a return to extravagance and excess, with the elite indulging in luxurious parties, high-stakes gambling, and international travel. This golden age of opulence was epitomized by the glamorous lifestyles of socialites like the Vanderbilts, Astors, and Rockefellers, who were the epitome of old money refinement.
Despite the passage of time, the old money aesthetic continues to endure as a symbol of status, taste, and sophistication. From the grandeur of European palaces to the understated elegance of New England estates, the legacy of aristocratic wealth lives on in the architecture, art, and cultural traditions that define the world of luxury. While the faces of old money may change, its timeless allure remains a testament to the enduring power of tradition and heritage in shaping our perception of wealth and privilege.
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I'm someone who's into history but not so bothered by certain ahistoricalities like moving events back of forth a few years, if it makes sense in the overall story. I was ok with Bertha's Met victory being so exaggerated as I get they were possibly feeling insecure about a third season and wanted to conclude that plotline. However, I feel like they set themselves in a trap for S3 because what are they going to do with Mrs. Astor now in S3? What's Bertha going to do all season, if you don't count her beef with George over Gladys, if she has no enemies to defeat? Also, I think historically speaking, it was a worse 'crime' to have Marian and Larry kiss on the fucking street out of all places and during daylight... It just felt so modern to me. Just didn't make much sense because it's not like someone watched them in shock either, which would have made the scandal of it fun. But my only concern for S3 is that they won't do Oscar justice aka. give him at least much screentimd as he did in S2.. Although, even if he's not a fan favourite, I think JF has some kind of a third act in mind for Oscar. I hope. Because it would be so bad to see him tossed away on some level and be there just to get rid of their money... I get he doesn't bring in the viewers but there's so much history they could unravel with his character being there too (being gay and in the position he is now as a character).
oh there are absolutely certain things where i think it is fine to take some historical liberties and even makes sense to do so from a narrative standpoint!!
a very good example of this for me was bertha pulling the vanderbilt stunt in S1 to get her foot in the door and overall just the social trajectory taking place over a few months vs over several years. it Was Not Realistic, which george lampshades earlier in the season in the first episode when bertha brings up the vanderbilts - "What are you saying? We have to keep this up for 50 years, and then someone may drop by?" ... that was like, fine to me. tbqh. especially given real life considerations about telling a coherent and complete story in one season.
but i do not feel the same about bertha winning the opera war as portrayed. i made a whole post about that here but my thesis is pretty much the same as yours - what are they going to do now that bertha has "won" old society over? and they have explicitly said this and demonstrated it in an incredibly clear fashion? that was the entire conflict the show has hinged on! and so then it's like...
not only What is she going to do all season in s3... but Why is she going to do it. if part of bertha's motivation for having the duke on her side and, specifically, marrying gladys off to him, which is NOT a an action most viewers are going to be sympathetic to, was around securing social position for both her AND her family... they made it look like that is already resolved! so what's her motivation now? if the Point turns out to be that she's already won and seemingly has no reason to keep going with as much vehemence... then i guess that's to support a george-bertha conflict, which like. yeah is that really going to get us through 8-9 episodes...
on top of just. they made it seem like mrs. astor is truly irrelevant now in a completely overdramatic way such that it's going to feel like an inconsistency if she Matters again. but in history she Did matter. but in the show they have literally explicitly on screen said that she lost to these people and things are changing now. so what are they gonna do!
but to get to your other point.... my GOD the marian/larry kiss
lmao i'm sooo irrationally bitter about it... especially because Sonja Warfield said THIS:
Executive producer and writer Sonja Warfield tells EW that the romantic moment came after she directly solicited creator Julian Fellowes. "Julian had long game plans to get them together," she says. "Back then everything was very chaste. You didn't really kiss somebody; you shook hands or something like that. So, I really did want Marian and Larry to kiss and asked Julian if they could please kiss at the end of the season. He granted me my wish."
(The Gilded Age writer talks that long-awaited finale kiss, Ada's new power - Entertainment Weekly)
which like. boy it would explain a lot about what to me are Interesting departures from the jf modus operandi if he has been receiving encouragement from the rest of the executive team to disregard history For The Drama in places other than just the marian/larry kiss. Boy Oh Boy would it explain things!
& last but not least blorbo thoughts <3 my trying-to-be-realistic hope for oscar is that he gets at least as much screentime as in season 1... i definitely agree that it feels like jf Does have more in mind and i just hope that pans out and also that they manage to do so in a way that feels legitimate to what they did in S2 while also not shoving him off to the sidelines to do so... realistically he should Not be in a very good place socially in S3. but also i want to see him wearing fun outfits at parties. So There.
i also ummmm want more of him with his boyfriend <3 that would mean so much and be so important. to me.
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Welcome to the life.
The life that people fantasize and fetishize and write NY best sellers about. Our lives.
The original Nepo Babies. Before US Weekly made a field day and four page spread on the birth of every offspring of America's favorite actress and heartthrob. Before tech was cool, hell -- before tech even existed. We are America.
Born from the founding fathers of the filthy rich. The Rockefeller's, The Vanderbilt's, The Astor's.
The inventors of lavish parties to flaunt wealth and buying neighborhoods just to avoid having neighbors. The ones who have everything anyone could possibly wish for and still take more. All for granted.
Welcome to Westchester. Where the White teeth teens live! And go to school and sleep--sometimes with each other.
When you look past the Country Club, and the gated community of Rye, you'll feast your eyes on Rye Country Day where we all go to school. Most of the time high, but without a pleat out of place or a crease out of center, because alittle party would never hurt anyone.
You know you live for it.
Xoxo, The Caviar Pen.
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The Week Ahead 9/17-9/23
With Fall 2023 getting underway, that means more events and sample sale season. We've got some great art, fabulous designers, and an incredible F&B partnership taking place this week!
The Affordable Art Fair
Returning to Metropolitan Pavilion for what is sure to be another fabulous season, The Affordable Art Fair offers 4 days of art that one simply cannot miss. Pulsd tickets are priced at just $12 to get you in and enamored with original paintings, sculptures, photographs, and mixed media - all starting at just $100. Now we can all afford to be collectors!
Recanati-Kaplan Talks: Anderson Cooper
After the success of his New York Times bestselling book Vanderbilt, about his mother’s family, Anderson Cooper began thinking about the once formidable Astor clan. Join 92NY when his good friend Andy Cohen discuss Astor: The Rise and Fall of an American Fortune, the story of an American dynasty whose trajectory follows a uniquely American arc of acquisition and loss, of glory and shame.
Oktoberfest 2023 Continues At Black Forest
After a sold out launch this past weekend, we once again return to both Black Forest venues this week for a 3 hour celebration of all things Oktoberfest! Just $49 gets you a pulsd exclusive ticket to 3 Hours of Unlimited Iconic German Oktoberfest Beers, Live Music from a Traditional German Oompah band, access to scrumptious eats (for purchase), fun contests, amazing prizes, and all the happy, boozy vibes! Get your Euro on!
Oscar De La Renta Sample Sale
Head to 260 Sample Sale's NoMad location to shop archive Oscar De La Renta pieces at incredible prices. Just walk in to browse ready-to-wear, handbags, jewelry, footwear, and more from the designer brand! Your new early fall wardrobe awaits!
The 2023 Rockaway Oyster Festival
Following the sell out successes of the Brooklyn & Long Island Oyster Festivals to kick-off fall, we join Craic Fest at what will be yet another fabulous afternoon of endless oysters and beers. Just $45 gets you a ticket to spend 3 hours eating oysters from Blue Island Oysters & Deep Water Oyster Company from Long Island's Great South Bay, as well as Peconic Gold Oysters. And don't forget the free flowing Blue Of Point Brewing Company Beers...
Torch & Crown Brewing Co. x City Winery
Torch & Crown Brewing Company is partnering with City Winery to celebrate Manhattan-based makers. Kick off their partnership with them in Union Square to sample wines and beers, enjoy a live brass band, and eat oysters provided by Oyster Party. Samples and oysters are first come, first served, so show up early!
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The Breakers in Rhode Island: A Glimpse into Gilded Age Opulence
Rhode Island's magnificent coastline is home to some of America's most iconic landmarks, and nestled among its shores stands an architectural masterpiece that epitomizes Gilded Age extravagance - The Breakers. This opulent mansion, located in Newport, is a testament to the grandeur and wealth that characterized America's elite during the late 19th century. Let us delve into the captivating history and architectural brilliance of The Breakers, exploring why it continues to fascinate visitors from around the world.
A Historic Legacy of Astor Family and Vanderbilts
The Breakers owes its existence to the influential Astor and Vanderbilt families, who left an indelible mark on American history. It was Cornelius Vanderbilt II, the grandson of renowned business magnate Cornelius Vanderbilt, who commissioned the construction of The Breakers. Vanderbilt II, along with his wife Alice Gwynne Vanderbilt, sought to create a summer residence that would rival the grandeur of European palaces.
The mansion's name, "The Breakers," is derived from its prime location overlooking the Atlantic Ocean, where waves crash dramatically against the rocky shoreline. Designed by Richard Morris Hunt, a prominent architect of the era, the construction of The Breakers commenced in 1893 and was completed in 1895. Its opulence and architectural brilliance stand as a testament to the wealth and extravagant lifestyles enjoyed by America's elite during the Gilded Age.
Architectural Marvel and Opulent Interiors
The Breakers stands as a shining example of the Beaux-Arts architectural style, characterized by its grand symmetry, lavish ornamentation, and harmonious proportions. The mansion spans an impressive 70 rooms across five floors, covering approximately 125,000 square feet of living space. Its imposing façade, adorned with stunning balconies, columns, and intricate detailing, exudes an aura of timeless elegance.
Upon entering The Breakers, visitors are greeted by an opulent interior that showcases unparalleled luxury and attention to detail. The Great Hall, with its soaring ceilings and intricate marble work, sets the tone for the lavish interiors that lie within. The mansion features a series of exquisitely decorated rooms, including the Morning Room, Dining Room, and Library, each adorned with ornate furnishings, intricate woodwork, and priceless artworks.
One of the highlights of The Breakers is undoubtedly the Grand Ballroom, an awe-inspiring space that once played host to lavish social events and extravagant parties. With its gilded ceilings, sparkling chandeliers, and breathtaking ocean views, the Ballroom captures the essence of the extravagant soirées that defined the Gilded Age.
Open to the Public: Exploring The Breakers
The Breakers, with its historical significance and architectural splendor, welcomes visitors from around the world to explore its grandeur. Managed by the Preservation Society of Newport County, this iconic mansion offers guided tours that provide a fascinating glimpse into the opulent lifestyle of the Gilded Age.
In addition to the guided tours, The Breakers also offers special exhibits and events that further immerse visitors in the mansion's rich history. These exhibitions shed light on various aspects of the Gilded Age, including fashion, art, and social customs, providing a comprehensive understanding of the time period.
Whether you're a history enthusiast, architecture lover, or simply curious about the extravagant lifestyles of America's elite, a visit to The Breakers is an unforgettable experience. It offers an opportunity to step into the past, exploring the grandeur and opulence that defined an era and appreciating the meticulous craftsmanship and attention to detail that went into creating this architectural masterpiece.
Conclusion:
The Breakers in Rhode Island stands as a remarkable testament to the opulence and grandeur of America's Gilded Age. Its rich history, intertwined with the legacies of the Astor and Vanderbilt families, makes it a cherished landmark in Newport and a must-visit destination for history enthusiasts and architecture aficionados alike. As visitors step into The Breakers, they are transported back in time, experiencing firsthand the lifestyle of the American elite who once called this magnificent mansion their summer retreat. Whether for its architectural marvel or its intriguing history, The Breakers continues to captivate and inspire all those who have the privilege to explore its opulent halls.
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10 Weird Facts About Home Mortgages
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10 Weird Facts About Home Mortgages
Image source: Getty Images
As boring as they sound, mortgages have a fascinating history.
Key points
At one time, the average American had a tough time landing a mortgage.
88% of Americans take out a mortgage when it’s time to buy a home.
The mortgage interest tax deduction has been around since 1894.
Mortgages have been in the news for the past few years, particularly during the initial phase of the COVID-19 pandemic when interest rates dove beneath the 3% mark. Today, they’re in the news again as interest rates rise and home sales slow.
While we keep one eye on the housing market, we thought it might be fun to take a peek at some of the weirdest, most interesting facts about mortgages.
1. Mortgages were not always available to everyday people
Today’s mortgage looks quite different than an early-1900s mortgage. Back then, a home buyer had to make a 50% down payment, and took out a mortgage with a five-year amortization period. In other words, buyers had only five years to pay the mortgage off in full. Making it tougher still, buyers made interest-only payments for those five years. At the end of those five years, the entire principal of the loan was due. The setup excluded most Americans from obtaining a mortgage.
2. A word with a dark origin
The word “mortgage” comes from the old French phrase “mort gaige.” Literally translated, mort gaige means death pledge. Once the mortgage is paid off, the loan dies.
3. Might as well be speaking Greek
CNN found that 33% of those surveyed do not know what “annual percentage rate” means. Further, 33% also believe that mortgage lenders are required to charge all borrowers the same fees. The reality is, APR represents the total amount a borrower pays for a mortgage (including interest and fees). And regarding fees, a lender can charge whatever it wants to charge for services like home appraisals and credit checks.
4. Now that’s an accomplishment
When a Scottish homeowner pays off their mortgage, they sometimes paint the front door red as a way to celebrate their accomplishment
Discover: We ranked this company the Best Overall Mortgage Lender as a part of our 2022 Best-of Awards
More: Our picks for best FHA mortgage lenders
5. A (very) short gilded age — even without a mortgage
In the 1890s, deep in the heart of the “gilded age,” the grandest addresses in the world were located on New York City’s Fifth Avenue. The Astors, Vanderbilts, and Carnegies are just a few of the names who poured family wealth into building larger, more exquisite homes. A mere 30 years later, many Fifth Avenue homes were being torn down. At the time, it could cost up to $5 million a year to pay for mansion upkeep, taxes, and servants to keep the house running. In 1925, the Vanderbilt mansion was sold, demolished and replaced with a Bergdorf Goodman.
6. Most of us need a mortgage
Only 12% of home buyers pay cash for a home. The other 88% take out a mortgage.
7. Mortgage amounts vary
The amount of mortgage a home buyer can borrow varies by county. For example, in the U.S., the maximum is typically around 97% (although there are exceptions). In the United Kingdom, home buyers can take out a mortgage for as much as 110% of a home’s value. In the Netherlands, a borrower can land a mortgage for 115% of a home’s value.
8. The mortgage tax deduction is nothing new
Homeowners have been able to use mortgage interest as a tax deduction since 1894, when all types of interest were tax deductible. Today, mortgage interest is one of the few kinds of interest that can be deducted.
9. No, but thanks anyway
According to the New York Times, only about 50% of homeowners use the mortgage interest deduction at tax time.
10. Oh, that Pretty Boy Floyd
While it may be an urban legend, this last weird fact is rather fun to imagine. In 1933, bank robber Charles Arthur “Pretty Boy” Floyd stopped long enough whilst robbing banks to destroy mortgage documents, thereby freeing other “everyday folks” with a mortgage-free existence.
American mortgages change with the times. It will be interesting to see what the future holds for home loans.
Our pick for Best Mortgage Lender of 2022
Mortgage rates are at their highest level in years — and expected to keep rising. It is more important than ever to check your rates with multiple lenders to secure the best rate possible while minimizing fees. Even a small difference in your rate could shave hundreds off your monthly payment.
That is where Better Mortgage comes in.
You can get pre-approved in as little as 3 minutes, with no hard credit check, and lock your rate at any time. Another plus? They don’t charge origination or lender fees (which can be as high as 2% of the loan amount for some lenders).
Read our free review
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I've been relistening to Husband Hunters (highly recommend it, it's a book about the Gilded Age by Anne de Courcy) and apparently the Metropolitan Opera opened in 1883. S1 of The Gilded Age is set in 1882. I am p r a y i n g for Opera Drama in S2. It cost them 10,000 to get a box. I wanna see the Goulds. I wanna see the Vanderbilts. Will I get any of this?
I do not know.
But GOD I hope so.
the absolute rivalry of it all my god
like we thought all the hoops bertha went through just to get acknowledged by caroline astor were bad???? LET'S THROW SOME OPERA IN THERE because nothing says I'm Important and Cultured™ like having a box for the opera season
I wanna see who gets snubbed by box preference. I wanna see who's got the better box for the season and yOU saw who??? in which box????? like just the taste of the Theatre Drama Potential in season one *chef's kiss*, but god can you imagine the rivalries? the snubbing? the scandals
if they don't, they're fools
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