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lemon-writings · 4 years

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Hamish Update Pt. III

Genre: Literary fiction // Word count: 77,037

Here we are! Chapters VII-IX! I’ve written these chapters really recently, so I can go a little more in-depth with the process. The second half of this book (and specifically this particular trio of chapters, for some reason) is definitely the part I’m most proud of. Writing everything coming to fruition is just so satisfying. Is this what people who write books with actual plot feel like? Because it makes me consider writing books with real plot.

But in all honesty, I really enjoy writing this part of Hamish. I’m super happy with how everything’s turning out. One problem I do have with the latter half is that it is super depressing to write all the time, especially with the amount of rain we’ve been getting in Ohio right now (we love depression), so it is taking me a little longer to write than normal, since I keep sidetracking with random projects to try taking my mind off the deeper things. But when I am working on it, the words just flow. It’s beautiful.

Chapter VII

Epitaph: “I’m a strange new kind of inbetween thing aren’t I? Not at home with the dead nor with the living.”-Anne Carson, Antigone

Here is what’s been building this entire time: the funeral. That, and everything funerals entail, with the Celebration of Life and whatnot. The first time I wrote this, I read the funeral scene to my mom in full detail, and she started crying, because it reminded her of her father’s funeral. I, personally, loathe funerals, for what boils down to the fact that I am greatly horrified by being in the same room as someone who I once knew to be alive. That, and the crippling fear of death most people experience at least once in their lives.

There’s also a lot of Horacio’s... fantasies. There’s something deeply personal about the way I write him, sometimes, that makes rereading certain parts difficult. Horacio, in his darkest moments, feels he deserves bad things happening to him, nearly craves them, and he hates himself for it. The amount of self-loathing in this work is high.

Excerpts:

Horacio, as always, is concerned about Hamish’s state of being alive, because that man always looks halfway dead, and at times, he’s more ghost than living person

The question of if you were dead or alive laid on my tongue, begging to be asked. Maybe I should’ve asked you. Maybe I should’ve checked your pulse. Maybe I should’ve laid my head on your chest and listened to your heartbeat. Maybe I should’ve left with you then and there and avoided the trap Leon kept guiding us to.

Hot take from a Farm Child: broken machinery is one of the most haunting things you can ever see. I could probably wax poetic about how terrible their beauty is, but I really don’t think anyone wants to hear about farm machines for three hours. (On a completely serious note, my uncle’s coat got tangled in a grain auger yesterday, and he could have died. Be safe around farm machinery. Please. It can be really dangerous, even if you’ve been around it for 60+ years.)

Leon’s descriptions are always some variant of men thinking being tall is intimidating.

Leon bared his teeth once more, the animalistic beauty of it all making me wonder where Leon ended and his rage began. Primal is often used as a way to pull down others, to say you are not advanced the way I am, but Leon’s rage seemed like an advancement of humanity, a way of saying I have advanced my own humanity through my anger. He was gorgeous in the same way broken tractors on the side of the road are, monolithic kings taken over by the passage of time, their steel teeth rusty and eternal.

Did I reference “Father” by Warsan Shire? Yes. Yes, I did. Hamish is a huge Warsan Shire fan, because, like, it has his vibes.

You recited a poem about fathers, about death, about life, speaking it as if it were scripture. When you finished, you began again. Or perhaps you never ended, speaking this poem forwards, then backwards, then repeating cyclically.

Yeet.

Chapter VIII

Epitaph: “I could be a wolf for you. I could put my teeth on your throat. I could growl. I could eat you whole. I could wait for you in the dark. I could howl against your hair.”-Catherynne M. Valente, “The Red Girl”, The Bread We Eat in Dreams

There’s a lot of plot stuff that happens in this chapter, so unfortunately, I do have to be a little shorter when it comes to this summary, but let it be said that I am not meant to be a thriller/action author. Do I enjoy watching Indiana Jones and Star Wars? Yes, I do. Should I be writing anything close to that? Absolutely not. It takes a lot of effort to do, and even with that, I would say that any sort of action scene I write is... not exactly “half-baked”, but most certainly not up to par with the rest of my writing. I’ll need to edit this chapter heavily the next time I go through Hamish.

That being said, there are moments in this chapter that I am proud of. Horacio and Ofelia’s interactions in this chapter are some of my favorites, just because they’re some of the only characters in this book who don’t violently hate/distrust each other.

Excerpts:

When I mentioned kudzu to my mother, she mentioned it was an invasive species she’d seen a lot of during her time in the south, which just confirmed that it was a great metaphor to use. That’s always a sign, right?

I looked down at the flowers, then at her, wiser than anyone I’d ever met, the freedom ripping open her seams like something terrible and sharp, the parts of her that were so carefully cultivated spilling out of her like kudzu.

Horacio feels like he’s the only real person in a world of ghosts. The disconnect between Horacio and the people around him is heavily based upon the first time I disassociated. We watched the Blue Man Group in Chicago on a music/Spanish department trip, and the second I walked out of the building, I thought I was a freaking ghost. I had my first panic attack at 14 because I didn’t know if I was actually experiencing life. It was a wild experience.

Next to Ofelia, I looked out of place. Ofelia was hazy and magical in her presence, looking more like a dreamy memory than a real person, as if I touched her, my hand would touch only air. I was the solid type of real, unfortunately. Tall and unnaturally skinny, with a gritty, starving look to myself, the two of us next to each other were like a pastel-covered, out-of-focus impressionist painting next to a photograph of childhood labor in Industrial Revolution-era factories.

There’s also a confrontation with Leon that has some, um, spoilery moments. Leon is an asshole. I kind of love him.

Chapter IX

Epitaph: “[Grief is pain internalized, abscess of the soul. Anger is pain as energy, sudden explosion.]”-Lauren Groff, Fates and Furies

Again, there’s a lot going on in this chapter. A lot. Marcus the bodyguard makes another appearance (underappreciated character of the book) and acts as a guardian angel. Bless Marcus. Seriously.

This chapter is more introspective than the last, so I enjoyed writing it a bit more. Or... a lot more, actually. I was not created to write action scenes, and I accept my fate. Horacio’s musings on fate are long-winded and beautiful and what I’m meant to write. It’s just a chapter of him reflecting, pining, and wishing he was in a different situation. Which. Fair.

Moments like this make me realize I am a cruel god who treats her characters terribly.

Excerpts:

Starting this chapter strong with the true weighted blanket: death.

Death cloaked me like your blanket.

As I said before, Marcus? Underutilized character. I use him as much as I can, but the plot makes it difficult to use him as much as I wish. He’s the man we deserve.

Marcus was smart, was good at playing the game we all played without making it apparent that he was playing it. He knew what he was doing. “I want the best for Hamish,” Marcus said. He looked into my eyes. “You do, too.”

Horacio takes a moment to think awful, rage-colored thoughts about the people around him, which are, of course, one of my favorite things to wax poetic about. He’s a salty man, and he has all rights to be, because this entire work is just “things to be salty about, the novel”. Poor Horace. He just wants to live in a gay daydream, but he’s stuck in a nightmare.

(Not to sound too Midwestern, but OPE, the shade.)

These people played their sick, twisted games like gods, forcing everyone to play along for their survival while they watched and knew exactly what they were doing to the rest of us mortals around them. In that moment, I was filled with the type of righteous anger that made me understand why people were drawn to religion. I wanted a higher power to strike them down, to make an example of them all, to say don’t do this, or you’ll end up like them.

I sounded like my parents, like all the religious nuts I’d ever met, the ones who said that those who didn’t fall their doctrine were inferior, were going to die, and suffer for being different. Is that how it begins? Is anger the true root of all cruelty?

That last line, is anger the true root of all cruelty? was probably my favorite line when I first wrote Hamish. It’s sort of become a thesis statement for Horacio’s past and the way he sees the world.

Lastly, of course, we have

The Jams

We have a fine selection of songs here, a lot from my Lucy playlist (Lucy has one of my favorite playlists I’d ever made).

Oh No!!! - grandson

Temple Priest (feat. Paul Wall & Kota the Friend) - MISSIO

Destroy Me - grandson

BTSTU - Jai Paul

Seven Devils - Florence + The Machine

Pretty Little Head - Eliza Rickman

That’s the tea, y’all. If you’re interested in this and hearing writing updates for Hamish, then ask to be added to the tags list!

#wip: hamish #writing update #amwriting #writeblr #writers on tumblr #ayyy we're in the home stretch y'all!!!

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