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mahuhumaling · 2 days

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JATP Season 2 Wishlist

that i wrote in my notes app back in:

and realized i never posted it here? tbf i'm rarely on tumblr. but because i really miss them rn i want to share my ✨ brainrot ✨ that i had back when i thought they were getting a renewal.

Carrie Wilson

she was my biggest flaw in Season 1. I wish her "redemption arc" is fleshed out more in Season 2; give her either more context & backstory to validate her reason for unnecessarily antagonizing Julie, or screentime to properly address how she's just projecting an emotion completely different into bitterness and anger into Julie's recovery

show particularly her earlier dynamic w/ Flynn and Julie? Maybe as Flynn calls her out, we'd get flashback glimpses prior to Rose's death (maybe even Double Trouble temporarily being Triple Threat 👉🏽👈🏽)

for some reason i'm picturing a scene where she's in her dance studio (she has one in their mansion, of course) practicing some of her Dirty Candy routine when she keeps messing up and not in the right mindset to keep dancing. i feel like the best (maybe easiest but whatever) way to guide the audience into her artist mind is to make her be a perfectionist. in frustration, she blows up for a minute before slumping onto the ground and reminisces her fun times with Julie & Flynn

also when you have her develop, please don't make her lose her femininity and the bubblegum pop music, it's great

Old Songs Resurfacing

it'll prove how detailed & thorough you are as a screenwriter if you pay off the songs mentioned in Season 1 in passing to be actual songs in Season 2

Unreleased: Get Lost, Long Weekend, Crooked Teeth, My Name is Luke, and if that riff from the scene in EP. 5 that spurred on the Bobby reveal isn't from one of these songs, add that too

Demo Album: Late Last Night, Lakeside Reflection, In Your Starlight

Willex

imagine your queer couple gets to have their first kiss first than your het main couple, not only will that settle Madi & Charlie's statements about being uncomfortable in doing a kissing scene and maintaining the priority of Juke's emotional over physical relationship, it would also make an powerful statement

Reggie's Character Arc

i know that he initially had an arc that involved a romance with Flynn but because of the ages of who they casted, they scrapped it and didn't have time to rewrite the scripts for him as filming neared, so they have time to adapt to how jeremy portrayed him for season 2: a lovable dork who craves familial love

since there's a possibility that lifers can now see the boys, maybe some found family trope for Reggie and Ray Molina?

he has pretty much formed a parasocial relationship with him at this point

so why not instead of a love interest, Reggie can have his character arc develop & we see his family before thru flashbacks and paralleling those in the current times because he sees Ray as a father figure

picture this: it's raining, Bobby opens the garage door to the sound of knocking, the boys find Reggie soaking wet and out of breath when he tries to say he doesn't know where else to go then the boys immediately figure out another fight in the Peters household happened. Reggie tries to talk again when Alex (because even though they're the airhead-sarcastic duo, they know they love each other) runs up to hug him and tells the other he doesn't have to say anything

cut to a freshly showered Reggie, quietly watching tv with Bobby, Luke, and Alex in the garage, eating whatever

also a solo acoustic country song, pls. just to make him happy

The Aftermath of the Deaths

for both the boys and Rose

we get parallels about how Bobby dealt with trauma and grief to Julie

like, the reason why the clothes are still in there (are to have costume changes for the boys) is because Bobby immediately moved out of the house (therefore also the garage) and left the clothes there because he couldn't bear to burn it, or visit the boys' houses to break the news to their families and return the clothes, or donate it somewhere so he just...left it. it would make for a more solid reason (for costume changes) and an emotional context as to how Bobby really tried to forget them because it was "easier."

it would also make sense why Carrie and Julie ended up friends. Rose probably was there for Bobby when they discovered what happened at the alleyway, so they stayed friends over the years and had their respective families but still kept in touch, (bonus points if absolutely nothing romantic happened between them! yay to normalizing platonic male-female relationships) and why Rose would immediately think of Bobby's three late bandmates to send for Julie when she was on her deathbed

Bobby never really "moved on" (because grief is a really complex thing). it's showed that he has a therapist and everything, and this could definitely have some aftereffects on his daughter. Carrie growing up seeing her father be this amazing rockstar but a negligent father and only showing love in ways she doesn't need (like riches and fame and connections to the music industry) because he's actually a really lonely man on the inside and no one can see that except for Bobby's spouse and Carrie. it'd explain why Carrie is spoiled, and other negative character traits that Carrie has on the surface

it's even why Bobby changed his name to Trevor: 1) Bobby is so closely associated to Sunset Curve and it's an absolute pain to be reminded of that every day, 2) it's a stage name and artists really do get that

More Worldbuilding

they already had some pretty creative concepts/ideas in the first season, so why not expand/expound on them a bit more

the instruments are attached to their souls that's why the boys at first can only touch them, like how Willie's skateboard and helmet are attached to him

which is why when they attach themselves to the world of the present, they gather up energy and focus on touching tangible things like the picture frame

this may follow the logic toward the end where they are finally able to touch Julie because she has become attached to their souls. emotionally.

More Creative Collaboration

i believe in the principle that when a story is finally released/published/told to the world, the world shares it. this is also visible in film/tv where when the scripts are finished and actors receive them, the story becomes part of theirs to work on. which means that they have some sort of autonomy over their characters' motivations, a chance to be heard of their ideas and pitches, and why some certain scenes wouldn't work, etc etc. it doesn't just become the director's story nor the screenwriters'.

the actors' ideas such as Perfect Harmony and their solos from Nothing to Lose are great because they let them in. they took risks, and it paid off incredibly well. more of that please. have them be a part of the writing process, (also the story), but never forget what made the music production great in the first place. be coherent and don't be like others that let too many hands work on one piece—it will lose its sound, its identity.

Julie Knowing

that Nick is possessed by Caleb. ohmygOD. hear me out.

the same S1 ending will play somewhere in 2x01, but it will be revealed that Julie was watching through the window the entire time and when she opens the door to receive the flowers, that last look she gives him is actually her scheming.

determined to get Nick back, imagine The Promised Neverland's level of mindgames Julie could play with Caleb because we already know our girl's smart

Free Willie Willie's Freedom

since the boys feel indebted to Willie's help, they insist on helping him too with getting rid of Caleb's stamp

maybe through his connection with Alex? or maybe Willie's family or friends who are still lifers (which is unlikely but either way). he needs to be saved !!

Song Sequences Ideas

juke counter melody duet like Rini's "Even When/The Best Part," Shane & Mitchie's "Wouldn't Change a Thing," or dodie & Jon Cozart's "a love song/a non love song"

emotional carrie ballad paired with lyrical hiphop choreo

willex song - i absolutely have no idea where this could go directionally but maybe alex on an acoustic guitar with a really soft sweet tune

reprises of S1 songs but in the complete opposite of their original style (the fandom's lonelier All Eyes on Me version, i see u)

nick guitar solo - just because Sacha actually plays, idk how it'd fit in to the plot yet but hey

Nothing to Lose (Reprise) - back in the '90s, a producer manipulates Bobby to sign a record deal to become a star but on one condition: disassociate himself with Sunset Curve, to which he first declines until he slowly gets persuaded. (sort of like Todrick Hall's So Lucky to Be You meets Lyn Lapid's Producer Man)

"So how about it, Bobby Shaw? Do we have a deal?"

"Trevor."

"I'm sorry?"

"Call me Trevor Wilson."

i'm pretty sure someone made an animatic with this idea too but i cannot for the life of me find it !!

7. Season 2 starts the same way as Season 1 does before the opening song plays

Black screen that reads a text "Hollywood 1995"

a pan down to the Orpheum's overhead sign that reads "SUNSET CURVE SOLD OUT"

cut to the interior with Rose finishing up her cleaning when a stage manager calls out: "Sunset Curve!" to which Bobby abruptly stops his pacing back and forth to look up. he and Rose look at each other. music swells until...

cut to him running onto the alleyway, "are they still not finished eating? those gluttons are dead to me i swear—" he cuts off his own words when he sees the boys getting dragged onto stretchers. but we, the audience, don't see it. just a close up of bobby as the ambulance lights reflects his face. rose comes up behind him, still clutching their t-shirt.

[i honestly have no idea if Bobby should get on stage because it just proves Luke's theory of The Orpheum's opening bands eventually becoming big & successful so it'll explain the Trevor Wilson fame even though at first he only did it for the boys, or if he shouldn't because according to the article Julie googled he ran away immediately after they were pronounced in the scene] but either way, this is how the opening starts.

then it progresses to Rose and Bobby respectively having children so they could parallel each other blah blah

8. Julie plays a simple song on the piano while the guys watch her in awe

Storytelling through Props

let's dive deep into Rose's luggage/suitcase and use the props to head for Julie's emotional attachment with them

they already did it with the wardrobe: Rose wears the black leather vest in the pilot while Julie wears the same thing in EP 6

add depth to the characters' relationships like us finding out Julie's multilayered necklace is actually a gift from Carrie or something

SOYON ANN YOU'RE A GIFT FROM GOD. Bobby's necklace is present in both young and old!him

**Rose in flashback scenes should be wearing clothes we've already seen Julie in Season 1 just for greater effect.

The Bobby Conflict

definitely needs to be brought up again by Season 2; they only discarded somewhere in the middle because more pressing matters like the boys' existence blipping away was pushed to the forefront of the story

however, The Bobby Conflict changes. it'll be cleared up that he was offered a record deal as a solo artist by a manipulative producer. and given that the poor boy is only 17 (too, maybe), he agrees. what he doesn't know is the contract's fine print: giving up Sunset Curve's royalties

that information clears it up to the audience and the band, so the conflict becomes this: Bobby's Survivor's Guilt. god wouldn't that be so good tackling that in a kids'/family show.

#julie and the phantoms #jatp #julie molina #reggie peters #luke patterson #alex mercer #carrie wilson #bobby wilson #trevor wilson #willie #bobby shaw #ray molina #carlos molina #rose molina #flynn taylor #uranus

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