The "Left" has been braying about fascism for years and yet, and YET, I know none of them have even skimmed a single sentence of Ur-Fascism by Umberto Eco. If you've read it, you'll immediately start saying "Oh that's Hamas!" at basically every point he made.
Hamas has used some of the most conservative and harsh readings of Islamic theology to create a cult of tradition, they fundamentally reject modernity as an evil plague of the West, they call on Palestinians to "resist" and "struggle" and plan grandiose attacks like 10/7 with no real concrete long term tenable goals that can be gleaned- action for action's sake.
Disagreement is treason, that much is obvious. Children in preschool are taught to fear and hate Jews (fear of difference), and at the same time teach the "middle" classes that Jews are responsible for their economic hardship as if they aren't embezzling tens of millions of dollars from a global charity scam, that Jews are ever seeking to take more land and resources.
Hamas is obsessed with a Plot, that plot being every antisemitic conspiracy theory under the sun. They and their supporters believe all of them, or prime their own brains to stumble down those pipelines at a later date. My personal favorites include the Ben Gurion Canal Project, but they're all sub-plots of the Main Plot; Jews are seeking to supplant us.
Hamas frames themselves and Palestinian society as a whole as both too strong to consider humble negotiated peace, and to justify endless warfare, but also too weak to be responsible for their crimes, too pathetic for Israel to ever be justified in taking military action. It's a constant cycle of hyping themselves up as a group of badass radical warriors and then squealing "no fair" when Israel uses modern weaponry to swat them away.
I'm sure there's also contempt for the weak in Gazan society, but it doesn't immediately jump out at me from Hamas' propaganda machine (this is usually shunted onto Jews anyway, who are seen as effeminate and metropolitan, feeding into that simultaneous strength and weakness thing- Israel is weak and unworthy of life, but too powerful they're the bullies actually).
Hamas literally educates everyone to become a hero, they literally groom young boys into becoming radicalized child soldiers who do not have the frontal cortex development to resist such blatant brainwashing. It's literal child abuse. Palestinian women are pretty obviously seen as chattel who must breed the future army that will finally overwhelm Al-Yahood. There is no aspect of Gazan society that can exist for itself, it must all be part of the Struggle against Israel. And everyone, down to the tiniest baby, must play their part.
The Machismo is so blatant it should be comical. But you don't gang rape Jewish women and humiliate and torture kids if you're secure in your masculinity. I mean, there is something emasculating about being constantly beaten and seeming to have no hope for your political goals... while also constantly telling yourself that you're a proud virile warrior and you and the People have the strength of will to accomplish anything... but then these people you see as subhuman and like kind of queer if you think about it... well they utterly crush you every time. And that is all to say nothing about how Hamas relates to feminism and gay rights. And also how Eco describes the Macho Fascist as using weapons as an ersatz phallic symbol and we see so many teenage boys in Gaza being handed guns and it's like oh... this one section of the essay could take years to unpack when it comes to Hamas.
And Hamas definitely treats the people of Gaza (if not all of Palestine) as having one will and one voice, individuality is not considered. We've seen them and their spineless NGO simps refuse to acknowledge that many many Gazans criticize them, protest against them, hold them equally responsible for their current suffering as Israel. There is no One Singular Leader who claims to represent Gazans/Palestinians but that could change at any moment honestly.
And I don't see any evidence of Newspeak, but I don't know Arabic so I don't know. I do see the Western Leftist allies of Hamas engage in Newspeak like behaviors though. But that brings me to my ultimate point of this long ass ask. The Western Hamas girlies are literally, not only legitimizing a fascist organization even though they purport to hate fascism more than anything. They're starting to reproduce fascist talking points, fascist ways of thinking, in their own activism and their own lives! They're starting to think, talk, and act like fascists when it comes to Israel and Palestine, and to Jews more broadly. They're entirely unaware of this because to recognize Hamas as fascists would be to add a LOT of gray into their black and white worldview. When they appropriate the Palestinian national struggle for their own narcissistic delusions of popular revolution in the West, they're taking actual fascist propaganda produced by a fascist organization and applying it to their own lives.
tl;dr, by every metric laid out by Eco, Hamas are fascists, the people who support them and make apologetics for them are (maybe unknowingly) becoming more like fascists themselves, the next few years and decades are going to thoroughly suck but Am Yisrael Chai.
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Trauma Doesn't Make Someone Right or Wrong but It Does Make Them Easier to Manipulate: Tomura Shigaraki and All for One
I decided I should talk about the MHA villains more, particularly Shigaraki.
BNHA presentations masterpost
BNHA presentations on Ao3
Let’s mosey under the cut.
The color key is not necessary, exactly, but I will be referencing my other posts with similar color keys. I thought it would be helpful to give a quick visual refresher to what they are. I’m going to referencing the other stuff I’ve written a lot in this one when it’s time to get into the details, so please be aware of that.
Regular white text can also be neutral and mean none of these things, but I think you’ll see what I mean by including All for One on here when you see the graphics.
There is Tenko Shimura and there is Shigaraki Tomura. One of them is the scared child who looks like the perfect victim in need of saving. The other is the obstinate, stubborn, short-sighted and naive social deviant shaped by his trauma and grooming. The only thing he seems to exhibit individuality over is his love of video games and which kinds he prefers.
They are the same person. Traumura Shigaraki. Tenko Traumura.
Shigaraki is sometimes hard to pin down as a character because his individuality beyond his PTSD is rarely allowed to shine. However, I do believe that there are common threads between Tenko Shimura and Tomura Shigaraki. He sincerely wants to make connections, and he sincerely wants to do right by those that accept him, though his own desires and emotional responses often get in the way - as do the desires of another teeny, tiny influence upon him.
His fucking Master, All for One.
Part of what inspired my initial Bakugo presentation was showing how he breaks down the tropes of “hero”, “antihero” and even “antagonist” in shonen manga. The entire cast of Heroes and Villains (remember, they are also social designations and legal definitions in the world this manga) are doing this to some extent. Shigaraki, in particular, is headlining how there is nothing inherently special that makes someone a villain or hero. The determining factor is the perspective of the observer (or affected society.)
Shigaraki may be an antivillain in this story, but to him, that makes him appear the hero of his own story - all while still wearing the self-determined label of “villain”.
Arguably, the actions he chooses to take as a result of his trauma and fear of rejection also make him the villain of his own story at the same time, but we’ll get into that later.
Deku also has at least one mentor (in the Second User) that makes no bones about telling him that his life and well-being is less important than achieving the goal of stopping All for One. But at least he is honest, I guess.
Still destructive, though.
Most of the characters act truly heroically not in moments of glorious victory, but moments of pain, suffering, or even failure (Early-series Deku does this a lot, like when he falls to earth after heroically saving Ochako in the entrance exam. Bakugo, who is sent crashing to the ground in the ironically-named “Katsuki Bakugo: Rising” chapter after putting himself in harm’s way to save someone else, also has a habit of doing this over and over again), which is not the expectation for an archetypal hero in a storybook or comic.
Shigaraki’s glorious rise with cape, model hair, and awesome suit is likewise a moment that does not bode well for him, though he doesn’t know it in the moment.
I don’t make a slide for it, but as he ascends, Shigaraki becomes, well, ethereally beautiful. As his post-family-death amnesiac self, his suffering made him more fragile, frayed, and conventionally ugly in appearance. But after going through All for One’s training and modifications, he was given a new, beautiful facade.
But he was still on the fast track to misery either way.
This discussion isn’t super duper political, but this is your heads-up that many of these “big presences in power” characters also stand in for political ideologies or even entire countries, in some cases.
Endeavor is, roughly, the Japan before modern foreign influence. I’m sure Horikoshi could give us the specific party or movements he had in mind, but he’s not the focus of this post. If you want a more in-depth breakdown of Endeavor and the Todoroki family, please see this post.
The Kirishima Presentation post I made has the most relevant information to the topic of Westernization’s impact on Japan’s attitudes and military power, though it isn’t quite for the same approach and purpose.
All Might, the “band aid” on the My Hero Academia society, is a Japanese guy wearing the appearance of the West while wielding a power that was given to him by someone else, and at seemingly random from an outside perspective. While Toshinori’s true heroic qualities have nothing to do with his nationality (and neither do the features and purpose behind One for All or All for One, when all is said and done), it is important when understanding what Toshinori represents to Endeavor and how he views him.
Both the Heroes and Villains in this series make an entire journey and daytime soap opera of fucking themselves over, honestly.
All for One doesn’t just want to be a dictator or tyrant or king. No, he wants to be the ultimate evil and unapologetic about it. He is the big bad and he is reveling in it. He is going to make himself a cartoon, and then he is gonna rule this cartoon world. Why? We’ll find out eventually. But maybe we’ll never know! I don’t really care. He’s meant to be a static evil.
Naruto tried to be real cool by having their big bad talk about how they were gonna take over the world through hijacking the economy and using that as their in to take over all the Ninja Villages and be real fascists or whatever, but My Hero Academia jumps over that angle by taking a more emotional and universal storybook (or comic book) approach. I greatly prefer it.
I also prefer that the story is blatantly framing the movement it opposes by calling it out as a fucking cartoon villain, though there’s also a twist to this that I think Horikoshi has very intentionally performed.
Fascism most recently swept over Japan as a result of influence from the West. Bam. Easy. So it’s no surprise that, regardless of where he is from, All for One doesn’t just look like a white guy, but like fine art of a white guy from the West. Pretentious. But it’s also kinda funny since he looks like a Greco-Roman god and is trying to flatten his marble curves into lowbrow comic form.
Nazi Germany and the Italian flavor of fascist regimes dressed snappy and loved their high art. Surely y’all know how Nazi Germany defined and tripped all over themselves at the idea of an Aryan race.
Meanwhile, American comic books are a Jewish invention. Superman and Captain America were staunchly anti-Nazi, anti-fascist, anti-all that. For All for One, icon of the type of art branded as “Aryan”, to do what he’s doing in the form of a comic book and saying he likes them is... oh, it’s truly disrespectful of him, to put it mildly. It reminds me of the discussion and fallout surrounding Captain America being part of Hydra for some issues.
Anyway, All for One is rebranding again to sneak into the hearts and minds of those with more modern sensibilities (read: “lowbrow”) to do his same routine. It’s truly villainous, selfish, and disrespectful. Fuck this guy. Rip him apart.
...All of this is a compliment. A hateable static big bad is a good thing when it is what the story wants to achieve.
One could split hairs and say, “All for One’s approach doesn’t resemble fascism! It’s like X!” And if you want to do that, great. Pick your poison of specific flavor of awful Authoritarian or Totalitarian movement that causes extreme suffering. Go nuts. I chose this one because I think a broader approach is more applicable - All for One is a timeless, recurring evil with worldwide reach.
I’ve taken the qualities of Ur-Fascism, or “Eternal Fascism”, listed above from this article, which is also an abbreviation of a longer work on the topic by Umberto Eco. I don’t want to regurgitate the whole thing here, so I encourage you to read it. I did incorporate two of the 14 qualities into other items on this list, but I think you’ll find that All for One checks all of these boxes.
If you read the article or essay, please pay attention to language used like “in the name of liberation”, or how these movements tend to start in another movement with one similar ideal or begin to absorb other movements. Think about how that relates to what happened to Re-Destro’s group and ambition, and the fate of the Liberation Army as it was absorbed into Shigaraki’s/All for One’s. Think about how fascism is contradictory in many ways, but still considers itself a single movement.
For more further reading - @transhawks hits the nail on the head regarding what the League of Villains are in relation to Hero Society and All for One. They’re not really revolutionaries or a unified band of anything standing against their evil government for ideological reasons. They’re being used. If you want to enter a more extreme political pick-apart or commentary of this series, this is a good place to look and a crucial thing to understand.
It would be real cool if the USA was truly a well-meaning, if hasty, rude, and entitled do-gooder superhero, but, well, this is a comic book. Y’all know that Star and Stripe is meant to be the idealized USA rooted in Democracy and Liberty and all that stuff, right?
But even the superpowered and ideal version of the USA can be corrupted. The USA has neo-Nazis (and a total shitshow political scene, particularly conservatively but not exclusively limited to that party, currently) and stuff, too. The “We Are All for One” sign in the My Hero Academia panel of violence and chaos in the United States’ establishing shot is a good way to represent how the conditions for All for One to take control can come about anywhere.
This dude, and the fascism he represents, is a parasite.
Anyway, that’s all big-picture stuff. Let’s talk about All for One’s specific approach to getting his hooks into Shigaraki and the League of Villains.
Public opinion is one of All for One’s most important tools, especially when starting out.
Again, All for One is a parasite. And I think the moth wings Shigaraki sports in figurative representations in the manga are meant to suggest the lower two of a Death’s-head hawkmoth, which has an association with death in Japan and some other cultures. I’m not totally sure about this, though.
As for me, personally, I am familiar with this genus of moth because I grew up with the Five-Spotted Hawkmoth’s larvae, which we called tomato hornworms, in the garden. Parasitic wasps like to lay eggs in the backs of the hornworms and then the larvae in the eggs eat the hornworm from the inside out before maturing. I don’t know if Horikoshi had those in mind when he made this manga because I think they’re only in North America, but, well, I thought about them.
My point: Shigaraki was an easy target and a natural choice for All for One.
Tenko fucked his whole family over when his quirk destroyed everything. The damage was not limited to his father. His family may not have stopped his father and maybe could have done more to try and stop him (and Hana could have not sold out Tenko and blamed him for their intrusion into their father’s office), but killing them didn’t exactly help anyone.
As @transhawks pointed out, the message of “destroying the existing system (house) to root out the existing power causes more sacrifice than it is worth” is a comparatively moderate one.
But for a boys’ manga series, the major idea that, “hey, maybe try to help one another and don’t act in negative emotion - and DEFINITELY don’t become a fascist ‘cause it’s a trap” is perhaps a more immediately relevant one for that audience than a more complicated political critique. The readership of a boys’ manga is at (or about to be at) high risk for becoming the vulnerable youth Shigaraki, Spinner, and perhaps even Dabi or Toga represent.
Sometimes, things can be as simple as the story of a shitty dad doing shitty things to his family because he sucks. Sometimes, this story can also be an allegory at the same time, if it helps your cause. Dabi certainly thinks about it like this!
Shigaraki seems to flip-flop between these hikikomori and NEET categories.
The Kirishima Presentation post talks about this in great detail with more articles.
When I think about this turn of phrase, I think about Princess Mononoke and how the musket ball inside the boar god is what turned him into a monster and sent him on a rampage, and then infected Ashitaka. There’s a lot to unpack here about that, but this is long enough.
It seems that quirks, while not a definite indicator of what a person is like, has an impact on these characters’ individuality, themes, and preferences in the story.
He rises from the ashes always, it seems. And this isn’t even his final form.
“I hurt, so I want YOU to hurt!” If you don’t know much about folks affected by Post-Traumatic Stress Disorder, or PTSD, well, Shigaraki is pretty much a perfect textbook example.
And you could have it all... my empire of dirt... I will let you down... I will make you hurt!
People are individuals. Degrees of and conditions for suffering are all unique. But the end result of trauma upon people is the same. They hurt.
So, I think now is a good time to link to this discussion regarding Tenko’s name.
I don’t know if this alike-sound is obvious to the Japanese readership or not, or if it’s just an English speaker’s ear making the observation in similarity between words. Sometimes, what sounds like a pun to an English speaker is not a pun to a native speaker. I really do not know because I am not a native speaker. But even without knowing that for certain, it’s interesting to think about and good, relevant information regarding some of Japan’s general history. If anybody knows, please let me know.
For the longest time, I thought his name was ironic because “ten” sounds like “heaven/sky” and “ko” like “child”, so he would be named “heavenly child” or “child from the heavens”, which contrasts with his “villain” status, though remains accurate because of his incredible, otherworldly power and appearance by his transformation’s end. But it’s not written like “heaven child”. I asked. But I still think it’s funny.
Anyway.
This is a story, so I literally cannot do anything about this situation except say that I am certain that a hero will come for him. I know it’s a cop-out and I am no different than the old woman who left Tenko on the street, but, well, that’s all I’ve got.
I hope they reach him soon.
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