I don't know who needs to hear this, but

YOU DO NOT NEED TO START A NEW HOBBY!

STEP AWAY FROM THE TEXTILES!

YOU DON'T NEED MORE YARN!

THAT FABRIC IS NOT CALLING TO YOU! LEAVE IT ALONE!

LEEAH JOO

Korean-American painter Leeah Joo’s work is inspired by the enigmatic and hidden. In her illusionist paintings, she teases our predisposition to probe and uncover. Intriguing parcels in her Pojagi series are enveloped by a lavish, traditional Korean wrapping cloth and beckon to be unpacked. The richly detailed paintings of lacey drapery in her Parrhasius series present an open-ended narrative, inviting us to question what lies behind the curtain. Joo studied painting and art history at Indiana University in Bloomington and received her MFA in painting from the Yale School of Art, Her paintings have been exhibited widely in the U.S. and South Korea. She is the recipient of notable awards from the Pollock-Krasner Foundation, George Sugarman Foundation, Connecticut Commission on Arts and the Puffin Foundation. Currently, Leeah Joo lives and paints in Middlebury, Connecticut and teaches at Southern CT State University and Paier College.

New piece! Am calling her “Skör” (fragile in Swedish).

Assembled from strips of lace, a doily, and some fiddly needle lace and crochet for the teeth. Starched with diluted wood glue.

Perfect in time for Halloween!

The Palestinian (1977)

'tiny feet in the planet garden,' wool and embroidery thread on monks cloth, 2023.

ID: three fish embroidered on an upholstery sample with a design that looks like coral. the fish are embroidered so they appear to be swimming in between the coral. the colors are shades of olive green and beige.

Please Pour Some Rain! (2018) by Taiwanese textile and quilt artist, Lin Hsin-Chen (born in 1974)

François Martin-Kavel & pink fabrics

French, 1861-1931

jenny holzer

rosecutclothing • Café Brauer Floral Suit for shanemadej and saraerubin's wedding 🌼 They came to me with the idea of incorporating stars, rain and the state flowers of where they were from and met, so we have the California poppy, Connecticut mountain-laurel and Illinois violet. Thanks SO much for trusting me to make this, it was an absolute honor ! All chainstitch embroidery on deep blue wool. Wedding photos by erinhoytphotography 🌼 #rosecutclothing #chainstitchemboridery #californiapoppy #altwedding

source: [rosecutclothing] posted Nov 30, 2023

Enchanting Ecosystems Crocheted by Melissa Webb Envelop Interior Spaces with Verdant Fibers

Fish plush

join me in my dreams

Tatreez (Arabic: تطريز) is a type of traditional Palestinian embroidery. Tatreez uses traditional cross-stitch embroidery and is practiced largely among women. The craft was originally practiced in rural areas of Palestine, but is now common across the Palestinian diaspora. Historically, each village in Palestine had their own tatreez patterns. The landscape was a major source of inspiration for the patterns and motifs, which speaks to the variation in style that was common to see among all of the different tatreez expressions that were particular to each Palestinian village.

After the violent displacement and dispossession of Palestinians in 1948, people were living together in refugee camps. The different styles of tatreez became less distinct and have continued to evolve with the diaspora. Following 1948, tatreez evolved to reflect the experiences of Palestinians. Palestinian women began to incorporate the Palestinian flag and its colors into their tatreez as a means of resistance to the occupation of Palestine. Consequently, tatreez became an expression of the identity, heritage and resistance of Palestinian women and their dedication to preserve their ancient culture.

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Jessica Bartram

Antique Armenian Embroidered Textiles.