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#Star's Thoughts about Stuff
star-going-supernova · 9 months
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I know they probably weren’t thinking about it when they made SB, but I think a way more interesting use of the Mimic would have been to cast it as Vanny. Especially for the potential impact it would have had on the question “is Vanessa Vanny?” for Gregory and the player.
Imagine it hasn’t quite learned Vanessa to a T yet, so sometimes, Vanny’s voice just seems a little off, and its movements aren’t always human in the right way.
Imagine Vanessa’s been investigating it, is basically a one-woman army standing in this thing's way, and Gregory finds some journal-type papers of hers that really make you question the truth.
Imagine if the Mimic does everything it can to make you doubt Vanessa’s innocence.
Imagine if there was a little more of a mystery-horror aspect to the game that ends with you having to decide whether or not you trust Vanessa. 
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chiricat · 1 year
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honky star rail stuff 🍡
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lucabyte · 3 months
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I don't know how everyone isn't also always constantly thinking about how burial rites seem to be potentially one of the few things Siffrin instinctively remembers about their culture. But rest assured. I am in fact always thinking about it.
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Textless version where they're just hanging out. It's fine!
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daily-odile · 3 months
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everything is the same except Odile is the one looping
oh. heheheheh. muahahahaha. hold on *digs through my pile of disorganized sketches*
Odile loops au; a sketch compilation!!
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Some old fic drabbles + associated sketches under cut (a6 secret spoilers):
hc: Since equipment carries over, as long as Odile uses her book in a fight, she can write down notes and have it carry over loops
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toxic doomed yuri (for a more fleshed out fic I highly recommend The Sweetest Thing by soreimoon, it's amazing)
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shrimpari · 3 months
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“Thats uh… that’s a weird shade…”
So I played In Stars and Time
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thedemises · 1 month
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. . . SAVE A HORSE, GO ON A RIDE WITH THE COWBOY! featuring boothill!
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notes! . . . y'know the phrase, “save a horse, ride the cowboy”? well, I decided to-do something about it with boothill... except it's sfw and more like “save a horse, ride with the cowboy” cuz i dont do nsfw here >:/. god give me acceptance for how boothill is so ooc here- 😭😭 idnk how to write his character properly, and does he even have a horse?? I don't remember seeing a horse when his character and banner got leaked, so let's just pretend he does have one for the sake of K'hailreigh for this plot. 💀
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imagine returning the horse boothill had been searching for all day after it got the chance to escape through the tall fences the moment they were opened, his eyes widen at the sight of his companion with you guiding alongside it. normally, his horse wouldn't follow after someone else's orders other than him... and it behaves pretty feisty and rough with people who isn't him.
boothill is relieved to see that his trusty horse hadn't been injured, briefly thanking you as he goes over to fuss over his stallion. you can't help your gaze wandering and examining his figure, in awe of the metallic and cyborg parts of the cowboy in front of you. sure you might've seen people having artificial and metal parts attached to them, but this man right here just plainly looks like a robot if it weren't for his humanly head.
boothill notices you eyeing every inch of him, glancing from the lasso that hangs at his hips to the pistols to his arms and to his legs. he glares a wolfishly smile at you, baring the shark-like teeth that you gaze in short surprise at, and asks in a teasingly tone, “like what you see, darlin'?”, observing how you blink owlishly at him. but then, he's becomes sort of surprised when you nod your head and confirm that—yes, you like his appearance and how the color scheme matches altogether, while indirectly  commenting how he's a good-looking cowboy.
boothill, after his turn of blinking at you, grins and narrows his eyes with an intrigued look in them; amused by you and how you don't seem in the slightest.. nervous or terrified in his presence. you perked the cyborg's interest.
finishing the small talk with the man, you mention that you'll be needing to go somewhere for an errand and boothill takes the opportunity to offer a ride there on his horse—as a thanks for retrieving his horse, taking in your surprised expression with a grin as he ends the sentence with a “darlin'”. he insists, even if you refuse, so you decide that it'll be quicker to go in a horse ride with the cowboy than rather walking by foot as you were given no other choice.
with boothill's assistance, you were boosted onto the horse and instructed by him to hold on as he looks back at you, flashing a toothy grin and a finger tilting his hat just slightly for a short moment before you and him rode off towards where you were needed to be at with his horse. startled by the increasing speed his horse was going, you instinctively grasp onto the cyborg cowboy's built body in order to not fall off during the ride accidentally—boothill grins at your expression, his laughter going with the wind, “better hol' on tight for now, sweetheart. this'll be a rough ride! i'll get ya to where yer headin' in no time!”
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© thedemises 2024. all rights reserved. please do not repost, copy, or claim as your own. ━━  word count: 508.
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fluentisonus · 1 year
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obsessed w these background vulcan repair guys in the voyage home. who are they
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pinkd3mon · 1 year
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Feeling loved
Bonus:
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queen-lance · 1 month
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If death ever comes your way and won't let you pass... Make sure you scream right back in his face
Evolution
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bumblingbabooshka · 2 months
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VOY men + Having sex with another man as a non-gay "Warrior's bond" type activity.
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star-going-supernova · 5 months
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I was asked to share my thoughts on the new Godzilla trailer, so here we go! Of course, this all comes down to my personal preference and opinion, and I do want to say that I am looking forward to seeing the movie, no matter how much I might not seem like it, lol. 
• I miss when Godzilla had this presence about him. He moved slowly, heavily, with a certain gravity that was as terrifying as it was awesome, in the traditional sense. The running scene in the trailer just really didn’t do it for me. Neither did the pink spines and stuff. 
• I like the Hollow Earth in theory, but seeing it in the trailer… I’m a bit more meh on it now. The 2014/2019 movies felt grounded in reality, silly as that may sound considering giant monsters are involved. But it was still an otherwise normal earth, just with Titans roaming around. The whole world inside our world takes the story into a more fantasy-based direction that just isn’t what I’m looking for in these movies. 
• THEY PUT MY BOY IN ICE
• Where’s the mystery, where’s the majesty, where’s the beauty in these incredible creatures? KotM especially nailed the vibe that the Titans are these absolute forces of nature, and I watched the first KotM trailer for comparison before writing this and oh my gosh, I wish I could see KotM for the first time again. The trailer was amazing. 
• It’s too early to tell, but I’m leery of how the human characters will be handled. The decrease in Monarch’s presence in GvK was a big disappointment for me (and the increase in Monarch: Legacy of Monsters is why I am so far loving the show). It’s no secret that I think KotM handled the human to Titan balance really, really well, but I loved it in Kong: Skull Island too, and even 2014 didn’t butcher it that badly. GvK did not inspire confidence in me, however. 
• PLEASE PLEASE PLEASE THERE ARE SO MANY INTERESTING TITANS ON EARTH WHY ARE YOU GIVING US ANOTHER APE. No but really, RIP to anyone who had a favorite Titan who isn’t Godzilla or Kong. 
• It’s a change. There’s a change happening in MonsterVerse in the tone of the Godzilla movies, and that isn’t automatically a bad thing. I’m just set in my ways, and I’m fully aware of that. I’m absolutely positive that there’s a ton of people who are really into what this trailer showed us, and I’m thrilled! I hope this series keeps getting more and more interest and fans because that will give us more movies and shows. Just based on this one trailer, it’s not what I would want in a new Godzilla movie. And that’s okay. I genuinely hope I’ll get more hyped about it as the release date gets closer and we hopefully get another trailer or two. I’m excited to see more of Jia, and I will take literally any scrap of Godzilla I can get because I still love him a whole lot, even when he looks kinda silly. 
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creativesplat · 3 months
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I would also like to see some miphlink, if that's okay!
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I was really struggling with what to draw, and then I remembered your ask from ages ago (dang ADHD brain...) anyway, sorry its such a late answer, but Miphlink inspired by Dicksee's La Belle Dame
#thank you so so much for the ask stars!! I had completely forgotten about it (I'm so so sorry!!) and it saved me from an artist-not-arting#you know the sort of pent up unpleasant feeling you get when you need to do something creative but its not happening and then its sad?#yeah I didn't get that because your ask suddenly popped into my head! so very happy about that :) thank you!#link is a horse girl and we need more of it in life#also to try and get the flowy fabric look that Dicksee's La Belle Dame has without putting Link in a dress I decided to modify Mipha's fins#and then added some of that gorgeous salmon colour from the original piece#also the reason the reason the champions tunic etc have that grey tinge to it is because the knight was wearing armour in the original piec#with a beautiful duckegg blue grey colour and I thought including that might be fun too!#anyway#the couple that is perfect for one another and should always be together for all time: Mipha and Link#mipha#link#botw#creativesplat draws#breath of the wild#miphlink#lipha#I really need to catch up on the miphlink tag... its so exciting to have so much wonderful art and writing to look through but I am a rathe#busy/ adhd forgetful bean so whenever I get round to reading or looking at art... there will be a long reblog/ queue of miphlink stuff!#eventually#at some point#because fashionably late (coughjustlatecough) is my middle name!#enough rambling sorry#I love drawing miphlink its like a comfort drawing thing#like her head is so squidgy and so easy to doodle so if ever my brain is bored or I want to draw and need happy hormones but can't find the#mipha is the answer because the squishy head is just sooooo good#the designers of mipha were amazing and I love them#epona#tloz#zelda
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spacingstars · 1 day
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Technically these thoughts were inspired by @battlekilt's response to this post I just needed a space to luxuriate in the sauce of my own thoughts lol.
Generally, there are two points to my stream of thoughts here:
One, the personal element of Rex knowing about Anakin and Padme’s marriage.
Two, the professional element of Rex knowing about Anakin and Padme’s marriage.
I’ll first get into the weeds of point one:
By and large, Star Wars canon does not go into overt detail on exactly how it was that Rex found out about Anakin's marriage; how this occurred tends to be a matter of conjecture more often than not—usually pitted down to a matter of accident. Either comically or more seriously. I don't bring this up to disparage this take. I, in fact, held to it myself upon my first watch of TCW! But I've since reevaluated that position and have come to a completely different conclusion altogether:
Anakin told Rex intentionally.
My reasoning for this is down to a number of things, particularly due to the series of TCW novels that were written to tie into the first few seasons of TCW. The one I am primarily discussing here is Star Wars: No Prisoners, and shoving aside any other opinions that I have on this book, it holds some specific moments from Anakin about Rex that really validated the change in thought process I had the more I analyzed Anakin and Rex’s relationship.
Generally, I had before assumed it was a matter of accident (in past scenarios, I most often thought of the confession coming about from a moment where the prospect of survival was not the most cheery of outlooks); the reason as to why I held such a thought process is because Anakin’s marriage is generally his most guarded secret, he was unwilling to tell anybody about it, and in such a context, it becomes easy to assume that Rex finding out was a fluke, nothing more.
However, the more I started to really pick at Anakin and Rex’s relationship, the more I started to think it would be a lot more interesting if Anakin intentionally told Rex about the marriage.
In the past, I came about this mainly from the idea that part of what makes Anakin & Rex so interesting to me is the two-way loyalty that stretches between them, the way Rex occupies a unique space in the list of Anakin’s relationships. TCW itself frequently speaks of the trust they have in each other, to the extent other characters (like Padme herself, seen in TCW S07:E02, during the holocall scene between her and Anakin, and in No Prisoners itself) notice it. And with that in mind, I thought, more and more, it made more sense to me that Anakin had told Rex intentionally. It’s clear, given moments in the ROTS novelization, that Anakin didn’t want to shun this aspect of his life into secrecy:
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from Star Wars: Revenge of the Sith
(This is not the only instance of Anakin expressing a desire to leave the Order in the ROTS novelization; his behaviors in ROTS itself are also indicative of this desire to me (his lack of care about getting caught with Padme in the moment she reveals her pregnancy,) and his quote of “I understand wanting to walk away from the Order,” when Ahsoka walks away from the Order during the Wrong Jedi arc. Which, if you want a short explanation for why I think Anakin stayed despite expressing multiple times a desire to leave, there are many little pieces and layers to it, but the primary conclusion I’ve come to is that Anakin stayed out of a sense of duty, particularly related to ending the war. But that’s not what this post is about.)
This leads me to believe that Anakin wanted to confide in someone—wanted someone who he could trust to share this part of him, and given the loyalty and trust he holds in Rex—and I’d also wager it’s down to Rex’s demeanor—it was easier for Anakin to tell Rex than anybody else. Of course, this was all my own conjecture! This was just me taking bits and pieces of what we have of these characters and their circumstances and affixing them into a different configuration to explain something that wasn’t elaborated on in canon.
Of course, or so I thought, because Star Wars: No Prisoners has quite the interesting scenes, scenes that do elaborate upon this.
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from Star Wars: No Prisoners
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also from Star Wars: No Prisoners
It’s so fascinating to me that Anakin thinks Rex is someone he owes it to tell, and doesn’t that just speak of how highly Anakin regards Rex? He’s able to think that Rex deserves to know, and not just that, but that Anakin thinks Rex would understand. Anakin describing Rex as not just professionally loyal but personally loyal is a sentiment that really strikes to the core of why I think Anakin was comfortable enough to tell Rex; because ultimately, Rex has not just given him his professional loyalty, the loyalty expected of a soldier, but he's also given the loyalty of his friendship. I really don’t think it’s a stretch to say that the feeling is mutual between them. The way Rex speaks of Anakin in Star Wars: Rebels is so damn fond. I really do think Anakin told Rex, intentionally, not just for the professional aspect of it, which I will get into shortly, but because Anakin wanted to have someone he could trust and confide in; Anakin has trust and faith in Rex, the same as Rex has trust and faith in Anakin.
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from Star Wars: Age of Republic short story "501 Plus One"
And, returning to the discussion surrounding the screenshots from No Prisoners, obviously, there’s even more there, what with Anakin thinking about how he can’t just leave his men to suffer (it shows consistency in his character, in regards to the loyalty he shows his men because his thoughts here reflect those in the Umbara arc, where he refused to leave, even on orders from Palpatine, until Rex reassured him he could handle it. Which is just... it drives me batty, but my thoughts on that moment from Umbara are not strictly relevant to this post.) And part of that conniption is born out of the loss of his mother! Because he faults himself for being unable to save her, and now he's left with an all-consuming desire to ensure no one under his care dies, which, of course, will inevitably lead to Anakin being consumed by his own conniptions about death itself through his visions of Padme dying in ROTS. (I love how many layers I can peel back and examine from this one moment.)
I also have to emphasize that the biggest thing is that Anakin didn’t even tell Palpatine about his marriage. Palpatine, Palpatine, someone who had been a confidant for Anakin for so long, Palpatine, more than anyone, most certainly knows the most about Anakin; he’s the only one who truly understood how Anakin ticked, and he used that knowledge to disastrous effect.
Which to me, just reinforces how incredible it is that Anakin felt comfortable enough with Rex to tell him about his marriage.
Now, No Prisoners doesn’t actually contain a scene where Anakin tells Rex, but given his thoughts it’s very likely Rex was told shortly after the events of the book.
Now, for point 2:
Which is that, in essence, when Anakin remarks that Rex needs to know about this secret so he can freely contact him or otherwise know about the whereabouts of his location in case they get orders and Anakin, along with the 501st, need to be shipped out effective immediately.
This is a readiness issue.
Readiness is the ability of a military force to engage in assigned tasks and/or missions upon orders.
Anakin being upfront about his marriage to Rex on this principle is most certainly going to get Rex in agreement* because Rex would be aware of the logistical importance of maintaining readiness. Anakin and Rex are on the same page here because, ultimately, no one else is going to better understand these aspects of the continued function of an armed force than a clone; they're clone soldiers.
*Which, additionally, regarding the argument that Rex ends up in a precarious situation for knowing about Anakin and Padme’s marriage, upon further examination of this, I do not think this holds water either. I say this primarily because, ultimately, Anakin, in being married to Padme, has not broken any of the GAR’s regulations. The issue of Anakin’s marriage is of concern to the Jedi, not the GAR. And Rex is not beholden to the Jedi’s religious doctrine; Anakin is, and unless you want to argue that the Order would crack down on Rex in retribution for aiding one of its members in hiding a marriage that’s expressly against their rules… nothing would happen to Rex because ultimately the issue of Anakin and Padme’s marriage is only an issue with regards to, primarily, the Jedi Order, which is not an authority that Rex is behold to; Rex is beholden to the GAR, and, as I said, Anakin being married is not breaking any regulations I can think of… I also find it hard to believe that the GAR would be pressed about a secret marriage when much of their natborn soldier base is also likely to be married. In fact, given my previous comments about readiness, the GAR is likely to take Rex’s stance on the matter.
Rex and Anakin are on the same page regarding the issue of his marriage for both the personal reasons of it and the professional.
And, to address Rex's awkwardness about covering for Anakin in TCW S07:E02:
Rex's awkwardness about having to cover for Anakin and Padme in TCW S07:E02 is presented more as a moment of humor juxtaposed against the earnest conversation between Anakin and Padme as they discuss Anakin and Rex's relationship; it's meant to be a funny-sweet moment regarding the relationship between them. This entire moment is meant to show the familiarity Anakin and Rex have with each other, to the point they have a system worked out between each other when Rex needs to cover for Anakin, which I should also say the fact that Rex is willing to lend his gear** to Anakin for this cover story is something I consider to be a big display of trust, it's very much a classic "friend covers friend," kind of moment.
**That helmet is important to Rex's identity. It is, in effect, his face; it is a custom helmet, donning his signature jaig eyes; it is what most people are going to think when they hear Captain Rex; it is, effectively, Rex trusting Anakin enough to hand over a vital part of his identity.
Everything about this moment screams familiarity to me in the way Anakin and Rex conduct themselves with each other; I find it quite telling that Rex is comfortable enough to tell Anakin they don't have time for what Anakin is suggesting they do in front of the bad batch. Rex is essentially saying no to something that can read as an order from his commanding officer to other clones. The fact that Rex is comfortable enough with Anakin to do so is massive, and as I've said before it shows the familiarity and comfort the two have with each other in their personal relationship. When Anakin first implores Rex to provide cover; Rex's insistence on them not having time for that—to me—less indicates that Rex doesn't like covering for Anakin, but more so that Rex is fixated on the mission because he just got a glimmer of hope that Echo is still alive.
It should also be said, Rex is simply awkward; it's just a facet of his personality. He's an awkward dork in armor.
With all that said, to paraphrase a quote from the post that started this ramble, Rex was one of Anakin’s best friends. (And I personally think that the feeling is mutual given the numerous times Rex has expressed similar sentiments towards Anakin.) :3c
It should also be said that much of this post was made much more coherent thanks to @battlekilt, who was also a great help in fleshing out much of these thoughts, especially those pertaining to Anakin and Rex's interactions in TCW S07:E02.
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blue-likethebird · 8 months
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“I’m totally going to watch Ahsoka like a normal person”
Me at the very first mention of Ezra:
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starscelly · 10 months
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Introducing up and coming punk band from Dallas: The Flying Stars !
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hephaestuscrew · 10 months
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"With a goddamn harpoon": The significance of Minkowski's weapon of choice within the narrative and characterisation of Wolf 359
TL;DR: Despite its initial comic role, the harpoon becomes a important symbol of Minkowski as a character; it is particularly associated with her desperate need for control, her desire to keep her crew safe, her stubborn determination, and her occasional unpredictability. These associations add to the narrative significance when Minkowski kills Cutter with the harpoon. 
[Tagging people who said they wanted to be tagged: @browncoatparadox @captain-lovelace @goblincaveofvibes ]
~~~
Ep21 Minkowski Commanding
First appearance 
We first encounter the harpoon in Minkowski Commanding, which is a significant episode for Minkowski's characterisation because it's the first big departure from Eiffel's point-of-view into Minkowski's. It's arguably the most Minkowski-centred episode in the whole show, so it stands out when we think about her as a character.
EIFFEL (over comm) Um, Minkowski? Why is the armory wide open, and also, apparently, robbed? Where's the tactical knives kit? MINKOWSKI Don't worry. I've got that. EIFFEL Oh. And the M4 carbine? The, like, really-dangerous-in-space, select-fire M4 carbine? MINKOWSKI Yeah, I've got that too. EIFFEL And this empty rack I'm looking at right now with a label that says "harpoon" suggests that... MINKOWSKI Yes. I have it, Eiffel.
The harpoon is introduced as part of a list of over-the-top weapons that Minkowski takes on her plant-monster-hunting mission. It's initially just a funny moment to emphasise how seriously she's taking this mission. The weapons arguably increase in unlikeliness as Eiffel lists them, and it's a comic image to think of Eiffel deducing the situation from the empty rack labeled 'harpoon'. It could have been an entirely throw-away joke that was never brought up again. The M4 carbine never comes up again. The tactical knives kit is mentioned in Knock, Knock, but not in a plot-significant or symbolic way. 
'Goddamn harpoon' speech
So why does the harpoon become such an iconic part of Minkowski's brand (and I'm pretty certain it was seen as significant by fans long before the finale)? It's got to be because of the next time it's mentioned, when Minkowski talks to the plant monster in the same episode:
MINKOWSKI (getting psyched up) You wanna play with me, huh? You wanna run rings around me? The joyless, boring, predictable old Minkowski? She can't stop you, right? Not someone as smart and powerful as you. You've got her pegged. Good. Get complacent. Get smug. That's right when you'll find me waiting for you. With a goddamn harpoon.
There's so much to say about this speech and what it reveals her character. For one thing, it's all projection - we have no real indication of what (if anything) the plant monster thinks of Minkowski. We don't even really know how much understanding it has when listening to her talk. She imagines that this silent adversary would call her "joyless, boring, predictable". I suspect that these are all things that she's been called a fair bit in the past. (To be honest, I wouldn't be surprised if they are all things that Eiffel called her at one point.)
But the harpoon is proof against - if not the accusation of joylessness - the idea that Minkowski is boring and predictable. Boring and predictable people don't opt for a harpoon for fighting on a spaceship when plenty of more conventional weapons available. A harpoon is unexpected, and there's a kind of power in that.
Another interesting thing about that speech is that the whole thing would make at least as much sense - if not more - if it was directed at Cutter. In Sarah Shachat's episode commentary on Minkowski Commanding (part of the bonus material available to buy here), she says that Minkowski "is really speaking to Cutter in this moment". It's made clear that Minkowski's behaviour in Minkowski Commanding is not just about the plant monster itself. She tells Eiffel, "I have to take it seriously! If I can eliminate one threat, just one, then we are that much closer to going home!" 
The specifics of the plant monster's location, abilities, and origin are mysterious, but - unlike many of the other forces threatening the safety of Minkowski's crew - it is at least tangible and harpoon-able and not light years away. Hunting the plant monster is a way for Minkowski to assert control when so much is outside of her control. It's an attempt to demonstrate that she is - as she puts it - "in charge of this disaster". Minkowski treats the plant monster as a physical symbol of all the threats her crew are facing, and so the harpoon becomes a physical symbol of her fierce (if sometimes misguided) determination to take control of the situation and fight back against those threats to protect her crew.
The line "you'll find me waiting for you. With a goddamn harpoon" is one that sticks in the mind, especially since - with one notable exception - 'goddamn' is about as potent as swearwords get on this show. And it's the harpoon that she uses to give specificity to the threat. 
Absurdity
A harpoon is powerful and threatening, which is exactly what Minkowski is trying to convey to the plant monster, but in this context - not only on dry land but on a spaceship - it's also kind of absurd. From the way we hear it fire in the finale, we can tell that it's more like a speargun than a hand-thrown harpoon spear, but it's still an out-of-place weapon for space-based combat. Minkowski's already been shown to have a penchant for archaic weaponry, after her drunken enthusiasm over the cannon during the talent show incident, which is largely played for laughs. Similarly, in the episode commentary for Minkowski Commanding, Sarah Shachat says that the harpoon was introduced mostly just because it was funny; "[including a harpoon] was me sort of embracing the Moby Dick of it all. And I had no idea at the time how much importance that silly harpoon would take on." 
Eiffel makes a Moby Dick reference himself ("10 days of Captain Ahab's Space Walkabout"). I haven't read Moby Dick so I can't properly analyse the significance of this reference, but the initial prominence of the harpoon (traditionally a whaling tool) enables that connection. It feels like a good example of the classic Wolf 359 thing where something comedic has the potential to take on a deeper significance. It conjures an image of Minkowski as a Captain with the potential to be consumed by a single-minded mission to destroy... A potential that she resists in the conclusion to Minkowski Commanding when she chooses to leave the plant monster alone. The harpoon also fits with the sprinkling of nautical imagery and language in Wolf 359 (e.g. the repeated use of the word 'boat'), as well as the retro-futuristic feel of the Hephaestus.
We never learn why there's a harpoon on the Hephaestus. It seems like yet another of those bizarre unexplained quirks of the station, like the items in the storage room where Eiffel finds Box 953. Even when the weird mysterious features of the Hephaestus are depicted in a comedic way, these features are still a demonstration of the fact that the characters are in an environment that they don't understand and that their surroundings have been shaped according to the whims of Command.
I think we can assume none of the members of the Hephaestus crew brought a harpoon up with them. For whatever reason, someone at Goddard Futuristics must have decided to put a harpoon in that armory. Like most things in the crew's lives, the harpoon is owned by Goddard Futuristics. So the way Minkowski uses the harpoon could be seen as an instance of reclaiming something from Goddard and their control over her surroundings (in a similar way to how her crew are able to utilise the maze-like structure of the Hephaestus to their advantage when hiding first from the SI-5 and later from Cutter and the crew of the Sol).
Other mentions of the harpoon
The harpoon doesn't actually make another physical appearance until the finale, when it truly comes into its own. But there are a couple of little hints before then that it has become a part of Minkowski's brand amongst the other characters as well as to the listeners. These mentions remind the listener about the harpoon, so we don't forget about it before its big comeback in the finale.
Ep27 Knock, Knock
EIFFEL [to Minkowski] Like getting rid of all the weapons, for a start. We should gather up all the guns, the tactical knives, your harpoon. Put it all in the arms locker, seal that sucker up, and put the key in one of Hera's service canisters.
In this quote, Eiffel refers to it as "your harpoon" - the only weapon he ascribes ownership to here. He sees it as something she's laid claim to. He also thinks the harpoon is worth mentioning specifically, which suggests that he thinks that Minkowski would reach for it first if she was feeling particularly violent. This reinforces the idea that the harpoon has become a symbol of Minkowski's character. This connection is also strengthened by the fact that the harpoon is also never mentioned in relation to anyone other than Minkowski using it.
Ep45 Desperate Measures
LOVELACE [to Kepler] Yeah, right. Nobody knows this station like Alexander Hilbert. He knows every nook, cranny, hidden room - everything. And as back up he's got the only woman's who's ever turned outer space monster hunting into a recreational sport. You'll never see them coming... until all of a sudden there's a harpoon in your face, and you end up on the operating table of the finest medical sadist that Goddard Futuristics ever produced.
Lovelace mentions the harpoon and specifically refers to Minkowski's plant-hunting exploits, even though she didn't witness them. So we know that someone has told her that story. And what she's taken away from hearing the story is an emphasis on Minkowski's harpoon and an admiration for her determination. I don't think Minkowski was the one to tell Lovelace about her plant-monster-hunting mission, because I don't think she's necessarily proud of it. I suspect it was Eiffel who told her - he's the most natural storyteller of the group. In Mutually Assured Destruction, soon after meeting Lovelace for the first time, he says "Nobody's told you about the Plant Monster yet? So, funny story..." And I believe  Eiffel would have told the story of Minkowski's plant monster hunt in a way that conveyed both the ridiculousness of her behaviour but also a kind of awe at her boldness and persistence.
The tone of "all of a sudden there's a harpoon in your face" is pretty similar to "That's right when you'll find me waiting for you. With a goddamn harpoon". Once again, the harpoon is portrayed as something that the Hephaestus crew's adversary won't expect, something that will play a key role in that adversary's defeat. You might almost think something was being foreshadowed here…
Characterisation through Weaponry
When we think of the harpoon as a symbol of Minkowski as a character, it seems worth drawing a comparison with the only other Wolf 359 character who I think has a form of weaponry as a big part of their brand: Jacobi and his explosives. While a harpoon certainly has a lot of potential for violence (a potential which Minkowski utilises), it is targeted and intentional in a way that bombs don't tend to be. It's harder to have collateral damage with a harpoon, and I think that reflects a difference between Minkowski and Jacobi's approach to conflict.
A harpoon isn't really designed for combat - it's for hunting whales and other marine animals. It feels significant that Minkowski's key weapon of choice - the one she threatens the plant monster with and kills Cutter with - isn't the weapon of a soldier. She took an assault rifle with her to hunt the plant monster, but that wasn't the weapon she held onto. She's not a natural soldier, even if she'd sometimes like to think she is. 
Maxwell's Death
When Minkowski kills Maxwell, it's with a gun, not a harpoon. She's trying to be a soldier there. She's trying to do what she has to. I don't know much about how a harpoon is fired, but I've a feeling that there's less uncertainty about whether a harpoon was fired deliberately than a gun; the ambiguity around Minkowski's agency in Maxwell's death is a key part of the story that wouldn't work with a harpoon. But perhaps more importantly, I don't think there's meant to be a sense of victory or relief in Maxwell's death, unlike Cutter's. The harpoon - as a weapon that has become strongly identified with Minkowski as a character - is saved for moments when Minkowski is asserting her power in an active way that she isn't conflicted about. 
Ep61 Brave New World
About a third of the way into the finale, there's another indirect mention of the harpoon:
RACHEL Y-yes, sir… Umm, we also picked up some chatter on their weaponry supplies… Firearms, explosives, something about a harpoon…
This is a nice little reference which reminds the listener of the harpoon in anticipation of its big moment later on in this episode, while once again playing with its incongruity in a list of more typical combat weapons. Given that Minkowski and co. have guessed that they are being listened in on here, their choice to talk about the harpoon might be seen as their way of having a bit of fun, or it might be seen as their way to imply the same threat that Minkowski made to the plant monster. Cutter had warning, but he didn't heed it.
Which brings us, of course, to the harpoon's most significant moment:
Cutter frowns. Then he hears it: CLA-CLUNK! His eyes widen.  MINKOWSKI Let's see you catch this.  FWUUUMP! An ENORMOUS THING IS SHOT. A moment later, Cutter COLLIDES AGAINST THE WALL, IMPALED.  MR. CUTTER ... a... harpoon? That's not... how this is... supposed... to... He struggles for a few more moments...and then he stops.
This scene is a classic instance of Wolf 359 utilizing the audio medium to leave a significant element of the situation unknown to the listener until the right moment. We don't know that Minkowski is carrying the harpoon. We don't know that she's readying it as Lovelace talks. When we hear something fire, there's a moment where a listener might or might not have realised exactly what just fired. It's Cutter who delivers the glorious revelation. It gives the moment an additional burst of triumph that Cutter's final words are an expression of shock, not just that he has been defeated but at the weapon with which the killing blow was struck.
Human unpredictability 
It's not just that Minkowski kills Cutter with a harpoon; it's also that she wouldn't have been able to kill him without it. He can catch bullets after all, so Minkowski and Lovelace's guns are basically useless. Cutter thinks he's therefore invincible, but he hasn't accounted for the possibility that Minkowski might have a less conventional weapon on hand, one which fires larger projectiles that he can't catch so easily. The fact that she's carrying an unexpected weapon - a weapon that might have seemed ridiculous - is what allows her to defeat Cutter and therefore to survive. 
It's a repeated theme in Wolf 359 that the protagonists' strength is not that they are the most powerful or they behave in the most logical ways, but that they are complicated and human and unpredictable and very much themselves - all of the things that Cutter and Pryce don't want in their 'ideal humanity'. When Minkowski kills Cutter with the harpoon, it's a victory for human unpredictability and individual idiosyncrasies.
Making good on her promise
Thinking back to Minkowski Commanding, we can see that the threat Minkowski made to the plant monster absolutely came true with Cutter. He got complacent. He got smug. (I'd argue that smugness has always been one of his key attributes.) And he found her waiting for him, with a goddamn harpoon. The return of the harpoon for this moment suggests the defeat of Cutter is a culmination of some of the motivations and traits that Minkowski showed when hunting the plant monster, now channeled in a more suitable direction. She continued trying to get them "that much closer to going home". Her - sometimes absurd - determination provides a throughline from an episode that was mostly comedic (Minkowski Commanding) to a dramatic emotionally powerful finale. As Sarah Shachat put it in her audio commentary, Minkowski "makes good on her promise [that she makes in her harpoon speech in Minkowski Commanding]. That's why she's a hero."
It's significant that Cutter dies from an unlikely weapon that is so strongly identified with Minkowski. It makes that moment feel like truly hers (although she is of course right that she couldn't have done it without Lovelace - that's called being part of a crew). 
As the Commander, it feels apt that Minkowski is the one to kill the long-standing 'big bad'. Pryce is arguably the same level of antagonist as Cutter, but he's the one that we've been aware of since we became aware of larger sinister forces at work in this narrative. 
And if Minkowski has a personal nemesis, it's Cutter. He's the one who recruited her into the hellscape that is the Hephaestus. He played on her ambitions to get her where he wanted her. She trusted him the way she trusted the official chain of authority at the start of the mission. And that trust was extremely misplaced.
The significance of Minkowski being the one to kill Cutter is highlighted by the fact that she kills him with a weapon that only she uses, a weapon that links us back to her behaviour 40 episodes earlier. The sense of control that she was desperately seeking in Minkowski Commanding might not be completely within her grasp by the end of the finale, but she's reclaimed a piece of it by defeating the man who has been exerting control over her life for so long. And she did it with that goddamn harpoon.
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