One of the two main characters (both women) in Sin Huellas / No Traces is queer and she has a very nice kiss in one of the pilot's first scenes.
It's only been five minutes, but I'm hooked.
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Have you had a chance to see a Spanish Prime TV series called Sin Huellas? There's a compilation of just the w|w couple on youtube. It's pretty funny plus the actors are attractive ;)
Haha, I have, and enjoyed it for its own sake, not just the clips! It really was funny and the actors were indeed hot, lol, it was just a good time. Really providing the stupid wlw rep we need, Bottoms can only do so much. :P
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Jess Watches // Fri 27 Oct // Day 38
Synopses & Favourite Scenes
Call the Midwife (with mum)
6x04 Episode 4
Nonnatus House advertises for a new midwife, while Trixie, Sister Winifred and Tom help an expectant mother in a difficult situation.
A tough episode for expectant mums, so the chariot race was a delightful way to end it. The joy on Sister Monica Joan's face always cheers me up, and I too sneak a slice of cake when I can.
Sin huellas (No Traces)
1x03 Fugitivas
When Irene can't help the girls due to her relationship with Desi, Cata decides to return to Mexico with Ubaldo. But the police has found her trail and leaving the country becomes impossible.
Irene assuming Desi & Cata were together and Cata saying she doesn't understand why people keep thinking that. Yet in the same conversation admitting they argue like an old married couple.
Invasion
S2 - Mitsuki's storyline
Mitsuki tries to communicate with the alien.
I loved the Japanese storyline in s1 and feel it could've been it's own show. This feeling only solidified further in s2. Mitsuki was such a badass in the opening scene with the molotov cocktails and had a growing potential relationship with Dr. Maya throughout the season. However, the pacing was dictated by other storylines, meaning not much forward momentum happened until the last 2 episodes. It would have been more emotionally effective had I waited for a supercut because she was only in it about 2-3 hours of the 10 episodes, 3 or 4 of which she wasn't even in, so it was spread out disjointedly over 8 weeks making it harder to stay invested. If anyone knows of a supercut, please let me know.
Dead Ringers
1x01 One
In Manhattan, twin gynecologists Elliot and Beverly Mantle frequently commit malpractice at the hospital where they work, while harboring a plan to establish their own independent birthing center.
It always surprises when women seem so determined to have a biological child, especially at the cost of their own health. More understandable in the 60's obviously, like on CTM, but not nowadays. Why not adopt and/or foster a child to give them a safe and loving environment to grow up in; Even Rachel Weisz kissing women isn't enough for me to want to continue watching. A sentence I never ever thought I wouldd type. :'(
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"Sin huellas"
Es verdad que llegan demasiadas series cada semana. Estamos saturados de estrenos. Sobresaturados. Y según va avanzando el año, cada vez hay más series nuevas que queremos ver. Si pestañeas, aparecen nuevas plataformas de streaming con las que no contabas hace tan solo un mes, yr para estar al día, necesitas tenerlas todas. Bueno, no siempre. Porque entre todos esos estrenos siempre hay series que se nos escapan, y hay veces que podemos encontrar verdaderas joyas. Es el caso de la serie ‘Sin Huellas’, que Prime Video estrena este 17 de marzo, y que no ha tenido apenas promoción.
Creada por Carlos de Pando y Sara Antuña (las mentes detrás de la brillante ‘¡García!‘), esta serie de Prime Video es una mezcla de varios géneros en uno: thriller, comedia, acción e incluso western. Sí, sí, habéis leído bien. Western. Eso sí, a la española. Con la ayuda en los guiones de Héctor Beltrán Gimeno y Gabi Ochoa, la serie ‘Sin Huellas‘ navega a la perfección entre todos ellos, y nos da una de las series más divertidas españolas del pasado reciente.
La serie cuenta con un reparto comandado por Carolina Yuste, Camila Sodi, Adriana Torrebejano, Leonardo Ortizgris, Álex Gadea, Pastora Vega y Borja Luna, entre otros. Pero las que se llevan el gato al agua son las dos protagonistas. Carolina Yuste y Camila Sodi están brillantes, desternillantes y desprenden una química brutal.
Desi (Carolina Yuste) y Cata (Camila Sodi) encuentran un cadáver en la mansión que acaban de limpiar. Horror. Pánico. Arroba policía. Un momento, ¿una gitana y una inmigrante mexicana han limpiado la escena de un crimen? Ellas son las perfectas culpables. Ahora tienen que escapar de la policía, pero también de unos sicarios rusos, una familia de millonarios y un ex marido con mariachis. A ver cómo salen de ese ‘fregao’.
El punto de partida de la serie ya es una auténtica locura. Aunque tarde en llegar, cuando lo hace es plenamente satisfactorio. Os recomendamos no ver el tráiler, porque os estropeará el momento, que Carolina Yuste defiende a la perfección. La actriz pacense, que saltó a la fama gracias a su Goya por la película ‘Carmen y Lola’, está increíble como Desi. Y, aunque tarda en cogerle el punto a su personaje, cuando lo hace, no lo suelta. Al menos en los primeros episodios que hemos podido ver para elaborar la crítica.
Lo mismo ocurre con Camila Sodi. La actriz y cantante, sobrina de Thalía, y a la que vimos en la telenovela ‘Rubí’ o en la serie de Netflix sobre Luis Miguel, hace un tándem perfecto con Carolina. Desde la huida en coche atravesando Alicante, vemos que su química va a ser lo que sostenga la serie, y sea su punto fuerte. No nos equivocamos. Esa secuencia es divertidísima y, además, está muy bien rodada. No es que nos sorprenda tampoco. Se nota que Amazon tiene un buen presupuesto.
Pero el principal fallo de la serie, y lo que puede que lastre el conjunto final, es la duración. En una serie de drama, es normal encontrarnos con capítulos de más de 30 minutos. Más allá de esa media hora, una serie de comedia puede pecar de falta de ritmo. Y eso le pasa a la serie de ‘Sin Huellas’, que sus capítulos acaban desinflándose. Una comedia es muy difícil de mantener durante tanto tiempo. Y más aún, siendo una serie que mezcla tantos géneros. De haber reducido su duración, el conjunto habría funcionado mucho mejor.
Salvo ese detalle, ‘Sin Huellas’ es una buena serie 👌
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hey buddy, when you can, watch sin huellas on primevideo.. i think you will enjoy 😉
googled the cast and am immediately sold because lesbian brain activated immediately and i lov pretty women
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Okay Desi telling Irene she could frisk her if she wants and then flirting the whole time was. Hot as fuck.
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Do you ever feel like you stumble upon the shared memory of a collective fever dream? I mean, this is it, isn’t it? I’m sure whoever wrote this scene probably have their entirely personal fount of inspiration for it, but it’s still hard to shake the thought of a person waking up in a cold sweat after being haunted by the mad ghost of Los Hombres de Paco and exclaiming to themselves; “I know what my script needs, more lesbian frisking in a parking lot!”.
Look, I know it’s not like it’s a super original concept, but there’s still that part of me that’s pleased as punch about the scene itself, but also its context in some kind of loose lesbian canon. Because it’s hard not to draw parallels to that scene with Pepa frisking Silvia, the hotness of that scene was almost as formative as Spanish lullabies turned traumatic. For a period of time that show was the shit and we shared the insanity among us across all kinds of borders. And I know it’s an imagined sense of progression, but there is something in me that comes alive at the idea of a lesbian cultural heritage. The idea that we carry these kernels with us, these scenes, and whenever we get the opportunity we throw them into the mix, intended to go over the head of most, but hitting the target audience with a burst of mirth and nostalgia. That loop of group specific influences. There’s something about having that language. The older I get the more I treasure it, almost as much or more than the representation itself. That we have a language and culture of our own, one that gets to grow, and inspire, and lift up, and fill people with equal parts nostalgia and inspiration. It’s fucking neat. And, like I said, this scene probably has some entirely different origin, the writer of it might never even have heard of LHDP, but still - every lesbian of a certain age will watch this scene and feel that pang of the past. That tickles me, knowing that out there across the world there are other gleeful gays who are hit as hard as I was with the ghost of lesbian pasts. All these tendrils of shared fictional experiences and references…I like them, I like them a lot. Stuff like that puts icing on a lot of other shitty shit that comes with being gay and trying to survive mainstream fiction.
Also, did I mention this is fucking hot. Well done, Sin Huellas, very well done.
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