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#Seriously thanks though
m1ssunderstanding · 7 months
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I think your tags on the post about Paul's song Suicide got cut off. I was invested, and want to hear the rest of your thoughts :) Maybe you could put it all in a separate post if you don't want to add it as a reblog?
hey, thanks for this ask! It's always nice to have someone that wants to know my thoughts. I'd love to know yours on the subject too!
Okay super long text post under the cut
On “Suicide” 1956 and 1970
My interpretation of the meaning of Paul’s early song “Suicide” and its purpose on his debut solo album
The verse Paul had written in 1956 goes,
“If when she tries to run away
And he calls her back, she comes.
If there’s a next time, he’s okay
Cause she’s under both his thumbs.
She'll limp along to his side
Singing a song of ruin. I’d
Bet he says nothin’ doin’
I, I’d call it suicide.”
The song’s protagonist can’t leave an abusive relationship. The abuser knows it doesn’t matter what they do, the protagonist will always come back. Even when they’re limping, even when they vocalize their knowledge that this relationship is damaging, they’ll always come back, and the abuser is nonchalant. In the end,the singer likens the protagonist’s return to the relationship to suicide.
Just as the woman in the song is under her husband’s thumb, around the time this was written, Paul was very much under his father’s thumb. This was not due to any lack of self-direction or courage on his part. Jim was physically abusive (like the husband in the song) an addict, extremely controlling, and emotionally both unavailable and volatile. Still, in the same way that the woman in the song always goes back to her husband, Paul loved his father. It’s likely that Paul’s unusual degree of deference to his father was a combination of self-preservation and a genuine desire to help and please his father. Jim was also honest and well-liked, a lot of fun, intelligent, talented, a buyer of wonderful presents, and a supporter of Paul as a musician, and Paul felt great admiration and gratitude to Jim. And yet, Paul is not only the protagonist of “Suicide.” He’s also the singer. And the singer knows this relationship is destructive – bad enough to be likened to deadly.
So, “Suicide” is about Paul’s relationship with his father.
Enter John Lennon. Based on John’s perfect knowledge of “I lost my little girl” a full dozen years after being first shown it, I’m inclined to believe John was fully acquainted with the song “Suicide” and though I think pigs would fly before Paul would discuss its meaning with John, it’s not unlikely that he had his guesses.
It is also my tentative belief (based on the wording of the quote in which John talks about Paul and Jim and the issues with control and violence, the fact that John hit a lot of people, but never Paul, and the documented fact that John Lennon is intensely perceptive when it comes to Paul McCartney) that John knew Jim hit Paul. John hated Jim for all the same reasons Paul obeyed him. He hated that Jim was abusive, and he hated that Paul loved him. But. And here’s where I might be stepping on some toes. John and Jim share some important similarities.
Positives first. Both men are praised for being honest to a fault (Jim owning up to gambling debts and John being open and brash in interviews). Both are well-liked by almost everyone who knew them (People go on and on about what a gentleman Jim was, what a stand-up guy. People always think they’re John’s best friend after spending three hours with him) Both recognize Paul’s talent and give him the support he needs to pursue it (John obviously to a much higher degree) Both are described as being the life of the party and the center of attention.
Now negatives. Both men are highly susceptible to addiction. Both men pressured Paul about his lifestyle. Both are known to have been violent toward people they loved (although John was never violent toward Paul. This is important, and will be revisited). Both men had difficulty controlling their emotions or expressing them in a healthy way.
John eventually won his battle with Jim, as he states very proudly that Paul chose him in the end. He stood up to his father, as John claims he constantly begged him to do, and cast his lot with John, their partnership and their music. And, obviously, it was the right decision. Not only because it resulted in the greatest musical collaboration of all time, but because with John, Paul exchanged violence for softness. John was capable of a shocking level of care and tenderness, and for many years that was absolutely lavished on Paul. And I think they were both privately proud of that fact.
Jump to late 1969 / early 1970. John’s actions during the divorce (forcing Allen Klein – another violent and controlling man – on Paul, manipulating – self-admitedly – George and Ringo into turning against Paul, threatening – accidentally or on purpose – to treat Paul the way he’d treated Cynthia in their divorce, etc.) were hurtful enough to Paul that he was, in fact, suicidal (barely finding the strength not to suffocate himself in his pillow, taking way too much of everything, half-hoping he’ll overdose) and when he is finally pulling himself up again, he’s ignoring all John’s attempts to get him to come back (songs, interviews, letters, post-cards).
He puts out his debut solo album, the content of which makes John angry, though to an outsider, there doesn’t seem to be much there in the way of messaging.
Here’s what we get of “Suicide” a the end of “Glasses”, right before “Junk”
“ . . . song of ruin, I’d
Bet he says nothin’ doin’
I’d”
The part Paul chose to include was the abuser’s shrugging lack of surprise that the protagonist has returned, yet again, despite their knowledge that they’re walking back into abuse. I believe Paul’s message to John here is this: You were the one who taught me that there is a certain level of treatment I should expect from people who say they love me. Now that you’re the one who’s hurt me, you have to deal with what you’ve created. I’m not just going to come back to you with my tail between my legs and act like nothing happened. You taught me better than that. I’m really leaving. We’re really over.
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chemicalbrew · 2 years
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i hope you have a great birthday!
wahoo!
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pesticidepvnk · 1 month
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the amount of attention i get on my art is horrifying thanks everyone
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drac-onion · 8 months
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ya'll need to chill
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astraldes · 2 months
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Another year of a wonderful partnership (Happy birthday Ink!)
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tubbytarchia · 6 months
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Sorry, last one, swear!! I'll try and finish this by the 10th and then I will leave you all alone. I'm experiencing some long missed joy in creating this, please forgive my impatient excitement
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sk3tch404 · 2 years
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Your art is more on the cute side imo, but I also find most 'creepy' things cute these days. It still looks great either way though <333
-Ren'py anon
Aw thanks Renpy anon :)
I just wanted some confirmation because I'm not so sure of my own art at times ^^
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itsnicsalad · 7 months
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waffles👍 i cant remember the last time i drew the emerald trio by themselves lol
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larabar · 2 months
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first page doodle requests!!!!!! wow guys the superpower of teamwork really works have you seen this
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closeups ^^
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leupagus · 5 months
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Guys I Might Have Three Nickels
I've been watching "Agatha Christie's Marple" for the past few days and it's pretty good! Marple adaptations all tend to have a better caliber of actors than a lot of bog-standard mystery shows (looking at you, "Madame Blanc"), and while Joan Hickson's Marple is right up there with David Suchet's Poirot and Jeremy Brett's Holmes as "literally can never be beaten, these are the best anyone's done it," both Geraldine McEwan and Julia McKenzie do a fantastic job as Miss Marple.
Then I got to "The Secret of Chimneys," Season 5 episode 2
and guys
Guys
So there's a murder of a viscount, like there is, and this detective Finch rolls up and immediately spots Miss Marple (in her NIGHTIE! standing at the window like some kind of hussy, honestly Jane) and doffs his cap to her with that little smile that makes you go, "huh."
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At this point I've watched a couple dozen Miss Marple episodes where she goes through detectives like wildfire and this guy's supposed to be a "*guru*" so I'm expecting some battle of the egos or something and like, Stephen Dillane is great! But bleh, I might have to skip this one.
Then my dude asks Miss Marple to SHOW HIM THE BODY, with a pleased little smile at her as she goes "uhhhhhhhh but my knitting?" (He even does that thing where you use someone's honorific and wait for them to give you their name, and that's when I was like "ohhh this bitch knows exactly who she is.") What follows is what I can only describe as a meet-cute in the secret passageway where the viscount was shot (and in fact the body is STILL THERE) and where Miss Marple literally asks the police equivalent of "is there a Mrs Finch" and he looks at her like this:
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At which point I'm like "ohhh my dude not only knows who she is, he deliberately came here without a sergeant so he could draft her," and sure enough he just starts...handing her pieces of evidence like "hey babe can you decipher this note for me thanks love you" while Miss Marple is like, "this approval and camaraderie coming from a cop... not sure if want."
Next is a series of romantic strolls through the gardens while they discuss murder, during which Finch reveals his undying love I mean his research into Miss Marple and the "dozen case files" of her previous exploits that he's collected like some deranged fanboy. Miss Marple responds to this by BLUSHING LIKE A SCHOOLGIRL and stammering about how pish tosh it's nothing really, and I couldn't find a gif of it but he's staring at her like this:
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Yeah I bet u r tempted
He also makes a half-hearted attempt at negging her "amateur sleuth" status, only to then immediately assure her that he makes like, so much money being a big fancy detective and can keep her in all the yarn and garden seed she could ever desire.
There's also a late-night tryst at the compost pile right after Finch has been (mildly) poisoned and Miss Marple is like "men are so weak" as she roots through the garbage for clues.
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Not how he wanted their first date to go D:
The next morning there's another murder which: bummer, but also allows the two of them to read love letters together and for Finch to give Miss Marple the following look as she explains how secret assignations among lovers can "quicken the ardor":
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Miss Marple then goes onto solve the murders and btw hands over the priceless diamond that's been literally missing for two literal decades that she found in her spare time. The entire scene features Finch looking at her like this:
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After the dust settles, Finch and Miss Marple have a lovely moment where he calls himself "another one of your casualties," then super casually mentions that he's probably going to have to go on assignment to use the diamond in a daring international espionage case and I can't decide if he's asking Miss Marple to go with him or simply trying to show her that he is cool and smart and would make an excellent wife, but either way the episode ends with her turning him down and Jane, we need to talk about your priorities.
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Anyway I've already written 2K about the subsequent 10-year epistolary romance these two have following this episode because I make poor choices.
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lunarblazes · 1 year
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today martyn said that (in his canon) the watchers have been purposefully trying to keep grian from being boogey and he also said that grian, as a watcher, also feeds on the fear of the players. therefore it can be concluded that by depriving grian of the boogey curse the watchers are trying to starve him and keep down his power levels in this essay i will,
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dumblr-account · 7 months
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Linked Universe is not Linked Maze (Part Two)
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Well, if you insist…..
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Lost Child vs. Shy Bean
Part One
Request from @linked-maze
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kikicolors · 9 months
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🩸🌹
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mspaint-flower · 5 months
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HAPPY NEW FEAR EVERYONE!!!!!!!!!!!!! (it's in 4 hours for me but still)
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esprei · 3 months
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I'm pretty sure you could draw a stick figure and we'd all be like auw yesssss, look at it, esprei did a thing and it is beautiful.
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stick figures like this you mean? :D
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northstarscowboyhat · 29 days
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Hey, I got another thing for ya
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I like how their pony tail and poncho came out with this, and also their left hand since it just kinda vanishes for Star (it goes into his poncho, but his is bigger than Clover's so I had to find a workaround)
Also, how about them together?
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They are unstoppable, they WILL bring justice to evil doers!
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I WASN'T EXPECTING ANOTHER ONE OH MY GOODNESS-
YOU ABSOLUTELY KNOCKED THIS ONE OUT OF THE PARK this is so well done! I'm so glad you pointed out the ponytail and poncho as parts you were proud of because the movements on them are so well done and smooth!! My jaw actually dropped a little when I first opened this up!!
THEM SIDE BY SIDE MAKES ME SO HAPPY, THEY DO THE YEEHAW SNAP TOGETHER...... THAT IS SO CUTE You know Clover spent hours practicing to get it right. Thank you so so much for another wonderful sprite animation of my Clover design!! This is going right up on the metaphorical fridge in my computer for me to watch on loop for hours.
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