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#Semyon Bychkov
capn-o-my-soul · 8 months
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as a brass player I'm soooooo surprised you don't love mahler 3!! it has me in a chokehold... to be fair though I haven't listened to shosty 11 yet so I haven't voted yet :)
actually i do love mahler 3! i just happen to love shostakovich 11 more. it is just one of those symphonies that i can't listen to without crying. perhaps if i listened to mahler 3 as much as i listen to mahler 2 it would also be on the list
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Dvořák: Silent Woods, Op. 68/5, B.182 · Mischa Maisky · 
Orchestre de Paris · Semyon Bychkov
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atsoukalidis · 11 months
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Lovely piece of music evoking nostalgic memories of loved ones. Anne-Sophie Mutter - Bach: Adagio from Violin Concerto in E - Semyon Bychkov/Vienna Philharmonic
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Richard Strauss (1864-1949) : Daphne - Opera in 1 Act, Op. 82 - Mondlichtmusik ·
Renée Fleming ·
WDR Sinfonieorchester · Semyon Bychkov
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mariacallous · 2 years
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Russian soldiers have shot dead a Ukrainian musician in his home after he refused to take part in a concert in occupied Kherson, according to the culture ministry in Kyiv.
Conductor Yuriy Kerpatenko declined to take part in a concert “intended by the occupiers to demonstrate the so-called ‘improvement of peaceful life’ in Kherson”, the ministry said in a statement on its Facebook page.
The concert on 1 October was intended to feature the Gileya chamber orchestra, of which Kerpatenko was the principal conductor, but he “categorically refused to cooperate with the occupants”, the statement said.
Kerpatenko, who was also the principal conductor of Kherson’s Mykola Kulish Music and Drama Theatre, had been posting defiant messages on his Facebook page until May.
The Kherson regional prosecutor’s office in Ukraine has launched a formal investigation “on the basis of violations of the laws and customs of war, combined with intentional murder”. Family members outside Kherson lost contact with the conductor in September, it said.
Condemnation by Ukrainian and international artists was swift. “The history of Russia imposing a ‘comply or die’ policy against artists is nothing new. It has a history which spans for hundred of years,” said the Finnish-Ukrainian conductor Dalia Stasevska, who was scheduled to conduct the Last Night of the Proms at London’s Albert Hall last month before it was cancelled because of the Queen’s death.
“I have seen too much silence from Russian colleagues,” she said. “Would this be the time for Russian musicians, especially those living and working abroad, to finally step up and take a stand against the Russian regime’s actions in Ukraine?”
A fortnight ago Stasevska drove a truck of humanitarian supplies into Lviv from her home in Finland, before conducting the INSO-Lviv orchestra in a concert of Ukrainian contemporary music.
“We know the Russian regime is hunting activists, journalists, artists, community leaders, and anyone ready to resist the occupation,” said the prizewinning Ukrainian novelist turned war crimes investigator Victoria Amelina.
“Yet, even knowing the current pattern and history, we cannot and, more importantly, shouldn’t get used to hearing about more brutal murders of a bright, talented, brave people whose only fault was being Ukrainian.”
She drew a parallel between Kerpatenko and Mykola Kulish, the Ukrainian playwright after whom the theatre where the conductor worked is named.
“Kulish was shot on 3 November 1937, near Sandarmokh, with 289 other Ukrainian writers, artists and intellectuals. Yuriy Kerpatenko was shot in his home in Kherson in October 2022,” she said.
The Russians’ actions were “pure genocide”, said the conductor Semyon Bychkov from Paris, where he was performing as music director of the Czech Philharmonic. The St Petersburg-born conductor left Russia as a young man in the 1970s.
“The tragic irony of this is that talk about the superiority of Russian culture, its humanism,” he said. “And here they murdered someone who is actually bringing beauty to people’s lives. It is sickening.
“The bullets don’t distinguish between people. It didn’t make me feel worse that this man was a conductor, it just confirmed the pure evil that’s been going on even before the first bombs fell on Ukraine.”
The novelist Andrey Kurkov, author of Death and the Penguin, said: ““Now the name of Yuriy Kerpatenko will be added to the list of murdered artists of Ukraine. I increasingly think that Russia is not only seeking to occupy Ukrainian territories, but also diligently destroying Ukrainian identity, an important part of which is Ukrainian culture.”
Ukrainian author Oleksandr Mykhed, who joined the military at the outbreak of the war, and whose home was destroyed by Russian shelling, said: “Russia is trying to reconstruct the Soviet Union in the occupied territories. To reconstruct something improbable.
“One of the key components of Soviet policy was the destruction of culture of the enslaved countries. Murder of cultural figures, purging of libraries, banning of national languages.
“The modern occupiers are fully following this strategy. Destroying culture, sports, education.
“And when our territories are deoccupied, we will learn about dozens and hundreds of such terrible stories. Stories of destruction and heroic resistance.”
“It is absolutely terrifying,” said chief stage director of Kyiv’s National Opera of Ukraine, Anatoliy Solovianenko. “Whether he was a doctor, or a worker, or an artist, it makes no difference. He was a human, and he refused to comply.”
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nichokas · 9 months
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sonyclasica · 10 months
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SUMMER NIGHT CONCERT 2023
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SUMMER NIGHT CONCERT 2023 CON YANNICK NÉZET-SÉGUIN, LA MEZZOSOPRANO ELÏNA GARANČA Y LA FILARMÓNICA DE VIENA
Sony Classical se complace en anunciar el lanzamiento en DVD y Blue-Ray del Summer Night Concert 2023 con la Filarmónica de Viena junto al director Yannick Nézét-Séguin y la Mezzo-soprano Elīna Garanča como solista. Disponible el 14 de julio.
Consíguelo AQUÍ
El Summer Night Concert ya disponible también en CD y digital, tuvo lugar el día 8 de junio de, 2023. Se trata de un acontecimiento anual al aire libre, que se celebra desde 2008. El parque del Palacio de Schönbrunn, en Viena/Austria, se convierte en el mágico escenario del concierto. Han dirigido en años anteriores la orquesta grandes directores como Georges Prêtre, Daniel Barenboim, Franz Welser-Möst, Lorin Maazel, Christoph Eschenbach, Zubin Mehta, Semyon Bychkov, Gustavo Dudame, Daniel Harding y Andris Nelsons.
El evento fue presentado por primera vez por el maestro Yannick Nézet-Séguin y la mezzosoprano Elīna Garanča, que interpretaron tres arias de Carmen de Georges Bizet, Sapho de Charles Gounod y Samson et Dalila de Camille Saint-Saëns.  También se estrenó una composición de Lili Boulanger, una conmovedora representación de la naturaleza realizada por la joven compositora que se convirtió en la primera mujer ganadora del prestigioso Premio de Roma en 1913.
El programa de este año contó con la presencia de la mezzo-soprano letona Elīna Garanča, que participó por primera vez en el Concierto Nocturno de Verano. Elīna Garanča se ha consolidado como una de las principales estrellas del mundo de la música gracias a sus actuaciones con las principales compañías de ópera y orquestas sinfónicas de todo el mundo. Ha sido aclamada por la crítica y el público por su hermosa voz, su talento musical inteligente y sus fascinantes interpretaciones escénicas. Entre otros papeles, es especialmente famosa por su interpretación de la Carmen de Bizet, que ha cantado en la mayoría de los principales teatros, como el Royal Opera House Covent Garden, la Bayerische Staatsoper, el Palau de les Arts Reina Sofía de Valencia o el Metropolitan Opera, con gran éxito de crítica; el NY Times la nombró "la mejor Carmen en 25 años". Para ver su biografía completa, haz clic aquí.
El director canadiense Yannick Nézet-Séguin ha trabajado con varias de las principales orquestas del mundo y mantiene una estrecha colaboración con la Wiener Philharmoniker, la Berliner Philharmoniker, la Bayerischer Rundfunk Sinfonieorchester y la Orquesta de Cámara de Europa. En septiembre de 2018, Yannick Nézet-Séguin se convirtió en el tercer director musical de la Ópera Metropolitana de Nueva York. Director musical de la Orquesta de Filadelfia desde 2012, se convirtió en director artístico y musical en febrero de 2023 y renovó su contrato hasta 2030. Como director musical y director principal de la Orchestre Métropolitain de Montreal desde 2000, firmó un contrato "vitalicio" en 2019. Es director honorario de la Rotterdams Philharmonisch Orkest tras haber sido su director musical de 2008 a 2018. También es Miembro Honorario de la Orquesta de Cámara de Europa. Para ver su biografía completa, haz clic aquí.
TRACKLIST:
1. Georges Bizet, Suite Nr. 1 aus der Oper Carmen (Arreglo de Ernest Guiraud 1885)
             Nr. 5. Les Toréadors (Vorspiel zum 1. Akt)
             Nr. 2. Intermezzo (Vorspiel zum 3. Akt)
             Nr. 1a. Aragonaise (Vorspiel zum 4. Akt)
2. Georges Bizet, Habanera aus der Oper Carmen
3. Lili Boulanger, D‘un matin de printemps. Fassung für Orchester 1918
4. Hector Berlioz, Ouvertüre zur Oper Le Corsaire op. 21
5. Charles Gounod, „O ma lyre immortelle“ Arie aus der Oper Sapho
6. Maurice Ravel, Daphnis et Cloé. Suite Nr. 2
7. Camille Saint-Saëns, „Mon cœur s’ouvre à ta voix” Arie aus der Oper Samson et Dalila
8. Maurice Ravel, Bolero
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mrbacf · 1 year
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Veja "Mahler: Symphony No. 9 | Semyon Bychkov and the Czech Philharmonic" no YouTube
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kunstplaza · 2 years
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elgallinero · 2 years
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La Musica e Vita
La Musica e Vita
I used Shazam to discover 1. Pezzo In Forma Di Sonatina: Andante Non Troppo-Allegro Moderato by Berliner Philharmoniker & Semyon Bychkov. https://www.shazam.com/track/299148595/1-pezzo-in-forma-di-sonatina-andante-non-troppo-allegro-moderato?referrer=share
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johnjpuccio · 2 years
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Review of "Mahler: Symphony No. 4." Semyon Bychkov, Czech Philharmonic. Pentatone PTC 5186 972
During his career Gustav Mahler (1860-1911) wrote nine symphonies. Or ten if you count his final, unfinished symphony. Or eleven if you count his unnumbered symphony Das Lied von der Erde (“The Song of the Earth”). Whatever, judging by the number of recordings available, Nos. 1 and 4 are among the most popular. They are also his shortest symphonies and some of his most accessible, which could account for their allure, and this is disregarding the unfavorable reception No. 4 had upon its premiere in 1901.
To read the full review, click here:
John J. Puccio, Classical Candor
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aschenblumen · 3 years
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York Höller, Der ewige Tag. Textos de Georg Heym. Semyon Bychkov, director
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warningsine · 6 years
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Max Bruch (1838-1920) : Concerto for 2 Pianos and Orchestra, Op. 88a -
3. Adagio ma non troppo ·
Katia Labèque · Marielle Labèque · Philharmonia Orchestra · Semyon Bychkov
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dare-g · 2 years
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Peculiarities of the National Hunt (1995)
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svensklangblr · 7 years
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(not to brag but i literally am seeing mozart’s 3rd violinconcert and tchaikovsky’s 2nd symphony this thursday)
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