Montreux, Chemin de fer Territet-Glyon aux Rochers de Naye, par Peter Balzer, 1893.
3 notes
·
View notes
ERÖFFNUNG: 7. Oktober 2022 |
18:00
- 23:00 Uhr
LAUFZEIT: 08.10.2022 -
06.11.2022
ÖFFUNGSZEITEN: Werktags, nach Vereinbarung
KURATIERT VON: Andreas Hachulla
ORT: SCHAU FENSTER, Lobeckstr. 30-35 (U8/M29 Moritzplatz), Raum fur Kunst 10969 Berlin
DANK: Jan Kage, Lukasz Furs, Thomas Mahmoud, Carla Frieling
KONTAKT: SCHAU FENSTER, Lobeckstr. 30-35 (U8/M29 Moritzplatz), Raum fur Kunst 10969 Berlin, www.dasarty.com
Rozbeh Asmani / Balzer Balzer / Lacy Barry / Hauke Beck / Sebastian Blinde / Birte Bosse / Başak Çalişir / Senem Denli / Stephanie Dost / Dogan Dogan / Ismael Duá / Margret Eicher / Mischa Fanghaenel / Jay Gard / Sebastian Gögel / Bhima Griem / Bianca Gröger / Roswitha Grüttner / Mylasher / Franziska Güttler / Andreas Hachulla / Ulrich Hachulla / Marc Haselbach / Paul Philipp Heinze / Fleur Helluin / Bernhard Holaschke / Franziska Holstein / Gabriela Jolowicz / Thomas Judisch / Andy Kania / Sebastian Kiss / Alexander Knopf / anna.k.o. / Matthias Krause / Lena Kunz / Marian Luft / Johannes Makolies / Veronica Manchego / Alina Mann / Rosa Merk / Enrico Meyer / Sascha Mikloweit / Adrian Mudder / OODD Studios / Susanne Ostwald / Manfred Peckl / Peter Piek / Jirka Pfahl / Günter Pfeifer / Aram Radomski / Nadja Schütt / Semra Sevin / Ronny Szillo / Christian Thoelke / Philip Topolovac / Emmanuelle Wilhelm / Martin Ziegler
3 notes
·
View notes
The Bridge (Bernhard Wicki, 1959)
Cast: Folker Bohnet, Fritz Wepper, Michael Hinz, Frank Glaubrecht, Karl Michael Balzer, Volker Lechtenbrink, Günther Hoffmann, Cordula Trantow, Wolfgang Stumpf, Günter Pfitzmann, Heinz Spitzner, Siegfried Schürenberg, Edith Schultze-Westrum, Ruth Hausmeister, Eva Waiti, Hans Elwenspoek, Trude Breitschopf, Hans Hellmold, Edeltraut Elsner, Inge Benz. Screenplay: Michael Mansfeld, Karl-Wilhelm Vivier, Bernhard Wicki, based on a novel by Manfred Gregor. Cinematography: Gerd von Bonin. Production design: Heinrich Graf Brühl, Peter Scharff. Film editing: Carl Otto Bartning. Music: Hans-Martin Majewski.
Something of a landmark in the revival of German filmmaking before the burst of creativity wrought by Volker Schlöndorff, Werner Herzog, Rainer Werner Fassbinder, and others in the 1960s and '70s, The Bridge is an appropriate title in that it not only looks back to what Germany was during the war, but also suggests some of the trauma that lingered into the increasingly affluent present. The decimation and psychic mutilation of the generation that came of age during the war is the film's central subject. It focuses on seven young men, still in their teens, in the final days of the Third Reich, inspired by the dream of military glory but undermined by the incompetence of the remnants of the Wehrmacht, facing a defeat it cannot admit is coming. The boys have grown up together in the same town, and they all receive their draft notices on the same day. But a well-meaning officer decides not to send these raw draftees into the heat of battle but to give them a nonsensical task: defending the bridge across the river near their town -- even though the bridge is slated to be blown up as a deterrent to the advancing Allies. It will keep them out of harm's way, the officer thinks. But communications wires get crossed and the boys on the bridge never get the message to retreat. Instead, they die "heroically," doing all the right things -- including blowing up an Allied tank -- as they make their futile stand. The story, from the novel by Gregor Dorfmeister, under his pseudonym Manfred Gregor, is based on a real event told to Dorfmeister by one of the survivors. The film is full of well-staged action and an effective re-creation of the real setting which had been completely transformed in the years since the war ended. The interaction between the boys and their families is touching without slopping over into mawkishness.
4 notes
·
View notes
Amari and the Night Brothers by B.B. Alston
A world filled with magic is unraveled in Amari and the Night Brothers by B.B. Alston, one of the picks for the 2022-2023 Bluebonnet Awards. The story follows twelve-year-old Amari Peters, a young girl who is actively searching for her older brother who disappeared under mysterious circumstances. When she receives an invitation to interview for a spot at the prestigious summer camp her brother attended every year, she jumps at the chance to hopefully find out more information about what happened to Quinton. But as Amari dives into a magical world that her brother was involved in, and that she didn’t even know existed, she finds out that things are not always what they seem. It’s up to Amari to help bring down an evil force that is putting the magical world in danger, all while trying to desperately to bring her Quinton back safely.
I chose this book because I love fantasy and I’ve heard great things about it. I’ve also been wanting to read more books with characters from different backgrounds than my own, and this book is a great candidate for that. I thought this book offers great representation for the Black community and Amari proves to be a character that young Black girls can look up to or relate to.
One of my favorite things about this book was the pacing. There was a lot going on, but in a good way. It didn’t drag and I never felt bored while listening to the audiobook. The story was fast paced, which I think is perfect for kids since their attention spans are not as long as adults. Magical elements were constantly being introduced, which helped move the plot along.
I also loved the characters in the story. So many different personalities were introduced, like the smart and critical thinking Elsie, the mean and popular Lara, and the brave and headstrong Amari. The characters balanced each other out and their differences was a nice touch to the plot. I don’t like it when characters are hard to tell apart or blend together, but that wasn’t the case here. Each character brought something different to the table and really helped Amari on her quest to save the secret magic world.
Finally, the point of view really made this book for me. These days representation is very important, and that’s exactly what B.B. Alston did when he wrote this novel. Amari Peters brings a breath of fresh air to the middle grade fantasy genre. I think I can count on one hand the number of popular series I know of that include a Black child as the main character. There are many moments where Amari shares the struggles she’s grown up with, like living in the projects or having close friends that have chosen to go down the wrong path by joining gangs. This type of perspective is usually never shared in the fantasy genre. Some may argue that it’s not necessary, but I think it is if we want children who come from this background to see themselves in the books they read.
I thought this book was amazing and cannot wait to read the second in the series. The plot is filled with action, magical elements, humor, and drama. As a fourth grade reading teacher, I feel compelled to recommend this book to all my students as I think it’s perfect for their age group. I give this book five out of five stars.
Alston, B. B. (2022, January 4). Amari and the Night Brothers (Supernatural Investigations, 1). Balzer + Bray.
0 notes
FAITH: GREATER HEIGHTS
by Julie Murphy
Faith #2
(Balzer + Bray, 11/2/21)
9780062899682
Add to Goodreads
Purchase from Bookshop
.
Series
1. Faith: Taking Flight
Faith Herbert can finally admit that she’s not a regular teen. Thankfully, her two best friends, Matt and Ches, are now in on her superhero secret. But after the chaos of her first semester, Faith just wants to end her senior year on a normal note—enjoying all the hallmarks of graduating high school—like prom! And, possibly, getting to attend college in the fall.
A new teacher has taken over journalism class, and Faith is only occasionally reminded of the empty spot left by Colleen Bristow, the quiet nerd-turned-supervillain. That is, until Faith hears from Peter that other psiots have been going missing, and he suspects that her old classmate is somehow involved. Faith decides the only way to get to the bottom of it is to find Colleen—before enemies can get to her first.
As her search starts to collide with the memorable senior year she’s been hoping for, Faith learns that you gotta have faith…that sometimes fate will point you in the right direction.
2 notes
·
View notes
The kids have chosen their favorites!
Every year A2CAF concludes with the Kids’ Comics Awards ceremony, celebrating the creators of kids’ favorite comics. While we couldn’t gather this year, we still held the rounds of nominations and voting, and the kids have chosen their favorite comics of 2019:
Most Epic Adventure
The nominees were:
Glitch, by Sarah Graley (Graphix)
Mighty Jack and Zita the Spacegirl, by Ben Hatke (First Second)
Ghost Hog, by Joey Weiser (Oni Pres)
Marvel Rising: Heroes of the Round Table, by Roberto di Salvo and Nilah Magruder (Marvel)
Sea Sirens (A Trot & Cap'n Bill Adventure), by Amy Chu and Janet K. Lee (Viking Books for Young Readers)
EndGames (NewsPrints 2), by Ru Xu (Graphix)
And the kids chose...
Funniest Comic
The nominees were:
Dog Man: Fetch-22, by Dav Pilkey (Graphix)
Big Nate: Payback Time! by Lincoln Peirce (Andrews McMeel Publishing)
Star Wars: Jedi Academy: Attack of the Furball, by Amy Ignatow and Jarrett J. Krosoczka (Scholastic)
Peter & Ernesto: The Lost Sloths, by Graham Annable (First Second)
Bird & Squirrel: All Tangled Up, by James Burks (Graphix)
And the kids chose...
Favorite Author
The nominees were:
Jerry Craft
Gale Galligan
John Patrick Green
Shannon Hale and LeUyen Pham
And the kids chose...
Keepin' It Unreal (for sci-fi and fantasy)
The nominees were:
Making Friends: Back to the Drawing Board, by Kristen Gudsnuk (Graphix)
Pilu of the Woods, by Mai K. Nguyen (Oni Press)
Apocalypse Taco, by Nathan Hale (Amulet)
Emiline: Knight in Training, by Kimberli Johnson (Oni Press)
Hex Vet: The Flying Surgery, by Sam Davies (KaBOOM!)
The Midwinter Witch, by Molly Knox Ostertag (Graphix)
The Okay Witch, by Emma Steinkellner (Aladdin)
And the kids chose...
Keepin' It Real (for memoir and realistic fiction)
The nominees were:
Just Jaime, by Terri Libenson (Balzer + Bray)
White Bird: A Wonder Story, by R.J. Palacio (Knopf Books for Young Readers)
Activist: A Story of the Marjory Stoneman Douglas Shooting, by Lauren Elizabeth Hogg, Anthony Zuiker, and Don Hudson (Zuiker Press)
Click, by Kayla Miller (HMH Books for Young Readers)
Guts, by Raina Telgemeier (Graphix)
Karen's Witch, by Katy Farina (Graphix)
The Crossover, by Kwame Alexander and Dawud Anyabwile (HMH Books for Young Readers)
And the kids chose...
Favorite Nonfiction/Mythology Comic
The nominees were:
Great White Shark Adventure, by Fabien Cousteau, James O. Fraioli, and Joe St. Pierre (Margaret K. McElderry Books)
Science Comics: Cats: Nature and Nurture, by Andy Hirsch (First Second)
Science Comics: Wild Weather: Storms, Meteorology, and Climate, by MK Reed and Jonathan Hill (First Second)
Hephaistos: God of Fire, by George O'Connor (First Second)
Maker Comics: Bake Like a Pro! by Falynn Koch (First Second)
And the kids chose...
Tales of Friendship
The nominees were:
Sanity & Tallula: Field Trip, by Molly Brooks (Little, Brown Books for Young Readers)
Meg, Jo, Beth, and Amy, by Rey Terciero and Bre Indigo (Little, Brown Books for Young Readers)
Stargazing, by Jen Wang (First Second)
Geeky Fab 5 Vol. 2: Mystery of the Missing Monarchs, by Liz Lareau, Lucy Lareau, and Ryan Jampole (Papercutz)
Phoebe and Her Unicorn: Unicorn Bowling, by Dana Simpson (Andrews McMeel Publishing)
And the kids chose...
Congratulations to the winners! Be sure to cast your vote for your favorite comics of 2020 by checking back here in April of 2021!
6 notes
·
View notes
The 2019 Locus Award nominees: your guide to the best sf/f of 2018
Locus Magazine has published its annual Locus Award finalists, a shortlist of the best science fiction and fantasy of the past calendar year. I rely on this list to find the books I've overlooked (so. many. books.). This year's looks like a bumper crop.
Now that the finalists have been announced, Locus subscribers and others can cast their votes; the awards will be presented in Seattle during a weekend-long event that runs June 28-30, MC'ed by Connie Willis.
SCIENCE FICTION NOVEL
Record of a Spaceborn Few, Becky Chambers (Harper Voyager US; Hodder & Stoughton)
The Calculating Stars, Mary Robinette Kowal (Tor)
If Tomorrow Comes, Nancy Kress (Tor)
Revenant Gun, Yoon Ha Lee (Solaris US; Solaris UK)
Blackfish City, Sam J. Miller (Ecco; Orbit UK)
Embers of War, Gareth L. Powell (Titan US; Titan UK)
Elysium Fire, Alastair Reynolds (Gollancz; Orbit US)
Red Moon, Kim Stanley Robinson (Orbit US; Orbit UK)
Unholy Land, Lavie Tidhar (Tachyon)
Space Opera, Catherynne M. Valente (Saga)
FANTASY NOVEL
Lies Sleeping, Ben Aaronovitch (DAW; Gollancz)
Foundryside, Robert Jackson Bennett (Crown; Jo Fletcher)
The Monster Baru Cormorant, Seth Dickinson (Tor)
Deep Roots, Ruthanna Emrys (Tor.com Publishing)
Ahab’s Return, Jeffrey Ford (Morrow)
European Travel for the Monstrous Gentlewoman, Theodora Goss (Saga)
The Mere Wife, Maria Dahvana Headley (MCD)
The Wonder Engine, T. Kingfisher (Argyll Productions)
Spinning Silver, Naomi Novik (Del Rey; Macmillan)
Creatures of Want and Ruin, Molly Tanzer (John Joseph Adams)
HORROR NOVEL
In the Night Wood, Dale Bailey (John Joseph Adams)
Unlanguage, Michael Cisco (Eraserhead)
We Sold Our Souls, Grady Hendrix (Quirk)
Coyote Songs, Gabino Iglesias (Broken River)
The Hunger, Alma Katsu (Putnam; Bantam Press UK)
The Outsider, Stephen King (Scribner; Hodder & Stoughton)
The Listener, Robert McCammon (Cemetery Dance)
Cross Her Heart, Sarah Pinborough (HarperCollins UK/Morrow)
The Cabin at the End of the World, Paul Tremblay (Morrow; Titan UK)
Tide of Stone, Kaaron Warren (Omnium Gatherum)
YOUNG ADULT BOOK
The Gone Away Place, Christopher Barzak (Knopf)
The Cruel Prince, Holly Black (Little, Brown; Hot Key)
The Belles, Dhonielle Clayton (Freeform; Gollancz)
Tess of the Road, Rachel Hartman (Random House)
Dread Nation, Justina Ireland (Balzer + Bray)
Cross Fire, Fonda Lee (Scholastic)
The Agony House, Cherie Priest & Tara O’Connor (Levine)
Half-Witch, John Schoffstall (Big Mouth House)
Impostors, Scott Westerfeld (Scholastic US; Scholastic UK)
Mapping the Bones, Jane Yolen (Philomel)
FIRST NOVEL
Children of Blood and Bone, Tomi Adeyemi (Henry Holt; Macmillan)
Semiosis, Sue Burke (Tor)
Armed in Her Fashion, Kate Heartfield (ChiZine)
The Poppy War, R.F. Kuang (Harper Voyager US; Harper Voyager UK)
The Quantum Magician, Derek Künsken (Solaris US; Solaris UK)
Annex, Rich Larson (Orbit US)
Severance, Ling Ma (Farrar, Straus, Giroux)
Witchmark, C.L. Polk (Tor.com Publishing)
Trail of Lightning, Rebecca Roanhorse (Saga)
Empire of Sand, Tasha Suri (Orbit US; Orbit UK)
NOVELLA
The Black God’s Drums, P. Djèlí Clark (Tor.com Publishing)
The Tea Master and the Detective, Aliette de Bodard (Subterranean)
“Umbernight“, Carolyn Ives Gilman (Clarkesworld 2/18)
Black Helicopters, Caitlín R. Kiernan (Tor.com Publishing)
Time Was, Ian McDonald (Tor.com Publishing)
Gods, Monsters, and the Lucky Peach, Kelly Robson (Tor.com Publishing)
The Freeze-Frame Revolution, Peter Watts (Tachyon)
Artificial Condition, Martha Wells (Tor.com Publishing)
Rogue Protocol, Martha Wells (Tor.com Publishing)
The Descent of Monsters, JY Yang (Tor.com Publishing)
NOVELETTE
“The Donner Party”, Dale Bailey (F&SF 1–2/18)
“Okay, Glory”, Elizabeth Bear (Twelve Tomorrows)
“No Flight Without the Shatter“, Brooke Bolander (Tor.com 8/15/18)
The Only Harmless Great Thing, Brooke Bolander (Tor.com Publishing)
“The Last Banquet of Temporal Confections“, Tina Connolly (Tor.com 7/11/18)
“An Agent of Utopia”, Andy Duncan (An Agent of Utopia)
“Queen Lily“, Theodora Goss (Lightspeed 11/18)
“Nine Last Days on Planet Earth“, Daryl Gregory (Tor.com 9/19/18)
“Quality Time”, Ken Liu (Robots vs Fairies)
“How to Swallow the Moon“, Isabel Yap (Uncanny 11–12/18)
SHORT STORY
“The Secret Lives of the Nine Negro Teeth of George Washington“, Phenderson Djèlí Clark (Fireside 2/18)
“The Bookcase Expedition”, Jeffrey Ford (Robots vs Fairies)
“STET“, Sarah Gailey (Fireside 10/18)
“A Witch’s Guide to Escape: A Practical Compendium of Portal Fantasies“, Alix E. Harrow (Apex 2/6/18)
“Cuisine des Mémoires”, N.K. Jemisin (How Long ’til Black Future Month?)
“The Storyteller’s Replacement”, N.K. Jemisin (How Long ’til Black Future Month?)
“Firelight“, Ursula K. Le Guin (Paris Review Summer ’18)
“The Starship and the Temple Cat“, Yoon Ha Lee (Beneath Ceaseless Skies 2/1/18)
“Mother of Invention“, Nnedi Okorafor (Future Tense)
“The Court Magician“, Sarah Pinsker (Lightspeed 1/18)
ANTHOLOGY
The Best Horror of the Year Volume Ten, Ellen Datlow, ed. (Night Shade)
The Book of Magic, Gardner Dozois, ed. (Bantam; Harper Voyager UK)
The Year’s Best Science Fiction: Thirty-fifth Annual Collection, Gardner Dozois, ed. (St. Martin’s Griffin)
Worlds Seen in Passing, Irene Gallo, ed. (Tor.com Publishing)
The Best American Science Fiction and Fantasy 2018, N.K. Jemisin & John Joseph Adams, eds. (Mariner)
Robots vs Fairies, Dominik Parisien & Navah Wolfe, eds. (Saga)
The Best Science Fiction & Fantasy of the Year, Volume Twelve, Jonathan Strahan, ed. (Solaris US; Solaris UK)
Infinity’s End, Jonathan Strahan, ed. (Solaris US; Solaris UK)
The Underwater Ballroom Society, Tiffany Trent & Stephanie Burgis, eds. (Five Fathoms)
The Future Is Female!, Lisa Yaszek, ed. (Library of America)
COLLECTION
The Tangled Lands, Paolo Bacigalupi & Tobias S. Buckell (Saga)
Brief Cases, Jim Butcher (Ace; Orbit UK)
An Agent of Utopia, Andy Duncan (Small Beer)
How Long ’til Black Future Month?, N.K. Jemisin (Orbit US; Orbit UK)
The Dinosaur Tourist, Caitlín R. Kiernan (Subterranean)
Fire & Blood, George R.R. Martin (Bantam; Harper Voyager UK)
All the Fabulous Beasts, Priya Sharma (Undertow)
The Future Is Blue, Catherynne M. Valente (Subterranean)
Starlings, Jo Walton (Tachyon)
How to Fracture a Fairy Tale, Jane Yolen (Tachyon)
MAGAZINE
Analog
Asimov’s
Beneath Ceaseless Skies
Clarkesworld
F&SF
Fireside
Lightspeed
Strange Horizons
Tor.com
Uncanny
PUBLISHER
Angry Robot
Baen
DAW
Gollancz
Orbit
Saga
Small Beer
Subterranean
Tachyon
Tor
EDITOR
John Joseph Adams
Neil Clarke
Ellen Datlow
Gardner Dozois
C.C. Finlay
Jonathan Strahan
Lynne M. Thomas & Michael Damian Thomas
Ann & Jeff VanderMeer
Sheila Williams
Navah Wolfe
ARTIST
Kinuko Y. Craft
Galen Dara
Julie Dillon
Leo & Diane Dillon
Bob Eggleton
Victo Ngai
John Picacio
Shaun Tan
Charles Vess
Michael Whelan
NON-FICTION
Space Odyssey: Stanley Kubrick, Arthur C. Clarke, and the Making of a Masterpiece, Michael Benson (Simon & Schuster)
Sense of Wonder: Short Fiction Reviews (2009-2017), Gardner Dozois (ReAnimus)
Strange Stars, Jason Heller (Melville House)
Dreams Must Explain Themselves: The Selected Non-Fiction of Ursula K. Le Guin, Ursula K. Le Guin (Gollancz)
Ursula K. Le Guin: Conversations on Writing, Ursula K. Le Guin & David Naimon (Tin House)
Old Futures: Speculative Fiction and Queer Possibility, Alexis Lothian (NYU Press)
Tolkien: Maker of Middle-earth, Catherine McIlwaine, ed. (Bodleian Library)
Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction, Alec Nevala-Lee (Dey Street)
None of This Is Normal: The Fiction of Jeff VanderMeer, Benjamin J. Robertson (University of Minnesota Press)
An Informal History of the Hugos: A Personal Look Back at the Hugo Awards, 1953-2000, Jo Walton (Tor)
ART BOOK
Yoshitaka Amano, Yoshitaka Amano: The Illustrated Biography – Beyond the Fantasy, Florent Gorges (Les Éditions Pix’n Love 2015; Dark Horse)
Spectrum 25: The Best in Contemporary Fantastic Art, John Fleskes, ed. (Flesk)
John Howe, A Middle-earth Traveler: Sketches from Bag End to Mordor (Houghton Mifflin Harcourt; HarperCollins UK)
Jeffrey Alan Love, The Thousand Demon Tree (Flesk)
Simon Stålenhag, The Electric State (Fria Ligan ’17; Skybound)
Shaun Tan, Cicada (Lothian; Levine ’19)
Charles Vess, The Books of Earthsea: The Complete Illustrated Edition, Ursula K. Le Guin (Saga)
Michael Whelan, Beyond Science Fiction: The Alternative Realism of Michael Whelan (Baby Tattoo)
Dungeons & Dragons Art and Arcana: A Visual History, Michael Witwer, Kyle Newman, Jon Peterson, & Sam Witwer (Ten Speed)
Lisbeth Zwerger, The Tales of Beedle the Bard, J.K. Rowling (Levine)
https://boingboing.net/2019/05/07/futures-of-the-past-year.html
32 notes
·
View notes
Lavie Tidhar, Peter Watts, Jo Walton, Jane Yolen, and Tachyon itself are all Locus Award finalists
The finalists for the 2018 Locus Awards were announced. Lavie Tidhar’s UNHOLY LAND, Peter Watts’ THE FREEZE-FRAME REVOLUTION, Jo Walton’s STARLINGS (as well as An Informal History of the Hugos), Jane Yolen’s HOW TO FRACTURE A FAIRY TALE (as well as Mapping the Bones), and Tachyon Publications itself all received nominations. Many Tachyon authors, editors, and artists received notice including John Joseph Adams, Ellen Datlow, Daryl Gregory, Caitlín R. Kiernan, Nancy Kress, John Picacio, Alastair Reynolds, Ann & Jeff VanderMeer, Charles Vess, Michael Whelan, and Sheila Williams.
Congratulations to all the finalists.
SCIENCE FICTION NOVEL
Record of a Spaceborn Few, Becky Chambers (Harper Voyager US; Hodder & Stoughton)
The Calculating Stars, Mary Robinette Kowal (Tor)
If Tomorrow Comes, Nancy Kress (Tor)
Revenant Gun, Yoon Ha Lee (Solaris US; Solaris UK)
Blackfish City, Sam J. Miller (Ecco; Orbit UK)
Embers of War, Gareth L. Powell (Titan US; Titan UK)
Elysium Fire, Alastair Reynolds (Gollancz; Orbit US)
Red Moon, Kim Stanley Robinson (Orbit US; Orbit UK)
UNHOLY LAND, Lavie Tidhar (Tachyon)
Space Opera, Catherynne M. Valente (Saga)
FANTASY NOVEL
Lies Sleeping, Ben Aaronovitch (DAW; Gollancz)
Foundryside, Robert Jackson Bennett (Crown; Jo Fletcher)
The Monster Baru Cormorant, Seth Dickinson (Tor)
Deep Roots, Ruthanna Emrys (Tor.com Publishing)
Ahab’s Return, Jeffrey Ford (Morrow)
European Travel for the Monstrous Gentlewoman, Theodora Goss (Saga)
The Mere Wife, Maria Dahvana Headley (MCD)
The Wonder Engine, T. Kingfisher (Argyll Productions)
Spinning Silver, Naomi Novik (Del Rey; Macmillan)
Creatures of Want and Ruin, Molly Tanzer (John Joseph Adams)
HORROR NOVEL
In the Night Wood, Dale Bailey (John Joseph Adams)
Unlanguage, Michael Cisco (Eraserhead)
We Sold Our Souls, Grady Hendrix (Quirk)
Coyote Songs, Gabino Iglesias (Broken River)
The Hunger, Alma Katsu (Putnam; Bantam Press UK)
The Outsider, Stephen King (Scribner; Hodder & Stoughton)
The Listener, Robert McCammon (Cemetery Dance)
Cross Her Heart, Sarah Pinborough (HarperCollins UK/Morrow)
The Cabin at the End of the World, Paul Tremblay (Morrow; Titan UK)
Tide of Stone, Kaaron Warren (Omnium Gatherum)
YOUNG ADULT BOOK
The Gone Away Place, Christopher Barzak (Knopf)
The Cruel Prince, Holly Black (Little, Brown; Hot Key)
The Belles, Dhonielle Clayton (Freeform; Gollancz)
Tess of the Road, Rachel Hartman (Random House)
Dread Nation, Justina Ireland (Balzer + Bray)
Cross Fire, Fonda Lee (Scholastic)
The Agony House, Cherie Priest & Tara O’Connor (Levine)
Half-Witch, John Schoffstall (Big Mouth House)
Impostors, Scott Westerfeld (Scholastic US; Scholastic UK)
Mapping the Bones, Jane Yolen (Philomel)
FIRST NOVEL
Children of Blood and Bone, Tomi Adeyemi (Henry Holt; Macmillan)
Semiosis, Sue Burke (Tor)
Armed in Her Fashion, Kate Heartfield (ChiZine)
The Poppy War, R.F. Kuang (Harper Voyager US; Harper Voyager UK)
The Quantum Magician, Derek Künsken (Solaris US; Solaris UK)
Annex, Rich Larson (Orbit US)
Severance, Ling Ma (Farrar, Straus, Giroux)
Witchmark, C.L. Polk (Tor.com Publishing)
Trail of Lightning, Rebecca Roanhorse (Saga)
Empire of Sand, Tasha Suri (Orbit US; Orbit UK)
NOVELLA
The Black God’s Drums, P. Djèlí Clark (Tor.com Publishing)
The Tea Master and the Detective, Aliette de Bodard (Subterranean)
“Umbernight“, Carolyn Ives Gilman (Clarkesworld 2/18)
Black Helicopters, Caitlín R. Kiernan (Tor.com Publishing)
Time Was, Ian McDonald (Tor.com Publishing)
Gods, Monsters, and the Lucky Peach, Kelly Robson (Tor.com Publishing)
THE FREEZE-FRAME REVOLUTION, Peter Watts (Tachyon)
Artificial Condition, Martha Wells (Tor.com Publishing)
Rogue Protocol, Martha Wells (Tor.com Publishing)
The Descent of Monsters, JY Yang (Tor.com Publishing)
NOVELETTE
“The Donner Party”, Dale Bailey (F&SF 1–2/18)
“Okay, Glory”, Elizabeth Bear (Twelve Tomorrows)
“No Flight Without the Shatter“, Brooke Bolander (Tor.com 8/15/18)
The Only Harmless Great Thing, Brooke Bolander (Tor.com Publishing)
“The Last Banquet of Temporal Confections“, Tina Connolly (Tor.com 7/11/18)
“An Agent of Utopia”, Andy Duncan (An Agent of Utopia)
“Queen Lily“, Theodora Goss (Lightspeed 11/18)
“Nine Last Days on Planet Earth“, Daryl Gregory (Tor.com 9/19/18)
“Quality Time”, Ken Liu (Robots vs Fairies)
“How to Swallow the Moon“, Isabel Yap (Uncanny 11–12/18)
SHORT STORY
“The Secret Lives of the Nine Negro Teeth of George Washington“, Phenderson Djèlí Clark (Fireside 2/18)
“The Bookcase Expedition”, Jeffrey Ford (Robots vs Fairies)
“STET“, Sarah Gailey (Fireside 10/18)
“A Witch’s Guide to Escape: A Practical Compendium of Portal Fantasies“, Alix E. Harrow (Apex 2/6/18)
“Cuisine des Mémoires”, N.K. Jemisin (How Long ’til Black Future Month?)
“The Storyteller’s Replacement”, N.K. Jemisin (How Long ’til Black Future Month?)
“Firelight“, Ursula K. Le Guin (Paris Review Summer ’18)
“The Starship and the Temple Cat“, Yoon Ha Lee (Beneath Ceaseless Skies 2/1/18)
“Mother of Invention“, Nnedi Okorafor (Future Tense)
“The Court Magician“, Sarah Pinsker (Lightspeed 1/18)
ANTHOLOGY
The Best Horror of the Year Volume Ten, Ellen Datlow, ed. (Night Shade)
The Book of Magic, Gardner Dozois, ed. (Bantam; Harper Voyager UK)
The Year’s Best Science Fiction: Thirty-fifth Annual Collection, Gardner Dozois, ed. (St. Martin’s Griffin)
Worlds Seen in Passing, Irene Gallo, ed. (Tor.com Publishing)
The Best American Science Fiction and Fantasy 2018, N.K. Jemisin & John Joseph Adams, eds. (Mariner)
Robots vs Fairies, Dominik Parisien & Navah Wolfe, eds. (Saga)
The Best Science Fiction & Fantasy of the Year, Volume Twelve, Jonathan Strahan, ed. (Solaris US; Solaris UK)
Infinity’s End, Jonathan Strahan, ed. (Solaris US; Solaris UK)
The Underwater Ballroom Society, Tiffany Trent & Stephanie Burgis, eds. (Five Fathoms)
The Future Is Female!, Lisa Yaszek, ed. (Library of America)
COLLECTION
The Tangled Lands, Paolo Bacigalupi & Tobias S. Buckell (Saga)
Brief Cases, Jim Butcher (Ace; Orbit UK)
An Agent of Utopia, Andy Duncan (Small Beer)
How Long ’til Black Future Month?, N.K. Jemisin (Orbit US; Orbit UK)
The Dinosaur Tourist, Caitlín R. Kiernan (Subterranean)
Fire & Blood, George R.R. Martin (Bantam; Harper Voyager UK)
All the Fabulous Beasts, Priya Sharma (Undertow)
The Future Is Blue, Catherynne M. Valente (Subterranean)
STARLINGS, Jo Walton (Tachyon)
HOW TO FRACTURE A FAIRY TALE, Jane Yolen (Tachyon)
MAGAZINE
Analog
Asimov’s
Beneath Ceaseless Skies
Clarkesworld
F&SF
Fireside
Lightspeed
Strange Horizons
Tor.com
Uncanny
PUBLISHER
Angry Robot
Baen
DAW
Gollancz
Orbit
Saga
Small Beer
Subterranean
Tachyon
Tor
EDITOR
John Joseph Adams
Neil Clarke
Ellen Datlow
Gardner Dozois
C.C. Finlay
Jonathan Strahan
Lynne M. Thomas & Michael Damian Thomas
Ann & Jeff VanderMeer
Sheila Williams
Navah Wolfe
ARTIST
Kinuko Y. Craft
Galen Dara
Julie Dillon
Leo & Diane Dillon
Bob Eggleton
Victo Ngai
John Picacio
Shaun Tan
Charles Vess
Michael Whelan
NON-FICTION
Space Odyssey: Stanley Kubrick, Arthur C. Clarke, and the Making of a Masterpiece, Michael Benson (Simon & Schuster)
Sense of Wonder: Short Fiction Reviews (2009-2017), Gardner Dozois (ReAnimus)
Strange Stars, Jason Heller (Melville House)
Dreams Must Explain Themselves: The Selected Non-Fiction of Ursula K. Le Guin, Ursula K. Le Guin (Gollancz)
Ursula K. Le Guin: Conversations on Writing, Ursula K. Le Guin & David Naimon (Tin House)
Old Futures: Speculative Fiction and Queer Possibility, Alexis Lothian (NYU Press)
Tolkien: Maker of Middle-earth, Catherine McIlwaine, ed. (Bodleian Library)
Astounding: John W. Campbell, Isaac Asimov, Robert A. Heinlein, L. Ron Hubbard, and the Golden Age of Science Fiction, Alec Nevala-Lee (Dey Street)
None of This Is Normal: The Fiction of Jeff VanderMeer, Benjamin J. Robertson (University of Minnesota Press)
An Informal History of the Hugos: A Personal Look Back at the Hugo Awards, 1953-2000, Jo Walton (Tor)
ART BOOK
Yoshitaka Amano, Yoshitaka Amano: The Illustrated Biography – Beyond the Fantasy, Florent Gorges (Les Éditions Pix’n Love 2015; Dark Horse)
Spectrum 25: The Best in Contemporary Fantastic Art, John Fleskes, ed. (Flesk)
John Howe, A Middle-earth Traveler: Sketches from Bag End to Mordor (Houghton Mifflin Harcourt; HarperCollins UK)
Jeffrey Alan Love, The Thousand Demon Tree (Flesk)
Simon Stålenhag, The Electric State (Fria Ligan ’17; Skybound)
Shaun Tan, Cicada (Lothian; Levine ’19)
Charles Vess, The Books of Earthsea: The Complete Illustrated Edition, Ursula K. Le Guin (Saga)
Michael Whelan, Beyond Science Fiction: The Alternative Realism of Michael Whelan (Baby Tattoo)
Dungeons & Dragons Art and Arcana: A Visual History, Michael Witwer, Kyle Newman, Jon Peterson, & Sam Witwer (Ten Speed)
Lisbeth Zwerger, The Tales of Beedle the Bard, J.K. Rowling (Levine)
For more info on UNHOLY LAND, visit the Tachyon page.
Cover by Sarah Anne Langton
For more info on THE FREEZE-FRAME REVOLUTION, visit the Tachyon page.
Cover by Elizabeth Story
For more info on STARLINGS, visit the Tachyon page.
Cover design by Elizabeth Story
For more info on HOW TO FRACTURE A FAIRY TALE, visit the Tachyon page.
Cover design by Elizabeth Story
1 note
·
View note
shut up and drive
VOCÊ CONSEGUE OUVIR O CANTO DOS PÁSSAROS? AH, NÃO, SÃO SIRENES!
Eu sei que vocês se apegaram a premissa de que a noite é uma criança, eleitos, mas a maior parte de vocês também são... e muito barulhenta diga-se de passagem.
Amarrem suas pantufas e liguem para seus motoristas, porque eu soube que alguém chamou a policia e denunciou o prédio onde vocês estão por pertubação de paz e sossego alheio e logo logo a DP estará ai.
E se você está se perguntando se minha fonte é confiável, não se engane: eu mesma liguei para eles.
FLAGRA
O bons samaritanos Noah Romanov e Veronica Murdoch vistos escapando da festa antes que o devaneio se tornasse um total show de horrores. Mas adivinhem? Sem Brooke! Essa ai foi vista de conversa bem fervorosa com Peter em um canto isolado. Escondam tudo o que for quebrável e tiver pontas, crianças, ainda não estamos certos do que pode sair desse reencontro.
Tobias Balzer compreende que não é permitido corações partidos na balada... pelo menos não o dele. Cuidado, Marjory. Se você cair por ele, pode ser pisoteada no meio da pista de dança.
Bellamy e Anya sem pudor nem controle.
Toda a faísca vista em público se tornou fogo puro num corredor, e juram ter visto muito mais do que deveria da Barbie Harvert durante a erupção. Nos dê um pouco desse cinquenta tons de subúrbio e com sorte os convidados VIPs com distintivo chegam e levam vocês dois por atentado ao pudor.
Tic-tac, tic-tac
O relógio está correndo, assim como os carros do departamento de policia.
Eu prometo ao eleito que for pego que divulgarei uma boa foto sua, junto a sua ficha criminal. — G. G.
2 notes
·
View notes
Pax Journey Home by Sara Pennypacker, illustrated by Jon Klassen
Pax Journey Home by Sara Pennypacker, illustrated by Jon Klassen
Pax Journey Home by Sara Pennypacker, illustrated by Jon Klassen. Balzer + Bray, 2021. 9780062930347
Rating: 1-5 (5 is an excellent or a Starred review) 5
Format: Hardcover
Genre: Realistic
What did you like about the book? This tale begins a year after Pax and Peter part ways. Although not necessary due to the author’s recap, reading the first novel would be advised. Pax and his mate have…
View On WordPress
0 notes
New Releases this week!
We found four books being released this week. They include a fairy tale, a thriller, a sci-fi mystery, and a book featuring characters with a love of poetry. It's quite a mix of genres.
Between the Lines by Nikki Grimes
Nancy Paulsen Books
Darrian dreams of writing for the New York Times. To hone his skills and learn more about the power of words, he enrolls in Mr. Ward’s class, known for its open-mic poetry readings and boys vs. girls poetry slam. Everyone in class has something important to say, and in sharing their poetry, they learn that they all face challenges and have a story to tell–whether it’s about health problems, aging out of foster care, being bullied for religious beliefs, or having to take on too much responsibility because of an addicted parent. As Darrian and his classmates get to know one another through poetry, they bond over the shared experiences and truth that emerge from their writing, despite their private struggles and outward differences.
The Prince and the Dressmaker by Jen Wang
First Second
Paris, at the dawn of the modern age:
Prince Sebastian is looking for a bride―or rather, his parents are looking for one for him. Sebastian is too busy hiding his secret life from everyone. At night he puts on daring dresses and takes Paris by storm as the fabulous Lady Crystallia―the hottest fashion icon in the world capital of fashion!
Sebastian’s secret weapon (and best friend) is the brilliant dressmaker Frances―one of only two people who know the truth: sometimes this boy wears dresses. But Frances dreams of greatness, and being someone’s secret weapon means being a secret. Forever. How long can Frances defer her dreams to protect a friend? Jen Wang weaves an exuberantly romantic tale of identity, young love, art, and family. A fairy tale for any age, The Prince and the Dressmaker will steal your heart.
#Prettyboy Must Die by Kimberly Reid
Tor Teen
A CIA prodigy’s cover is blown when he accidentally becomes an internet sensation in #Prettyboy Must Die, inspired by the #Alexfromtarget story.
When Peter Smith’s classmate snaps a picture of him during a late night run at the track, Peter thinks he might be in trouble. When she posts that photo–along with the caption, “See the Pretty Boy Run,”–Peter knows he’s in trouble. But when hostiles drop through the ceiling of his 6th period Chem Class, Peter’s pretty sure his trouble just became a national emergency.
Because he’s not really Peter Smith. He’s Jake Morrow, former foster-kid turned CIA operative. After a massive screw-up on his first mission, he’s on a pity assignment, a dozen hit lists and now, social media, apparently. As #Prettboy, of all freaking things.
His cover’s blown, his school’s under siege, and if he screws up now, #Prettyboy will become #Deadboy faster than you can say, ‘fifteen minutes of fame.’ Trapped in a high school with rabid killers and rabid fans, he’ll need all his training and then some to save his job, his school and, oh yeah, his life.
Active Memory (Mirador #3) by Dan Wells
Balzer + Bray
From Dan Wells, author of the New York Times bestselling Partials Sequence and the John Cleaver series, comes the third and final book in the dark, pulse-pounding, sci-fi neo-noir series that began with the acclaimed novel Bluescreen.
For all the mysteries teen hacker Marisa Carneseca has solved, there has been one that has always eluded her: the truth behind the car accident in which she lost her arm and a mob boss’ wife, Zenaida de Maldonado, lost her life. Even in a world where technology exists to connect everyone’s mind to one another, it would seem that some secrets can still remain hidden.
Those secrets rise violently to the surface, however, when Zenaida de Maldonado’s freshly severed hand shows up at the scene of a gangland shooting. If Zenaida is—or was—still alive, it means there’s even more about Marisa’s past that she doesn’t know. And when she and her friends start digging, they uncover a conspiracy that runs from the slums of Los Angeles to the very top of the world’s most powerful genetic engineering firm. If Mari wants the truth, she’s going to have to go through genetically enhanced agents, irritatingly attractive mob scions, and some bad relationships to get it.
Dan Wells’s widely acclaimed series continues with his most shocking, pulse-pounding, and visionary story yet.
17 notes
·
View notes
New Post has been published on https://techcrunchapp.com/arizona-cardinals-2020-position-breakdowns-defensive-line/
Arizona Cardinals 2020 Position Breakdowns: Defensive Line
The Arizona Cardinals supplied depth along their defensive line at the onset of the 2020 season by drafting two rookies, Leki Fotu and Rashard Lawrence, in the fourth round of April’s draft, while also adding pieces in free agency. Still, the position saw a constant rotation under coach Brentson Buckner.
Marquee free-agent acquisition Jordan Phillips experienced sporadic success in his first season in the desert while dealing with several injuries, veteran nose tackle Corey Peters was lost for the season with a knee injury in Week 10 and the position group saw an influx of new players and elevations from the practice squad by year’s end.
Strengths
Two bright spots were the play of second-year defensive tackle Zach Allen and first-year Cardinal Angelo Blackson, who led the position group in tackles with 35 and 24, respectively.
The interior of the defensive line, while not flashy statistically, was physically imposing and took attention away from some of the team’s outside pass rushers when Peters and Phillips were healthy and active. In their absence, the team signed veteran Domata Peko Sr., who filled the role respectively well and finished the year third among defensive linemen in tackles with 16.
As a position group, the defensive line accumulated 12.5 sacks, which was equal to that of outside linebacker Haason Reddick. In defensive coordinator Vance Joseph’s 3-4 scheme, defensive linemen are not relied on to rush as much as in other systems.
Weaknesses
The Cardinals defensive line had consistent trouble generating pressure and clogging passing lanes of opposing quarterbacks.
There were no eye-popping statistical performances from the defensive line this year and marquee players such as Phillips, Peters and others were not available for the entirety of the season.
Fotu and Phillips flashed at times, but still were green and had rookie moments in their first season in the NFL.
Key facts and figures
○ Allen led the unit in tackles with 35, followed by Blackson with 24 and Peko Sr. with 16
○ Blackson had the most sacks of the group with 2.5
○ Phillips was second on the entire team in forced fumbles with two and no other defensive lineman had stats in the category
○ The Cardinals allowed 6.6 receiving yards per attempt against running backs
○ Arizona was No. 21 in the NFL in rushing defense, allowing 125.5 yards per game
Standouts
DT/NT Angelo Blackson: After being released by the Houston Texans, the Cardinals pounced on signing Blackson to a one-year contract in September. He was productive and flashed more than others in the position group on a consistent basis, leading the team in sacks (2.5) and second in tackles (24). Blackson started as a defensive tackle in Joseph’s 3-4 scheme, but converted to nose tackle later in the year after Peters was lost to injury.
DT Zach Allen: In his second year with the franchise, Allen made strides while also dealing with inconsistent availability due to injury. While he led the position group in tackles with 35, he missed three games due to lingering issues. Still, he managed to add two sacks to his resume during the season and showed glimpses of why he garnered third-round NFL Draft designation.
Upcoming key free agents
• Corey Peters (UFA)
• Domata Peko Sr. (UFA)
• Angelo Blackson (UFA)
Blackson and Peko Sr. were mid-year signees on one-year deals to stopgap a shortage in depth. In turn, they were the team’s second- and third-leading tacklers among defensive linemen. Does that warrant new contracts? It is a question that general manager Steve Keim and Co. need to consider.
The team took two defensive linemen in the 2020 draft and could target the position again, especially if the team decides not to bring back Peters, who was a captain last season and commanded a hefty salary. Injury concerns with this being his second major knee issue could lead to uncertainty regarding his future in Arizona.
Otherwise, the Cardinals return everyone at the position that they choose not to release, including some options who ended the year on the practice squad and have since been signed to reserve/future contracts.
While depth does not appear to be a major issue, the talent disparity could be a concern.
Defensive linemen grades
Howard Balzer: C
Mason Kern: C-
Alex Weiner: C+
Past positional breakdowns:
Special teams
Secondary
Linebacker
Relevant articles:
0 notes
Amari and the Night Brothers by B.B. Alston
Amari and the Night Brothers by B.B. Alston
Amari and the Night Brothers by B.B. Alston. Balzer & Bray, 9780062975164, 2021
Rating: 1-5 (5 is an excellent or a Starred review) 4
Format: ARC
Genre: Fantasy/adventure
What did you like about the book? When the story opens, our hero 12-year-old Amari Peters has just been kicked out of Jefferson Academy for giving mean White girl Emily a little shove. Amari never felt accepted there…
View On WordPress
0 notes
Blick ins Atelier
von Chris Hunter in Buenos Aires
Virtuell besuchen wir Kunstschaffende, die mit dem Museum verbunden sind, in ihren Ateliers. Wir möchten ihre Arbeit sichtbar machen, während die Museen und Galerien wegen der Corona-Pandemie geschlossen sind. Es interessiert uns, woran sie gerade arbeiten und wie sie mit der Krise umgehen.
Wir haben sie gebeten, uns 10 Fragen zu beantworten und uns mit ein paar Bildern Einblick in ihre aktuelle Situation zu geben:
Chris Hunter schreibt:
1 KMO: Wie geht es Dir heute?
CH: Ich bin noch ungeduscht aber eigentlich ganz gut, da ich gestern einen unerwartet produktiven Tag hatte und ich mich freue heute daran weiter zu arbeiten.
2 Wie ist Deine Situation in der Corona-Krise?
Ich bin in einem Atelierstipendium der Schweizerischen Städtekonferenz in Buenos Aires. Wir sind hier drei Schweizer Künstler*innen in einem schönen grossen Haus mit 9 Balkonen und einer Dachterrasse. Meine Kolleginnen hier sind Martina Baldinger und Elise Perrin. Anstatt die Stadt und das Land erkunden zu können, sind auch wir, mehr als erwartet auf uns selbst zurückgeworfen.
3 Wie sieht Dein Arbeitsort aus?
Jetzt sitze ich gerade in der Waschküche. Unsere Waschküche ist in einem kleinen Raum auf dem Dach. Es gefällt mir hier, weil es hell und warm ist. Da die Umgebung hier oben nicht ein klassisches Atelier ist, fällt es mir irgendwie leichter zu arbeiten. An eine Waschküche werden weniger kreative Ansprüche gestellt als an ein Atelier. Und von hier aus sehe ich auch die Lastwagen auf der Autobahn am Horizont – das gibt mir das Gefühl, dass nicht alles stillsteht.
4 Woran arbeitest Du?
Wie so oft an verschiedenen Dingen. Aquarelle von inneren Bildern, die ich in der Stadt aufgesammelt habe. Die Fenstergitter in unserer Nachbarschaft von La Boca haben es mir angetan. Ich frage mich oft, wer diese gestaltet hat. Gab es dazu Skizzen, bestehen sie auch aus Reststücken von Metall, wie viel gestalterische Freiheit hatte der Schlosser um die Fensteröffnung genügend mit Stäben und Schnörkeln auszufüllen, damit niemand durch das Fenster einsteigen kann. In der Quarantäne wechseln die Gitter vom Schutz eher zum Gefängnis. Mit Filzstift fülle ich auch das Papier mit Rastern und Ornamenten so aus, dass kein Durchkommen mehr ist.
Gestern an meinem unverhofft produktiven Tag habe ich mit einem Video begonnen, in dem ich die unterschiedlichsten Kombinationen meiner mitgebrachten Kleider anprobiere und zudem mit Möbeln interagiere. Momentan arbeite ich einfach mit dem, was mich umgibt, und das gefällt mir sowieso.
Das mit den Kleidern wollte ich schon lange machen, aber ich brauchte gestern einen Tritt in den A**** von meinem Partner Lorenz, der nicht mit mir hier in Argentinien ist. Wir haben uns gestern gegenseitig Hausaufgaben gegeben. Ich musste mit dem Video beginnen und er muss ein Gedicht auswendig lernen.
5 Hast Du momentan mehr Arbeit oder weniger Arbeit?
Ich würde sagen gleich viel Arbeit wie immer aber mehr Zeit dafür. Ich gebe mir ja meist meine Arbeit selbst, daher steigt der Druck, wenn man mehr Zeit hat. Ich denke, das muss jetzt produktiv genutzt werden. Dieser Druck ist nicht immer hilfreich. Zwischendrin muss ich auch die Zeit aushalten, in der ich das Gefühl habe, ich mache nichts. Denn es stimmt nicht, dass man nichts macht. Dann lade ich mich auf mit Eindrücken und Gedanken und Bildern. Jetzt dürfen sie raus – jetzt muss ich dranbleiben.
6 Was sind die drei besten (positivsten) Dinge, die Du seit Beginn der Corona-Krise beobachten konntest?
Ich höre jetzt auch mitten in der Stadt nachts die Grillen zirpen.Ich telefoniere mehr mit meiner Mutter.Und die Kunst spielt eine wichtigere Rolle als zuvor oder sie hat sich für mich persönlich als notwendig erwiesen.
7 Was beschäftigt / beunruhigt Dich am meisten?
Die Ungewissheit, wie tiefgreifend die Veränderungen für die Zukunft sein werden und ob wir es schaffen die Möglichkeit zu positiven Veränderungen zu ergreifen. Das hoffe ich sehr.
8 Was ist in der Corona-Krise Dein/e
a) persönliche Challenge
eine Idee bis zu einer fertigen Arbeit zu verfolgen
b) Dein neues Ding
Rituale haben, um sie auch zu durchbrechen
c) Deine Bewältigungsstrategie
dranbleiben und zwischendurch in Science Fiction denken
9 Hast Du (als Spezialist*in) Tipps fürs zurückgezogene Arbeiten in den eigenen vier Wänden?
Nimm deine Ideen ernst und finde einen Weg dich darüber auszutauschen
10 Was möchtest du mit unserem Publikum teilen?
Ich denke, ich habe schon viel geteilt und möchte nicht, dass es in eine Predigt kippt. Daher stelle ich lieber eine Aufgabe:
Schauen Sie aus dem Fenster und stellen Sie sich vor wie ihre Strasse vor 50 Jahren ausgesehen hat und wie sie 2070 aussehen wird.
Chris Hunter, 20.4.2002
Chris Hunter (*1983) ist in Flims und Chur aufgewachsen. Seit 2011 lebt er in Basel, wo er 2019 den Master of Arts in Fine Arts an der Hochschule der Künste erlangt hat. Er arbeitet meist parallel an mehreren Werkgruppen und in verschiedenen Medien. Neben der Auseinandersetzung mit «patinierten» Ready Mades, Assemblagen und installativen Serien beschäftigt er sich mit Zeichnung und Malerei und ist als Performer (u.a. auch in Kooperation mit Alexandra Meyer oder Les Reines Prochaines) und Kurator (u.a. im Basler Kollektiv Dr. Kuckucks Labrador) tätig. Zudem ist er seit Jahren als Assistent des Künstlers, Ausstellungs- und Theatermachers Hans Peter Litscher tätig, realisiert Bühnenbilder und Ausstattungen für das Junge Theater Graubünden und engagiert sich in zahlreichen kollaborativen (Kunst-)Projekten. 2017 hat er seine erste Kunst am Bau Arbeit in der Kantonsschule Graubünden realisiert. Für sein Schaffen wurde er mehrfach mit Preisen ausgezeichnet, zuletzt 2017 mit dem Förderpreis des Kantons Graubünden und dem Somedia-Kunstpreis. Atelierstipendien haben ihn nach Paris und Nairs – und aktuell nach Buenos Aires – geführt.
Mit dem Kunstmuseum Olten ist er vielfältige Weise verbunden: Er ist bei uns als Kunstvermittler tätig sowie als Mitglied im Umbauteam für die Ausstellungen. 2019 bespielte er den Dienstraum, unsere Dependance im Bahnhof Olten, mit der Installation AMORE ROMA.
Mehr über Chris Hunter erfahren:
Website : www.chrishunter.ch
Instagram : www.instagram.com/chrishunter007
«Gruss aus Buenos Aires», Beitrag in der BZ vom 1.4.2020 von Mathias Balzer
«Mit ungewohntem Blick auf die Welt», Beitrag im Stadtanzeiger Olten vom 4.12.2019 von Mirjam Wetzstein
Veröffentlicht am 29.4.2020
0 notes
Goldman Sachs' new managing-director list is out — and it's the largest class in the firm's history (GS)
Bryan Bedder/Getty Images for The New York Times
Goldman Sachs announced its largest-ever class of managing directors.
Of the 509 promoted, 44% are millennials.
The firm announces managing-director promotions every two years.
It's one of the most coveted positions on Wall Street, a step below partner at the premier investment bank.
Goldman Sachs just announced a new class of 509 managing directors — the largest class in the firm's history.
The position is one of the most coveted on Wall Street, one step below partner at the prestigious investment-banking firm. The firm now has 2,148 managing directors, making up 7.1% of the company's workforce.
It's also one of the youngest classes the bank has promoted — 44% are millennials, up from 30% in 2015.
Other headline stats about the class:
66% started their careers as analysts or associates at Goldman Sachs.
24% of the class is women, down from 25% in 2015.
130 were promoted in the securities division, up from 102 in 2015.
101 were promoted in investment banking, up from 97 in 2015.
52 were promoted in technology, up from 38 in 2015.
Eight were promoted in consumer and commercial banking — the division that houses the bank's online-lending business, Marcus — compared with zero in 2015.
Here's the full statement:
The Goldman Sachs Group, Inc. (NYSE: GS) today announced that it has selected a new class of Managing Directors, effective from January 1, 2018, the start of the firm's next fiscal year.
"Our new Managing Directors have demonstrated an outstanding commitment to our people, clients and culture during their tenures at the firm, and we wish them continued success as they take this important next step in their careers," said Lloyd C. Blankfein, Chairman and Chief Executive Officer of Goldman Sachs.
The following individuals have been promoted to Managing Director:
Gregg Abramson
Sanjay Acharya
Khalid Albdah
Amal Alibair
Karthikeyan Anbalagan
Rolf Andersson
Volker Anger
Jonathan Armstrong
Ken Ashley
Lavanya Ashok
Sebastian Ayton
Jonathan Babkow
Julio Badi
Amitayush Bahri
Soren Balzer
Robert Barlick Jr.
Philip Barreca
Santiago Bau
David Bauer
Oksana Beard
Lee Becker
Virender Bedi
Stuart Beer
Christian Beerli
Amanda Beisel
Yumiko Bekku
David Bell
Pierre Benichou
Andrew Benito
Marco Bensi
Laura Benson
Stephen Bergin
Daniel Berglund
Greg Berry
Shital Bhatt
Dipanjan Bhattacharjee
Anu Bhavnani
Carissa Biggie
Vineet Birman
Daniel Bitel
Anne Black
Richard Blore
Emmanuel Bodenstein
Timothy Braude
Sean Brenan
Hugh Briscoe
Nathaniel Bristol
Leo Brito
Troy Broderick
Levee Brooks
Eric Brothers
Robert Bruns III
Anthony Bunnell
Meg Burke
Susan Burt
Sean Butkus
Russell Byrne
Edward Byun
Adam Cahill
Alessandro Calace
Cristiano Camargo
Ken Cawley
Swapan Chaddha
Patrick Chamberlain
Richard Chambers
Daphne Chan
Lily Chan
Ben Chance
Ginger Chang
Vikram Chavali
Alex Cheek
Jae Joon Choi
Ken Choi
Paul Choi
David Clark
Denis Cleary
Daniel Cleland-James
Ayanna Clunis
Pamela Codo-Lotti
Jesse Cohen
Paul Coles
Simon Coombes
Jenny Cosco
Philip Coureau
Nathan Cowen
Matthew Cox (Securities)
Shaun Cullinan
Christine D'Agostino
Emile Daher
Hiren Dasani
Russell Day
Pierre De Belen
Merche del Valle
Caitlin DeSantis
Jack Devaney
Thomas Devos
Mats Dewitte
Hristo Dimitrov
Tim Dinsdale
Isabella Disler
Christian Ditullio
Terence Doherty
Yakut Donat
Nicola Dondi
Brian Dong
Jason D'Silva
Stefan Duffner
Jane Dunlevie
Marie Duval
Julien Dyon
Rohini Eapen
Zach Eckler
Sayaka Eda
Jason Eisenstadt
Chris Emmerson
Tiffany Eng
Chendan Esvaran
Erkko Etula
Liz Ewing
Michael Fargher
Matteo Farina
Leigh Farris
Sarah Faulkner
Tom Favia
Brett Feldman
Jennifer Feng
Jon Ferguson
Alex Field
Herbert Filho
Alex Finston
Dean Flanagan
Greg Flynn
Trip Foley
Andrew Ho Kwon Fong
Moran Forman
Michael Fox
Caroline Fraser
Daniel Freckleton
Tim Freeman
Reto Frei
Giles French
Kirsten Frivold
Michael Fu
Rob Fuentes
Kenji Fujimoto
Carrie Gannon
Chantal Garcia
Akhil Garg
Alex Garner
Nick Gelber
Andrew Gent
Gizelle George-Joseph
Andrea Gift
Sean Gilbride
Andreas Glaser
Yong Suan Goh
Sona Gohel
Amir Gold
Jeremy Goldstein
Steven Gonzalez
Jeff Gowen
Adam Greene
Tom Groothaert
Hannes Gsell
Ashwin Gupta
Ali Haji
Ayaz Haji
Robert Hamilton Kelly
Victoria Hampson
Raja Harb
Andy Harding
Ryan Harster
Selma Hassan
Stephen Hawinkels
Jacqueline Haynes
Jason He*
Craig Hempstead
David Herrmann
David Hickey
Thomas Hilger
Mitch Hochberg
Jodi Hochberger
Jane Hodges
Peter Hodgkinson
Dylan Hogarty
Tim Holliday
Naftali Holtz
Amy Hong
Jason Hudes
Earl Hunt
Joseph Hwang
Yoshinori Ide
Kazuya Iketani
Daniel Jackson
Ankit Jain (Risk)
Gaurav Jaitly
Jan Janssen
David Jeria
Alnawaz Jiwa
Kim Johns
Scott Johnson
Elis Jones
Neil Jones
Robert Jones
Philip Joseph
Anand Joshi
Shawn Joshi
Ritu Kalra
Michael Kaprelian
Nadeem Kayani
Alicia Keenan
Neil Kelleher
Tom Kennedy
Aqil Khan
Sarah Kiernan
Daniel Kim
Eugene Kim (IMD)
Jason Kim (GIR)
Sora Kim
Kristy Kinahan
Eugene King
Laura Kirk
Kunal Kishore
Elliot Klapper
Jayee Koffey
Jason Koon
Jennifer Kopylov
Daniel Korich
Ichiro Kosuge
Vladimir Kotlyar
Samuel Krasnik
Katherine Krause
David Kraut
Sergey Kraytman
Nitin Kulkarni
Ram Kulkarni
Dileep Kumar (Securities)
Santosh Kunnakkat
Wendy Kwong
JP Lall
Bill Lambert
David Landman
Yi Larson
Niccolo Laudiero
Nick Laux
David Lee
Phillip Lee
Samuel Lee
Shawn Lee
Michael Leister
David Lerner
Naomi Leslie
Matt Levine
Na Li
Haining Liang
Nancy Licul
Monica Lim
Michelle Ling
Srujan Linga
Philip Linton
Alan Liu
Daniel Liu
Eric Liu
Heiman Lo
Juan Lorenzo
Tian Lu
Wayne Lu
James Lucas
Dennis Luebcke
Martin Luehrmann
John Lynch
Gina Lytle
Leo Ma*
Caesar Maasry
Geoff MacDonald
Robert Magnuson
Toshiyuki Makabe
Mariano Mallol
Geydar Mamedov
Kara Mangone
Donna Mansfield
Ajit Marathe
Gilberto Marcheggiano
James Marchese
Michael Marcus
Joshua Matheus
Ann Mathews
Chris Mathie
Brian McCallion
Graham McClelland
Anne McCosker
Michael Meehan (Compliance)
Taylor Mefford
Neil Mehta
Adam Meister
David Mericle
Vitali Meschoulam
Eric Meyers
Alex Mignotte
Andras Mikite
Christopher Milligan
Rahul Mistry
Mike Mitchell
Neil Moge
Waleed Mohsin
Babak Molavi
Joel Monson
Guy Morgan
James Morris
Antoine Munfa
Aimee Mungovan
Yuji Murata
Dan Murphy
Josh Murray
Brian Musto
Shehzad Nabi
Devarajan Nambakam
Ramanathan Narayanan
Ganapathy Natarajan
Danielle Natoli
Murad Nayal
Karim Nensi
Scott Neu
Dennis Ng
Ken Ng
Benjamin Ngan
Joy Nguyen
Salman Niaz
Anders Nielsen (IMD)
Howard Nifoussi
Jun Niki
Leah Nivison
Laura Noble
James Nolan
Lauren Oakes
Lynn Oberschmidt
Allison O'Connor
John O'Connor
Shunil Ohrie
Damian Ordish
Leke Osinubi
David Ossack
Sathiya Padmanaban
Danielle Pallin
Salvador Pareja
Dalmir Pasini
Clorinda Pasqua
Chris Pawson
Paris Pender
Patrick Perkins
Philippe Perzi
Wendy Peters
Andy Phillips
Flavio Picciotto
Michael Pieck
Sam Pirog
Thomas Plank
Joseph Plotkin
Wade Podlich
Ashish Pokharna
Caitlin Pollak
Charles Pollock
Joe Porter
Travis Potter
Rohit Prabhu
Richard Privorotsky
Andrew Pucher
Jay Rabinowitz
Ankit Raj
Harsha Rajamani
Dmitry Rakhlin
Yasser Rathore
Edoardo Rava
Elizabeth Reed
Alexandre Reinert
Stephen Reinhard
Irfan Rendeci
Christian Resch
Andrew Rhee
Riccardo Riboldi
James Rinsler
Caroline Riskey
Helen Robinson
Mark Rosen
Amit Roy
Joe Ryan
Bernhard Rzymelka
Takehiro Sakuramoto
John Sales
Rob Sarazen
Vineeta Saxena
Dominik Schaefer
Andrea Scott
Majid Sebti
Bipin Sehgal
Arseni Seregin
Irma Sgarz
Paulomi Shah
Shreyas Shah
Sunny Shah
Faisal Shamsee
Daniel Shapiro
Mahesh Sharma
Shripal Sharma
Mai Shin
Romy Shioda
Toshimichi Shirai
Mark Short
Pankauz Shrestha
David Shrimpton
Obaid Siddiqui
Mike Sidorov
Scott Silverglate
Stefani Silverstein
Amy Silverzweig
Jasdeep Singh
Gabriella Skirnick
Michael Sklow
Maxine Sleeper
Michael Slomienski
Michael Sloyer
Nicholas Smith (IBD)
Ruth Smithson
Christine Smyth
Ben Snider
Stacy Sonnenberg
Cleaver Sower
Ro Spaziani
Brian Steele
Johannes Steffens
Duncan Stewart
Stephen Stites
Laurent Storoni
Caroline Styant
Joel Sulkes
Mancy Sun
Winnie Tam
Nachiket Tamhane
Ken Tang
MK Tang
Amish Tanna
Melissa Teng
Ross Tennenbaum
Greg Thompson
Fiona Thomson
Justin Tobe
Jason Tofsky
Brad Tuthill
Masahiro Uchiyama
Nehal Udeshi
Saad Usmani
Meg Vaden
Pramod Vaidyanathan
Adam Van de Berghe
Fred van der Wyck
Suzanne van Staveren
Andrew Vass
Mahesh Vellanki
Kadambari Verma
Christopher Vilburn
Iva Vukina
Heng Vuong
Ketan Vyas
Joe Wall
Jeffrey Wang
Jiantao Wang
Joshua Wang
Lily Wang (Technology)
Sherry Wang
Victoria Ward (Compliance)
Jeff Warren
Noriko Watanabe
Ramey Watkins
Sam Watkins
Heiko Weber
Niki Webster
Scott Weinstein
Ryan Westmacott
James Westwood
Keith Wetzel
Mark Wetzel
James Whittingham
Sabine Wick
Robert Wieser
Devin Wilde
David Wilkins
John Wilkinson
Andrew Williams
Ed Wong (IBD Technology)
Eric Wong (Internal Audit)
Kate Wood
Amanda Wu
Douglas Wu
Joanne Xu
Liang Xu**
Rupam Yadav
Kazushi Yamaguchi
Hubert Yang
Lisa Yang
Basak Yavuz
Zeynep Yenel
David Yu
Brian Zakrocki
Thomas Zeppetella
Yi Zhang*
Adib Zouein
Patrik Zumstein
Piotr Zurawski
Jonathan Zwart
*Employee of Goldman Sachs Gao Hua Securities Company Limited
**Employee of Beijing Gao Hua Securities Company Limited
NOW WATCH: I spent a day trying to pay for things with bitcoin and a bar of gold
from Feedburner http://ift.tt/2yIzN3n
1 note
·
View note
Schleien angeln – Tipps für den Anfänger.
Ein magischer Spot für die schönen Krautrüpel (Schleien) sind Wasserpflanzen. Wo das Kraut grünt, winken exzellente Angelplätze, die aber leider nur schwer zu befischen sind. Hier möchte ich euch ein paar Tipps geben, wie man auf Schleien angeln kann, damit der Drill und die Landung nicht zum Misserfolg führen.
Wo fängt man Schleien?
Meisten halten sich Schleien dort auf, wo sich Haken besonders leicht festhängen. Bevorzugt halten sie sich bei Seerosenfelder, überhängende Bäume, dichte Schilfwälder und Krautdickichte auf. Um auch größere Exemplare sicher hier zu landen, sollte man sich zuvor die Umgebung von seinem Angelplatz gut beobachten.
Zum Beispiel: Will man am Rand von einem Seerosenfeld sein Glück versuchen, sollte man das vom gegenüberliegenden Ufer befischen damit man die Tinca´s im bestenfalls aus dem Seerosenfeld raus drillen kann.
Wenn die Entfernung aber zu groß ist kann man es andernfalls auch auf der Seite anwerfen. Wichtig ist immer darauf zu achten, dass man beim Drill die Ausbruchsversuche von links nach rechts gut abfangen kann und den Fisch von den Hindernissen fernhält.
Wer Erfolg will, darf sich nicht vor Gartenarbeit scheuen!
Bei manchem Gewässer wächst das Kraut so üppig, dass man den Köder fast gar nicht ausbringen kann. Hier hilft nur eines und das ist Entkrauten – sofern es nicht um geschützte Pflanzen handelt. Mit einem großen Gartenrechen für den Nahbereich oder zwei aneinandergeschweißten Haken-Zinken-Streben mit Führungsstil für größere Entfernung sollten wir bestens ausgerüstet sein. Aus ökologischen Gründen beharkt man nur eine Fläche von ca. 8 qm².
Nach der schweißtreibenden Arbeit folgen nun einige Tage anfüttern, die mit sehr viel Geduld begleitet werden. Nun sollten die scheuen Schleien am Angelplatz sein und man kann sein Glück versuchen.
Im Blätterwald auf Tinca´s
Weil wir vorhaben mitten im Seerosenfeld zu angeln, sollte man aus diesem Grund sein Angelgerät auch ein wenig stärker wählen. Ruten mit einer Länge von 3,60 m und einer Testkurve von 1,5 Pfund eignen sich hier gut. Bei der Rolle wählt man am besten eine robuste Stationärrolle mit hoher Übersetzung und bestücken sie mit einer abriebfesten Schnur in einer stärke von 0,30 mm.
Beim Haken wählen wir zwischen 4er bis 8er aus, kleiner Haken gewähren keine sichere Landung der Tinca´s. Mit kleineren Haken ist das Ausschlitzen vorprogrammiert oder sie biegen sich auf und der lang ersehnte Fang ist fort. Bei der Wahl des Keschers sollte man darauf achten, dass er einen mindesten Durchmesser von 60 cm hat und eine tiefe von 40 cm. Ansonsten verhängt sich das Netz gerne im Kraut. Der Stiel des Keschers sollte eine länge von min. 3 Meter besitzen besser wäre sogar ein Stiel mit 3,5 Meter. Ist eine Schleie erst einmal gehakt besitz man in der Regel nur eine Chance sie, zu landen. Das heißt, dass man beim Drillen hohen Druck ausüben sollte um den Flossenträger so schnell wie möglich an die Oberfläche zu ziehen um dann ihn blitzschnell zu Keschern.
Produkte von Amazon.de
-1%
Fox EOS 12ft 3lb Karpfenruten, Angelrute zum Karpfenangeln, Ruten zum Karpfenfischen, Karpfenrute, Carp Rod
Preis: EUR 53,35
Skorpion DAM Silstar KARPFENSET DE LUXE 2 DAM KARPFENRUTEN 2 ROLLEN ANGELSET
Preis: EUR 145,00
Balzer 2X Spezi 100 Karpfenrolle Paarpreis Set Angelrolle mit Schnur
Preis: EUR 18,99
Shimano Technium Invisitec 0,30mm 9,00kg 1090m Schnur Karpfenschnur Monofile Schnur Monoschnur Mono
Preis: EUR 21,80
-13%
YORK Carisma Angelschnur METHOD FEEDER 150m/0,18-0,30mm Spule Monofile(0,02€/M) (0,25mm/9,8kg)
Preis: EUR 7,99
statt: EUR 9,19
Angel-Berger Vorfachhaken gebundene Haken (Mais/Teig, Gr.4 0.25mm)
Preis: EUR 0,99
500 Angelhaken Angel Haken Hacken Größe 4 bis 13 mit Öhrhaken (Hakenset 4-13)
Preis: EUR 6,99
Teleskop-Kescher Cormoran 60 x 60 cm 1,80 m
Preis: EUR 14,49
Cormoran Kescher Gummiert 6242 3-teilig 60x60cm 260cm
Preis: EUR 26,99
‹ ›
jQuery(document).ready(function() { var CONSTANTS = { productMinWidth : 185, productMargin : 20 }; var $adUnits = jQuery('.aalb-product-carousel-unit'); $adUnits.each(function() { var $adUnit = jQuery(this), $wrapper = $adUnit.find('.aalb-pc-wrapper'), $productContainer = $adUnit.find('.aalb-pc-product-container'), $btnNext = $adUnit.find('.aalb-pc-btn-next'), $btnPrev = $adUnit.find('.aalb-pc-btn-prev'), $productList = $productContainer.find('.aalb-pc-product-list'), $products = $productList.find('.aalb-pc-product'), productCount = $products.length; if (!productCount) { return true; } var rows = $adUnit.find('input[name=rows]').length && parseInt($adUnit.find('input[name=rows]').val(), 10); var columns = $adUnit.find('input[name=columns]').length && parseInt($adUnit.find('input[name=columns]').val(), 10); if( columns ) { var productContainerMinWidth = columns * (CONSTANTS.productMinWidth + CONSTANTS.productMargin) + 'px'; $adUnit.css( 'min-width', productContainerMinWidth ); $productContainer.css( 'min-width', productContainerMinWidth ); $products.filter( ':nth-child(' + columns + 'n + 1)' ).css( 'clear', 'both' ); } if (rows && columns) { var cutOffIndex = (rows * columns) - 1; $products.filter(':gt(' + cutOffIndex + ')').remove(); } function updateLayout() { var wrapperWidth = $wrapper.width(); var possibleColumns = columns || parseInt( wrapperWidth / (CONSTANTS.productMinWidth + CONSTANTS.productMargin), 10 ); var actualColumns = columns || possibleColumns < productCount ? possibleColumns : productCount; /** * The actual columns can be zero when the wraperwidth is less than sum of CONSTANTS.productMinWidth and * CONSTANTS.productMargin.The parseInt will use floor function and converts any value less than 1 to * zero.Therefore making actual columns 1 . **/ if( actualColumns == 0 ) { actualColumns = 1; } var productWidth = parseInt( wrapperWidth / actualColumns, 10 ) - CONSTANTS.productMargin; $products.css( 'width', productWidth + 'px' ); /** * Removing the Carousel navigation button when the number of products selected by admin is less * than the actual columns (the number of products) can be shown on screen **/ if( productCount > actualColumns ) { $btnNext.css( 'visibility', 'visible' ).removeClass( 'disabled' ).unbind( 'click' ); $btnPrev.css( 'visibility', 'visible' ).removeClass( 'disabled' ).unbind( 'click' ); } $productContainer.jCarouselLite( { btnNext : '#' + $adUnit.attr( 'id' ) + ' .aalb-pc-btn-next', btnPrev : '#' + $adUnit.attr( 'id' ) + ' .aalb-pc-btn-prev', visible : actualColumns, circular: false } ); } updateLayout(); jQuery(window).resize(updateLayout); }); }); /*! * jCarouselLite - v1.1 - 2014-09-28 * http://www.gmarwaha.com/jquery/jcarousellite/ * Copyright (c) 2014 Ganeshji Marwaha * Licensed MIT (https://github.com/ganeshmax/jcarousellite/blob/master/LICENSE) */ !function(a){a.jCarouselLite={version:"1.1"},a.fn.jCarouselLite=function(b){return b=a.extend({},a.fn.jCarouselLite.options,b||{}),this.each(function(){function c(a){return n||(clearTimeout(A),z=a,b.beforeStart&&b.beforeStart.call(this,i()),b.circular?j(a):k(a),m({start:function(){n=!0},done:function(){b.afterEnd&&b.afterEnd.call(this,i()),b.auto&&h(),n=!1}}),b.circular||l()),!1}function d(){if(n=!1,o=b.vertical?"top":"left",p=b.vertical?"height":"width",q=B.find(">ul"),r=q.find(">li"),x=r.size(),w=x<b.visible?x:b.visible,b.circular){var c=r.slice(x-w).clone(),d=r.slice(0,w).clone();q.prepend(c).append(d),b.start+=w}s=a("li",q),y=s.size(),z=b.start}function e(){B.css("visibility","visible"),s.css({overflow:"hidden","float":b.vertical?"none":"left"}),q.css({margin:"0",padding:"0",position:"relative","list-style":"none","z-index":"1"}),B.css({overflow:"hidden",position:"relative","z-index":"2",left:"0px"}),!b.circular&&b.btnPrev&&0==b.start&&a(b.btnPrev).addClass("disabled")}function f(){t=b.vertical?s.outerHeight(!0):s.outerWidth(!0),u=t*y,v=t*w,s.css({width:s.width(),height:s.height()}),q.css(p,u+"px").css(o,-(z*t)),B.css(p,v+"px")}function g(){b.btnPrev&&a(b.btnPrev).click(function(){return c(z-b.scroll)}),b.btnNext&&a(b.btnNext).click(function(){return c(z+b.scroll)}),b.btnGo&&a.each(b.btnGo,function(d,e){a(e).click(function(){return c(b.circular?w+d:d)})}),b.mouseWheel&&B.mousewheel&&B.mousewheel(function(a,d){return c(d>0?z-b.scroll:z+b.scroll)}),b.auto&&h()}function h(){A=setTimeout(function(){c(z+b.scroll)},b.auto)}function i(){return s.slice(z).slice(0,w)}function j(a){var c;a<=b.start-w-1?(c=a+x+b.scroll,q.css(o,-(c*t)+"px"),z=c-b.scroll):a>=y-w+1&&(c=a-x-b.scroll,q.css(o,-(c*t)+"px"),z=c+b.scroll)}function k(a){0>a?z=0:a>y-w&&(z=y-w)}function l(){a(b.btnPrev+","+b.btnNext).removeClass("disabled"),a(z-b.scroll<0&&b.btnPrev||z+b.scroll>y-w&&b.btnNext||[]).addClass("disabled")}function m(c){n=!0,q.animate("left"==o?{left:-(z*t)}:{top:-(z*t)},a.extend({duration:b.speed,easing:b.easing},c))}var n,o,p,q,r,s,t,u,v,w,x,y,z,A,B=a(this);d(),e(),f(),g()})},a.fn.jCarouselLite.options={btnPrev:null,btnNext:null,btnGo:null,mouseWheel:!1,auto:null,speed:200,easing:null,vertical:!1,circular:!0,visible:3,start:0,scroll:1,beforeStart:null,afterEnd:null}}(jQuery);
Habt keine Angst beim Schleien angeln im Pflanzendschungel.
Mit solch starkem Gerät ist man bestens ausgerüstet, wenn man Schleien angeln im Seerosenfeld muss. Nun muss man nur noch an einen warmen Sommermorgen die Seerosenblätter am Uferrand beobachten. Oftmals wird man Bewegungen erkennen. Mit viel Glück kann man Schleien beim Abweiden der Blattunterseite entdecken. Ein sehr vorsichtig über das Blatt gehängter Tau- oder Rotwurm wird, wenn man sich am Ufer ruhig verhält, sofort genommen.
Mit der Zeit wirst du auch ein Gespür entwickeln für das Angeln im Pflanzendschungel. Vor allem ist es wichtig, dass man keine Angst hat, wenn man ins Kraut oder Gebüsch wirft. Oft bleibt einen nichts anderes über. In manchen Gewässern nehmen Schleien oder Rotfedern den Köder nur wenn er wenige Zentimeter vom Bewuchs entfernt liegt.
Gerade beim Schleienansitz kannst du dir einen Spruch zu Herzen nehmen „Angle risikobereit, und du fängst gut“.
Ich hoffe, ich konnte euch wertvolle Tipps zum Schleien angeln geben und wünsche euch viel Spaß am Wasser.
Euer Anglerspezi
Peter
The post Schleien angeln – Tipps für den Anfänger. appeared first on Anglerspezi - Fischen mit Leib und Seele.
from Anglerspezi – Fischen mit Leib und Seele http://bit.ly/2CF9VEE
0 notes