Mme Kupka dans les verticales (Mme Kupka among Verticals), 1910-11

František Kupka (Czech, 1871-1957)

⌂ MoMA, New York City, 29.07.2022

Frantisek Kupka - Self-Portrait

František Kupka (23 September 1871 – 24 June 1957) was a Czech painter and graphic artist. He was a pioneer and co-founder of the early phases of the abstract art movement and Orphic Cubism (Orphism). Kupka's abstract works arose from a base of realism, but later evolved into pure abstract art.

Frantisek Kupka, 1928.

František Kupka (1871 – 1957), also known as was a Czech painter and graphic artist. He was a pioneer and co-founder of the early phases of the abstract art movement and Orphic Cubism (Orphism). Kupka's abstract works arose from a base of realism, but later evolved into pure abstract art.

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Here’s some beautiful paintings by Czech painter Frantisek Kupka, a pioneer of early abstract art and Orphic cubism. He also was a vegetarian, naturist, and practiced as a spiritual medium.

Relief Noir Avec des Cercles de Couleur, 1930-32.Robert Delaunay. Oil, plaster and sand on plywood

Here the new #obljewellery with the painting by #robertdelaunay #firstdisc Delaunay was a French artist at first a theatre designer. He came under the influence of the #neoimpressionism use of colour. By 1910 he had made his own contribution to #cubism . His #orphic style, adopted also by his wife, the painter #soniadelaunay (1885–1979), had an immediate influence on the work of #derblauereiter a Munich-based group of #expressionism painters. #artbasedjewellery #etsy #etsy_best #etsyshop #etsyseller #etsysellersofinstagram #paintingearrings #wearingart #woodenearrings #artgift #colouredearrings https://www.instagram.com/p/Bv86RIMFbI6/?utm_source=ig_tumblr_share&igshid=1xk6bzzkrrgwa

Frantisek Kupka, czech painter and grahic artist

He was a pioneer and co-founder of the early phases of the abstract art movement and Orphic Cubism->that focused on pure abstraction and bright colors

The Machine Drill, ca. 1927 - 1929 by František Kupka (1871 - 1957)

Oil on canvas 28.7 × 33.5 in; 73 × 85 cm

Kupka Oil on Canvas, 20x24 inches, 2013 František Kupka was a Czech painter and a pioneer and co-founder of the early phases of the abstract art movement and Orphic Cubism (Orphism). Kupka's abstract works arose from a base of realism, but later evolved into pure abstract art. Kupka’s self portrait in yellow scale is one of my favorites so I had to reimagine it in polygons. People ask me all the trine why/how I make the color and angle choices I do. I am after imperfection in the structure rather than creating something perfect which is so easy to do digitally. Also, I want a peak shift quality to the color choices creating a heightened sense of reality and finally an equal dissonance to the work so you understanding was made my a human hand. Swipe to see the piece hung in collectors home. Swipe more to see their cat! #artcollector #artinstalled #kupka #artcritic #oilpainting #yellowscale #arthistory #angiejonesart #franzkupka (at Los Angeles, California) https://www.instagram.com/p/CLzpZXil8UC/?igshid=1shbd9jsriect

Study for “Autumn Sun”, 1905, František Kupka.

František Kupka (1871 – 1957) was a Czech painter and graphic artist. He was a pioneer and co-founder of the early phases of the abstract art movement and Orphic Cubism (Orphism).Kupka's abstract works arose from a base of realism, but later evolved into pure abstract art.

https://en.wikipedia.org/wiki/Franti%C5%A1ek_Kupka

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The work of Swedish artist Olga Pedan is informed by a strong interest in communicative processes, understanding and it's blind spots. In recent times, she has been moving towards a new form of abstraction, which deals with communication through the combination of schemes, diagrams and icons, thus bringing into focus the increasing abstraction of everyday reality. Most recently, Pedan has expanded the depth of her picture planes using a video game-like spatiality that is occasionally reminiscent of Orphic Cubism. However, the very individual visual language of her painting deals more with signs of our turbo-modernist social experience than with references inherent to painting. Perhaps one could even go so far as to say that her pictures problematise the medium of the picture as a whole, in that various other forms of communication such as writing, pictograms, icons and emojis are combined in them to form diffuse chains of information. The sheer mass of signs confronting us brings the management of such never-ending streams of information into focus, which often lead to exhaustion.

A particular focus of Pedan's exhibition "Managing Emotions" is her interest in aspects of pedagogical communication, which are often one-sided and involve the application of subtle disciplinary measures. Pixelated silhouettes of cows, by means of which computer vision programs learn to recognise the outlines of objects that fit into the category ‘cow’ are combined with 'token boards' used in teaching that contain silhouettes of token objects to be collected in order to obtain a desired reward. The token boards are used as pedagogical tools representing a stand-in economy by which the learning progress and behaviour of a student is negotiated. Such visual-linguistic instruments of pedagogy - the picture card system PECS (Picture Exchange Communication System), which is mainly used in connection with autism, should also be mentioned here - integrate the inventory of their hidden objects into a larger examination of the pitfalls, power asymmetries and ambiguities of communicative processes. Information is never merely passed on, but rather constitutes, opens up and closes spheres of communication in the course of the process.