Intro. 00:00
Wojciech Golczewski-Otherworld 00:41
Survey Channel-Moss Tilt 03:39
Subphotic-The Sitting Tree 05:12
Chapter 1 12:26
Drapizdat, Reather Weport-Pattern #5 14:59
Minimal Drone*GRL-Lady Of The Mountains 17:56
Hyperlink Dream Sync-Galaxy Structure 22:42
MiDi BiTCH-Unearthly 26:48
Panama Fleets-Zealandia 31:25
Abu Ama + BedouinDrone-Leptis Magna 35:41
Chapter 2 49:03
Lo Five-Unbecoming You 50:58
Time Rival-Redox 55:41
Eje Eje-Saved From The Jazz (Spring) 58:26
Hello Meteor-Waterproof Thoughts 1:01:57
S U R V I V E-Hourglass 1:05:28
Depeche Mode-Don't Say You Love Me 1:09:48
Chapter 3 1:13:19
Vic Mars-Holloways 1:14:59
Pabellón Sintético-Ludwing 1:19:32
Joel Grind-Fallen Metropolis 1:28:27
ATA Records-Pineapple Diode Daiquiri 1:32:18
Mary Lattimore, Roy Montgomery-Blender in a Blender 1:34:45
Off Land-Numbers Station 1:41:04
Chapter 4 1:47:42
Robohands-Palms 1:49:33
Conflux Coldwell-Earth Sea and Sky 1:52:17
Outro 5 1:57:20
Album of background soundscapes by me
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one of my favorite things about listening to music is at the end of the song when you hear the musician laugh or talk to other people it's like they switch from some ethereal being back into a person
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fun musical bit about this scene!:
the piece that the car is playing (the "classical music that stays classical music") is a tone poem, saint-saëns' danse macabre. it's a super famous piece that you've probably heard before and is associated with all things spooky. but it's not just spooky bc it sounds spooky: it's spooky bc it tells a story! a tone poem is a piece of music evokes a poem, short story, landscape, etc. in short, it's a piece of music that's describing or outlining something.
danse macabre tells the story of death, who every year on the stroke of midnight on halloween plays his fiddle to raise the dead. the dead dance for him until the following dawn, where they return to their graves until the next year. (musically it does a lot of cool things to reflect this: there's 12 notes at the beginning representing the 12 strokes of midnight, and the frequent use of a specific musical interval called the tritone. in the medieval period the tritone was also called diabolus in musica, literally meaning "the devil in music" bc of how dissonant it sounded to listeners at the time. it also quotes the dies irae chant as well!)
so the fact that it's what the car chose to play is SUPER cute. bc it's classical (technically it's from the romantic period, but w/e), like aziraphale wants, but it's also reminiscent of crowley. bc i bet the car knows just how much aziraphale loves crowley, too. it's a really subtle nudge that the car knows both of them and it's like the car is finding a musical middle for them both, almost.
it's also a subtly brilliant choice bc in the flashback prior, aziraphale said that crowley asked to meet aziraphale in the graveyard at midnight. just like death met the dead on halloween.
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Mcdonald's official Grimace Birthday playlist on Spotify has Bury the Light on it.
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"Research..."
2021 Comic Redraw
PLEASE DO NOT REPOST
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ok but like
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I know you're strong enough to do this on your own.
- Welly Boots by The Amazing Devil
(Art by @bycharizze on Instagram, commissioned by me)
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the amazing devil are like a pair of gods, walking the earth and watching its stories unfold.
of monsters and men are like etheral witchcraft-practicing mountain spirits.
hozier is like an ancient celtic god, wandering through a forest and telling stories to the trees.
the oh hellos are like a gathering of fey dancing and reveling in a flourishing meadow.
the crane wives are like a travelling band of bards traversing the world, spreading music.
and the arcadian wild are like a courageous, valiant group of seafaring adventurers.
does that make sense?
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Wednesday 15 November Mixtape 396 “Departure Path EXCLUSIVE”
Electronic Experimental Space Synth
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Trevlad Sounds-Welcome in you wonderful listener 00:00
The Future Sound Of London-Point of Departure 00:31
Coda Nautica-Intricate Harmonics 06:21
Gy0-Death Is Real 11:32
Dividenthal & Aumgn-Earth Disguised 18:18
worriedaboutsatan-Minesweeper 25:42
Mick Chillage-Gravitational Anomalies 27:35
Virusmoto-ᛊᛖᚲᚱᛖᛏ ᛊᛁᚾ ᚲᚺᚨᛊᛖ 35:50
Survey Channel-Vitamin Mind 42:04
Patrick R. Pärk-Integral Part Of The Universe 45:36
Waveformer-PLAYED DELAYS 48:59
Stiletti Ana-A To B 54:44
Pabellón Sintético-Mother 03 1:01:40
2xirtam-Scalar Fields 1:04:05
Kanot-Mygg 1:11:27
Puma & The Dolphin-Nude Gum 1:13:24
Oceanographer-The Sun Can See Us All 1:16:50
Fontän-Nautilus 1:22:21
lovetrip-pacifier 1:27:00
The Exorcist GBG-X-Theme 1:33:24
dogs versus shadows-Nightwatch 1:25:53
Fibo Toukro-Wako6p 1:27:16
David Slowing-Sinuous Path 1:30:28
Memory Index-Steps On The Way 1:36:58
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Track list for Fig and the Cig Figs independently published Junior Year album (officially named “Infaethable”)
Teenage Rebellion
Night Yorb (a heavy metal banger)
Summer Scaries
Devils Nectar
Time Quangle (a love song about Ayda)
Multiclass (Gorgug sings on this!)
The Ballad Of Lucy Frostblade (Kristen was the one who convinced Fig to write this)
So Late, So Tactical
Do You Have A Fucking Warrant
Cassandra (Can You Hear Me)
Hall Of Mirrors
President Applebees (written entirely in the night after Kristen gets elected by a drunk Fig with extremely drunk notes by Kristen)
Raging For Love (inspired by Gorgug, of course)
The Elven Oracle (Has A Day Job) (So Stop Bothering Her)
Maximum Legend
Fury Of The Ball
Cursed
Infaethable
The Bad Kids
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*Incoherant screaming*
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Knight of Pentacles and The Devil reversed
All of our infernal agents are currently busy with other acolytes. Please hold, and your offering will be collected as soon as possible. Your tribute is very important to us. Please hold.
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Ive been listening to Secret Worlds a lot recently and I havent seen anybody talking about my favourite part, so I'm going to.
When they sing "you asked me to climb, I never learned", Madeleine and Joey sing the last three words differently. Her voice raises, a desperate plea to be understood, whereas his goes down, resigned and unwilling to challenge what is indisputable. He has already given up, whilst she is still fighting. It really emphasises how far they've drifted, that they can't even find any common ground when they share the same grief, the same regret.
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