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#Morgan (< my husband) was actually the one to suggest this plot point both because he personally loves boat boys and because
greeenchrysanthemums · 3 months
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Joel has a past with Etho, and It is the one secret that he keeps from Lizzie.
The war was still going strong, and Coral Crest just had a victory on the outskirts of their border. They took many prisoners in the aftermath of this long and bloody battle. Among these prisoners was Etho.
By this point in time Etho was pretty infamous and it was a big deal that he had managed to be captured at all, so his arrival at the castle, of course, caused quite the uproar. Joel was too curious for his own good, so he couldn't help but sneak into the dungeon while Lizzie and his father were asleep to see if the rumors were true. He was shocked to find that they were.
Etho struck up a conversation with Joel the second he got close enough to the cell. Joel, who hadn't even realized he had been spotted, was scared at first. However, he couldn't deny his curiosity, so he stayed and talked with him.
Etho admitted to Joel that he got captured on purpose, and that he was just bidding his time until Coral Crest put him on trial and had him killed. He talked about wanting to be free; free from the war, free from Wintertide, just free from it all, and that the only way he thought he would ever find that was through death. Joel asked why Etho was telling him this and he just shrugged and said he was going to die soon anyway so he might as well get it off his chest.
Joel went back every night after that to talk to Etho, fascinated by the strange enemy solider. As time passed, he got to know him, and in turn opened up to him as well. They became friends of sorts, or at least as close to friends as two people on opposite sides of the war could be.
He then realized that he really didn't want Etho to die, something that was inevitable the longer he was in Coral Crest. Months had passed since the initial capture, and they had indeed put him through a trial at this point. His sentence was death, just as Etho had predicted, and the date was fast approaching.
So, Joel did as he does best; he acted brashly and with little to no second thought.
In the dead of night, Joel set fire to one of trees in the courtyard. He had carefully planned it out and made sure that it would not spread to anything else, but it was still enough to cause a panic. While everyone was occupied by the flames, he stole the keys to Etho's cell and set him free.
Etho was confused and at first refused to leave the cell, determined to meet his fate on the gallows, but Joel told him to go have his second chance, make amends, and be free. Etho still wasn't sure, but he eventually caved, unwillingly to let Joel's kindness go to waste.
Somehow, Joel got away with it. He hasn't told a single soul about the deed, because if he did, he would surely be charged with treason. On Etho's part, he never told the tale of how he escaped, because he knew that in doing so, he would put Joel in danger.
Lizzie knows, but she doesn't say anything. She watched Joel sneak out every night, she watched him set the fire, and she watched Etho make his escape into the dark. She kept her silence over the years only because she trusts Joel with her heart and soul; she trusted his judgement enough to keep his secret.
Neither of them could have anticipated that Joel would come face to face with that familiar scarred man when Lizzie sent him to Wintertide to get in contact with the resistance.
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Run to You Part Two
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Derek Morgan x Reader
Words: 2494
Part One
Summary: Having been dating for a while, you finally feel comfortable enough to introduce your boyfriend to your daughter, Angelica. Derek takes on the role better than you could have imagined and you start to feel like a family. Then one day, Angelica disappears from a friend’s house and your ex husband starts making demands. 
Notes: Thank you all for the support you’ve shown for this series so far! Funnily enough, this three parter is actually similar to a Fox Mulder x Reader series I started a couple of months ago that may or may not see the light of day. I guess if you guys really like this plot and if you like The X Files, let me know if you’d be interested in that. 
Warnings: Mentions of domestic abuse, stalking, kidnapping. 
More Criminal Minds: HERE
-
Derek made a half-hour drive take twenty minutes and pulled up to the front of the school. Local police had already been called in and were bombarding you with questions. He broke through the wall of officers to get to you. 
“Oh thank god,” You exclaimed and he took you in his arms without a second hesitation. “She’s gone.” You sobbed into his chest. “He took her. I know he did.” 
“Ma’am, I need you to calm down and tell us who you think took your daughter.” A female officer said calmly, taking another step towards you.
“Stop crowding her. Everybody back up!” Derek ordered. 
“I’m sorry, sir, who are you?” Another officer asked, sounding defensive. Derek pulled out his badge. 
“SSA Derek Morgan. I’m from the Behavioral Analysis Unit.” 
“It’s a little early to call you guys in, isn’t it?” The first officer said. 
“I’m not here officially. I know the missing girl.” 
“Then we’re going to need to ask you a few questions.” The defensive officer snapped. You pushed in between them. 
“I know who took her. Please, we have to find my baby.” 
“Y/N, just take a deep breath, okay.” Derek put a hand on your shoulder and waited for you to calm down a little. “Now, what do you mean you know who took Angelica?” You tried to keep a sob from escaping, but the tears fell freely. 
“Her father.” You watched Derek’s face morph with confusion. “My ex-husband.” 
-
You sat in the police station with Derek’s hand running up and down your back as you slowly sipped a glass of water. You hardly remembered getting there or seeing members of Derek’s team arrive. Since there was already a leading suspect, the BAU wouldn’t be called in, but Agent Hotchner and Agent Prentiss came anyway to help Derek consult with the police. 
“Ma’am, my name is Gina. I’m going to need to ask you a couple of questions, okay?” The officer from earlier started. You nodded, drinking the rest of your water. 
“Um, Derek, maybe you should go talk to Agent Hotchner and Agent Prentiss. Ask them what they need to know from me.” You suggested. You didn’t want to have to explain everything to him like it was an interrogation. Derek nodded in understanding and gently kissed the side of your head. 
“Let me know if you need anything.” He gave Gina a thankful smile and joined Hotch. 
“The police said they don’t have any problems with us being here as long as we stay out of their way.” Hotch informed, casting a sympathetic look in your direction. “How is she?”
“Her little girl is missing, Hotch. She’s doing about as well as you’d expect.” Morgan sighed. 
“What do we know about the suspect? She seems pretty certain that her ex is the one that took her daughter.” Prentiss asked. 
“Just his name and that they used to be married. I’m gonna call and see what Garcia can dig up.” He pulled out his cell and kept his eyes on you as you spoke to the officer. 
“All-knowing goddess, what can I do for you?” Penelope answered cheerfully. 
“I need your help, babygirl.” He said seriously. “Y/N’s little girl is missing.” 
“Oh god.” She gasped. With still so many more questions, she readied her fingers over her keyboard. “What do you need?”
“Lance Booker. Anything and everything you can find on him: properties, businesses, residences, especially places in the last six years.” He heard a flurry of typing before she answered. 
“Got it. I’ll send you the list forthwith.” There was a long pause, followed by a sad gasp. 
“What is it, Garcia?”
“Lance Booker’s ex-wife, Y/N… your Y/N? Ugh, I hate my job sometimes.” 
“Penelope!” He shouted into the receiver, his sudden outburst making Prentiss jump. 
“Sorry, sorry.” Penelope fretted. “At the time of their divorce six years ago and Y/N receiving full custody of their daughter, Y/N filed a restraining order against Booker with claims of domestic violence. She’s filed multiple reports of stalking since then, but without breaking any of the terms of the restraining order, the police haven’t been able to hold him for anything.” Derek’s hand tightened around the device to the point where he heard the shell crack. 
“Thanks Garcia.” 
“You’re going to find her, Derek.” Penelope assured him quietly. He took a deep breath. 
“I’ll keep you updated. Keep looking into this guy and anyone else who might have taken Angelica.” He snapped his phone shut and pressed it against his forehead, trying to calm himself down. He needed to be the one who held it together. He couldn’t let you see any anger or panic in him because it would just make you angry and panicked even more. 
It seemed like you were finishing up with the officer so he started back in your direction. Seeing him, you stood. Judging from his expression, he knew. 
“Derek, I can explain.” You wanted to reach out to him, but you kept your arms tightly wrapped around yourself as if it kept you from falling to pieces. “I wanted to tell you.” You wiped a stray tear from your cheek. “I wanted to tell you about all of it. About Lance a-and our marriage and everything that happened, but I just didn’t know how.” His eyes softened and he ran his hands down your tense arms. 
“You don’t have to explain anything to me, baby.” While there were so many questions in his mind, none of them mattered. All that mattered was that you were here with him and Angelica was out there somewhere with that man.  
The group fell silent as your phone started to ring. With a shaking hand, you looked down at the unfamiliar number, glancing back up at Derek for instructions. He nodded slowly while Prentiss called Garcia to get a trace on the number. You took a deep breath and answered. 
“Hey baby.” The voice on the other end sent a tremor up your spine. You kept your eyes locked on Derek’s to keep from hanging up right there. 
“Lance, where’s Angelica?” You tried to sound calm but you wanted to rip the bastard apart. 
“You know, she doesn’t even remember me?” He hissed. “When I picked her up from school, she had no idea who I was. But I guess that’s what happens when you decide to replace me for six years.” 
“Lance, please. I need to know that she’s okay.” 
“Of course she’s okay. She’s got Agent Morgan protecting her, right? Oh wait, he failed at that too.” He barked furiously. Your body tensed up even more. 
“How do you know about Derek?” You asked slowly. Derek’s expression didn’t change, but he felt a shot of guilt go through him. He was the trigger. 
“I have ways of knowing.” 
“He wants you to change the subject. Keep talking about Angelica.” Agent Hotchner instructed, keeping his voice low so the other end wouldn’t hear. You nodded in understanding. 
“Lance, I need to know that Angelica is okay. I need to hear her voice.” You kept your voice as level as possible. There was a shuffle on the other end and you nearly broke down when you heard Angelica’s confused voice. 
“Mommy? W-where are you? I wanna go home.” 
“I’m coming, baby. Everything is going to be okay.” You cried, hearing the sound of the phone switching back. 
“We’re going to be a family again.” Lance growled. “I’ll call again soon.” The line went quiet and you finally stopped holding your breath, leaning against the desk. You let the phone slip out of your hand and fall to the floor. 
“Did we get a trace?” Morgan called to the agents behind him, keeping his eyes glued on you. Hotch sighed. 
“Garcia said there was something interfering with the signal.” 
“Lance was a phone technician, he knows how to hide.” You said blankly. “He won’t let us find him until he wants us too.” 
The agents and officers around you were in a frenzy trying to dig up all of the information they could possibly find on Lance. Every time they said his name, you felt the back of his hand or the heel of his boot. For six years, you had been free of him. Angelica had been free of him. How dare he come back and ruin what you had built all on your own?
 Something inside of you switched. You weren’t just  frightened anymore. You were pissed off.
-
You didn’t move. You didn’t eat the food Derek had put in front of you. You didn’t drink the water he’d brought either. All you could do was stare at the phone, leg bouncing up and down anxiously. You hadn’t wanted to go home, but both the police and Agent Hotchner thought it would be a good idea in case Lance tried to contact you there. A team was setting up a device to hook your phone up to so they could control the line. All you could do was watch from the kitchen table, hands clasped in front of you like you were praying.
Derek watched you from the living room as his team set up the phone. He sat down on the couch, running a hand down his face. He should have asked you about Lance sooner. Maybe he could have prevented this if he only knew what had happened. 
“We’re going to find her, Derek.” Prentiss said, sitting down next to him. She’d watched the way that this was tearing him apart. He didn’t respond. Both watched as the youngest of their team approached your table. 
“Miss Y/L/N?” You looked up, finding the agent you could only assume was Dr. Reid. No one else was that young. 
“Yes?”
“I, um, I’m Dr. Spencer Reid. I work with Morgan- I mean, Derek.” He asked to sit down and you just nodded in response. “I would like to talk to you about your ex-husband, if that’s okay?” 
“I don’t know what else I can tell you.” You sighed, pinching the bridge of your nose. “Lance was… mean. He was controlling and when he didn’t get what he wanted, he got violent. But he never hurt Angelica. Ever.” You stared at the table’s wooden surface. “I was always there to protect her.” You felt a tear slip down your cheek. Reid’s lips formed a thin line. 
“What was he like before? When you first met him or when you first got married?”
“Well he wasn’t the monster he is now, I can tell you that.” You sneered. “When I met him, he was sweet. Sure, he was mysterious and attractive, so I did whatever he said, but he was romantic and- and different from the other guys I’d dated. When we got married, I thought ‘this is it’, you know? Standing in that little church, everything felt exactly like it was supposed to. But after Angelica was born, everything changed. It was like he’d been hiding this creature under his skin all those years and it was finally emerging.” 
“Do you remember anything specific that might have triggered this change?” 
You shook your head. “I just remember the first time it happened. There weren’t any warning signs or anything. He hadn’t been irritable or upset. He just… snapped. Angelica was in her high chair and she had thrown her bowl of food on the floor. He must have heard the sound and he came into the kitchen. When I knelt down to clean it, he grabbed my hair and pulled me up, screaming about how it was my fault. How I made a mess and that he was going to show me what happens to people who mess up his life. And then he hit me. He hit me over and over and left me on the floor to clean. I should’ve- I should have left him right there. I should have taken her and run, but I didn’t. In my head, it wasn’t his fault. It was because of his past, it was because of me. I should have run. I should have left. I should-” 
“Miss Y/L/N.” Reid interrupted, allowing you to gasp for air. You must have forgotten to breathe. He looked like he wanted to say something, but he was stopped by the shrill, dooming sound of the phone. 
You bolted from the table and joined the agents in the living room, waiting for the signal to answer. 
“Okay, you remember how it works?” Derek asked. You nodded. “Alright. Keep him talking. Don’t let him go off the subject of Angelica. You just want your daughter back. You don’t want to hurt him.” He pointed at the device and you picked up the receiver with a shaking hand. 
“Hello?” 
“Tell Agent Morgan he can’t replace me.” 
“Lance, I’m tired. I just want Angelica back safe.”
“No, you want to play happy family with your BAU boyfriend. He isn’t her father. I am!” He spoke with the fury of a madman. Derek looked at the rest of the team grimly. Lance was spiralling. 
“What do you want me to do, Lance? I’ll do anything to get her back, just please, I miss my daughter.” You cried. Derek pressed the button and muted the call. 
“Y/N, you have to keep calm. I know it’s hard, but Lance is trying to push you. He wants you to break, but you can’t.” He took your hand, softening his tone. “I’m right here. You can do this.” Under Derek’s comforting voice, you could hear Lance start to ramble. 
“I just want us to be happy again. Do you remember when we were happy?” You waited for Derek to press the button again before responding. 
“Y-yeah, I remember.” 
“We can be happy again. We can be happy again…” His voice trailed off and you heard a shuffling sound. 
“Wait, don’t hang-” You exclaimed, but the line went dead. You slammed the receiver back down and kicked the coffee table it sat on. “He’s going to kill her. He’s going to kill her.” You pushed a lamp over and listened to the bulb shatter against the carpet. Before you could break anything else, or hurt yourself, Derek locked his arms around you, pinning yours to your side. “Let me go! He’s going to kill her! It’s my fault! It’s all my fault!” 
He kept a hold of you as you screamed, sitting down on the couch with you on his lap. The other agents just stood, watching the scene of turmoil. Reid was standing completely skill, eyes darting in between invisible words in his head. He suddenly looked at Prentiss. 
“Get Garcia on the phone.” He said, turning back to you and Morgan. 
“What did you get?” Prentiss asked. She was still trying to decipher everything that Booker said. Reid swallowed. 
“I think I know where he might be keeping Angelica.” 
-
General Tag: @rae-gar-targaryen; @takemepedropascal; @childhood-imagination;  @mylovegoesto; @yellowbadgergirl; @itmejado; @suckmyapplejacks
Series: @ weasleytommy, @ lowsodiumfreaks67, @panhoeofmanyfandoms
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Charmed Again: Season 3 (Charmed Fanfic)
Episode 5 - The Charmed Bride: A Valentine’s Day Special
Warnings: I don’t own the rights to any of the characters from the hit TV show “Charmed” or the storylines related to the show those rights belong to original creator Constance M Burge.
15+ Moderate/Graphic Displays of Violence, Sexual Innuendos, Witchcraft and Potentially Triggering Scenes.
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Many Years Ago
Melinda Halliwell was walking down the first floor hallway of the Halliwell Manor looking for her eight year old daughter Pan when she noticed her bedroom door open and upon investigation found her little girl stood there trying on her wedding dress from her wedding to her ex-husband Luke Adams.
“Pandora Paige Halliwell what are you doing?” Melinda laughed at her daughter as she walked into her bedroom.
“I didn’t mean to pinch your dress mum it just kind of called out to me and I couldn’t help myself.” An eight-year-old Pan cutely lied while she climbed out of a wedding dress far too big for a child and sat down on the edge of her mother’s bed. “I just wanted to see if I looked as beautiful as you mummy.”
“Well as you can see, you’re too small and too young to be trying or even thinking about wedding days just yet.” Melinda told her as she sat down next to her daughter and cuddled into the eight-year-old. “But when your day comes, I can promise you that you will be the most beautiful bride in the whole wide world.”
“I hope my husband makes me as happy as daddy used to make you.” Little Pan hoped.
“You’re a smart kid Pan I’m sure whoever you wind up with whether it be a bride or groom you will be the happiest bride out there because you’ll choose wisely even more wisely than me.” Melinda said sincerely to her daughter.
Many Years Later
A teenage Lacey and Drake walked down the school corridors of their local high school within San Francisco just like they did every school day longing for the days school would be over, they’d grow up and be parent free never knowing then the tragedies that awaited them in the future.
“I’m telling your dad is going to be super cool to find out your dating a girl I mean at least he can ease off with the pregnancy lectures besides he’s super supportive of Jake and me.” Drake told a nervous Lacey who planned to come out to her father after school.
“Yeah well Jake didn’t break the news to dad until he brought you home one night which is super not fair because you’ve always been my dad’s favorite non-child.” Lacey argued with her best-friend. “I doubt he’s going to be too chill unless I take Wonder Woman herself home with me.”
“Please Wonder Woman is way too old for you your dad would just flip about the age difference.” Drake joked.
After a pep talk from her best-friend and a long school day Lacey returned home that day to find her father Eric and her brother Jake sat on the couch in the living room of their family home watching some cheesy sitcom and laughing away to themselves until Lacey switched the television off and sat down between them.
“So, I’m just going to come straight out with it…dad I’m a lesbian.” Lacey admitted to her father and brother at the same time, feeling freed by the words she had just said.
“Darling don’t be so stupid,” Eric laughed as hugged his daughter. “I’ve known you were into girls long before you even knew. Good on you for finally admitting it to yourself must’ve taken a lot kid.”
“Yeah good for you sister even if it wasn’t exactly a secret.” Jake joked with his sister.
“Your mother used to always say sexuality is a spectrum or is like a spectrum I can’t remember it word for word but the point is in this household it don’t matter what your orientation, ethnicity or sex is as long as you’re a good person.” Eric told both his children. “Although if you date crappy people, I’m going to tell you their crappy whether use like it or not.”
“So, sis, have you got yourself a girlfriend yet?” Jake asked Lacey.
“No.” Lacey blushed. “Can we please change the subject now?”
“You should totally get your brother to set you up he’s got good taste in people I mean just look at his boyfriend.” Eric suggested to his daughter instantly making her eyes roll.
“Do you have to be Drake’s number one cheerleader all the time?” Lacey mocked her father. “Next you’ll be telling me it’s a shame he hasn’t got a sister or cousin for me to date.”
“Don’t think I haven’t asked him already but sadly no family members that are of age to date you.” Eric teased his daughter.
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The Day Before Valentine’s Day
Drake was walking down the main hallway of magic school when he suddenly saw Cole from a distance holding a bouquet of roses and a heart shaped box of what Drake could only presume was chocolates and considering Cole was closer to Drake’s office than he was he had no choice but to dart for Dermot’s office and run in there in a bid to avoid his friend he shared a kiss with before realizing he just walked into the office of a headmaster he had shared a kiss with.
“Now whose busting into whose office?” Dermot asked Drake while sitting behind his desk as Drake burst into his office, slamming the door closed behind him.
“Yeah I wasn’t really thinking I was too busy in avoidance mode to remember I’m also avoiding you.” Drake replied a little too honestly. “No offense meant of course.”
“Don’t worry only a little offense taken,” Dermot joked as he stood up from his chair. “I did figure you were avoiding me but who else are you avoiding?”
“My former demonic best friend who betrayed me only for me to start becoming his friend again until…well until that got complicated too.” Drake admitted to the headmaster of magic school.
“Your life in general seems complicated.” Dermot told him.
“Fair point.” Drake agreed.
“While you’re here I have a little card, I was going to give you…” Dermot began to say.
“I swear if it’s a valentine’s card I will vanquish you!” Drake snapped at his boss.
“Fair enough,” Dermot laughed at Drake’s reaction. “So, do you want to talk about what happened between us or keep avoiding?”
“Keep avoiding.” Drake joked for a moment before realizing Drake look unimpressed. “Here’s the thing I was still getting over my ex who was a great guy until he lied to me, brainwashed me and then left me to become an elder although in his defense I was kind of dead at the time. Then Cole came along and I clearly transferred my feelings to nearest standby got rejected and realized we were better off as friends until he back-stabbed me and then along comes you who I really hate or at least did hate until that kiss and now I’m all kinds of confused and desperate to keep avoiding.”
“Hold up elder Jason Quinn brainwashed you?” Dermot continued to laugh at Drake’s expense making Drake laugh along with him. “God your love life really is a train wreck.”
“Yeah and I haven’t even told you about my first ex who wound up in jail for murdering my parents.” Drake couldn’t help but laugh as his reckless love life. “Then there was this demonic strip club owner who I wound up getting pregnant which actually turned out to me my most successful relationship considering I got Lilah out of my dalliances with Cindy.”
“So, I’m guessing a lifetime of that doesn’t make you the biggest valentines day fan?” Dermot asked him.
“You could say that yeah.” Drake replied.
Raven walked into her office at Halliwell and Turner only to be left shocked to see a trail of roses leading to her desk with a luxurious box of chocolates and a card within a red envelope placed on her desk as she walked into the room only to hear a knock on the door to find Paul stood there with a bouquet of beautiful and colorful flowers.
“Wow, this is totally unexpected!” Raven said as Paul walked over to her and handed her the flowers before kissing her. “You realize Valentine’s Day is still a day, away right?”
“True but considering my sister’s getting married on Valentine’s Day even the cupids themselves better be on holiday this year because Pan Halliwell and Lacey Morgan are about to make it their day.” Paul joked. “Speaking of which I need a plus one for the wedding if you fancy being my date?”
“Well I was given my own invite but I’m sure I can slum it as your plus one.” Raven replied before giving her boyfriend and business partner another kiss. “The flowers are lovely thank you.”
“I figured we could do something nice for lunch as well I booked us a table at Quake I’d say dinner but I think Drake’s plotting something for tonight and considering we missed his last plans I’m going to make sure not to miss this one.” Paul revealed to Raven.
“How are the soon to be brides?” Raven wondered. “I can’t wait for a lovely wedding and on Valentine’s Day too it’s just the thing to lift the mood around here.”
“Careful now we try not to try and jinx ourselves in this family.” Paul joked.
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The soon to be brides Pan and Lacey found themselves sitting on the couch in the living room of the Halliwell Manor cuddled up together under a thick blanket while watching a cheesy romance movie on the television which was quickly interrupted when Drake blink in front of them both interrupting their movie time.
“This is totally not acceptable it’s one day before the wedding and the two of you are sat here watching god knows what.” Drake said to them both before switching off the television. “You both have separate hens’ nights to start preparing emphasis on the plural use there because we’re going traditional and separating you two until the big day.”
“I thought you understood it when we said no to any hen nights let alone two?” Lacey asked him.
“Well that’s on you for being foolish enough to believe I’d just settle with a no I never settle for anything.” Drake told his best-friend. “You have plenty of time to be old and boring after the wedding tonight’s about fun and I’m going to make you both have some even if it involves kidnapping use both.”
“I guess we have no choice then.” Pan said to Lacey while smiling at her soon to be bride.
Before Lacey could respond to Drake’s demands the three of them were interrupted by a knock at the door which instantly made Drake smile knowing who was at the door.
“Well this is your house too Lacey get off your butt and answer the door!” Drake ordered Lacey.
“When the hell did you get so bossy?” Lacey asked as she stood up from the sofa and began walking towards the foyer. “I’m only going because you’re clearly a man on a mission today and I have no interest in going up against that.”
Lacey continued walking through the foyer of the Halliwell home and walked straight towards the door only to be left completely shell shocked when she opened the door to find her brother Jake stood in the doorstep.
“Jake,” Lacey said with excitement. “What are you doing here?”
“I figured to stop being a bitch and risk getting locked up so I can see my little sister get hitched.” Jake revealed before hugging his sister.
“I’m so happy you came around I thought I was never going to see you again.” Lacey squealed as she was overcome with joy. “I’m so happy your back! I’m so happy you’ll be here for my wedding I’ve missed you so damn much.”
Meanwhile back in the living room Pan’s suspicion over Drake’s scheming smiles only managed to grow after overhearing her fiancé screaming with joy from the front door of the family home.
“What exactly did you do?” Pan asked as she stood up from the couch to face her nephew.
“I may have cast the tiniest acceptance spell on Jake to help him get over his beef and get him here for the wedding.” Drake revealed to his aunt.
“You seriously cast a spell on a guy whose life was ruined by magic.” Pan laughed nervously. “That’s going to end well.”
“Okay you and I both know when it comes to a little personal gain here and there, we’re both willing to take the risk besides am I really a Halliwell if I don’t interfere like the rest of you?” Drake joked.
Jake and Lacey walked into the living room hugging each other just before Pan had any chance of arguing with her nephew over his recent meddling but Drake was far from out of the woods yet as he found himself face to face with his first love who he wrongly accused of murdering his parents.
“Hi Drake, it’s good to see you again.” Jake said to him awkwardly.
“Hey, it’s good to see you too.” Drake replied sincerely although equally as awkwardly.
“So, what are these plans then? I must admit you play an unfair but highly good game.” Lacey said to Drake, happy to be reunited with her brother.
“Pan’s hen night is taking place in P3 where I’ve got Paul working on the finishes touched to the night and Lacey’s hen night will take place in Devilish Delights which will re-open for one night thanks to Cindy giving me the all clear to use the strip club.” Drake revealed to the room.
“Wait a strip club…how do you know people that own a strip club?” Jake asked his former boyfriend.
“I used to be a stripper there before becoming a cop then I briefly returned to stripping and now I’m a guidance counselor telling students not to strip for a living some people call it the circle of life.” Drake informed him.
“Well nothing in your life has ever not been complicated.” Jake joked.
“You have no idea!” Drake laughed.
Drake blinked into P3 to find the beautiful valentines themed decorations all hung up around the club and his father Paul sat at the bar counter drinking from a bottle of whisky.
“Well I’ll give you something you’ve got quite the hand for decorations I guess I know where I get it from.” Drake told his father as he walked and sat down next to him before stealing the bottle of whisky from his hands. “However, it’s missing a little something…”
Drake waved his hand along the bar counter blinking plates of food onto the surface much to Paul’s amusement.
“I’m really going to have to discuss personal gain with you at some point Drake.”  Paul told his son.
“Personal what now?” Drake joked with his father before taking a drink from the bottle of whiskey and handing it back to Paul. “I managed to convince Raven to take Lilah for the night which really means Raven, and more than likely Cole are babysitting I would’ve asked him myself but…”
“He kissed you before your new boss kissed you and you’re all kinds of confused.” Paul interrupted his son. “What is it with you and your bosses anyway?”
“If Lacey wasn’t already dead, I’d kill the little blabber.” Drake moaned. “Well anyone Lilah’s sorted for tonight which means this baby daddy can’t get as drunk as he wants too.”
“Now that sounds like I showed up just in time for a great night.” Quinn said with enthusiasm as he orbed into the club. “Hi guys!”
“Quinn it’s been far too long.” Paul replied with a smile as he stood up from his chair and hugged his former white lighter. “I’m so glad you can make it tonight.”
“Yeah it’s really good you could make it.” Drake agreed with a forced smile as he had now seen four people, he had shared kisses with in one day.
“I couldn’t miss Pan’s wedding I mean you guys are like family to me and I’ve always rooted for them two to make it down the aisle.” Quinn told both father and son.
“Drake’s decided to split the brides up for separate hen nights, so we’ll only be seeing Pan tonight.” Paul told Quinn before turning to ask Drake. “Are you sure planning two hen nights isn’t too much for you?”
“My mother was a party planning extraordinaire I learned everything I know from her in fact she’d be in her element right now.” Drake admitted. “She just loved valentines’ day too it was the one day in a year where dad was the one who went all out and boy, he did it in style. I don’t think I’ve ever seen a couple more suited for each other until Lacey and Pan.”
“I love when you share happy stories from your past you always seem so happy when telling them.” Paul said as he hugged his son.
“Okay enough of the mushy stuff I have parties to attend to.” Drake replied before blinking out of sight.
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Lacey and Jake walked into Devilish Delights to find the entire club decked out with valentines themed decorations and a large table on the stage filled with all kinds of different food.
“I’m guessing Drake got a deal on Valentine’s decorations.” Jake joked.
“Oh, I highly doubt he paid for any of this.” Lacey laughed. “Somebody really needs to discuss personal gain with that one.”
“You mean all this was done by magic?” Jake asked as he looked around the club amazed. “Drake sure has changed since our high school days.”
“We’ve all changed since high school to be fair and all for the better.” Lacey told her brother as they sat down at a table together.
“I guess this means it’s just the two of us tonight?” Jake wondered before his and Lacey’s father suddenly appeared in front of them as if from out of nowhere.
“Dad...” Lacey and Jake said in unison before standing up from the chairs and rushing over to hug their father.
“Quinn I wasn’t expecting you to be here!” Pan said with excitement in her voice as she walked into P3 to find Paul and Quinn stood by the bar before she walked over to them both and gave her former white lighter a hug. “I’m so glad you’re here my wedding wouldn’t have been the same without you.”
“I’m guessing it’s just a party of three then considering Drake will no doubt be attending his best friend’s hen night.” Paul told them both before all three of them were left stunned when Piper and Melinda appeared from out of nowhere.
“Well in that case there’s more than enough space for another two to add to the party.” Melinda said to them before rushing over to hug her two children Paul and Pan. “I wouldn’t miss this for the world.”
“And let’s not forget who you’re really excited to see.” Piper announced before going over to join Melinda, Paul and Pan’s group hug as she pulled Quinn in to join in on the hugging.
“I guess Drake really does know how to plan things perfectly.” Paul said with a smile as the group hug broke off.
“There is nothing in this world that would stop us from being there at your wedding.” Piper told her granddaughter Pan. “We tried to push the elders to let us all come down, but they don’t go for it.”
Suddenly artist Avril Lavigne blinked on stage along with her band and their equipment much to everyone in P3’s surprise.
“Okay now that’s a slightly impressive yet highly problematic use of magic right there.” Piper said to Pan, and Paul as Avril and her band began to set up to play for them. “Have you even mentioned personal gain to Drake?”
“Yeah I just kind of said it like it was more of a suggestion than a necessity but don’t worry grams I’m sure Avril Lavigne or her band won’t remember any of this come tomorrow.” Pan replied to her.
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“I hope I’m not interrupting family night I just thought I’d pop in to make sure everything’s running along smoothly.” Drake said after blinking into Devilish Delights to find Eric, Lacey and Jake stood at the bar only for Eric to quickly meet him with a hug.
“You’ve always been a part of this family Drake.” Eric told him while continuing to hug Drake tighter. “You’ve done a great job tonight now enjoy it with us.”
“Yeah my hen night isn’t complete without my best friend.” Lacey said to Drake after he broke off his hug with her dad.
“You’ve done a really good job tonight.” Jake congratulated Drake.
“You really have,” Lacey agreed as she hugged into her father once again. “This is already the best hen night a girl could ever ask for.”
“Yeah well it’s only fair that after all magic has cost you all that it gives you a little something back.” Drake told his best friend Lacey. “After all you’ve been through and knowing you all these years it really is a true pleasure getting to see you watch the woman you love tomorrow.”
“Look at you all emotion forward and everything.” Lacey laughed before breaking away from her dad to hug her best friend. “You’ve come such a long way too and I’m glad we did it together like we always have.”
Artist Avril Lavigne stood on stage with her band at P3 performing her song it was in me while Pan, Paul, Piper, Quinn and Melinda sat within the family booth each holding drinks in their hands and enjoying some quality family time as the night before Pan and Lacey’s valentine wedding drew closer and closer to an end.
“I can’t believe my daughter is getting married tomorrow and to angel just like you mum.” Melinda happily gushed to her mother Piper while the others mumbling amongst themselves.
“I can believe it in fact I’m surprised it took them this long, but nothing is ever easy in this family.” Piper replied to her daughter before raising her glass, grabbing everyone’s attention to make a toast. “Here’s to a couple who couldn’t be anymore suited for each other and a valentine wedding that is truly going to be magical.”
“Yeah and to Pan and Lacey hopefully finding the perfect home.” Quinn let slip while everyone raised their glasses to toast to Pan and Lacey leaving Paul shocked and very unamused. “Oh, which wasn’t going to be revealed until after they found somewhere.”
“Your planning on moving out?” Paul asked his sister, clearly not liking the idea of no longer living with his little sister.
“You guys have lived together forever but now is a time for you all to start a new chapter in your lives son.” Melinda told Paul, trying to defend her daughter’s decision. “You’ve made your own little family and now it’s Pan’s turn to do the same with Lacey.”
“I was going to tell you once we found somewhere but I guess now it’s out.” Pan admitted to her brother. “It’s not like you’re going to be alone I mean Drake and Lilah will still be living with you.”
“I know Pan it’s just you and I have always lived together we’ve always done everything together and it’s going to be weird living in a home you no longer live in.” Paul replied to her. “You’re more than just my little sister you’re my best friend.”
“I’m going to miss you too you, big idiot but it’s not like we’re not still going to see each other all the time.” Pan said as she pulled her brother in for a hug. “And you’ll always be my best friend that will never change.”
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As the hours passed on the night before Valentine’s Day Drake, Jake, Lacey and Eric had found themselves sat around a table within an otherwise empty Devilish Delights the foursome continued to laugh and reminisce while keeping the beers and shots flowing throughout the night.
“Between Lacey trying on my suits when she was a kid and Jake always breaking into his mother’s shoe collection, we literally had to get really good at hiding things from them.” Eric laughed.
“Yeah well I guess I was going through an experimental stage back then.” Jake blushed before looking over at Drake as the two shared a smile with each other.
“I’m still a solid fan of suits I just have better taste in them now no offense dad.” Lacey teased her father.
“Talking about offenses.” Drake said before waving his hand blinking a large ton of paperwork onto their table.
“What is all that?” Jake asked him, while Lacey and Eric both look equally as confused as Jake himself.
“To save you having to read all the boring paperwork it’s basically a record declaring that all charges made against you have been completely wiped from your record.” Drake revealed to him. “I know it’s far too late to try and bring all those years you spent in jail or on the run back to you but I figured it was about time you stopped running and could call this city your home again.”
“I don’t know what to say.” Jake said while stunned by Drake’s actions.
“It included various spells a father who’s a lawyer for the legal stuff and a few elders who tolerate me to lend me some fairy dust in order to get everything all wiped including memories all except from the inner circle of course but you Jake Morgan are now and free man.” Drake explained to his first love before waving his hand making a folder appear on top of the paperwork. “And that is an application for San Francisco Police Department so that if you want to continue your family’s legacy like you wanted to all those years ago you can feel free to go ahead.”
“I think Pan may have actually been bet as the super witch around here.” Lacey joked before turning to look at her brother. “I’m so happy for you to finally be free I’m just sorry it took this long and sorry all this happened to you in the first place.”
As the night before the big day was close to coming to an end Piper and Melinda had found themselves having to assist a very drunk Pan and Paul home to the Halliwell Manor before throwing the passed out siblings onto the couch in the living room and throwing a blanket over them both.
“I can’t help but feel like we’re forgetting something or someone.” Melinda said to her mother while watching over her sleeping children.
“Not that I can think…damn.” Piper began to say before realizing they had left Quinn asleep at P3. “Quinn, we forgot Quinn oh well I’m sure he’ll be fine crashing at P3 until morning.”
“I’m sure he’ll be fine.” Melinda laughed while continuing to watch her son and daughter sleep. “I just can’t believe how much they’ve grown I just wish Patience could be here too for Pan’s big day but that would be far too complicated to try and explain to everybody.”
“Yeah besides poor Patty is still adjusting to the after life and telling them their sister was so close all this time only to have recently died would only torture them as much as it did us.” Piper replied to her daughter. “I’m just glad at least one of my grandchildren gets to have a happy ending and I hope both Paul and Drake will follow Pan’s path towards happiness for themselves too.”
“Grams I’m sorry I didn’t make it tonight, but I got carried away reminiscing with the others.” Drake said after blinking into the living room before rushing over to Piper to give her a hug. “I always love it when you swing by for a visit…well nowadays I do anyway.”
“It’s good to see you too Drake I’m so proud of all you’ve done tonight.” Piper told him. “And all you’ve came through recently speaking of which where is my darling great-great granddaughter?”
“Cole’s sister Raven is babysitting her tonight you’ll get to see Lilah at the wedding and just wait till you see this adorable dress Pan picked out for her.” Drake replied to his grams.
“It’s nice to see you again…well for the first-time face to face.” Melinda said to her grandson who immediately looked awkwardly at her.
“Thanks,” Drake forced himself to say to his father’s mother before returning all his attention back to Piper. “Listen I’m actually pretty tired and I’m planning on getting up extra early tomorrow so I can squeeze in some quality time with Lilah before Pan and Lacey’s wedding, so I’ll see you in the morning.”
Drake quickly gave Piper another hug before blinking out of sight clearly in a rush to get away from his grandmother Melinda as quickly as possible.
“He still hates me for convincing Paul to give him up, doesn’t he?” Melinda asked her mother, already knowing the answer was yes.
“Drake will come around it just takes him time he’s stubborn like his father but he’s also good a big heart like his father too.” Piper told her daughter.
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Valentine’s Day
Drake walked into the dining room of his family home still in his pajamas to find Cole sat at the table in a smart suit with Drake’s daughter Lilah on his lap who was wearing a pretty pink dress and looked so beyond adorable that Drake’s face instantly lit up as he walked over to them both and took his daughter in his arms for some cuddles and kisses.
“Daddy missed you so much last night.” Drake told his daughter before looking at Cole. “Thanks for bringing her over.”
“Of course, you know I always have time for my main girl.” Cole said as he stood up to face Drake. “Listen Drake about our kiss…”
“Shouldn’t have happened just like the time when I shouldn’t have kissed you because you were right, we’re friends and we don’t need to complicate things between us.” Drake butted in. “I hope you’re okay with that?”
“Oh, thank god,” Cole breathed a sigh of relief. “Not that I wasn’t tempted to complicate things because trust me I was I even went out and got you a valentine gift out of a moment of weakness before realizing that’s not what I wanted for us. We’re a good team the way we are, or we were before we complicated everything, and I’d like to go back to no complications.”
“Yeah I’d really like that,” Drake said sincerely. “I’ve missed our friendship and I’d like to try uncomplicating my life just a little.”
“Tell Pan and Lacey I wish them all the best, but I can’t stay today I’ve got to leave the city for a while for reasons I can’t explain right now.” Cole told his friend before kissing Lilah on the forehead and then kissing Drake’s before shimmering away.
“Well that’s one less complication now I’ve just got to put up with the other three today and I’m golden.” Drake told his daughter before Piper walked in from the kitchen.
“I’m so glad you didn’t make the same mistake as my sister and married that guy.” Piper said to Drake.
“He’s a changed man from those days.” Drake defended his friend. “He’s just not the one for me.”
“You’re so willing to give him so many chances why not try giving Melinda one?” Piper suggested to her great-grandson before walking over and taking Lilah into her arms. “She only wants to get to know you and try make up for her mistakes.”
“Fine I’ll give the woman a chance but no promises…” Drake sighed.
Piper, Drake, Melinda and Raven stood within the front row of chairs in the sun-room of the family home which was perfectly decorated in red and white wedding decorations symbolizing a valentines style wedding while artist Kelly Clarkson and her band stood to the side of a beautiful altar made of white and red roses as Quinn and Leo Wyatt orbed into the room to stand next to Piper.
“I didn’t think they’d let you come for this,” Piper said with a smile before kissing her husband. “Pan’s going to be so happy you could make it.”
“I wouldn’t miss this for the world.” Leo replied to his wife.
“Hi, I’m Drake I’m your…” Drake began to introduce himself to Leo before Leo rushed over to hug his great-grandson.
“I know who you are I’m glad to meet you.” Leo told him before breaking of his hug with his great-grandson.
Kelly Clarkson began singing an acoustic version of her hit single my life would suck without you as Lacey walked into the sun-room wearing a beautiful wedding dress with her brother Jake on one arm and her father Eric on the other arm as she walked down the aisle before reaching the altar as Eric and Jake went to stand within the second row of chairs among the family.
Moments later Pan was the next beautiful and blushing bride to walk into the sun-room wearing an equally beautiful wedding dress with her brother Paul on her arm as the song continued while the two of them walked down the aisle before Paul gave his sister a kiss on the cheek as he left her at the altar with Lacey and walked over to hug his grandfather Leo before the family sat down ready to watch Pan Halliwell and Lacey Morgan get married as the original grams and Pan’s great-great grandmother Penny Halliwell appeared in front of the two brides ready to marry them.
“You look stunning Mrs Morgan.” Lacey told her future wife while grabbing a hold of Pan’s hands.
“As do you Mrs Halliwell.” Pan responded with love for her future wife glowing from her.
The family watched as the two brides became two wives on valentine’s day marking the start of a beautiful marriage between Pan Morgan-Halliwell and Lacey Morgan-Halliwell.
“We’ve been through a lot both together and alone and I have never been happier than when you are with me getting through the many storms in our lives.” Pan said during her vows to Lacey. “I knew I loved you from the first moment we met, and I know I’m going to love you until my last breath and long after that. Even in death I my spirit will go on to love you for all of eternity.”
“I never thought I’d ever meet someone who could well and truly complete me in ways I never thought possible.” Lacey said during her vows to Pan. “I vow to make you the most important person always and to never forget how much I love you for as long as we both shall live and I’m kind of living or not living until the end of time.”
“I do!” Mrs and Mrs Morgan-Halliwell both declared before sharing a kiss as the entire room cheered on the two blushing brides with glee.
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hellsbells91 · 5 years
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Avengers: Endgame, a day later
What an absolute ride. My brain hurts though. It’s a lot to unpack and this post/review/scrutinisation turned into a bit of a mini-essay.
Spoilers are all below the cut and they are detailed spoilers for the whole film, just to warn everyone:
An emotional rollercoaster that despite us knowing that time travel would be involved still had its moments that kept me guessing as to what could happen, or how it could happen. I still felt the joy and intrigue during the ‘time-heist’ and a moment of piercing dread when Thanos picked up the fully-loaded infinity gauntlet for the second time. 
I also loved how Endgame took the time to be immensely fun. Of course it had bleak moments, depressing moments, angry moments, but damn did it make me laugh. Korg, Frigga, OG Hulk, Loki... their presence, however short-lived or ultimately unfulfilling, was like a soothing balm for the soul and reminded us why we fell in love with these guys the first time around. How much charisma and charm can Tom Hiddleston fit into about a minute of screen time of Loki, also without speaking for most of it? A lot. He is on form as always and I’m glad for it.
Infinity War was of a much darker tone, I feel, and I very much enjoy the parts of Endgame that made me feel like we were in the original Avengers again (I mean aside from the actual time travel portions), recapturing some of that joy and excitement and most importantly hope that was a constant comforting presence in the first title.
The emotional beats with Clint and his family, Scott and Cassie and Tony and Morgan (and Howard) also in particular gave the film much needed time to breathe after Infinity War’s ‘GO GO GO crank everything to 11!’ pace, and were for me at least among the most heartfelt moments. 
I actually don’t have too much to say about Thor and Bruce, honestly. They were entertaining, I liked them, it was a bit of a shame we didn’t get more of Hulk and that Thor was made to be the butt of a joke for most of the film, but they both got pretty satisfying conclusions at least. I hope Thor shaves and gets a haircut though, I’m not digging the Volstagg look on him.
One sticking point for me was that Thor doesn’t even say Loki’s name once, not even to joke about him in the past or even glance at him in his cell on Asgard and this did slightly annoy me throughout the film, but I’m not overly torn up about it. Maybe they didn’t want to overdo the fact that in most of his films, Thor is grieving for Loki one way or another - we get it, he misses his brother. In the overall very long list of ways in which Loki’s character has gotten shafted in the MCU, this is one of the lesser things. 
At least Thor got to say goodbye to Frigga this time, and I couldn’t help but also be lifted (just as Thor was) by her words, As I mentioned before, this was one of those times during the film that I got to be filled with hope.
The supporting cast were also great, and I’m kinda happy that they didn’t give Captain Marvel a bigger role, along with a decent excuse for her not being there most of the time. I was worried that being a new character with an upcoming franchise, she would be made to outshine the others in Endgame and they didn’t do that. Keeping most of the focus on the original six made Endgame more of a satisfying conclusion to their stories, with just hints of what will happen now for everyone else. Point to Marvel. 
Onto fatalities:
So let’s start with the big one, Tony Stark. Iron Man was the first MCU film I watched and he’s been my favourite character (aside Loki) throughout the series. The world is a slightly duller place without him, but whilst it was undeniably upsetting and many tears were shed in the cinema and now while I’m writing this, it didn’t have the sour taste that Loki’s demise left me with. 
Because if you’re going to have to go, you might as well save the entire universe in the process.
As we passed over all the characters standing at Tony’s funeral, I was sad, but not enraged. I was struck with this sense of ‘none of them would be here without Tony’ and it left me feeling just bittersweet about the whole thing. And after a few minutes when Happy asks Morgan if she’s okay and she says she is, I know that the characters, and myself, and everyone else will be too. 
Of course we will be. 
What a wonderful, hopeful ending.
I was pretty satisfied with Natasha’s end also, to be honest. I didn’t always love her presence in past films, but I can appreciate that her story in the MCU has been all about trying to do what she thinks is right, even if it sometimes means going against allies. Her sacrifice is an act of love, and hope. It’s not done out of guilt, she’s not trying to make up for past mistakes, it’s not framed as punishment - she’s just doing what she can to ensure that everyone else, especially Clint, has the chance to carry on - just like Tony does. So, like Tony, I’m more bittersweet about it than angry. 
Loki on the other hand died brutally and needlessly - that whole opening scene in Infinity War caused so much controversy on how odd, cryptic, out of character and poorly edited it was that a lot of people straight up assumed that there just had to be more going on, there’s no way such accomplished filmmakers could be so sloppy! But like the other inconsistencies in Infinity War, Endgame offers no answers other than yep, the filmmakers really are that sloppy. 
So with the major deaths out of the way, onto some bad stuff. This film is excellent to watch don’t get me wrong, just don’t start thinking about the time travel implications for more than 5 minutes. Because whilst the film takes the time to establish its own (confusing) set of rules for time travel, it then proceeds to play pretty fast and loose with those same rules. 
Yes I’m going to complain about the timey-wimey stuff. 
It’s a shame that the film that takes such care in adding in so many references to the past films, would take such liberties in other areas. I joked with my friend that i’d need a diagram to work it out so that it makes sense, and that has not changed so if anyone here can explain it, please let me know because I’m not a scientist, time travel or sci-fi expert and I can’t wrap my head around it.
By the logic that Gamora is alive in the 2023 present and her death has been effectively erased, so must Loki’s, Heimdal’s and the other Asgardians’ deaths be erased. Gamora cannot simultaneously be sacrificed for the soul stone but not exist in the timeline that led her there. Despite the film telling us the past can’t be changed, it seems that past versions of characters can change their own future, but then also have that alternate future have no bearing on the original timeline.
Using that logic Natasha and Tony could simply be brought in from an earlier time. No one ever need die again because they can just be brought forward from the past without consequence to the current timeline. Maybe this will come up in the future again, maybe we’ll learn that taking people out of their timelines has severe personal consequences as they start to remember multiple lives and states of being, a bit like Nebula, which would then give a solid enough reason as to why people shouldn’t just be brought back and could inform the plot of Gamora’s new existence in GOTG3, along with Loki’s TV series next year. 
It still wouldn’t explain how Steve manages to pull this off without any consequences to himself and the fact that he lives in parallel to another Steve Rogers, but it would be something I guess? Even so, by going back to what appears to be the 40s/50s and staying there, Steve has also changed Peggy’s timeline (that’s one of those rules broken), and it would be a bit too dark for Marvel to link up Peggy’s eventual alzheimer’s with the fact that she has effectively led two separate lives, one with Steve and one with her husband and children - unless they’re gonna tell us that Peggy left her husband to be with Steve?? And are you telling me that Steve would sit back and not tell Peggy about HYDRA? Or help to free Bucky sooner? 
Also Steve must have re-infected Jane with the Aether. Nice one Steve. And this putting the stones back where they came from would have also meant having to avoid the time-heist troupe, lest they see Steve again and figure out they must have won.
Idk I’m thinking about this too much.
The Thanos who is killed at the end of Endgame (... ha) is the Thanos from 2014. He leaves his original timeline and doesn’t return (unlike the Infinity stones) so how is any of what he did between 2014 and 2018 possible? Is the film trying to tell me that Thanos can jump from 2014 to 2023 and be killed but somehow also exist up until he is killed by Thor one month after the snap in 2018?
The film tells us the past can’t be changed when clearly it can. Or is it that the past can be changed but it won’t affect the present? 
BUT HOW? 
Have multiple timelines been created or not? It’s suggested that by returning the stones, the new timeline that was created by removing them in the first place would no longer exist, reverting everything back to how it was. In Loki’s case, as much as it pains me to say it, as soon as Tony and Steve go back to 1970 for the Tesseract, the alternate timeline Loki made by taking it in 2012 would be essentially overwritten, reverting everything back to how it was before.
There’s a whole lot of maybe’s and what if’s circling around and I hate padding this post with ‘lol idk what’s going on’ but I went into Endgame expecting some answers but ended up just getting more questions.
Apparently the upcoming TV shows have close ties to Endgame, and how cool would it be to see a Loki series in which his 2012 tesseract-wielding-self grapples with knowledge of his own future and plans accordingly until he catches up to the present day?? Watching as this powerful agent of chaos takes a steaming dump on time itself by refusing to stay dead or be erased from existence. 
Something tells me though *cough*Marvel’s track record with Loki*cough* that this route will not be taken. 
GOTG3 will at least, hopefully, help towards sorting out this time travel mess.
So, ultimately, is Avengers: Endgame a satisfying conclusion to the series? Kinda. Just don’t try to sort out the timelines. There’s more to come yet for a good while, and maybe (there’s that maybe again) we’ll still get the answers we seek.
....
Bonus: I’m reaching higher than the moon here but until told otherwise, the ‘clink clink’ noise at the end is totally Loki getting his handcuffs removed.
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kcaruth · 5 years
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Movie Mania: Top 10 of 2018
This one was difficult. Those who have followed this blog for a while will know that for the past two years I have done a top 15 list of favorite films. That is largely because 2016 and 2017 cranked out so many great films, and I could not restrict myself to 10. However, 2018 turned out to be a rather lackluster year for film, in my opinion. Sure, there were some high points, but overall it was disappointing. It was actually easy to stick to a list of 10 this time, and those 10 films are all deserving of praise. I just wish they had some tougher competition to go up against. I digress, though. I now give you my spoiler-free list of favorite films of 2018.
Honorable Mention: Bumblebee
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A collaboration between Travis Knight, the director of Kubo and the Two Strings, and Hailee Steinfeld? Count me in!
I stopped following the Transformers franchise after 2011′s Transformers: Dark of the Moon. One can only endure so many mind-numbing Michael Bay explosions before all of his or her brain cells die out. Here is a fun exercise that one of my college professors taught me; try it next time a Michael Bay Transformers movie comes on. Every time there is a cut, tap a pen or pencil or clap your hands. Frankly, it is quite overwhelming and hard to keep up with, and it is difficult not to notice every single unnecessary, jarring cut after becoming conscious of them through this exercise.
Contrast that with 2018′s Bumblebee. At Knight’s direction, the film forgoes most of those flashy explosions in favor of a more intimate approach to actual character development. Knight wisely chooses to keep the audience grounded and focused on the human characters, namely Steinfeld’s Charlie Watson, a teenage girl who is still struggling to come to terms with the death of her father while harboring resentment of her mother for remarrying. As far as the robots go, while the other Transformers movies went overboard with filling the screen with as many Decepticons and Autobots as they could, Knight really only has the titular Bumblebee and a couple of Decepticons hunting him down, ensuring that the action scenes and the film itself do not feel too bloated. Bumblebee is the course correction that this franchise so desperately needed.
#10: Eighth Grade
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I was cringing throughout the run time of Eighth Grade, but somehow that is a compliment to this film. Uncompromising in its excruciating honesty, Eighth Grade hits the bullseye when it targets the audience’s empathy for an anxious 13-year-old during her last week of eighth grade named Kayla Day, played by Elsie Fisher. As his debut feature film, writer-director Bo Burnham has stated that he drew inspiration from his own struggles with social anxiety, so the script feels genuine and absent of any Hollywood edits. While Kayla is certainly the main focus of the film, Burnham provides a surprisingly touching character arc for her single father, Mark, played by Josh Hamilton. Mark desperately attempts to connect with his teenage daughter, but it seems like all she cares about having a connection with is her phone and social media. With themes of mental health, heavy use of social media, and sexuality, Burnham delivers one of the most uncomfortable scenes I have ever sat through in a movie theater, which is most likely exactly how he intended it to feel.
I cannot help but compare Eighth Grade to 2016′s Edge of Seventeen, another coming-of-age comedy-drama about a teenage girl by a debut director. If I was given the choice between the two films, I would pick Edge of Seventeen, which I believe is much more re-watchable, garnering that intended empathetic response from the audience with half the cringe. Both are brilliant, but those who have not seen Edge of Seventeen should do themselves a favor and give it a watch.
#9: Won’t You Be My Neighbor?
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With so much hate and negativity in the world today, Morgan Neville’s documentary about Fred Rogers is a shining beacon of hope that restores one’s faith in humanity. Using archival footage as well as interviews with those closest to Rogers, Neville paints an intimate portrait of the man who welcomed audiences into his neighborhood through his pioneering television program. Without deifying Rogers, Neville shows how this American treasure dedicated every fiber of his being to teaching children how to be upstanding human beings who care deeply for one another, despite our differences. This documentary proves that Rogers’ lessons were not just for children, though. In fact, Won’t You Be My Neighbor? often feels like a one-on-one session with Rogers, encouraging audience members that they are all capable of good through simple acts of kindness.
#8: The Ballad of Buster Scruggs
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Unfortunately, this American western is sure to fly under most people’s radar because it was a Netflix release that I do not recall having much fanfare and advertising. Written and directed by Joel and Ethan Coen, this film is an anthology of six different vignettes set in the American West. Sporting a stellar cast with the likes of Liam Neeson, Tim Blake Nelson, James Franco, Zoe Kazan, Brendan Gleeson, and more, The Ballad of Buster Scruggs flexes the Coen’s signature style of dark drama and black humor while impressively tackling all of the sub-genres within the greater Western genre.
Each of the vignettes are tied together by death in some form or fashion. While my ranking of them changes from day to day, my favorite and least favorite remain consistent. It is virtually impossible to not fall in love with the first vignette, “The Ballad of Buster Scruggs,” which is about a cheerful outlaw known just as widely for his singing as his gunslinging. The final vignette featuring a handful of characters cramped together on a stagecoach ride called “The Mortal Remains,” on the other hand, feels somewhat out of place and ends the film with a bit of a dud. Along the way between these two vignettes, however, viewers encounter enchanting tales of a bank robber, an impresario and his artist, a prospector, and a wagon train on the Oregon Trail.
As the Coen’s first film to be shot digitally, The Ballad of Buster Scruggs boasts some impressive cinematography, especially when it comes to wide sweeping shots, like any decent Western should. It also features a wonderfully delightful score that I desperately hope gets an Oscar nod. Not a week has gone by since I have watched this film where I do not find myself humming one of the songs or music from it. The acting throughout the different vignettes of the film is topnotch, and the actors look like they are having a blast in their roles.The Ballad of Buster Scruggs is a fun time that leaves viewers longing for more time in the American West. For those who cannot find the time to sit down for the whole film, I must urge them to at least watch the first vignette about Buster Scruggs, which is worth the price of admission on its own.
#7: Isle of Dogs
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Set in a dystopian Japan, Wes Anderson’s stop-motion animated Isle of Dogs tells the story of a boy searching for his dog on Trash Island after an outbreak of canine flu. Voiced by an all-star cast including Bryan Cranston, Jeff Goldblum, Scarlett Johansson, and Bill Murray, Isle of Dogs is an epic adventure with its fair share of plot twists along the way. Alexandre Desplat provides a brilliant score for the film that matches Anderson’s comedic quirkiness and thematic choices. I would not consider myself a fan of Anderson’s distinct film style, but I do consider myself a huge fan of dogs and enjoyed Isle of Dogs. (Get the title of the film? Pronounce it out loud quickly. I Love Dogs.)
#6: Game Night
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Game Night made me laugh out loud like I have not done in a long time at the movie theater. Starring Jason Bateman and Rachel McAdams, the film follows the hilariously ridiculous premise of a group of friends whose game night gets wrapped up in a criminal escapade. In addition to Bateman and McAdams’ great, fun chemistry as the husband and wife duo of Max and Annie Davis, Jesse Plemons’ portrayal of Gary Kingsbury, Max and Annie’s weird neighbor, delivers some moments of pure laughter. For a film that is high on laughs, Game Night manages to string the audience along with its surprisingly competent mystery, complete with reveals and twists that both shock and amuse viewers. Be sure to stick around for the credits and post-credits.
#5: A Quiet Place
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Anyone who knows me knows that I am a big baby when it comes to horror movies. I absolutely loathe jump scares and will watch horror movies through my fingers if I am forced to watch one. However, I had heard so much positive buzz about John Krasinski’s A Quiet Place that I could not allow myself to make this list without seeing it first, and boy am I glad I summoned the courage to see it. A Quiet Place is a masterclass in tension, tone, pacing, sound design, and character development.
The plot centers around the Abbott family in a post-apocalyptic world inhabited by blind monsters that attack any source of sound with their heightened sense of hearing. Nothing is known about the origins of these monsters, only that they have wiped out most human and animal life on Earth. In this hopeless world, Lee and Evelyn Abbott struggle to fill their children with hope for the future.
The performances in A Quiet Place are some of the best of the year. The actors have an added degree of difficulty of having very minimal to no dialogue during the entire film, so their facial expressions and body language have to do most of the talking. One of the more impressive feats of A Quiet Place is the characters communicate in American Sign Language, and the actors actually learned ASL for the film. Millicent Simmonds, who plays Regan Abbott, is deaf and knows ASL, so she was able to help her co-stars with ASL, make corrections, and suggest improvements.
Krasinski has said that A Quiet Place is all about parenthood. Along with this theme, the film contains many Christian images and themes that are fascinating to pick apart and ponder. With so much depth, A Quiet Place delivers an original story that grips audiences. Although I did not see it in theaters, I am sure that people could hear a pen drop in their viewings.
#4: Bohemian Rhapsody
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For all of its inaccuracies, creative liberties, and unevenness, Bohemian Rhapsody took the world by storm as the highest grossing music biopic and reinvigorated a love of Queen and its leading man, Freddie Mercury. Rami Malek runs away with the film as he disappears into his role as Mercury, so much so that audience members might have to pinch themselves to remember that they are not watching the real Freddie Mercury. Seriously, Malek has to be a surefire Oscar contender for this performance. Not only does he masterfully recreate Mercury’s mannerisms and moves onstage, he also channels his pain and feelings of isolation to bring audiences a fully realized depiction of the superstar. The supporting cast is good too, although Malek’s stellar performance does overshadow them, through no fault of their own.
For its finale, Bohemian Rhapsody gifts audiences with one of the most moving, memorable set pieces in all of film for 2018, the 1985 Live Aid concert. In a word, it is epic. Bohemian Rhapsody teaches lessons of acceptance, love, individuality, and the power of music and leaves viewers wishing they could have had a few more years with the amazing Freddie Mercury. This is one of those instances where the majority of critics should be ignored. Even if viewers are new to Queen, they should not miss this film.
#3: Green Book
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Bolstered by fantastic performances by Viggo Mortensen and Mahershala Ali, Peter Farrelly’s Green Book takes a relatively unknown true story about a concert tour to the Deep South in the 1960s with African-American pianist Dr. Don Shirley (Ali) and his driver/bodyguard, Italian-American Tony Vallelonga (Mortensen), and tackles its subject matter without being too heavy-handed and maintaining respect for its characters. The script treats Vallelonga and Shirley as real human beings. Contrary to most film tropes, neither completely changes his character after a single event or incident. Instead, that change occurs slowly over the course of their road trip. Both men learn from one another, despite their disparate backgrounds. Mortensen and Ali are both worthy of Oscar nominations, though I think I would give the edge to Mortensen.
For a film about racism, identity, and the dangerous Jim Crow South, Green Book remains accessible to all audiences. It is full of heart and is brimming with that feel-good aura. As Mick LaSalle wrote in The San Francisco Chronicle, Green Book is “so big in its spirit, that the movie acquires a glow. It achieves that glow slowly, but by the middle and certainly by the end, it's there, the sense of something magical happening, on screen and within the audience.”
#2: Annihilation
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I have not stopped thinking about Alex Garland’s Annihilation since it came out way back in February. Garland, the director of one of my favorite films released in 2015 Ex Machina, puts together an impressive cast starring Natalie Portman, Jennifer Jason Leigh, Gina Rodriguez, Tessa Thompson, Tuva Novotny, and Oscar Isaac to deliver a truly intoxicating film that leaves audiences deep in thought well after the credits roll. Based on Jeff VanderMeer’s novel of the same name, Annihilation follows a group of scientists who enter a mysterious quarantined area known as the Shimmer. Inside the Shimmer, flora and fauna undergo uncontrollable mutations. The scientists explore the Shimmer in an attempt to learn its secrets and discover what happened to the military team that was sent in before them.
The atmospheric, bone-chilling score sticks in viewers’ memories and adds to the intense tone of the film. Speaking of tone, Annihilation might bring audiences to the verge of suffocation because of how breathtaking it is. It has possibly the scariest, most dreadful scene of any film from this decade that comes from the stuff of nightmares and leaves audiences haunted. For all of its terrifying elements, however, this sci-fi film also showcases some downright gorgeous scenes that let the imagination run wild. Unlike many sci-fi films these days, Annihilation is not afraid to slow down and let scenes marinate in viewers’ minds. With so many avenues to explore as far as themes go, from ethics to grief to depression to humanity’s propensity for its own self-destruction, Annihilation is a film that should be talked about for a long time to come.
#1: Spider-Man: Into the Spider-Verse
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This was the easiest decision on my whole list. No other film came close to the number one spot after I saw Spider-Man: Into the Spider-Verse. I remember seeing trailers for this film throughout 2018, but I did not have high expectations for it and almost blew it off. After all, with all of the Spider-Man films we have had in recent years, how could this one stand out apart from its animation?
The hype is real. Spider-Man is one of the most well-rounded films of 2018. It expertly balances its genuinely funny comedic moments with its emotionally moving dramatic ones. It takes risks that pay off with its bold storytelling, which is full of charm and satisfying superhero action. There is obvious care and attention to detail poured into every frame of this film, a work of art that is a love letter to superhero comic books. The creators of the film wanted it to feel like "you walked inside a comic book," and they hit it out of the park. The computer-generated animation works in concert with line drawings, paintings, dots, and various comic book art styles to make the film look like it was created by hand. It even has word boxes and bubbles that somehow are not too obstructive or distracting. As Todd Howard, the director and executive producer at Bethesda Game Studios, is famous for saying, “all of this just works.”
For such a large ensemble of characters voiced by ingenious choices like Mahershala Ali, Hailee Steinfeld, and Nicolas Cage, Spider-Man gives each of them equal footing while keeping the spotlight squarely on Miles Morales (Shameik Moore), the new Spider-Man. Lily Tomlin voices what may be my favorite version of Aunt May, and many other Spider-Man staple characters make great appearances.
The soundtrack is catchy and fits the bill for what a kid Miles’ age would listen to. There are tons of Easter eggs for hardcore Spider-Man fans to uncover, and there are pop culture winks and nods that most people familiar with the Spider-Man franchise will understand and enjoy. Of course, the late, great Stan Lee has a touching cameo, one of his best yet.
Every part of this stand-alone story feels fresh, and the characters have so much depth to them. It is hard to come up with an original concept that reinvents the superhero genre, but Spider-Man has done just that and more. This revolutionary, culturally important film was a joy to watch, and it may go down as the best Spider-Man film yet. Certainly, it has to be a serious contender for the best film of 2018.
The following are a list of all of the films I saw from 2018, in no particular order:
·         Green Book
·         The Ballad of Buster Scruggs
·         Pope Francis: A Man of His Word
·         My Hero Academia: Two Heroes
·         Black Panther
·         Annihilation
·         Game Night
·         Ready Player One
·         Isle of Dogs
·         A Quiet Place
·         Avengers: infinity War
·         Deadpool 2
·         Solo: A Star Wars Story
·         Incredibles 2
·         Ant-Man and the Wasp
·         BlacKkKlansman
·         Bad Times at the El Royale
·         Mowgli: Legend of the Jungle
·         First Man
·         Ralph Breaks the Internet
·         Spider-Man: Into the Spider-Verse
·         Aquaman
·         Bumblebee
·         Bohemian Rhapsody
·         Bird Box
·         Won’t You Be My Neighbor?
·         Eighth Grade
My 2017 film list: http://kcaruth.tumblr.com/post/171040800751/movie-mania-top-15-of-2017
My 2016 film list: http://kcaruth.tumblr.com/post/156340406236/movie-mania-top-15-of-2016
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mst3kproject · 7 years
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The Creature Walks Among Us
The third installment in the Creature from the Black Lagoon series does not have John Agar in it, thank heavens, but it does have Jeff Morrow and Rex Reason from This Island Earth and Gregg Palmer from The Rebel Set. It continues the theme of the poor Gill-Man just wanting to be left alone in a nice, peaceful swamp where he can snap alligators in half to his heart's content – but western science just won't leave him alone.  So what haven't we done to the poor bastard yet?  Well, we haven't set him on fire... okay, awesome, let's do that!
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As the movie begins, another bunch of assholes are setting out to hunt our scaly antihero, who apparently vanished into the Everglades instead of dying at the end of Revenge of the Creature. The biggest asshole of them all is Dr. Bill Barton, who thinks the Creature will be Perfect For His Experiments.  Barton has this Doctor-Moreau-esque theory that he can speed up evolution through surgery, and he's also brought his wife Marsha along because he is convinced that if he turns his back for five minutes he'll find her in bed with three other men.  The other assholes on the trip seem to consider this a challenge, and a couple of them try to put moves on Marsha as the creature hunt progresses.  This is as dull and annoying as all such unnecessary romance plots.
When they finally catch up with the Gill-Man, they manage to capture him – but only after he’s been accidentally doused in gasoline and set on fire.  The fire burns off the Creature's gills, giving Barton the opportunity to save him by making some surgical improvements to his vestigial lungs.  Also burned were the scales, leaving behind bare skin.  Barton takes this to mean he's succeeded in partially transforming the monster into a man, and decides to take him home in order to continue the process.  This is definitely not a terrible fucking idea, is it?
For starters, I do have to say that this movie looks pretty nice.  The everglades are beautifully dense and primordial, which is a relief after spending the previous movie mostly in the bleak, artificial landscape of Sea World.  The night shots are especially good, with artful use of filters and reflection of lights in the water, and good matching of day-for-night to actual night shots.  The Creature on fire is done very well.  And the music isn't bad, either – the familiar Creature Theme is present, and there's a nice bit where music is used to suggest that Marsha is suffering from 'rapture of the deep'.  Too bad the accompanying shots demonstrate that she's only a few feet from the surface.
If you'll remember, my main complaint about Revenge of the Creature, besides the existence of John Agar, was that the female lead was a sexy lamp.  This is actually true of Creature from the Black Lagoon as well – both films end when the Creature kidnaps a woman in white and the men have to chase him down and shoot him until he lets her go.  I'm not sure what the Creature's interest in women in white is... maybe female Creatures turn white as a signal to the males that they’re ready to mate?  Regardless of the reason, The Creature Walks Among Us looks at first like it's going to continue the pattern.  Marsha Barton goes diving while wearing a white bathing suit, and the Creature stalks her in the water as it had other heroines before her.
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But Marsha herself soon starts to show signs that she, at least, has potential to defy our expectations.  For starters, she evinces a surprising amount of actual personality.  Her activities have been severely restricted by her controlling and paranoid husband, and she attempts to alleviate the resulting boredom by having a variety of hobbies and sometimes by taking reckless risks.  An early scene establishes that she enjoys hunting, and seems to be a good shot. Could it be that she will save herself from the Creature, or even save one of the men?
To my amazement, the movie seemed to spend some time setting up the latter idea.  After the swimming scene, the Creature actually takes very little interest in Marsha.  His anger is instead saved for the men who are tormenting him with surgeries and experiments.  When he comes charging out of the laboratory where the scientists have kept him sedated, he is drawn by Marsha's cries as one of the men, Grant, tries to rape her.  But it is Grant he attacks, for it is Grant who had previously harmed him.  I found myself daring to hope that the movie would end with the Creature killing Grant and Barton, then being shot and killed by Marsha when he goes after her love interest, Morgan.
Of course I was disappointed.
The movie does end with both Barton and Grant dead, and Morgan alive to move in on the widowed Marsha, but during the climax Marsha herself simply fades away.  She was in the movie not long earlier, taking a swim while the Creature watched, but as the action begins she melts into the background.  She puts in a brief appearance to scream and cry while the Creature goes on his rampage, then vanishes and does not reappear until the denoument.  Time spent setting up that she could swim and shoot was apparently just misdirection.  Instead of using the gun it placed on the mantlepiece, the movie decides that instead, we need to see the resolution to the confused romantic subplots involving Barton, Marsha, Grant, and Morgan.
Barton, as previously mentioned, believes that Marsha is a cheap little tramp (he actually calls her this at one point) and if he lets her out of his sight she'll be spreading her legs for every man and fish monster for miles around.  Grant has apparently decided that a woman with an overprotective husband is twice as attractive – and what the woman herself thinks of his advances is irrelevant. Morgan seems honestly concerned about Barton's mental state and the effect it's having on Marsha, and is the only one of the lot who appears to consider Marsha a person with problems of her own.
Weirdly, the actors playing Grant and Morgan look and sound very much alike, to the point where it's possible to confuse the two. Jeff Morrow as Barton has a similar haircut and is much the same height, so he blends in with the crowd as well.  I hate when movies do this.  Were 50's standards for male beauty so exacting that they could not hire even one guy with a halfway distinctive face?
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Grant and Morgan both get a taste of Barton's jealousy, but what eventually drives him over the edge is Grant's evident unwillingness to take 'no' for an answer from anybody.  In a fit of rage, Barton murders him, and then attempts to frame the Creature by tossing the body into the pen.  This gives the Creature the opportunity to break out and kill Barton.  Marsha is nowhere to be found.
The interesting thing about this ending is that while it is a bit disappointing, it represents a complete reversal of previous Creature movies. In both Creature from the Black Lagoon and Revenge of the Creature, the Creature himself represented a sexual threat to the female lead.  He became fascinated with her to the point where he carried her off, and the men had to save her from whatever horrible fate it was he had in mind (I like to think it would have involved a lot of frustrated waiting, wondering when she’s going to lay her eggs so he can swim over them).  In The Creature Walks Among Us, it's exactly the opposite: the Creature, albeit unintenionally, saves Marsha from the sexual threat presented to her by Grant and Barton!
This reflects another reversal, as the script finally seems to understand what the audience has been thinking since early in the previous movie – the Creature himself is by far the most sympathetic character here.  He spends most of the movie badly burned and with possible brain damage, and all he wants is to go back to the water where he belongs.  He doesn't understand that the surgeries Barton has performed on him have left him susceptible to drowning like a land creature.  We want to see him kick the shit out of these guys and while the ending, where he wades into the ocean not knowing he will drown, is tragic, it's also kind of a relief.  The water is not an escape this time, and nobody can drag him back to civilization for another round of abuse.
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When I think about it, I'm actually fairly sure that both these inversions are intentional.  I suspect that at least the first writer, Arthur A. Ross, re-watched the first two movies and noticed the things Revenge repeated, and then set out to write something that would turn these specific two ideas on their heads.  I wish he'd done a little more with Marsha, who is really not much more than a plot device to motivate the enmity between Barton and Grant, but it's nice to know somebody actually cared about this story rather than simply trying to wring a little more profit out of last year's success.
The movie has another point to make, too, but it's pretty muddled. In between tinkering with the Creature's internal organs, the scientists have philosophical discussions about mankind's capacity for animalistic behaviour and our ability to overcome it with science, describing us as 'caught between the jungle and the stars'.  Much of what is said here is very poetic but doesn't come across as particularly meaningful, mostly because the actors themselves do not really seem to understand the points their characters are trying to make.  It's all hopelessly undeveloped and serves mostly to confuse and frustrate the audience, who just want to see more of the Creature.
While there are Episodes that Never Were where I really don't know why they never got picked up for MST3K, in this case I think it was actually divine intervention.  The Creature Walks Among Us is a boring, stupid movie that would have made a great episode, but that episode would have sorely lacked one thing.  There is a sequence in which strange sounds bring everybody running to the Creature's lair, where they discover it has killed a mountain lion. While I'm sure Mike and the Bots could have come up with some great Puma-Man or Pyoooma-themed lines, the perfect callback for this scene came into existence only after MST3K on the Sci-Fi Channel was over and done. The Creature Walks Among Us simply could not be properly riffed in a time when “I hear a mountain lion!” was not yet funny.
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