ROLLING STONES VIDEO REWIND: 'Jumpin' Jack Flash' (makeup version, 1968)
JUMPIN’ JACK FLASH #2 (makeup version)Promo video shot at Olympic Sound Studios, London, England, May 11 1968.Directed by Michael Lindsay-HoggFrom The Complete Works Website:The promos for Child Of The Moon and Jumpin’ Jack Flash 2 (the famous version with the painted faces) were recorded both on the same day about two weeks after Jumpin’ Jack Flash 1 was filmed. This promo 2 was shown on Top Of…
¡Tráiler Oficial de 'Let It Be', La Esperada Película de The Beatles!
El día de hoy se publicó un nuevo avance sobre 'Let It Be', la nueva película de The Beatles que esconde más de una curiosidad.
El día de hoy se publicó un nuevo avance sobre ‘Let It Be’, la nueva película de The Beatles que esconde más de una curiosidad.
Cómo ya habíamos informado luego de la publicación del primer póster, ‘Let It Be’ es una restauración de la película documental dirigida por Michael Lindsay-Hogg en 1970 durante los últimos días de The Beatles.
Aunque el tráiler no diga nada nuevo sobre la película, ver…
It’s Been a Long and Winding Road to the Let It Be Film, but…..
After a five year wait since Apple first promised to re-release this film, the teaser above appeared on various social media over the last couple of days. What was it all about? All the details can now be found on the official Beatles website.
As someone who last saw this movie in full at the cinema in 1970, I’m genuinely keen to…
LECTURE 19: COMING APART (PART 2): Here is a trailer for Peter (Lord of the Rings) Jackson’s critically acclaimed Beatles documentary Get Back (2021), which presents a longer and decidedly more complex view of the 1969 Get Back / Let It Be recording sessions than Michael Lindsay-Hogg’s grim documentary Let It Be (1970) – a movie that Paul McCartney and Ringo Starr both dislike. As you can see from this trailer, The Beatles appear to be happy, full of positive energy, united by camaraderie, and just generally having an all-around delightful time in the recording studio. Before the film’s release, Jackson said in interviews that his film – which took hours of unused footage that as shot for the original Let It Be documentary released in 1970 – aimed to show The Beatles in a very different light than Let It Be did over 50 years earlier. However, viewers who saw the film expecting a complete reversal of Michael Lindsay-Hogg’s depressing take on the Beatles efforts to record the Let It Be album found that the Jackson’s version of events did not depart entirely from Lindsay-Hogg’s take. There are plenty of downer moments in Jackson’s documentary as well. However, clocking in at a whopping 468 minutes over the span of three episodes, The Beatles: Get Back – which gave audiences the unique experience of being a fly on the wall at the Get Back / Let It Be recording sessions – was inevitably far more nuanced than its predecessor. Jackson and his crew painstakingly went through sixty hours of film footage, and 150 hours of audio recordings, remastering all of the film used in the documentary (including the entire Rooftop Concert). The result is equal parts epic and intimate, a Beatles documentary for the ages.
Lecture 17: More than any other band, The Beatles pioneered the relatively new medium of “promotional films,” which paved the way for music videos. This promotional film for the band’s hit single “Paperback Writer” was filmed on May 20, 1966, on the breathtaking grounds of Chiswick House, a lavish villa in Chiswick, a district of west London. The film was directed by the immensely talented Sir Michael Lindsay-Hogg, who was responsible for several of the band’s promo films, and would direct the Academy Award-winning documentary Let It Be (1970), which focused on the making of the band’s final studio album, Let It Be. Promo films such as this one for “Paperback Writer” anticipated the coming of music videos in the late 1970s and early 1980s.
They're doing I've Got a Feeling and Paul is standing up, has a black jacket on and George is in a red shirt. In the next shot Paul is sitting down, in the black turtleneck (swoon) and George is in a dark blue shirt. John is still in the same purple Henley and waistcoat though. Next shot, Paul is on his feet in the black jacket again, screaming 'Good Morning!' into the microphone. They're still rehearsing I've Got a Feeling.
What day is it??? What is time? Who edited this??
Well, at least now we can all be disoriented in 4K I guess.