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floorman3 · 9 months

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Cassandro Review- A Solid Indie Biopic with a Good Performance from Gael Garcia Bernal

Over the years there have been several films about wrestling, the one that comes to mind for me is The Wrestler starring Mickey Rourke. There have also been a lot of documentaries about wrestlers like The Dark Side of the Ring which deals with three ex-professional wrestlers and their Demons in and out of the Ring. A few years back Florence Pugh starred in Fighting With My Family which was about…

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#Bad Bunny #Cassandro #David Teague #Gael Garcia Bernal #Marcelo Zarvos #Prime Video #Raul Castillo #Roberta Colindrez #Roger Ross Williams

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bkenber · 10 months

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'The Equalizer 3' - The Best of the Trilogy

The first two “Equalizer” movies directed by Antoine Fuqua and starring Denzel Washington were effective action flicks, but much of what happened in them did not stay in my brain for very long. The most I can remember is that Denzel played Robert McCall who, when he starts the timer on his digital watch, is gifted at leaving his opponents in a world of immense pain in about five seconds’ time.…

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themosleyreview · 10 months

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The Mosley Review: The Equalizer 3

Very seldom do film trilogies realize what type of genre they belong to and stick with it. The standard is to go big in the sequel and by the third film, pull out all the stops and have a major blast of a send off. Its a common downfall for trilogies that aren’t designed for that to do make that mistake. Its extremely rare for a franchise to circle back around to what made the first film fantastic and scale back down to a slower, smaller and more personal story. That is what this film did and it was a refreshing return of an almost forgotten style of storytelling. What I loved is the build up to the action and how precise it still was with every movement of the camera and brutal yet efficient execution the titular character dealt. The story itself isn't as earth shattering or epic as most would expect and that was its strong suit. It may come off familiar and stereotypical in many ways, but that didn't stop the film from being fun and exciting. The action in the film was great and I loved the cause and effect approach that most action have films have forgotten how to achieve. There is a reason for the carnage and doesn't have to involve a massive body count by the end.

Denzel Washington returns as the franchise hero Robert McCall and he hasn't skipped a beat. He is still that secretive, clean and precise avenger we all love but this time we get to see something that I want more characters to have. In this film, the actions of his life catch up to him and makes him come to grips with his vitality. I loved that for once he is actually looking for a peaceful life away from the world. It was a beautiful and warm ending for Robert that ties directly back to the first film. Dakota Fanning joins the franchise as CIA analyst Emma Collins and she was fantastic. The instant chemistry between her and Robert was awesome and wholesome. I liked her willingness to get into the investigative side of her job as this was her first major case. As a side note, its almost been 20 years since Denzel and Dakota have been on screen together and that chemistry and friendship is felt the moment they’re on screen together. David Denman was good as her CIA Operative partner Frank Conroy even if he's there just to showcase the international gravity of the situation and drive the exposition of the story forward. Remo Girone was great and loveable as Enzo Arisio. He really brings out the warmer side of Robert that I don't think he's seen in a long time and helps him appreciate the meaning of peace. Eugenio Mastrandrea was good as the town Marshal Gio Bonucci. He gets put through the ringer in the film and I loved that he never faltered. Andrea Dodero was great as your typical small time gangster Marco Quaranta. He is instantly despicable and its a testament to his excellent acting. Andrea Scarduzio was awesome and venomous as his older brother Vincent. I loved his vicious nature and his intensity once Robert comes on to his radar. The payoff in the conflict between was so satisfying and personal.

Marcelo Zarvos takes over as the composer this time around and he did a excellent job highlighting the beauty in the film and puncuating the action. The smooth, tense and slow building music to the action never over took the scenes, but the score really sores in the moments with the towns people. I loved the intimate way Italy is shown and how it highlights the food and its people. It was quite tranquil against the blood soaked action sequences. As I said before, the second film stayed true to the tone of the first film, but it quickly started to stray and become about the action set pieces. This film brings it all back and wraps up the story in a heartfelt way that may leave you wanting more, but doesn't over stay its welcome. I truly enjoyed this film and if you loved the first 2, then you'll enjoy this one. Let me know what you thought of the film or my review in comments below. Thanks for reading!

#the equalizer 3 #denzel washington #dakota fanning #Eugenio Mastrandrea #Andrea Scarduzio #Andrea Dodero #David Denman #Remo Girone #antoine fuqua

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rickchung · 6 months

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May December (dir. Todd Haynes) x WFF 2023.

There's a deeply sincere quality to the dryly comical knowingness of May December's detached psychological humour. Scripted by screenwriter Samy Burch, the self-conscious film revels in its cattiness. It's often truly uncomfortable how the various characters toy and play with each other's emotions as Brazillian composer Marcelo Zarvos' delightfully overwrought musical score dials up the sense of high tension. It's an intoxicating ride questioning emotionally predatory behaviour at every turn.

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twittercomfrnklin2001-blog · 6 months

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May December

Todd Haynes is the kind of director who can sum up a character or a relationship in the way a person lights a cigarette. Films like MAY DECEMBER (2023, Netlflix) are densely layered to the point one wonders if even he is aware of all the meanings they generate. Like the best art, they raise questions rather than creating answers. MAY DECEMBER takes off from the case of Mary Kay Latourneau, the schoolteacher who seduced a 12-year-old student whom she eventually married. But this is no movie of the week (the film even pokes fun at that kind of filmmaking). Instead, it deals with the lines between reality and personal narrative as an actress (Natalie Portman) cast in the film version of a similar case travels to Savannah to interview Gracie (Julianne Moore), now living with the much younger husband (Charles Melton) with whom she had had an affair when he was 13. Moore has constructed a narrative in which she was seduced, but we also see what a control freak she can be. She treats her husband more like her son and relentlessly body shames her two daughters. At the same time, Portman is constructing her own narrative, trying to come up with a way to play Moore (she even apes her mannerisms at times) that fits her feminist posturing while also satisfying her need to show off. It’s hardly a surprise that Moore is simply superb. But Melton and Portman are revelations. He starts out as almost a vacuum, the character Moore has created for him, but gradually reveals surprising depths of feeling and even a sense of personal trauma. And Portman has a little tour de force monologue practicing for her film that starts out with her channeling Moore and eventually turns back into Portman (you’ll get it when you see the film). Haynes gets strong performances throughout, even from the extras, but special honors are due to D.W. Moffett, as Moore’s ex-husband, still not quite sure what happened to his marriage, and Cory Michael Smith as their son, who seems less jealous that he lost his mother to Melton than that he lost Melton to his mother. The score by Marcelo Zarvos is a re-arrangement of themes from Michel Legrand’s music for THE GO-BETWEEN (1971). Knowing that film, about an aristocratic woman’s manipulation of a boy who has a crush on her, just deepens the power of Haynes’ film.

#todd haynes #natalie portman #julianne moore #charles melton #d.w. moffett #cory michael smith #melodrama

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twwpress · 2 years

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Weekly Press Briefing #20: November 6th - November 12th

Welcome back to the Weekly Press Briefing, where we bring you highlights from The West Wing fandom each week, including new fics, ongoing challenges, and more! This briefing covers all things posted from November 6 – November 12, 2022. Did we miss something? Let us know; you can find our contact info at the bottom of this briefing!

Challenges/Prompts:

The following is a roundup of open challenges/prompts. Do you have a challenge or event you’d like us to promote? Be sure to get in touch with us! Contact info is at the bottom of this briefing.

Trope Soup: A Josh/Donna Tropes Fest is open for prompt submissions and claims. Fics were revealed on Saturday, October 22. The collection remains open to submissions. Learn more here.

The November 20 prompts in 20 days are up on Tumblr.

Photos/Videos:

Here’s what was posted from November 6 - November 12.

Bradley Whitford posted a picture of his dogs along with a call for people to vote.

Janel Moloney posted a screenshot of a Hollywood Music in Media awards nomination for her husband, Marcelo Zarvos.

Janel Moloney posted a selfie with her “I Voted” sticker.

Dulé Hill posted a video of a conversation about the midterm election with March for Our Lives co-founder David Hogg.

Marlee Matlin posted a picture of herself in front of a flock of pigeons at Penn Station.

Rob Lowe posted a picture of himself and his son Johnny in robes and clay face masks, along with a birthday wish.

Robe Lowe posted a video clip from his podcast of himself sharing his thoughts about the NFL.

Mary McCormack posted a throwback photo of her dad for Veteran’s Day.

@JanelMilfoney: November 7 | November 8 | November 9 | November 10 | November 11

Edits/Artwork:

#CJCREGG: "You think government isn’t about you?" by sam_writes_fics [ARTWORK]

#CJDONNA x tropes: – “Donna, my darling” by jenniferjoIie [VIDEO EDIT]

#JOSHDONNA: can i ask you a question? by jcshualyman [VIDEO EDIT]

Creator Spotlight:

Each week, we talk to a fandom creator and interview them about their work and their process. We also give you the opportunity (on Twitter) to ask them questions, too! Want to be a featured creator? Find us via one of the methods listed at the end of the briefing!

This week’s creator is @S4MWILS0N on twitter and rearviewmirror on ao3. You can find the spotlight on tumblr or on twitter.

This Week in Canon:

Welcome to This Week in Canon, where we revisit moments in The West Wing that occurred on these dates during the show’s run.

Season 1, Episode 7: The State Dinner aired on November 10, 1999.

Season 2, Episode 6: The Lame Duck Congress aired on November 8, 2000.

Season 3, Episode 5: War Crimes aired on November 7, 2001.

Season 4, Episode 7: Election Night aired on November 6, 2002.

Season 5, Episode 7: Separation of Powers aired on November 12, 2003.

Season 6, Episode 4: Liftoff aired on November 10, 2004.

Season 7, Episode 7: The Live Debate Episode aired on November 6, 2005.

Editor’s Choice:

In honor of the anniversary of War Crimes, we bring you fics centered around or referencing this episode!

out, out damned spot by jazzjo | Rated G | Abbey Bartlet/Jed Bartlet | Complete | She had sworn to do no harm, and had meant it.

or,

Abbey tries to cope with the witchhunt and her own mistakes.

Oversight by thefinestmuffins for BeneathAnOrangeSky | Rated E | Josh Lyman/Donna Moss | Complete | Donna watches, hands sunk deep in her coat pockets, as Josh trots back over to Cliff.

Moon glow intersects with street lamp to back-light the fountain, lending it a strange halo. Beyond it, all she can really grasp are two hazy silhouettes, both coiled with tension, paused there in the gloom of the night park for longer than she expects.

Her own pulse thrums, rabbity, in her fingers, and her guts sink at the prospect of her innermost thoughts being read out before a court or before Congress, let alone before an entire nation.

A gust of wind tosses her hair into her eyes, and she pulls her trench coat tighter around herself as she waits.

Josh was right — it is getting colder — but that’s not why she shivers.

Prompt: War Crimes angst + hooking up

Immolatio by hufflepuffhermione | Rated M | Josh Lyman/Donna Moss | Complete | When Cliff threatens to indict Donna for perjury, Josh puts himself on the line to save her from criminal charges. His choice has significant consequences professionally and personally; a media circus and a Congressional investigation are the least of his troubles when his actions might cause him to lose Donna anyway.

Circadian Rhythms by Luna [archived by westwingfancentral_archivist] | Rated M | Josh Lyman/Sam Seaborn | Complete

turns the flicker to a flame by fairwinds09 | Rated E | Josh Lyman/Donna Moss | Complete | Set during and directly after the events of Ways and Means and War Crimes.

Anyone could have predicted that Josh would be insanely jealous of Cliff Calley. Absolutely no one would have predicted that said jealousy would actually lead to him admitting his feelings to Donna. Sometimes, Josh surprises even himself.

(Also Josh has a thing for Donna's feet, but it's not what it sounds like, okay?)

for you i would ruin myself a million little times by thotsandfeelings | Rated E | Josh Lyman/Donna Moss | Complete | A post-ep for 3x06 War Crimes.

Something Stupid by notabadday for spinninginfinity | Rated G | Josh Lyman/Donna Moss | Complete | A response to the episode War Crimes. This is explores what might happen if, some months later, Donna's diary did get out.

Fics:

Presenting your weekly roundup of fics posted in the tag for The West Wing on Archive of Our Own. If you are so inclined, please be sure to leave the authors some love in the form of kudos or comments. Be mindful of posted warnings/tags for each story.

Josh/Donna

absolutely smitten (never let you go) by JessBakesCakes for fairwinds09 | Rated G | Josh Lyman/Donna Moss | Complete

Decisions are made by those that show up 2 by kcat1971 | Rated G | Josh Lyman/Donna Moss | Complete

How Will He Find Me by Shinyrosa | Rated T | Josh Lyman/Donna Moss | In Progress

remember this moment by mikaylawrites | Rated E | Josh Lyman/Donna Moss | Complete

Danny/CJ

Ball Dropping by krazykitkat | Rated G | Danny Concannon/C.J. Cregg | Complete

Promises by krazykitkat | Rated G | Danny Concannon/C.J. Cregg | Complete

Snaking Along by krazykitkat | Rated G | Danny Concannon/C.J. Cregg | Complete

Shark Bait by krazykitkat | Rated G | Danny Concannon/C.J. Cregg | Complete

Gifts by krazykitkat | Rated G | Danny Concannon/C.J. Cregg | Complete

Jed/Abbey

Wait For Me by imperfectirises | Rated M | Abbey Bartlet/Jed Bartlet | In Progress

Miracle by imperfectirises | Rated M | Abbey Bartlet/Jed Bartlet | In Progress

Other Pairings/Gen Fic

domino by jazzjo | Rated G | C. J. Cregg/Toby Ziegler | Complete

it started off with a kiss... now it ended up like this by imawkwardlysoc | Rated G | Sam Seaborn/Original Female Character | In Progress

make an honest stand by jazzjo | Rated G | C. J. Cregg/Kate Harper | Complete

The Language of Tomorrow by silasfinch for justdreaming88 | Rated T | Ellie Bartlet/Original Female Character(s)| In Progress

Where The Hell…? by dumbchemist | Rated T | No pairings listed | In progress

privacy sign on the door by fleurfemme | Rated M | C.J. Cregg/Donna Moss | Complete

Ghost Town by starbuckmeggie | Rated T | No pairings listed | In Progress

Figures of Speech by Darsynia | Rated T | Toby Ziegler/Original Female Character | In progress

Gold by eowyn_of_rohan | Rated E | C.J. Cregg/Sam Seaborn/Toby Ziegler | Complete

Multiple Pairings

too wise to woo peaceably by jazzjo | Rated G | C.J. Cregg/Andrea Wyatt, Josh Lyman/Donna Moss, Abbey Bartlet/Jed Bartlet | In Progress

The Times They Are A-Changin' by mlea7675 | Rated T | Josh Lyman/Donna Moss, Ainsley Hayes/Sam Seaborn, C. J. Cregg/Toby Ziegler, Zoey Bartlet/Charlie Young, Abbey Bartlet/Jed Bartlet, Leo McGarry/Annabeth Schott, Helen Santos/Matt Santos | In Progress

Game On by mlea7675, Spybaby47 (Gilmore Girls crossover) | Rated T | Abbey Bartlet/Jed Bartlet, Helen Santos/Matt Santos, Logan Huntzberger/Alexandra Bartlet | In Progress

Not Quite the Parent Trap by eowyn_of_rohan | Rated T | Josh Lyman/Donna Moss, Ainsley Hayes/Sam Seaborn | In Progress

THE WEEKLY PRESS BRIEFING TEAM CAN BE REACHED VIA THE FOLLOWING METHODS:

Twitter: @TWWPress

Email: [email protected]

Feel free to let us know if we missed something, if you have an event you’d like us to promote, or if you have an item that you’d like included in the next briefing!

xx, What’s next?

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agendaculturaldelima · 1 month

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#ProyeccionDeVida

🎬 “EXTRAORDINARIO” [Wonder]

🔎 Género: Drama / Comedia / Enfermedad / Bullying

⌛️ Duración: 113 minutos

✍️ Guión: Steve Conrad y Jack Thorne

📕 Novela: R.J. Palacio

🎼 Música: Marcelo Zarvos

📷 Fotografía: Don Burgess

🗯 Argumento: Un niño de diez años nacido con una deformidad facial que le ha obligado a ser operado veinte siete veces de cirugía, se esfuerza por encajar en un nuevo colegio.

👥 Reparto: Jacob Tremblay, Julia Roberts, Owen Wilson, Izabela Vidovic, Noah Jupe, Mandy Patinkin, Danielle Rose Russell, Millie Davis, Elle McKinnon y Bryce Gheisar.

📢 Dirección: Stephen Chbosky

🌎 País: Estados Unidos

📅 Año: 2017

📽 Proyección:

📆 Viernes 10 de Mayo

🕡 6:30pm.

🎥 Auditorio Artes de la Nación (av. Javier Prado Este 2499, 5º piso - San Borja)

🚶‍♀️🚶‍♂️ Ingreso libre, previa reserva: https://info.bn.com.pe/CineclubBN_Miercoles

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leblogdemarinaetjeanmarie · 5 months

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youtube

SAMEDI 27 JANVIER 2024 (Billet 3/3)

L’étonnante BANDE-SON DE « MAY DECEMBER »

La musique de Michel Legrand composée jadis pour « The Go-Beetween » (« Le Messager » en français), de Joseph Losey, avec Julie Christie, Alan Bates et le jeune Dominic Guard (sur un scénario d’Harold Pinter), Palme d’Or au Festival de Cannes en 1971, ici réarrangée avec éclat comme du « John Barry pop » par Marcelo Zarvos, devient la ponctuation omniprésente et entêtante de l’action du film de Todd Haynes.

Lorsque « May December » a été présenté à Cannes en 2023, ce choix en a étonné plus d’un, surtout que le même thème a résonné dans « Faites entrer l’accusé », l’émission culte de Christophe Hondelatte, diffusée pendant 20 ans sur France 2 !

Nous, elle ne nous a pas dérangés, bien au contraire, si ce n’est que lors de la projection dans la Salle 6 du Cinéma Pathé Convention, le son était un peu trop fort. C’est une superbe musique de Michel Legrand, réorchestrée ici avec talent, qui « sert » bien l’intrigue du film.

Michel Legrand était un TRES grand compositeur. Ci-dessus, une version symphonique de l’original ». Elle dure 9 minutes mais, si vous prenez un peu de votre temps, vous ne serez pas déçus. Notre conseil : écoutez-la au casque, vous multiplierez par 100 toutes les émotions qu’elle dégage.

#Youtube

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saturdaynightmatinee · 5 months

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CALIFICACIÓN PERSONAL: 6 / 10

Título Original: Flamin' Hot

Año: 2023

Duración: 98 min

País: Estados Unidos

Dirección: Eva Longoria

Guion: Linda Yvette Chávez, Lewis Colick. Biografía sobre: Richard Montañez

Música: Marcelo Zarvos

Fotografía: Federico Cantini

Reparto: Jesse Garcia, Annie Gonzalez, Tony Shalhoub, Dennis Haysbert, Matt Walsh, Emilio Rivera, Pepe Serna, Jimmy Gonzales, Bobby Soto, Vanessa Martinez

Productora: Fox Searchlight, Franklin Entertainment. Distribuidora: Hulu

Género: Biography; History; Drama

TRAILER:

dailymotion

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somebaconlover · 1 year

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Emancipation (2022)

Directed by Antoine Fuqua

Cinematography by Robert Richardson

Starring Will Smith, Ben Foster, Charmaine Bingwa, Steven Ogg and Mustafa Shakir

"They cut me. They burn me. They burn my neck. They burn my feet. They break the bones in my body more times than I can count. But they never, never break me."

#SoundCloud

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genevieveetguy · 4 years

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The system is rigged. The want us to believe that it'll protect us, but that's a lie. We protect us. We do. Nobody else. Not the companies, not the scientists, not the government. Us.

Dark Waters, Todd Haynes (2019)