Let it Be Close-watch
Paul, sweety, it's beautiful, but it's killing the vibe.
Ringo looks like a very old, very tired lab rat whose been put through the maze a few too many times
Somehow the air-brown mostly eaten apple is very appropriate.
She looks far too sweet here to ever let John down. Yoko has very kind eyes.
I love how it makes it seem like Paul and John are calling Maxwell “the corny one” but really we know from Get Back that they're talking about a particular arrangement they were trying out for Don't Let me Down.
I swear he's saying “John” there, not “Joan” and also he said “came down upon His head” so… Oh! And Max died in the end in this version? “Sure that Max was dead” Okay. So Paul kills John and then himself. Murder suicide story. Yeah, Paul, you're doing great mentally, we can all tell.
I love how George getting electrocuted was important enough to make the cut for both films. Poor baby. “If this boy dies you're gonna cop it” from the guy who was just singing about a serial killer.
They're so silly
Yoko does not agree with me
Paul: stealing your man, sweetheart. John: oh no I'm being stolen teehee!
They're so silly
Oh wait, were those bitchy looks at George??? Because there he is. Idk could easily be him or Yoko.
this poor autistic baby trying to use words (not his language) to explain music (his language)
“Good MoOornin! Wooah!” I think I just … You know how Mike said people were booing Paul in the theater watching this? Yeah it's because they were pissed he didn't step out of the screen and onto their necks.
Oh Michael put himself in his own movie too? Huh, cool.
They are always in my heart
The way Paul says “get on the mic” to John??? I would've thrown something, that was so fucking bossy! Just his tone and his face and his angry pointing fingers. So mean. And John just goes “okaaay”. Oof.
Ringo covering his eyes like a little kid watching a scary movie during the orange sweater fight. Same, babe.
Sounds like the original lyric John's going for is something long “All I want is you. Nothing else is gonna do.” But that obviously didn't fit with the tune. I wonder if there was a particular conversation with Paul being controlling that made the “everything has got to be the way you want it to” line click in.
Oh my gosh! So George is showing I Me Mine to Ringo and Paul and he says the “I don't give a fuck it can go in musical” line before he even plays it. Not after John's making fun of him like he does in Get Back. Nagra reels experts: which one is correct??
George: it's a heavy waltz. Ringo:*claps hands angrily and punches the air to a ¾ beat. I love him, he's like the core of “Beatle humor” to me.
Woah there! Okay this is the John/Yoko pda Peter Jackson cut, I see. I wonder if there's a lot more footage of them swapping spit that might make the “oh John was just so in love” theory more reasonable.
It's extremely impressive that George just wrote this whole thing last night. You know? John and Paul have brought in all fragments from what I can tell. He's the only one to come in with a basically finished product.
LMAO and we're just going to Apple now. No reason. Nothing happened. Nothing to see. Moving on.
Ringo is so so cute pretending to hide from the cameras. Really he should've been the cute one.
Is it just me or does Paul drop the sillies and get sad when he sings “always be mine” at John? It's his regular voice, too, for a minute, if I'm not mistaken.
Silly cuties. But John's grin and little sexy tongue action happens the second time Paul sings always be mine, so…
What friendly artistic collaboration looks like when it's not psychosexual
Paul: have you played the dubs? George: yeah. Terrible. Paul: Great! Ringo: terrible. John: laughs Paul: (sarcastic) oh, so dreadful. …. John: where's my guitar? Paul: (still sarcastic) well we're just the greatest band ever. Idk I just like this dialogue. It's very them, you know?
This is adorable.
But I also love how they're already communicating with eyebrows, you know? They just bonded so fast and I find that beautiful.
And then Heather ups their game from taking turns going “chchchchch” into the mic to meowing into the mic. She looks at Paul like “okay your turn” and he sets her down lol he's thinking ‘if I meow into the mic right now after John already had a sex dream last night about me, he might actually cream his pants and we can't have that on camera’
Lol Billy just magically appeared!
Paul you're literally so annoying. You started the goofing off and now you're like “alright lads, that's enough.” Mkay.
He is unbelievably sexy and talented though so you know he does have those little things going for him. Someone write me a Paul/Billy fic please!!
Kinda crazy how they all four just slide straight from “Kansas City” to “Miss Ann” to “Lawdy Miss Claudy”. Makes me think of something they might've done in Hamburg.
I'm sorry but Paul finishes “please don't excite me baby. I'm down in misery.” And John's immediate answer is, “well you can get it if you want it, and if you want it you can get it!” And Paul ends up singing “I want it I want it I want it I want it”. Nice. Very subtle, boys. And that's before John gets kinky.
I love how Heather just forces a hug from George and then immediately runs away. What a cutie.
But really. How did anyone watching this get the idea that John hated Paul? Just confirmation bias I guess?
All the cut off conversations kill me but especially the one where John's working though Paul's anxieties. They're just in the middle of it and then cut. “two of us Sunday driving…”
Someone should do a study of whistling in their songs. I feel like it's another one of their tip offs that “hey this one is about us” Anyway I love John's whistling here. He's so good at it. I can just imagine him as some farm boy picking apples, you know?
Imagine booing this poor stay puppy though, like. What? I mean, what if Johann Weiner was wrong and John wasn't crying at the sight of him and Paul playing triumphant together on the rooftop, but at Paul playing his little heart out about their doomed love. Idk it's probably both. Let's be real, John was bawling through the whole thing.
What is George laughing at? Picture quality is garbage because evil corporations don't let you take screenshots of their content, but he looks like that one kid in your elementary school class that just dumped Cheetos all over his crushes desk and thinks he's a criminal mastermind.
Also I do appreciate all the attention given in the chosen shots to the musicianship. I bet they liked that at least if they had the heart to like anything about the movie at the time.
I'm sorry but I love how in sync Mo and Paul are. With this ducking and later the shimmying. I know it's wrong to ship Ringo’s wife with one of the Beatles she didn't sleep with, but… idk I really want her to have bedded all four at one point, you know? She deserves it, being an og.
Okay but yeah I'd be having a public meltdown if I fumbled that too holy fucking shit
Ringo feeling himself as he should
George just looks like he smells nice. Unlike the others. You know?
John has such a beautiful smile. If somebody looked at me like that I'd put him up on a giant screen behind me on my world tour after he'd been dead for forty years too.
That pleeeaaaheeeaaase though. Looking at Paul. How did he survive I'll never know.
The cut from screaming Paul to grouchy nap lady is extremely painful.
John was so cool in this concert. Like the epitome of cool.
Kevin, my love, thank you for your service
I love Yoko leaning so far and craning her neck. She's like a mom at a school talent show. Like “I only came to see my baby.” Type vibe. Which is exactly what she's doing, unlike Mo, and honestly I find both of them extremely valid
You know in movies where the romantic leads are never looking at each other at the same time?
I think I watched George and John switching back on their amps like fifty times because I just love it so much. And from this angle, you can see John's saying something to Paul about it. He looks serious and he's shaking his head. I wonder what he's saying.
Mal Evans I love you forever for this. Look at his hand on the rail, just blocking them off completely, so protective.
Them turning to each other at the end always gets me. It's automatic, like second nature, and it's the last time ever. They deserved better.
Oh Darling duet in the credits are you fucking kidding me??? Was that in the original? “Believe me, when I tell you.” “Oh I do.” That's the second time that they gave away in this footage that they know they're talking to each other in their music.
Alright, that's it, I guess. And then MLH is haunted by this experience for forty years until he makes Two of Us to purge the demons.
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