.
I'm a prosecutor. I'm part of the business of accusing, judging and punishing. I explore the evidence of a crime and determine who is charged, who is brought to this room to be tried before his peers. I present my evidence to the jury and they deliberate upon it. They must determine what really happened. If they cannot, we will not know whether the accused deserves to be freed or should be punished. If they cannot find the truth, what is our hope of justice?
Presumed Innocent, Alan J. Pakula (1990)
6 notes
·
View notes
'Endgame' by Samuel Beckett at Irish Repertory Theatre
You don't want to miss 'Endgame' presented at Irish Repertory Theatre.
(L to R): Bill Irwin, John Douglas Thompson in the Irish Repertory Theatre’s Endgame (courtesy of Carol Rosegg)
Nobel prize winner Samuel Beckett suffered years of rejection until his wife managed to sell his work which gradually put him on the map. Now we question how this rejection was possible because his work is timeless and exemplifies his genius. His particular greatness lies in his…
View On WordPress
0 notes
Changing Lanes (2002)
Hey all,
Please check out this review on 2002's Changing Lanes, starring Ben Affleck and Samuel L Jackson.
#movie #movies #moviereview #moviereviews #moviereviewer #film #films #filmreview #filmreviews #filmreviewer #like #share
Director Roger Mitchell
Written by Chap Taylor & Michael Tolkin
Ben Affleck, Samuel L Jackson, Kim Staunton, Toni Collette, Richard Jenkins, Amanda Peet, Sydney Pollack, Dylan Baker, Matt Molloy, Tina Sloan, Bruce Altman, Joe Grifasi.
Gavin (Affleck) is an eager young lawyer whose firm is in the last steps of taking over a charity organisation from its late owner.
Doyle (Jackson) is a…
View On WordPress
3 notes
·
View notes
ENDGAME
Starring John Douglas Thompson, Bill Irwin, Joe Grifasi and Patrice Johnson Chevannes
Written by Samuel Beckett.
Directed by Ciarán O’Reilly,
Playing at Irish Repertory Theater – Francis J. Greenburger Mainstage – 132 West 22nd Street (between 6th & 7th Avenue) – New York, NY.
Run: Until April 16th (last four performances will also be live streamed)
In this world of upside-down values, Bizarro politics and contradictory social analysis, a viewing of any play by ultra-absurdist Samuel Beckett makes much more sense. So, when a new production of Endgame, directed by Ciarán O’Reilly, opened at New York City’s Irish Repertory Theater recently, it became something one must experience. Previews began at the end of January with an opening date taking place on February 2nd, 2023. Starring John Douglas Thompson as Hamm, Bill Irwin as Clov, Joe Grifasi as Nagg and Patrice Johnson Chevannes as Nell, the production was originally scheduled to run until mid-March, but thanks to audience demand, it has now been extended until mid-April.
This stark, one-act tragicomedy is focused on a blind, partially paralyzed, domineering older man (Thompson) sitting at center stage, his harried, servile companion (Irwin) and his geriatric parents (Grifasi and Chevannes) in a ramshackle old house in what seems like a post-apocalyptic wasteland. Two garbage cans sit to the left of Hamm’s wheelchair. Only two small windows at the back suggest there is a world outside.
Hamm references some unspecified “end” whether it is to be the end of their lives or death of the world in general or the end of the events which make up the actual play. Much of the content consists of terse, back-and-forth dialogue between the characters which alternates between bantering and whimpering. Along with trivial stage actions, we are forced to wonder just how they ended up here.
What plot there is gets held together by Hamm’s telling of a grotesque story-within-a-story that erupts from his mouth from moment to moment. He does this with sometimes bombastic outbursts and other times, a pathetic whining.
An aesthetically profound part of the play is the way the story-within-story and the actual play converge at roughly the same time bringing this skeletal drama to a close. With such skillful actors as these, they eke out humor despite the bleakness, often delivered not with dialogue but with the silent profundity of a head nod, their expressive eyes or awkward gestures.
Upon Hamm’s loudly modulated voicing of the lines, Clov reacts with a world-weariness that lets us know this is not the first time this dynamic between them or the foursome for that matter, has taken place. If anything, Beckett has set this up as if we have been allowed a glimpse into these final moments. The play’s title refers to chess and frames the characters as acting out a losing battle with each other or their fate. Certainly, it’s an odd set of moves that has awarded this play with praise and proclamations that it is the ultimate expression of the existential dilemma — we keep going on no matter how absurd that notion is.
Taken as a whole, much of the dialogue adds up to nothing but bit pieces — sutured together within the context of these 85 minutes, they provoke, prod and compel the audience’s emotional reaction to the infuriating plight of the characters — mostly driven by Hamm’s powerful presence. Though it seems thoroughly unrelenting in its darkness, Clov begins to see a light at the end of the tunnel so there is a glimmer of possibilities.
Originally written in French (“Fin de partie”), the play was translated into English by Beckett himself and was first performed in French on April 3, 1957, at the Royal Court Theatre in London. Written before, but premiering after his most well-known play, Waiting for Godot, Endgame is among Beckett’s best works and a crucial influence on so many young avant-garde playwrights.
Renowned literary critic Harold Bloom has called it the greatest prose drama of the 20th century, saying, “I know of no other work of its reverberatory power.” Though some might consider Waiting for Godot his masterpiece, Beckett considered Endgame the most aesthetically perfect, compact representation of his artistic views on human existence. But both plays require repeated viewings to fully appreciate them.
Brad Balfour
Copyright ©2023 PopEntertainment.com. All rights reserved. Posted: April 5, 2023.
Pictures © 2023. Courtesy of Irish Repertory Theater. All rights reserved.
0 notes
Check out this listing I just added to my Poshmark closet: 13 Going on 30.
0 notes
CALIFICACIÓN PERSONAL: 7 / 10
Título Original: The Deer Hunter
Año: 1978
Duración: 183 min
País: Estados Unidos
Director: Michael Cimino
Guion: Deric Washburn. Historia: Deric Washburn, Michael Cimino, Louis Garfinkle, Quinn K. Redeker
Música: Stanley Myers
Fotografía: Vilmos Zsigmond
Reparto: Robert De Niro, Christopher Walken, Meryl Streep, John Savage, John Cazale, George Dzundza, Chuck Aspegren, Amy Wright, Joe Grifasi, Rutanya Alda, Shirley Stoler, Mady Kaplan, Richard Kuss, Paul D'Amato
Productora: EMI Films, Universal Pictures. Distribuidora: Universal Pictures
Género: Drama, War
https://www.imdb.com/title/tt0077416/
TRAILER:
0 notes