better late than never and better one than none :) nothing crazy happened on Sanctuary's birthday but Gogo demanded they all get a pic in front of this sign

thank you for letting Dagger, Esme, and Vinnie hang out with them @wraithsoutlaws @dustymagpie @imaginarycyberpunk2023 💜

happy Sunday :)

as I'm going back over my past history and items and journals and years, I come across all sorts of things, like the pencil I saved from that so-precious memory from second grade, and a pair of flip flops I've been missing for two years, and (tw for murder/crime/killings) the modern-high-school-AU-kidnapped-by-a-serial-killer story I wrote in late high school jdfsjdfsjkjlksfd

i am trying to do it scared

12.............. with Corunir?

So you have chosen... Tur-Morva. *evil laughter* wherein the rescue instance goes horribly awry in a canon-compliant way

“Eth… Help me” Ethedis hears a weak but familiar voice behind her, one that she would be overjoyed to hear in any other circumstances and speaking any other words. She was a split moment from sprinting down the tunnel, where she had heard Bregadir frantically calling for a healer mere seconds ago. 

Instead, she stops and pivots around to see Corunir collapsed on one knee, breathing heavily and bleeding more so, a deep shadow of crimson growing beneath him. Horror sets in the pit of her stomach.

She stoops to steady him just in time as he falls forward into her arms. “I think… wounds reopened…” he mutters faintly as Ethedis struggles to reposition him to asses his injury. 

“Corunir…?” No response “…Corunir!” She calls frantically, still to no avail. He’s fading fast. She fights to bury the panic welling up in her heart. She has to stay calm if she is to have any hope of saving him. She prays someone else heard Bregadir’s call for a healer, she cannot help both of them.

There is a long cut on his stomach, that seems to be the primary source of the blood. The wound is not fresh, seeming days old yet healing very poorly. No doubt an injury sustained during the Grey Company’s capture and left to fester after he was thrown into that dark cell, just beyond the reach of his kin. It seems to have reopened in the battle. His strength has already been long spent, and this rapid loss of blood would be enough to push him over the edge. His face is pale and his breath slows with each moment, he is minutes away from death.

She puts her hand to the wound, applying as much pressure as she can in her already weakened state. “Please… just hang on. Just a little longer…” she pleads, blinking away tears. He cannot hear her. 

She takes a deep breath and turns her mind outwards, beyond herself and this small corridor. She does not know how deep below the earth they are, but deep enough that she cannot hear the slumbering trees or even reach their roots, but she doubts they would be willing to lend her their power anyway, not while it’s still winter. She keeps searching. She finds some moss, it wants to help, but it is too small for this task. 

After a search that, in reality, barely lasted a moment yet it felt like hours, she finally finds something. An underground river, flowing swift and strong beneath the earth, unaffected and uncaring of all else, yet holding great power. She begs the dark cold waters for aid, to lend her its strength and grant this dying man in her arms new life. 

‘Please. Please just buy him a little more time. Let me save him. It isn’t his time yet. Not here. Please.’

There is nothing. The river has no reason to care. She fears it will give her nothing.

Nothing, and then the sound of rushing water thundering in Ethedis’ ears alone, the shock of cold water in her veins, and an unfamiliar power flowing through her hands. Flowing like a torrent of water too powerful for her to tread in such a weakened state, yet tread it she must. She sends it into Corunir’s near-lifeless body. Close the wound, stop the bleeding, give him the strength to survive. 

There is water now, but not from the river, it flows from Ethedis’ eyes. Her hands tremble and her arms burn as though she has been swimming against the current of an ocean. Acting as a conduit of power such as this would test her limits even on a good day, and this was anything but ‘a good day’. 

She cannot do this. She cannot hold onto this river. Corunir is still bleeding. If she stops now it will not be enough to save him, but she cannot hold on. More water escapes her eyes, a sob from her throat.

Suddenly she feels another set of hands atop her own, calloused, worn, and strong. A familiar voice beside her, it belongs to Golodir.

“Easy, Ethedis, easy. You’re doing well. It will be alright.” If he is afraid, his voice will not betray it, and that is all the better for Ethedis. 

With the practiced confidence only an experienced captain could possess, he manages to steady her. She can hold on a little longer, she is not fighting alone, Golodir found them. He says it’s going to be ok, and she believes him.

She keeps it up just long enough, but not a moment more. She cracks open one eye and sees Corunir's bleeding has finally slowed, if not stopped altogether. Some color has returned to his face as well. She thinks it is safe to stop now. She looks over to Golodir and sees worry in his eyes, but no fear. He simply nods at her, she thinks she hears him say something, but she cannot make out the words. She lets go and collapses. She thinks Golodir caught her, but her body is numb with cold and she can’t feel much of anything. He calls out to her, but she lacks the strength to respond and consciousness quickly abandons her. Corunir is alright at least. Golodir found them, everything will be alright.

(Yaaay Golodad to the rescue! there was meant to be another part to this, where Corunir comes to later and actually has the chance to talk to Ethedis, but it wasn't coming together fast enough so I'll probably just add that part *gestures vaguely* "later". I DO like what I had so far, but it was my first time actually properly writing dialog between those two and I wanted to make sure I did a good job, ya can't rush it. you'll see it later.)

ughhhh writing hard

Too tired to write but also can't stop The Scenes™ from playing out in my mind.

Anyway on a lighter note, it never ceases to fascinate me when I show my art friends my latest character designs & they praise my apparent fashion sense. I look at other artists with much more diverse designs & I feel like a hack.

So being praised for it, I have to resist the urge to put myself down like I used to do with my art in general. Y'know the whole "I know it's pretty shitty but I tried I guess" thing that you see most new artists spouting. I've been drawing for too long do still do that. I'm too old for that shit lol

I like my character designs, I think I'm decent at it, it just feels weird when other people seem impressed by the designs. I think pretty lowly of my tastes, so while it's good enough for me (after all, I draw for myself, I draw just to make myself happy, because it feels good to do), it's fascinating to think that it could be good enough for other people.

I obviously still have a long ways to go on working on my self confidence & self worth lol

why does everyone else's state dictate how i'm doing? why do i obsess over how everyone is, except for myself?

i hate what this last semester has done to me, to all of us really. i am sitting down and trying to do some research for my upcoming bachelor's project and i just... really don't want to anymore? like the entire uni thing is just, so unappealing right now it's actually making me want to cry, because i know i was excited about this in spring, i know i loved uni and the learning process and everything about it. if i hadn't loved it i'd think "ok fine this apparently isn't for me and that's okay" but that's not the case?! and it makes me so furious that the thing that has taken that joy (hopefully temporarily) away from me is just one horribly rotten semester paired with one horribly rotten exam held by one absolutely horrible supervisor :/

immediately bursts into tears because I miss the beauty supply job and my optician job

The problem with people who are "right" because they insist they're right, and the only way to be right is to simply perfectly follow their every dictation on the subject unquestioningly is this...

Ok, let's just take it as a given that you're right... the problem here is that if that's what's right I'm afraid I have to dig my heels into being wrong. If you are as righteous and just as you insist you are then I've got no choice but to be the villain because I can't stand what you're saying I'd have to do to be good

Shockingly I even think it's wrong, which is odd because we've already defined it that you're inherently and unassailably right... yet here we are

Worst part is there's a lot of these things where I'm not even full stop against it, I actually might be on their side if they could stop and address a couple of issues I consider kind of important... but they won't, because they're morally right and don't have time for addressing nonexistent issues I'm clearly just dreaming up

Undoubtedly right they are, the defect must surely be my own... and yet here we are. Vile and wicked as it might make me, I still can't just go along with you

After watching Cinderella (the original animated movie, which was my favorite as a child), it strikes me how it solves many common problems people have with this fairy tale. Like:

Why did they try to identify the mystery girl using her shoe size? Because the bullheaded king's only clue to her identity was the shoe the Grand Duke picked up off the steps.

Why didn't the prince recognize her by her face? Because his father wouldn't involve him in the process at all, and wasn't the one going around trying to find her.

Why did the prince want to marry a lady he only met that night? Because his father was going to force him to marry someone, and he genuinely liked this woman.

Why did Cinderella want to marry a man she only met that night? Because marriage was her best and most secure way to freedom. Fucked up, but you can't say it's unrealistic for the setting of a fairy tale. She also genuinely liked him.

If they're using the slipper to find her, wouldn't it be more sensible to search for the person with the other slipper? Yes. The King is purposefully nonsensical and the Duke is purposefully terrified enough of him to carry out his orders to the letter. Furthermore, they end up doing that in the end anyway, because the Duke's glass slipper is shattered, and Cinderella brings out the one she has to prove her identity.

Why didn't the stepmother and stepsisters recognize Cinderella at the ball? Because they were dancing too far away, and then left the party to dance in private, which was possible because the King wanted very badly for his son to hit it off with someone and tried to arrange the best conditions for that to happen.

Why didn't Cinderella save herself? Because in real life, abuse victims should not have to shoulder that responsibility, and usually can't. In real life, you need and deserve an external support system. Asking for help, in this kind of situation, is very important. She is saved by others because she is loved. Because she is not alone. Because she has friends who love her, and want her to be happy and safe and free. Because in real life, people who want to help someone who is suffering are like the mice. We can't pull out miracle solutions, but we can provide companionship and if we're in the right place at the right time, we can help the person find a better life.

Why didn't the fairy godmother save Cinderella from her abusive household, or try to help her sooner? Because she's magic, and magic can't solve your problems. Quote: "Like all dreams, well, I'm afraid it can't last forever." This (and Cinderella's dream of going to the ball) is a metaphor for pleasurable things in bad circumstances. An ice cream won't get rid of your depression, but it will provide you with momentary happiness to bolster you, as well as the reminder that happiness in general is still possible for you. Cinderella doesn't want to go to the ball so she can get away from her stepmother and stepsisters, or so she can meet someone to marry and leave with. She wants to go to the ball to remind herself that she can still have things she wants. That her desires matter. This is important because the movie does a very good job of illustrating Lady Tremaine's subtle abuse tactics, all of which invisibly press the message that Cinderella doesn't matter. While going to the ball and fulfilling her dreams may not be a victory in the material sense, it is still a victory against Lady Tremaine's efforts.

Why is Cinderella's choice to be kind and obedient framed as a good thing, when you are not obligated to be kind to your abuser? This one walks a very fine line, but I think the movie still makes it make sense. Lady Tremaine never acknowledges her cruelty. She always frames her punishments of Cinderella as Cinderella's fault. Cinderella is interrupting, Cinderella is shirking her duties, Cinderella is playing vicious practical jokes. Cinderella is still a member of the family, of course she can go to the ball, provided she meet these impossible conditions. Lady Tremaine's tactics are designed to make Cinderella feel like she must always be in the wrong and her stepmother must always be in the right. If Cinderella calls her stepmother out on her cruelty, or attempts to fight back, Lady Tremaine can frame that as Cinderella being ungrateful, cruel, broken, evil, etc. If Cinderella responds to her stepmother's cruelty defiantly (in the way she's justified to), she's not taking control out of Lady Tremaine's hands. Disobedience can be spun back into her stepmother's control. She wants Cinderella to be angry and sad and show how much she's hurting. So since Cinderella is adapting to her situation, she chooses to be kind. Not only because she naturally wants to be and it's part of her personality, but because it is a form of defiance in its own way, and it allows her to keep a reminder of her agency and value. Her choice to be kind is her chance to keep her own narrative alive: she is not obeying because her stepmother wants her to and she has to do what her stepmother does, but because she wants to. It's a small distinction, but one that makes all the difference in terms of keeping her hope and identity. (Fuck, I wrote a whole paragraph about how this doesn't mean you can't be angry at people who hurt you or that you need to be kind to deserve help, and then deleted it by accident. Uh. Try again.) Expressing anger and pain is an important part of regaining autonomy and healing. Although it is commendable to be kind while you are suffering, it is NOT required for you to get help or be worthy of help. If Cinderella's recovery was explored beyond "happily ever after" she would need to let herself be angry and sad to heal. Cinderella is not only kind because it comes naturally to her, but because it's her defense against the abuse she's suffering. Everyone's story and experiences are different, and one does not invalidate the other.

Bonus round for answers that aren't part of the movie:

Why didn't Cinderella run away? Where would she go? Genuinely, in hundreds-of-years-ago France, where would she go if she snuck out of the window with a change of clothes? With her step-family, she's miserable and abused, but she's fed, clothed, and in no danger of dying or being taken advantage of by anyone other than her stepmother and stepsisters. Even if she escapes and manages to find financial security, her stepmother might be able to find her and get her back.

Why didn't Cinderella burn the house down with them inside it/slit their throats in the night/poison their food/etc.? Because that's a revenge fantasy, and this story is a fantasy about being saved. There's nothing wrong with making Cinderella into a revenge fantasy. That's perfectly fine, as long as you acknowledge that the other type of fantasy is also a valid interpretation. (I mean, the original fairy tale features the stepsisters getting their feet mutilated and all three of them getting their eyes pecked out, so go for it.)

Why isn't Cinderella more proactive in general? Because she's a child who has been abused for the back half of her life, who has had to be focused on survival because. you know. she's an abused kid.

How did she dance in glass slippers? Gotta agree with you there man, that's weird.

I wanna talk about The Angel Who Would Be Crowley.

Because I had a certain set of expectations, which got thoroughly trashed in the first five minutes of S2, and my genuine response is, "Oh, fuck, yup. You're right. That's WAY better."

Looking around at GO fandom, I'm not alone in this. So let's talk about it.

Basically, a lot of people (myself included) believed that he was a high-ranking angel, and therefore as chilly and remote as every other powerful angel we'd seen at that point. We pictured Crowley-To-Be as long-haired, regal and imposing --and the fanart at the time reflected this. I'd link some if Tumblr didn't hate links.

Something like this:

We were collectively drawing on a few things --mostly, Crawly's appearance and general bearing in the Biblical scenes of S1--

--But also scattered hints of his importance, backed up by conspicuous absences in Heaven and a few profound displays of power. That's all better covered elsewhere, so I won't reiterate the arguments here. All I'm saying is: I think our headcanons were justified.

But it turns out he was this:

!!!

With his curly little--!!

And his neat white--!!

IT TURNS OUT, he was an angel who squeaked and squealed when he was happy; who flailed his arms around and made explosion noises with his mouth to explain nebulas; who preened when told his stars were pretty. Furfur, who knew him before the Fall, says:

"You used to jump on me back, little monkey in a waistcoat..."

(The use of a diminutive there, 'little'...oh, that fascinates me.)

In a pretty huge subversion of expectations, we're given these glimpses of an angel who was sweet, and joyful, and heart-meltingly silly.

In sum...an innocent.

(Perhaps innocent to a troubling degree.

We see how he troubles Aziraphale, during their first conversation. He starts looking around and behind them, checking to make sure that no one can HEAR the blithe and reckless things coming out of this angel's mouth. This angel who talks like he's never been reprimanded in his life; like it's never occurred to him that anyone would want to hurt him.

Before the Beginning, Aziraphale understood Heaven better than he did. The danger is plainly occurring to Aziraphale.)

So now, we the viewers are in on a cruel joke that Aziraphale has known all along, which is that this --THIS-- is the angel who--

*checks notes*

--did a million lightyear freestyle dive into a boiling pool of sulphur. For asking questions.

...Imagine you are Aziraphale, and everything inside you wants to believe Heaven are the Good Guys, and God is Good and Everything She does is capital-R Right...and now try to reconcile that. Keep trying. I don't think he ever totally managed it in 6000 years.

All this gets further complicated when we learn that, despite all of the above, we were still right. That sweet excitable babby up there?

He WAS a powerful and high-ranking angel.

That much is explicitly confirmed, with significant evidence that he could have been among the mightiest of archangels...

...Who apparently accosted his fellow angels for piggyback rides. And was remembered millennia later by those (now fallen) angels as something 'little.'

What does that tell us about who he was? Is?

Hell, Aziraphale has known to be wary of the archangels (and the judgements of Heaven in general) since before the Fall even happened. He chooses to believe they are Good; he can't fool himself into thinking they are Safe.

Yet he's absolutely certain that Crowley won't hurt Job's children. Enough to stand in a burning building and say to them, "I can't save you, but don't be afraid. I won't need to."

And what reason does he give?

("I know you."

"You do not know me."

"I know the angel you were.")

What does that tell us about who he was? Is?

("The angel you knew is not me."

But how is Aziraphale supposed to believe that, when he can see him all the time?)

tl;dr --yes, this is better. I love the tragedy of it.

'Innocence died screaming' and all that.

Now I'm starting to get paranoid that I won't pass ENEM

Hello Mr. gaiman, I need your help, but there's a high chance that you won't see this,

but I'll write the thing I want to say anyway (writing makes me feel better, and lighter, such as a feather).

I'm lonely. I have always been lonely. But two month ago or so, a girl came to the high school I'm study in(I'm also a girl). I...fell in love for the very first time in my life, and she also fell in love with me and confessed her love to me a month ago. I recommended good omens to her, and she loved it(I also do! Can't wait to get an autograph in my beloved good omens copy I own), basically, she was the Crowley to my aziraphale…

Everything was good...until last night. She told me she doesn't think she wants to be like this (both of our families are homophobic, and she's scared), and we can't be 'us' and she just pretended and tested love on me (as if I'm a laboratory sample)... I had a massive panic attack... I'm heartbroken, and I can't talk about it with my family... told her I'll give her time to think…she apologised, but her apology is not enough, I'm afraid. She's the only one for me... Not only that, but I want and need her love.

What shall I do? God is not helping me at all... no one is helping me, I'm lost. I just want everything to be good! I never said a bad thing to her, I was the kindest, I was her angel (yes she used to call me that) and now...we had a break-up.

There are no break-ups as bad as high school break ups. There are no highs and no lows as hard as what happens when your heart is held and your heart is broken then. And right now your heart is broken.

I can't give you advice on the person or even about dealing with your homophobic families, other than to keep yourself safe, and to hang in there.

What I can say is, it will be okay and you will be okay. You will find your person or your people, you will find yourself, you will find your world. This isn't the end of anything, it's just a stumble on the road.

-