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#I mean. I know creators like to troll people especially ones who are essentially human cryptids like fujimoto but...he did say that part 2
musical-chick-13 · 1 year
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So I guess ultimately my question is why are we assuming that Nayuta specifically meant “Denji belongs to me definitively, and you are trying to take his attention away from me?”
Aside from the fact that narrative misdirection is a thing and that I think it would completely contradict all the themes of the story thus far to just have her be Makima 2.0 and inherently evil...
We don’t actually know if she and Yoru recognize each other or not? Even on a subconscious level. If she does recognize Yoru (and, reasonably, knows how her powers work) calling Yoru a thief could have meant that “You are trying to steal Denji’s spinal cord to make a weapon” or even “You have stolen this random girl’s body to use for yourself.” (Even if she doesn’t know specifically that Yoru is sharing Asa’s body, she might still be able to tell that something weird is going on?)
She’s still a child, she might have just impulsively said the smallest amount of words that would sort-of convey what she was feeling.
I’m not worried yet.
Yet.
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autumnblogs · 3 years
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Day 41: Caliborn: Enter
https://homestuck.com/story/4956 It’s pretty natural that Dirk’s move on Jake is going to put a strain on Jane’s friendship with him, even if he hasn’t made it yet; I think it definitely gives some insight into Jane that she reacts the way that she does. Not exactly a graceful loser, and in a way that is really pretty passive-aggressive.
She’s not as open and honest as Jade is; as the Prospit Dreamers go, in general, she’s really pretty guarded.
More after the Break
https://homestuck.com/story/4961
The AR, I feel like, gives us a pretty good look into who Dirk is, and while we already know that he impulsively jumps to the first solution he can think of, we can see through the shades that he tends to advise people to do the same things that he does.
Dirk is an extremely headstrong guy, and while he’s both very intelligent, and would really like to be a Puppetmaster, he can’t help but let his personality shine through his puppets; and he can’t help but let his first inclination determine his course of action. He’s him, after all. Why would he question his own judgement?
A bit like how Kermit the Frog is really just Jim Henson the Frog.
https://homestuck.com/story/4962
So what is a Juju?
Juju is a word which comes from French, and means plaything. It is a term that has been used to characterize the Folk Magic and/or Folk Religion of the people of West Africa, in much the same way that Totem has been, or that Fetish has been. In a nutshell, Juju can mean both Spiritual Power (as Mana), and an Object of Spiritual Power (as an Amulet) - the physical manifestation of the thing, and the thing itself are the same, in this sense.
The God and the Idol are the same - at least, they are to the external viewer. While it should be clear that this is a reductive view of it, the fact of the matter is that, a central part of a lot of religious practice in general is to treat the image of a thing, and the thing itself, as though they are the same; and we see this sort of image-based performance all throughout homestuck, through symbols, and rituals, especially where they are empty signifiers - symbols and rituals that have been emptied of their original meaning, and are now practiced only for their own sake.
Following the rules actually doesn’t seem to pay all that much in the world of Homestuck, and almost universally leads to disaster - which in no small part appears to be because the creator of the rules is Lord English.
https://homestuck.com/story/4965
I think it’s pretty interesting that Caliborn’s conception of smut is something as tame as fluffy hand-holding and caressing. While on the one hand, we can just say “Cherubs think it’s taboo because they can only enjoy Caliginous romance” I think we can also associate it with the relatively sexless nature of Homestuck, beyond how horny the characters are, and a few oblique references (which is not a bad thing; it’s about teenagers). In spite of all of the suggestive language and content, there is no possibility of consummation in Homestuck, or even until well after the end of Homestuck, because Caliborn’s vision of intimacy is a sexless one.
https://homestuck.com/story/4967
This takes a turn for the fucked up at the end. I mean, it’s all fucked up to begin with, but it’s such a non-sequitur.
https://homestuck.com/story/4968
Caliborn uses consumption related metaphors and imagery in relation to smut. Aside from jokes about Vore, what’s the significance of that? That the intention of Caliborn and Calliope is to comment on the fandom of Homestuck itself (continuing the identification of the Characters with the Audience that we discussed yesterday) is not really a secret to anyone. How does Caliborn view engaging with Homestuck, and how does he therefore view engaging with Andrew? His view is Hegemonistic and Predatory. From his point of view, the universe he inhabits is full of things to be consumed; objects to absorb, break down into the parts of themselves that make him more powerful, and the parts that can be discarded.
https://homestuck.com/story/4970
I really never get tired of Caliborn, he’s so awful.
https://homestuck.com/story/4971
His conception of human romance is one where he conceives of women as essentially objects of gratification; woman on woman is allowed, I suspect, for much the same reason that it is often rationalized that f*tanari porn isn’t gay; how could jackin’ it to two women be gay?
The idea of women as actors who exist for reasons other than to gratify men, and other than to gratify Caliborn in particular does not occur to him.
Obviously, men don’t exist to gratify each other. That’d be too mutualistic.
https://homestuck.com/story/4981
The Interplay of Sex and Violence.
As long as this sequence is pretty much over;
Why does Caliborn want to play a game? I think the answer is in line with the overall theme of Homestuck. Cultural transmission.
In his book Homo Ludens Dutch historian Johan Huizinga discusses the nature of Play as an element of cultural transmission, and as a necessary (but not sufficient) condition for the generation of culture.
What this means in a nutshell is; Games aren’t the only thing that is necessary for culture to be created, but they are necessary for culture to be created. Can’t have culture without games. A big part of this is because games serve as a stage for human beings to symbolically and ritualistically practice the activities that, as a member fo their culture, they will one day have to perform in order to survive.
This is why games like Tag, and Hide and Seek are the oldest in the world; humans are persistence predators, we hunt down our prey by just not giving the fuck up.
Caliborn’s game is Irony and Porn; insincerity, reproductive activity, etc. and gaming is intrinsically competitive to him; he uses his game as a form of power over Dirk Strider, the power to make him suffer, although since he’s such a dweeb, he’s pretty bad at making him suffer.
https://homestuck.com/story/4986
Meenah likes games too, but her enjoyment of them seems to be a lot more authentic, sincere - as opposed to being a form of power for her to hold over her enemies, her little word-games, with her fish-puns, are a source of legitimate joy to her, and the fact that Aranea will engage her in them creates friendship between the two of them.
https://homestuck.com/story/5027
All this may not have a whole lot of substance to it (I’m making posts at this point almost 40 pages apart), but that doesn’t mean it’s devoid of worth. Homestuck has plenty of pathos, and in spite of the fact that Andrew adores making fun of us for caring about these characters, I do actually care about all of these characters.
They sure have come a long way.
https://homestuck.com/story/5083
As Roxy is ostensibly the stealth leader of her session, we should generally be willing to accept her takes as gospel in a way that we don’t take other characters’ (at least to a certain extent). We just got done talking about how important rules are to the cherubs, and to Caliborn explicitly - we should take heed of the fact that Roxy is very willing to throw caution to the wind and abandon the rules.
Rules in Paradox Space are largely harmful restrictions to be worked around, rather than auspicious maxims to adhere to.
https://homestuck.com/story/5071
Caliborn is a serial forced memer. We’ve already talked oodles and oodles about symbols and rituals and empty signifiers; what is a forced meme except for an empty signifier? An attempt by a malicious third party to turn a meaningless set of pictures and words into a symbol, a symbol that signifies nothing other than itself, and commands the attention and adherence of people in the culture? Rules for the sake of rules. Memes for the sake of memes.
https://homestuck.com/story/5089
Roxy’s anxious babbling is just so much like Dave’s, it’s hilarious. Their language less so.
https://homestuck.com/story/5092
The answer to what a ball’s topspin is, by the way, if you didn’t already know is
an English.
https://homestuck.com/story/5099
Why does Calliope want to be a Troll so badly?
The answer is that she doesn’t want to be a Cherub.
Why doesn’t she want to be a Cherub?
That question could probably keep me up all night, but I think I have an answer right away. Cherubs are arbitrarily powerful, and Calliope does not want to be a Cherub. She wants to be anything other than a Cherub. I can kind of relate to that, even as a human being. After all, there aren’t cherubs and trolls around, even though they are conceivable. Of all of the things we know for sure that consciously exist in our own universe, humans are the most powerful things we know exist for sure. I’d spend a lot to not be one; power, after all, makes us more inhuman.
https://homestuck.com/story/5116
Since I can’t pass up an opportunity to comment on the metanarrative indulgence of the second half, let’s pause to appreciate the term MacGuffin; in a nutshell, an object which exists to be desired. Its only purpose in the story is for someone to want it.
https://homestuck.com/story/5217
The fact that Dirk is conscious of the internal head-goings-on of Brain Ghost Dirk, and is therefore, to some extent cognizant of the head-goings-on of Jake English just opens up so many questions that I still don’t really have an answer to.
https://homestuck.com/story/5238
I rag on Dirk a lot for being a piece of shit.
But man, he is so cool.
https://homestuck.com/story/5246
This entire awful romantic escapade has been created by the Auto-responder, and while Dave has been complicit in it, he is not the puppetmaster behind it. Sound familiar?
https://homestuck.com/story/5252
This flash is just so delightful to me.
It’s the first time Roxy has ever touched another living human being and look how delighted she is.
LOOK HOW HAPPY SHE IS.
https://homestuck.com/story/5261
Now that we know who Lord English is, we have an opportunity to get to know him a little more as a person. Aside from his absurd commitment to puzzle-murders, his strange relationship with romance and sexuality, and his awful and perfunctory craftsmanship, here’s the most important thing to understand about him;
He will always destroy something irreplaceable if it means he can acquire more power.
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aion-rsa · 3 years
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The Pandemic in Pop Culture Trends
https://ift.tt/32wrfZT
The first year of the COVID-19 pandemic was both a universal and incredibly personal experience. While not everyone’s life in the first year of the pandemic looked the same, there have been some common joys, struggles, and tragedies. And there have been stories that have helped get us through the first year of pandemic. The global COVID-19 pandemic is not over, but it has hopefully reached a turning point. Multiple vaccines protecting against the worst of the virus have been developed and have begun to be (unevenly) distributed around the world, with Israel, the U.K., Chile, and the U.S. currently with the greatest percentages of their populations having received at least one dose. As we hopefully move into a less deadly phase of the pandemic, we’re taking a moment to look back at the TV series, games, movies, and other pop culture moments that brought comfort, distraction, critique, and catharsis for many in the pandemic’s first year, as well as some of the major trends and news stories that shaped the industry itself between March 2020 and February 2021.
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March 2020
NBA To Suspend Season Following Tonight's Games pic.twitter.com/2PTx2fkLlW
— NBA (@NBA) March 12, 2020
The NBA Suspends the Season (March 11th)
Many use the NBA’s March 11th announcement that the 2019-2020 season would be suspended until further notice as an unofficial start of the COVID-19 pandemic in the United States. The season would continue four months later in the “NBA Bubble,” but no one could know what the future would look like, only that things were indeed very serious for the billions-dollar professional basketball and media industry to shut down.
Everyone Watches Contagion
Though Steven Soderbergh’s pandemic thriller came out in 2011, Contagion jumped from Warner Bros.’ 270th most digitally rented movie in December 2019 to their second most rented one in February, and that trend would only continue into March. As the pandemic continued, we would see audiences turning towards more “escapist” fare, but, in the early days of this international crisis, people turned towards this matter-of-fact, fictional imagining of how a global pandemic might play out to help process their new and frightening reality.
Movie Theaters Essentially Go Dark
In addition to the immense loss of human life the COVID-19 pandemic has caused, there has also been an economic cost that will no doubt continue to impact human health and livelihood in the coming years. On March 17th, the movie theater chains Regal and AMC announced their temporary closures, an early sign of just how bad the pandemic would be for the movie theater business.
Movies in Theaters Begin Going to VOD
With movie theaters closed, studios needed to get creative about how best to distribute their movies still “in theaters.” Universal Pictures was the first to make the decision to move its new releases to a video on-demand model, bringing The Invisible Man, The Hunt, and Emma to VOD on March 20th.
Animal Crossing: New Horizons is Released (March 20th)
On March 20th, Nintendo released Animal Crossing: New Horizons for Nintendo Switch, allowing players (most of whom where stuck at home) to digitally move to an island and nurture their own community. The fifth game in the Animal Crossing series, New Horizons would go on to major commercial success. It broke the console game record for most digital units sold in a single month, became the 15th best-selling video game in history, and the second best-selling game of all time in Japan. It was also the most blogged-about subject on Tumblr in 2020!
Tiger King Drops on Netflix (March 20th)
Netflix remains the largest streaming service worldwide, with over 200 million global subscribers and roughly 74 million of those subscribers in the U.S. Because of this, when a Netflix Original becomes a hit, it usually becomes a major part of online discourse, especially in the United States. This was the case for Tiger King, the true crime (and truly wild) documentary series that dropped on Netflix on March 20th. With most watchers stuck at home, the online discourse around the show felt even more intense than usual. For a few weeks, you couldn’t throw a stone without hitting a Tiger King meme.
April 2020
Quibi Launches (April 6)
While not necessarily pandemic-specific (did Quibi ever really stand a chance?), 2020 saw the launch (April 6th) and death (December 1st) of Quibi, Jeffrey Katzenberg’s short-form streaming platform that squandered $1.75 billion in investment capital and star power like Sophie Turner, Kiefer Sutherland, Idris Elba, Chrissy Teigen, Karlie Kloss, and Laura Dern before bowing out in December.
Trolls World Tour Becomes First Movie to Break Theatrical Window (April 10)
Remember when it was radical for a movie to break its theatrical window? Yeah, that was in April, when many media professionals were shocked with Universal’s decision to release Trolls World Tour, the computer animated musical comedy sequel to 2016’s Trolls, as both a limited theatrical release and via video on demand services. The move led AMC Theatres to temporarily announce that they would no longer be distributing Universal films, but the two companies quickly came to an agreement shortly after.
Extraction was a Thing (April 24)
Honestly, every week in 2020 felt like its own lifetime. Remember when Extraction, the Chris Hemsworth-helmed action-thriller, became the most watched original film in Netflix’s history? Directed by Sam Hargrave and written by MCU vet Joe Russo, the film follows a black ops mercenary who must rescue the kidnapped son of an Indian drug lord in Bangladesh. As self-reported by Netflix, the movie was watched by 99 million households in its first month of release.
May 2020
TikTok Pops
TikTok was already firmly a thing heading into 2020, but the pandemic was when more people found it—especially the olds… by which I mean millennials. In October 2019, TikTok had almost 40 million U.S. users (and 507 million global users in December 2019). By June 2020, that number was at almost 92 million in the U.S. (and 689 million globally by July 2020). This was part of a larger trend over the course of the pandemic that saw people spending more time on their mobile devics than ever before: According to a report from mobile app intelligence agency App Annie (via Social Media Today), by the end of 2020, Americans spent more time on TikTok than they did on Facebook, and the average American now spends more time per day on their mobile device (4 hours) than they do watching TV (3.7 hours).
Avatar: The Last Airbender is Released on Netflix (May 15th)
In many ways, the pandemic has been an accelerant of global processes, and this applies to pop culture as well. While we were already seeing the rise in more foreign-language TV, including anime, and the return to some major nostalgic properties due to broader and easier accessibility because of platforms like Netflix, the pandemic really ramped that process up. When all three seasons of Avatar: The Last Airbender became available on Netflix in May, the American animated TV series that originally aired on Nickelodeon from 2005 to 2008, was discovered or re-discovered by millions of viewers, becoming one of the top Tumblr fandoms of 2020. It was indicative of a larger trend of old shows becoming new again through release on major global streaming platforms.
Read more
TV
Avatar: The Last Airbender – What Can We Expect From the New Avatar Studios?
By Shamus Kelley
TV
Avatar: The Last Airbender Co-Creators Exit Netflix Live-Action Series
By Shamus Kelley
June 2020
Buffy Lands on All4 (June 1st)
In a year where what’s old was necessarily new again, all seven seasons of Buffy the Vampire Slayer came to UK streaming platform All4, and were broadcast on E4 every weeknight at 11pm. Elsewhere in the UK streaming market, the BBC iPlayer saw its best-ever quarter from April to June with 1.6 billion requests, an increase of 59% on the same quarter last year (according to a BBC press release).
Staged Premieres (June 10th)
As it became apparent that TV and film production would not be going back to normal anytime soon, many creators got, well, creative and began making things in lockdown. One of the best and most high-profile examples was BBC’s Staged, in which David Tennant and Michael Sheen play fictionalized versions of themselves, trying to rehearse a performance of Six Characters in Search of an Author via video chat, alongside director Simon Evans. The low-budget, high-charisma series is filmed in the actors’ real-life homes but, unlike some celebrity efforts during the pandemic (see March), strikes the right tonal note in relation to its subjects’ privilege.
July 2020
Ray Fisher Speaks Up About Alleged Abuse on the Justice League Set (July 1st)
Actor Ray Fisher raised his voice on July 1st in a tweet, calling out director Joss Whedon for alleged abuse on the Justice League set, and WB execs Geoff Johns and Jon Berg for “enabling” that alleged behavior.
Joss Wheadon’s on-set treatment of the cast and crew of Justice League was gross, abusive, unprofessional, and completely unacceptable. He was enabled, in many ways, by Geoff Johns and Jon Berg. Accountability>Entertainment
— Ray Fisher (@ray8fisher) July 1, 2020
Later, in December, Fisher would add WB exec Walter Hamada’s name to that list, following a December 11th announcement by WarnerMedia that their investigation connected to Justice League “has concluded and remedial action has been taken.”
Hamilton Blows Us All Away (July 4th)
One of the deepest cultural cuts during lockdown was the necessary elimination of live, in-person theater, which is probably one of the reasons why Hamilton, the Pulitzer Prize-winning stage musical that originally came to Broadway in 2015, made such a splash when it became available in its filmed format via Disney+. Even without a pandemic, Hamilton (and all Broadway theater) is only accessible to a select group of people, making the addition of the pop culture phenomenon in a more accessible form so very important.
Read more
TV
From Bridgerton to Hamilton: A History of Color-Conscious Casting in Period Drama
By Amanda-Rae Prescott
Movies
Hamilton: Thomas Jefferson Controversy Explained
By David Crow
Host Becomes the Most Zeitgesty Movie of 2020 (July 30th)
Another particularly impressive entry into the “filmed from lockdown” genre that sprouted up during the first year of the pandemic was British found footage horror film Host. Written and made over 12 weeks in a pandemic and based around a haunted Zoom call, few pandemic-made stories managed to nail the balance between both frighteningly topical and escapist quite so well.
The NBA Bubble Begins
Professional sports went into their bubbles, aka tightly controlled settings in which pro sports players live, practice, and play their respective seasons—to varying degrees of success. The NBA’s Disney World bubble went into effect on July 22nd for exhibition scrimmages, before launching into the final eight games of its regular 2019-2020 season and then the 2020 NBA playoffs. Twenty-two of the NBA’s 30 teams were invited to participate and ended the bubble in October with no recorded cases of COVID-19 amongst its participating players. The MLB bubble was… less successful.
SDCC @Home: WTF Was That? (July 22)
San Diego Comic-Con is one of the most important and lucrative pop culture events of the year, bringing hundreds of thousands of people into downtown San Diego to celebrate and discuss some of the largest franchises in the world. SDCC was one of the many in-person conventions that attempted to transfer its programming online in 2020 and… it didn’t really work. Part of the fun of Comic-Con is in the excitement of the crowd and the exclusivity of the events. (Though not on Thanksgiving, thank you very much.) There is nothing quite like getting to be part of a major Hall H announcement, and watching via video chat is just not the same.
August 2020
Tenet Comes Out in the UK (August 26th)
In what was largely a year without theatrical cinema in the U.S. and the U.K., a brief respite in COVID-19 cases and therefore lockdown meant a proper theatrical release for Christopher Nolan’s latest in August 2020. Sci-fi blockbuster Tenet hit U.K. theatres on August 26th, bringing in $5.3 million domestically in its first week of release and marking the first major studio release since the pandemic began.
American Sports Leagues Go on Strike to Protest Jacob Blake Shooting
Many professional sports in the U.S. came to a temporary halt when some players and teams refused to take the field or court following the police shooting of Jacob Blake, a 29-year-old Black American who was shot in the back and paralyzed by a police officer in front of his sons on August 23rd in Kenosha, Wisconsin. The incident re-ignited ongoing protests over racism and police brutality, with which many players and teams stood in solidarity. The NBA, WNBA, MLB, and MLS all postponed games as players protested Jacob Blake’s shooting.
Chadwick Boseman Passes Away (August 28th)
In a devastating loss to American culture, Chadwick Boseman, the star of Black Panther and many other films, passed away due to complications from colon cancer, a condition with which he had been living and working since a 2016 diagnosis. Boseman was one of the most successful Black actors and creators working today.
“He … knew that his voice was now strong and people were listening and paying attention,” wrote Kelley L. Carter in The Undefeated. “And he knew that even as this moment was victorious, Hollywood still needed to be called to task on the things that make this industry problematic, even as it was in the infant phases of creating a groundbreaking blockbuster with a mostly Black cast.”
September 2020
Tenet Flops in the U.S., Hollywood Abandons Ship for Fall 2020 (September 3)
While Tenet may have been a hit in the U.K., the Nolan blockbuster flopped upon its release in the U.S., where many theaters remained closed or empty through the summer and fall. The film would make around $58 million in the U.S. and Canada, prompting Hollywood studios to further push back major releases slated for the fall.
Mulan Becomes First Disney “Premier Access” Release (Sept. 4)
After several pandemic-caused release delays, Disney’s much-anticipated, live-action adaptation of Mulan became the first “Premier Access” release for Disney+, causing a bit of a stir. In the U.S. and in some other markets, Disney forwent releasing Mulan in theaters, instead offering a “Premier Access” window on Disney+ that viewers could access for an additional fee of $29.99. While the film received middling reviews from western critics, it was not received well in China. Additionally, a #BoycottMulan movement, which started out as a response to social media comments star Liu Yifei made in support of the Hong Kong police in their (sometimes violent) suppression of pro-democracy protestors, gained some traction in the lead up to the release.
Read more
Movies
How Mulan Maintains The Animated Film’s Queerness
By Natalie Zutter
Movies
Mulan: Disney Plus Grosses Exceed $200 Million? (Report)
By David Crow
I’m Thinking of Ending Things Makes People Go “Whaaa?” (Sept. 4)
As our Rosie Fletcher wrote in the “Ending Explained” for I’m Thinking of Ending Things: “[this story is] a movie, and a book, which really requires you to watch/read twice to actually fully understand.” It’s a gloriously confusing movie, and many in September dove right into the mystery chiller adapted by Charlie Kaufman from a novel by Iain Reid. As Fletcher put in her review, the film is “a perfect storm of philosophy, ambiguity and wankery.” What’s not to love?
October 2020
Trial of the Chicago 7 Debuts on Netflix (Oct. 16)
However you may feel about Aaron Sorkin, the man knows how to make a taut political drama. Trial of the Chicago 7 is a dramatic retelling of (as it says on the tin) the 1969-70 trial of the Chicago Seven, a group of anti–Vietnam War protesters charged with conspiracy and crossing state lines with the intention of inciting riots at the 1968 Democratic National Convention in Chicago. The movie has an all-star cast of dudes, and is both written and directed by Sorkin. It made many critics’ best-of-the-year lists and made a cultural splash when it dropped on Netflix in October, after a summer of American and global protests ignited by the killing of George Floyd and other Black Americans.
Borat 2 Makes (a Bigger) Fool Out of Rudy Giulilani (October 23rd)
Rarely do the paths of pop culture and politics so explicitly intersect as they did in Borat 2. The mockumentary comedy sequel came out in October, in the long, plateau-ed height of the lead up to the presidential election, and featured a scene in which Republican politician Rudy Giuliani puts his hand into his trousers in front of actress Maria Bakalova, who is impersonating a conservative journalist. While Giuliani attempted to spin the event in both the lead up to and following the release of the film on Amazon Prime, Sacha Baron Cohen told Good Morning America in an interview after the film’s release: “It is what it is. He did what he did.”
Read more
Movies
Maria Bakalova is Ready to Do Borat 3 in ‘Five Minutes’
By David Crow
Movies
Borat 2: Sacha Baron Cohen Reveals Dangerous Deleted Scene
By David Crow
The Queen’s Gambit Turns Everyone into a Chess Player (Oct. 23)
Odds are that, in October 2020, you either knew someone or were someone who watched The Queen’s Gambit and then fell hard into the world of chess. The Netflix period miniseries tracks the highs and lows of fictional chess prodigy Beth Harmon (the brilliant Anya Taylor-Joy), from her upbringing in a Kentucky orphanage in the 1950s to her time at the top of the competitive chess world in the 1960s. In its first month of release, The Queen’s Gambit became Netflix’s most-watched scripted miniseries, and sent chess set sales soaring—yet another sign of just how commercially and culturally powerful Netflix has become.
November 2020
PlayStation 5 Alleges Launches, But No One Can Get Them (Nov. 12)
Even if you aren’t a gamer, you probably heard about the release of the PlayStation 5. Though the PS5 technically became available in Australia, Japan, New Zealand, North America, Singapore, and South Korea on November 12th (and worldwide a week later), the limited supply of the console made it almost impossible to find.
As Matthew Byrd wrote in his November article on the subject: “We know that the initial PS5 shortage can at least partially be attributed to a shortage of the console’s chips (as well as distribution and manufacturing problems caused by the complications related to the COVID-19 pandemic), but as we’re already seeing in Europe where some who pre-ordered a PS5 were warned they may not receive their console until 2021, Sony faces some notable additional issues moving forward.”
This is partially a story of supply and demand, and the growth of gaming in general. According to a report by market researcher SuperData (via Venture Beat), the game industry grew 12% (to $139.9 billion) in 2020, with console games revenues up 28% from 2019. While growth is expected to be slower in 2021, as fewer people will hopefully be stuck at home, more people than ever are gtting their story fix in the world of gaming.
Read more
Games
PlayStation Bets on Big Games as Game Pass Slowly Wins a Console War
By Matthew Byrd
Games
Why PlayStation Store Closing on PS3 Should Matter to You
By Matthew Byrd
December 2020
WB Announces HBO Max Release Hybrid Model (Dec. 3)
In a move that seems to be paying off, in December, Warner Bros. announced that it would be moving to a release hybrid model through 2021, putting its entire 2021 film slate on HBO Max. As David Crow explained in our film section: “The move will put all 17 of WB’s scheduled 2021 films on a ‘hybrid’ model where films will premiere on HBO Max the same day as their theatrical release in the U.S. Technically speaking, the films will still be playing in theaters, particularly in international markets without HBO Max as a streaming option, but for the first (and most lucrative) month of their release, they’ll also be available on WarnerMedia’s streamer.”
People Actually Get to Play Cyberpunk 2077, Immediately Realize It’s Broken (Dec. 10)
Hooboy, Cyberpunk 2077. In December, after literal years of anticipation, CD Projekt released action RPG video game Cyberpunk 2077 to disastrous results. While the narrative and design of the game is ambitious and has its rewards, the rollout was plagued by performance issues (particularly in the console versions) that led to player backlash and actual lawsuits.
Read more
Games
Cyberpunk 2077 Lawsuits Explained
By Matthew Byrd
Games
Cyberpunk 2077 Roadmap Proves the Game Should Have Been Delayed to 2021
By Matthew Byrd
The Mandalorian Finale Breaks the Internet (Dec. 18)
Um, spoilers.
The second season of The Mandalorian may not have technically been the most-watched series of 2020, but it certainly felt like the most-talked-about, proving that, even in the era of streaming, there’s still such a thing as appointment television. This all came to a culmination with The Mandalorian Season 2 finale, “The Rescue,” which featured an appearance from Luke Skywalker himself.
Read more
TV
Could Durge’s Star Wars Return Lead to a Role in The Mandalorian or Book of Boba Fett?
By Joseph Baxter
TV
How The Mandalorian Challenges Star Wars’ History of Bad Dads
By Lacy Baugher
Wonder Woman 1984 Premieres (Dec. 25)
Wonder Woman 1984 dropped on Christmas Day in the United States, and quickly became the most-watched straight-to-streaming title of 2020 (knocking Disney+’s Hamilton out of the top spot), despite its middling reviews. In the U.S., it would be the first of WB’s “hybrid model” releases, getting a simultaneous release in theaters as well as on HBO Max.
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Movies
Wonder Woman 1984 Star Connie Nielsen Defends Patty Jenkins’ Vision
By Don Kaye
Movies
Does Zack Snyder’s Justice League Set Up Wonder Woman 3?
By David Crow
Bridgerton Gets Saucy (Dec. 25)
Bridgerton, Netflix’s deliciously addicting period romance based on the Julia Quinn novels, also dropped on Christmas Day, and went on to become the streamer’s most watched series ever, reaching #1 in 76 countries. The Shondaland produced drama made leading man Regé-Jean Page a global star, so much so that the announcement that he would not be returning for Season 2 (as each season focuses on a different romantic pairing featuring a member of the Bridgerton family) into a bit of a meltdown. Bridgerton has already secured another three seasons—a post-Season 1 announcement that is unprecedented for a Netflix original.
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Why Bridgerton Had to Let Regé-Jean Page Go
By Amanda-Rae Prescott
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Will Bridgerton Become the Next Game of Thrones?
By Kayti Burt
Soul Brings on the Feels (Dec. 25)
Called Pixar’s “most ambitious movie in years” by Den of Geek film editor David Crow, Soul was another Christmas release that brought solace to people stuck at home, many without their families, for the holidays. Directed by Pixar vet Pete Docter (Up, Monsters, Inc., Inside Out) and co-directed by Kemp Powers (One Night in Miami, Star Trek: Discovery), the film follows middle school music teacher and pianist Joe Gardner as he seeks to reunite his soul and his body after they are accidentally separated, just before his big break as a jazz musician. 
January 2021
The Little Things Kicks Off WB’s 2021 Film Slate on Streaming (Jan. 29)
Fans of crime thriller and/or Denzel Washington and Rami Malek flock to HBO Max and theaters for the hybrid release of The Little Things, the first of WB’s planned 2021 slate.
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The Little Things is Better Than a Seven Copycat
By Don Kaye
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The Little Things and the Mystery of Denzel Washington’s Character Explained
By David Crow
February 2021
WandaVision Ensnares Us
Stop hogging the zeitgeist, Marvel!
In February, Disney+ released its first MCU show, WandaVision, and it broke the internet. The miniseries, created by Jac Schaeffer and starring Elizabeth Olsen as Wanda Maximoff/Scarlet Witch, wowed audiences with its clever use of the sitcom format and superhero tropes to tell a story about grief that, for all of its fantastical elements, was oh so relatable.
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How WandaVision’s Doctor Strange 2 Connection Evolved
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WandaVision: The Unanswered Questions From the Marvel Series
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Judas and the Black Messiah Debuts (Feb. 12)
Daniel Kaluuya and Lakith Stanfield lead an all-star cast in this 1960s period piece that follows the real life story of Black Panther Party chairman Fred Hampton, who was the victim of a targeted assassination by the FBI. In a year that saw an increased mainstream awareness of Black trauma, the Oscar-nominated Judas and the Black Messiah shone a cinematic light on yet another state-led historical injustice against Black Americans.
Charisma Carpenter Speaks Her Truth
In February, actress Charisma Carpenter came forward with allegations about Joss Whedon’s alleged abuses of power during her time on Buffy the Vampire Slayer and Angel, inspired by Ray Fisher’s own efforts to seek justice and systemic reform for Whedon’s alleged behavior on Justice League.
My truth. #IStandWithRayFisher pic.twitter.com/eNjYcJ6zwP
— charisma carpenter (@AllCharisma) February 10, 2021
Joss Wheadon’s on-set treatment of the cast and crew of Justice League was gross, abusive, unprofessional, and completely unacceptable. He was enabled, in many ways, by Geoff Johns and Jon Berg. Accountability>Entertainment
— Ray Fisher (@ray8fisher) July 1, 2020
Pokemania Returns
Many older millennials have spent their time during quarantine reconnecting with their childhood faves. This culminates with a massive renewed interest in Pokemon cards to the point where McDonald’s Happy Meals with Pokemon cards as toys sell out instantly.
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How Pokémon Snap Helped Pioneer the Photo Mode Era
By Matthew Byrd
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Why Pokémon Has Endured For 25 Years
By Alec Bojalad
Did we miss anything? What have been the stories and pop culture trends that have helped get you through the pandemic so far? Let us know in the comments below.
The post The Pandemic in Pop Culture Trends appeared first on Den of Geek.
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thirtheenprimes · 4 years
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The Gaang+Iroh Classpects
I'd like to start off by saying there are no gender restrictions on classes nor aspects. Hussie himself said in a post I'm not going to take the time to find that any indication otherwise by the characters was just speculation. Let's be honest, gender restrictions are dumb.
Aang - Witch of Breath. First the obvious, he manipulates air as an air bender. But more than that, he pushes boundaries, and he redefines what the aspect means. Breath is about more than air, and Aang isnt just an air bender, he's the avatar. He is a leader, and he takes things into his own hands because he wants to do the right thing. Witches are bubbly, nice, and make great friends. Breath is also about freedom, direction, finding your own path in life and going with the flow. I would also consider Maid of Breath, but I'm pretty positive on the Witch thing. Though the Heir title does strike me as it still manipulates, but it has responsibilities and inheritance tied to it, but they more let their aspect control them than they control it. Aang doesnt let his destiny control him.
Katara - I compare her to Kanaya, I think. She's a passive class, but will still cut you for hurting someone she cares about. Given "because hope is all we have" isnt based off nothing, Hope is a viable aspect. She kindles and heals the hope in Aang and plenty of others, sort of mothering everyone into a rebellion and believing in themselves. But she could also be blood. She represents keeping people grounded, bonded to their loved ones. Her village, her deep care for everyone, and a great compliment to Aangs Breath. Plus, it would be great poetic symbolance with her whole blood bending arch. I think my official judgement for her is Sylph of Blood.
Sokka - Either Mind for his deductions, planning, and critical thinking, or Space for his creative thinking and ingenuity. Sokka uses his brain a lot, but he's also the creator of the group. Initially, I am split 50/50 on which one he is. So let's move onto class before deciding. Again, I have a gut instinct for him and that is Knight, because he sees himself as a warrior and as the only nonbender of the group, he has to be a fighter at heart... right? No, he is the plan maker, the schedule keeper and the inventor. Sure he's a warrior, but he's too open about himself to be a Knight. Knights hide behind something and that just isnt Sokka. So, moving past that, I consider a rogue. Rogues are fighters too, but they are more clever about it. They take their aspect and use it to benefit the team. Most everything Sokka does, especially later is because of the team. Rogues tend to be nice and earnest, like Sokka. So, then is it Rogue of Mind wherein he takes the logic and thoughts of others to benefit the team by coming up with new plans and ideas, or a Rogue of Space, wherein he takes physics and general creativity to do essentially the same thing? Personally, I lean a bit more toward Rogue of Space.
Toph - Toph is a Knight. That or a Thief, since she's def an active role as a foil to Katara's passive. She weaponized her aspect, and knights hide behind a facade of some kind, you know Toph hides behind her 'I'm tough and independent, I rely on no one!' act. But Thieves are forceful and unbending, like Earth. Not that all earth benders need to be thieves, but Toph is kind of the greatest Earth bender in the world for a reason. I'm feeling more Knight, though. As for aspect, I had a bit more difficulty. I was stuck between Life and Heart. Life I associate with vitality, luxury, privilege, and power. She comes from a wealthy family and even when she more than happily forsakes that life, living in wilderness and being a dirty barefooted rock child is luxury to her. It is fulfillment, and she needs to be in charge of her own life, a common trait for Life players. Heart I associate with soul and willpower, the force of an individual. That fits her well too, as an earth bender who understands her need to be true to herself. So I'm still not sure if I consider her a Knight of Life or a Knight of Heart but I am leaning more to Heart to be honest.
Zuko - Heir. He inherits, struggles with inheriting, and never fully controls his aspect, whatever it is. Rather, he learns to live with it and redirect it. We all know he's the group dad, and I see heirs as having to do with father figures. John and his dad, and you know Popop was a great dad. Mituna was a failed heir, as they all were, but Zuko is so successful at being an Heir he somehow breaks the definition and evolves into King (I know he becomes Fire Lord, but lord is a class and it isnt him). Now after saying all that, I also admit he fits the role of a Page really well too. He takes so long to find himself and come into his own, but when he does he is fantastic. But thematically, I believe he is an heir. As for his aspect, I'll start off by saying that if he is a Page, I'll go full Blood. Page of Blood, in which case Katara would be Sylph of Hope because I dont believe there should be two of the same aspects in one group. Thematically speaking, they are too different, even if everyone embodies their aspect differently. As an Heir, which again I am more of a proponent for, he would be an Heir of Life, given he is royalty and used to the finer things in life, then learns what the real finer things in life are from his uncle. Relating fire bending to the sun and sustaining life supports this too. Life is luxury, duty, and vitality. Again, I dont believe in repeated classes or aspects in a group, so if he is an Heir of Life, Toph would most certainly be a Knight of Heart.
Iroh - Zuko's ancestor, certainly. In homestuck, the humans share no pattern with their ancestors but the trolls share their aspect. I do not see Iroh as a Hero of Life, but I could see him as a Hero of Blood. If his aspect were blood (understanding others, what's important to them and how their culture is significant, it just screams Iroh of the white lotus and master of tea), I believe Iroh could be a Muse of Blood or Mage of Blood. I lean more toward Mage myself, as mages suffer from their aspect. Look at who his brother is, know his suffering from his son's death, and how much do you think he hurt when he thought he lost Zuko to the abuse of the Fire Lord? A mage is a sage because of their experience and you cant tell me Iroh isnt the best old sage ever. I'm not saying Zuko is a Page of Blood because they are related and he learned how to reach his full potential because of Iroh, because they dont have to have the same aspect, I'm just saying Zuko was lucky to have such a great Mage of Blood taking care of him. Muse might work also just because the most important thing a Muse does is exist, and the most important thing Iroh does is just being a good person, though I think he's too active in taking care of everyone to be a Muse myself.
So my final decision
Aang: Witch of Breath
Katara: Sylph of Blood
Sokka: Rogue of Space
Toph: Knight of Heart
Zuko: Heir of Life
Iroh: Mage of Blood
*Iroh and Katara embody Blood differently and can have the same aspect because Iroh is an ancestor, not one of the kids. I just put him in here because he is my favorite character.
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