If Choso was a wh•re 💕

Joe Thomas photography

Charles and Max’s phones in Keep to the Line verse.

oh to get wasted with pj 💋

he is so so tired please get off his lawn

this is the first Space Marine I have ever painted Please Be Kind 😭🤣... during housecleaning I unearthed this old mini my fiancé had as a child and long story short I made him into a teacup, please welcome Brother Connoisseur of the ~*~*~Albertus Regius~*~*~ Chapter

The color palette in this scene goes so hard oohh my god, I'm OBSESSED with these shots

Aesthetics: The Papas

• Cardinal Edition •

+ Cardinal Copia & Black +

// credit to @kaerujaki for the art in bottom row middle! It’s a stunning piece and I highly recommend checking out the rest of their art! 🖤 click for higher quality //

"You would really prefer me as I am?"

“I forgot you do that. Whenever we get – what’s the word – close? Anywhere in the neighborhood of emotional vulnerability? You back off, or make some joke, or find any way to shut the door on me.”

FAVORITE SPN COUPLES (1/?) → Dean & Cassie

Fakir's theme (Beethoven's Coriolan Overture) always struck me as funny because it stands apart from the other character's themes. Mytho has the delicate Dance of the Sugar Plum Fairy, Rue the somber Gymnopedie No 1, Duck the cheerful Nutcracker Oveture etc... while Fakir's theme is well... LOUD.

It characterizes his most aggressive moments, mainly playing in scenes where he antagonizes Mytho and Duck.

This always sat a little weird with me as it is a very surface-level character theme for such a complex character. In contrast, Rue's theme tells us something about her motivations under the Kraehe persona. Fakir's on the other hand tells us that he's mean and aggressive... something any viewer who's gotten to a scene where the song plays already knows.

On one of my rewatches, though, I noticed that he has another song that functions as a sort of secondary theme: an excerpt from Scheherazade.

This song plays most notably throughout most of episode 12, while he is bonding with Duck. It shows up a few times later in season 2, mainly in scenes concerning Fakir's struggle to write. As such, I view it as a complementary theme to the Coriolan Overture.

Listening to the song, it feels much more in line with Fakir we've come to know him. The song can be a little delicate and a little sad with gentle wind solos that lead into loud, grand orchestral sections. The repetitiveness, tempo, and use of dramatic brass and strings give these louder sections a gallant, almost desperate tone. It's super fitting that this is the song that plays throughout the episode where we get the best sense of Fakir's natural personality when he isn't putting on the cold persona.

I don't really have a deeper analysis here I just think it's really fun that as his character develops he gets an additional theme. If you think about it the music in Tutu functions as a sort of jukebox musical--the world and characters are built around the songs. Once we start to get to know who Fakir really is, the music that represents him changes to reflect him better.

I know it was unexpected for plenty of people but I LOVE the implication that in S3 willow is the one rocking a tough, practical jacket and hunter is the one in the cozy nerd sweater. Especially in the context of how they've always viewed each other?

Willow has always been the "leather jacket-wearing bad-boy with a heart of gold" in hunters eyes when you think about it. She's strong, plays a flashy contact sport that's essentially fantasy-roller derby, stands up to authority and fights for a cause, all the while being sweet and silly and sensitive and secretly insecure but healing from something traumatic that happened to her.

And on the flip side, willow didn't meet Hunter when he was the golden guard, she met him when he was pretending to be a normal kid. He was weird and awkward and overzealous and stand offish. His best friend is a bird and his name is Caleb Jasper Bloodwilliams. BUT as the day goes on he makes friends, acts dorky and encouraging, does something really weird and messed up but (most important to willow) demonstrates that he can mend the mistakes he makes. He's soooo the sheltered "good" girl learning to come out of her shell and willow is the risk taking beefcake who shows him the world. It's disgusting and I love it

i have grown kinda tired of all the studio ghibli and totk comparisons bc i love most of miyazakis movies and its so annoyingly obvious that if totk actually took inspiration from them its all just the surface level aesthetic and none of the good story telling

Ask and you shall receive (a sneak peak of what's to come)

i am aware episode 38 came out two weeks ago HOWEVER. this interaction has not left my mind since ❤️‍🔥

just finished rereading @jacqcrisis's 70's beach town hades au fic, and felt compelled to draw how i picture charon + hermes :]

gotta love 70's cable knit sweaters, dagger collars, and tiny jogging shorts