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#I know this episode will be sad
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If Ted and Nate talk, then I might just burst into tears and be unable to finish the episode.
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muffinlance · 3 months
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I'm barely to the massacre and I can already tell I'm going to be screaming at every this-makes-no-sense decision made by the writers (your temple is under violent attack, and you evacuate the kids... to a barely enclosed corner in a prominent temple room? Instead of to the hundreds of sky bison that were highlighted as flying in earlier? Why?) (And Aang left to clear his head and think instead of to run from his duties? That's such a less compelling plot arc?) (And the show had him briefly monologue about being a goofy kid who loves pies and his friends instead of using the extended temple scene to show any of that? Didn't want to pay more child actors, did you, Netflix?)
Yeah I'm just. Going to be screaming at the screen instead of enjoying this. Different decisions aren't necessarily bad, but when those decisions seem to be in the direction of "show a man burning alive before we even get to the on-screen massacre" this is just... not the show for me.
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flintbian · 10 months
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There's a disabled angel in good omens 🥺
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turtleblogatlast · 1 month
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[ cw: death mention / family death mention / ]
Mhmm I sure love thinking of the reality where we did get more time to really know Karai and her dynamics with the bros. Losing her hit hard in the finale, but it would’ve hit much, much harder had we known Karai longer and really saw her relationships develop with everyone.
I especially would have been interested in her dynamic with Leo, as past iterations often have the two of them clash in ideals and the like while still sharing many characteristics. Two sides of the same coin, and all that. Her specifically being the bros’ Gram-Gram also adds a whole new dynamic as well.
Imagine how interesting it would be, to have Karai start off on Leo’s side for once, showing wholly just how alike the two are at their cores and bonding as family without the worry of betrayal or animosity that other iterations suffer through, only to have Karai die anyway. Their parting hug and the desperate look of horror Leo wears later on would have hit that much harder, I feel.
#rottmnt#rise of the teenage mutant ninja turtles#rise of the tmnt#rise karai#rise leo#rottmnt karai#rottmnt leo#I think a lot about these two in particular#and how that dynamic could have flourished#the way it was depicted in the finale is so purposefully unique and painful like#that hug man#can you imagine how much more heartbreaking that would have been if we knew her longer#not that it wasn’t already sad but we just simply didn’t know her long enough to be completely attached#also imo having more episodes with her and in general would have presented something I’ve been thinking about since the finale#so like - I like to think each bro kinda immediately leans more toward certain family members#Mikey has Draxum#Donnie has April#Raph has Splinter because this is another one that would be SO GOOD and make the finale moment where Raph sees his memories hit harder#if they had an ep or two more of Splinter and Raph together bc I really do feel like Raph respects Splinter most of the four#and finally- Leo has Karai#and then he loses her#imo? this would align with the movie even more#because it was the act of heroism that kinda killed her in a way - makes sense that Leo would initially be leaning away from that#and yet he ends up exactly like her anyway#haha sorry for rambling I just really love the interesting dynamic these two tend to have#and it’s a shame we didn’t get to see it really explored in rise#but yeah make no mistake while I’m focusing on Leo here I wanted more for all the boys and karai#Mikey’s little moments with her were so sweet and we already know how much he yearns for more family#Karai being from an age long gone would mean she’d be super impressed by literally any invention Donnie has (adult validation!!)#and could you imagine her training with Raph - with this training being referenced in the finale?
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ruporas · 1 year
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post ep 11
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deadpoets · 2 months
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HOUSE M.D. 05.23 | Under My Skin
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monstrousvoice · 2 months
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"What about me?"
Husk's ears flicked behind him at the sound of your voice. He didn't turn away from the stock of bottles and booze lining the bar wall as he cleaned up for the morning.
"What about you?" He grumbled. He heard you shift around on the bar stool, the leather seat squeaking with your weight.
"You said you 'know everything' about everyone cause we all bitch at you when drunk...but you didn't complain about me." The cat demon felt his chest tighten at your words. He took a deep breath in through the nose.
'Don't turn around, if you do you'll see those big round eyes and you'll crack old man. Don't turn around.' The patronizing voice in his head hissed.
"Did you want me to air your dirty laundry for everyone?" He asked, peaking over his shoulder. He only caught a glimpse of your arm supporting you on the bar top before forcing his eyes back to the bottle racks infront of him. Bottles that didn't have your smile, or match the color of your eyes...
"Pfft," You scoff in return, "You know I don't, of course! But no one else wanted it either, and you still called 'em all out. So why didn't I get the same treatment?" Your voice was soft by the end of your question. Husk didn't dare let himself hope that you would be understanding. If you knew why...you'd laugh. What other response to his feelings could you have?
'Disgust is a strong possibility...' The voice whispered once more.
"I don't know what you mean doll, Angel just interrupted me with his fake ass flirting before I could get to you, I guess." He has been scrubbing this same bottle clean since you sat down. The label was incomprehensible by now.
"Husk." Your sweet voice has gone firm. The bartender braced himself, putting on his best poker face as he turned to face you.
And what a sight you were. Like always.
You simply raised your eyebrows, giving him a pointed look. He was...relieved? to not see judgement in your eyes. Such pretty eyes...like jewels on a crown...
Embarrassed by his own thoughts he coughed into his fist, hoping his fur would hide his blush. By the way your lovely eyes darted around his face, he could guess it didn't.
"Look, I just...happen to like you as a drinking buddy more than the rest of these chumps, alright? No big deal." His tail swished along the floor in frustration. What kind of stupid ass lie was that-
"Oh, I had been hoping it was a bigger deal..."
He froze, watching as you shifted around again. You stared at the bar top, fidgeting with your hands as you looked anywhere but him. When your eyes did meet, you have him an apologetic smile and a shrug.
"Sorry, I guess I was reading too much into things...looking for something that isn't there. Sorry if I made you uncomfortable, b-bud? Eheh..." With an awkward chuckle you stood up, stepping away from the bar.
Away from him.
"I'll uh, leave you to it then. See ya later-"
"What if I lied?" Husk blurted before he could stop himself. The voice in his head was committing full arson on the wiring of his brain for being so stupid.
"H-huh?"
"Just now. What if I was lying? What if-what if you are a bigger deal to me?" He could feel his blood pounding in his veins, his heartbeat making everything sound muffled, like his head was stuffed with cotton.
But you weren't leaving anymore.
"Wh-well...I don't know, really..." You mumbled, arms wrapping around your middle in a hug. "I have some ideas but..." You met his gaze again, a small smile on your lips that definitely didn't make his stomach feel funny, or make the world seem pink and bright.
"Ideas?" The cat demon whispered, finally setting his rag and bottle down onto the counter. He suddenly found himself leaning closer to you over the bar, uncaring of the wood digging into his chest and unwilling to pull away again. Especially not when you got back into your seat, leaning closer to him too.
It felt like the world slowed to a crawl as you smiled at him, one of your hands sliding across the counter to nudge his hand. Gentle. Hesitant.
"Well, dinner always sounds nice yeah? If that was something you'd like to do~" You cooed. He couldn't stop the small smile he gave you even if he wanted to.
"I'd uh, have to agree. On the dinner. Dinner is always good." Fucking god above just have Alastor step in and crush his soul right now, he sounds so fucking idiotic-
"Great!" You perked up immediately. "I know this niche little place a couple blocks from here, they hardly ever get robbed cause no one notices them. They have some pretty good steak and whiskey." You looked at him hopefully, like the promise of meat with some quality whiskey wasn't his absolute dream date.
How did you get more perfect the longer he spoke to you? Wasn't the point of being perfect that you couldn't improve anymore? And yet here you were, somehow proving it was possible with no effort.
"I think I'd like that darlin'." His fingers found their way in-between yours, entwining your hands together.
Yeah, dinner sounded real nice.
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starry-bi-sky · 29 days
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realizing i have. a lot of untapped trauma potential for clone^2 danny because i just Fully Processed Four Months Late the fact that his parents were capturing and torturing ghosts in the basement before he became Phantom. and the fact that he was on house rest for 2 weeks. during that time period. and he wasn't really leaving the house. he could hear their screaming through the floorboards
*points at clone danny* i can give you suuuuuuch a bad time babe ahaha. i've got two untouched years before you meet damian what fucks you up before then
#dpxdc#dp x dc#danny fenton is not the ghost king#dp x dc crossover#dpxdc crossover#dpdc#clone^2#danny fenton is a clone#like i dont even need to traumatize you worse the pure explorative options from this aLONE is enough to feed me for a week.#like. tucks hair behind ear let me shatter you into glass pieces then glue you back together babe. i can put you back together so good.#i'm missing a few shards because some parts of you broke into such small pieces i couldn't pick them back up again so you'll be missing a#few chunks of yourself that you'll never get back but that's okay. you'll still be a resemblance of your old self :]#don't let anakin (me) listen to late night sad songs he makes angst.#hhh imagine being stuck in a house for two weeks where you can hear your parents torturing ghosts in the basement and not only that but#you're the only person who can undERSTAND the ghosts. how many times did he see his parents drag in a ghost with whatever capturing device#they made recently? iirc the thermos was like. brand new in episode one right? but gOD the trauma this alone would cause#nobody touch me im cooking rn i need to think about how this would impact danny. like obvs it would fuel into a developing obsession to#keep his parents away from ghosts and to help the dead but what *else.* i need to refine my becoming phantom ficlet i wrote back in winter#raaa#and like even after two weeks they were *still capturing ghosts* danny just wasn't in the house 24/7 at the time.#*but those two fucking weeks man*#i need to sleep on this first before i make any major moves bc i know im tired but i am having thOUGHTs
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radiantmists · 10 months
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reading animorphs sequentially instead of in whatever random order you can get your hands on them is such a trip because you can see these kids getting progressively better at war and worse at being happy, you can see how traumatic events from one book echo into the next ones but never quite get dealt with because these kids have no real way to take care of their mental health, you can see their relationships deepening but simultaneously gaining friction and faultlines as they learn just how far they'd go for each other but also how far they'd go in general...
obviously this series was meant to be episodic in nature, and i actually think that might be the better way to first encounter it, but the arc of the series in publication order is extremely well-crafted
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fear-no-mort · 5 months
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i cant get over the whole time in the real world rick just sat there watching over morty and when he woke up finally rick sounded SO happy the way he just yelled his name excitedly the second he woke up,,,
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tloubraininfection · 1 year
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People often claim that Joel is unemotional and cold at the beginning of the series and I disagree. It is a bit more accurate when it comes to game Joel, as he is far more detached and angry kinda character with everyone except for Ellie, but Pedro Joel is always one step from having an emotional breakdown and you cannot convince me otherwise. There is always something brewing just beneath the surface. He`s also very observant and attuned to people around him and it only gets worse (better) once Ellie joins the party.
Even at the very beginning, when he was not even really done beefing with her, he still cared enough to cover her with his own jacket at night, cause she’s a kid goddamn kid and she’s not going to be cold on his watch! And then he just keeps noticing things or thinking ahead and factoring Ellie in, because that`s what he does, he cares about people enough to notice little things.
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So when they make it Bill`s place and he sees that sad-looking pot plant, all dry and withered, he knows immediately that something is wrong. You can see it in his eyes. He`s been there many times and he knows Bill and Frank well enough to notice immediately that something is out of place.
And this is the part that breaks my heart every time, cause after the initial 3 year time skip Bill and Frank argue, because Frank wants to keep the place nice and Bill is all about the essential. But fast forward another 10 years and Frank has all the art supplies in abundance and Bill is taking care of the space around them, because Frank is too sick to do it himself.
And that`s how those flowers should look like btw
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But there is no one to take care of them anymore.
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celluloidbroomcloset · 6 months
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I have been considering narratives again...
There's an interesting progression in "Wherever You Go," from the scene of Stede at the pub to the scene between Ed and Izzy, as both Ed and Stede become increasingly trapped in stories that have the potential to destroy them, by men who don't understand them.
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In the scene at the pub, Stede begins by asking for attention, but almost immediately balks when he receives it, thinking it is going to be used to harm him. He speaks to a man he hasn't spoken to since he was a child, and receives, for a moment, the accolades from other men that he's craved in the past. But almost immediately, he's drawn into telling a story, one that becomes increasingly detached from reality and that ultimately sends him into a spiral.
When Stede responds to a question about Blackbeard with "he's absolutely lovely," the men are disappointed. And Stede, desperate for attention, goes on: "...oh, and of course, a bloodthirsty killer, born of the devil. But I don't really like talking about him..."
Stede doesn't trust what he might say if he talks more about "Blackbeard," but he's already done damage to himself by narrating Ed back into the caricature that Ed so soundly rejected.
The statement is quickly followed by another man asking if he's ever killed anyone, and then doubting that he has. The story breaks. Stede's voice even changes, shifting from a bombastic, over-Anglicized accent to his regular voice, as though he were coming back to himself. And he doesn’t lie or tell a story:
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"I've seen death. I've been the cause of death. It changes you. Forever."
Where he began the show wanting to change piracy from a "culture of abuse," the men of his own culture admire him for having been steeped in death. They want to know if Blackbeard is truly a monster, and are disappointed if he's not. They want Stede to be a killer, and mock him if he isn't.
Stede's drunkenness melts into self-loathing. He's been bought drinks for being a killer and for telling a story about Ed's violence, turning Ed, whom he last saw running off to find a boat to begin their new life together, into the monstrous caricature again. He knows the power that stories have over people and he’s now participating in transforming a man that he knows is kind and gentle and loving, who probably gave him his first truly loving kiss, back into an inhuman murderer.
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The scene transitions into Izzy's attack on Ed, from Ed attempting to clean up the cabin and chat, to the caricature of Blackbeard, and finally the echoes of the crew, Stede's crew, calling for Edward. Izzy is a more explicit version of the underlying violence in the pub scene - the pressure on Ed to perform as Blackbeard, because "Edward better watch his fucking step."
The Blackbeard caricature itself works in tandem with Stede's description of Ed - from "he's absolutely lovely," a man in a dressing gown, grieving the loss of the man he loves, to "a bloodthirsty killer, born of the devil." Izzy is forcing Ed back into the caricature with threats and psychological abuse; Stede himself has narrated Ed into Blackbeard as he seeks the approval of men he barely knows. He has lied about who Ed is in order to better fit the story others want him to tell.
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Both men are pushed into a spiral by vicious remarks that hit at the cores of their fears and insecurities. Both are threatened, or perceive that they're threatened, with physical violence - Izzy by getting into Ed's face, an act which we've seen produces a snap defensiveness, and Stede later when Doug grabs his shoulder.
I've written before how the potential of Stede's "Kraken" version of himself is shown and then shifted away from, when he's able to talk to Mary. But his descent is characterized by the lies he tells about Ed and the visceral memory of what real violence and death is. He’s trapped in the story of an aristocratic man who became a violent pirate, fought Izzy Hands, and knew Blackbeard, the bloodthirsty killer. And he knows that’s not his story at all. What he can tell Mary later is a story about love—a man whose name is Ed. He steps back into the right narrative.
Ed does not have a Mary. His descent only deepens, as he transforms himself into the caricature Izzy shoved in his face, trying (and ultimately failing) to shear away all the soft and gentle parts of himself to better fit the narrative, just as Stede does briefly in the pub and then at the gallery. The one thing he cannot destroy is his love for Stede.
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Both Stede and Ed have been entrapped by the narratives around them—the gentleman pirate, the bloodthirsty killer. It’s when Stede gains control of his own story again that he becomes honest and sees himself, and is able to go back to sea to continue his authentic narrative, released from the stories with which others attempted to entrap him.
Ed still has to take over his own narrative. He can no longer see beyond the Kraken that he's been told is the only way he can exist, even as his love and his grief speak against it. The softness of his emotions are incompatible with the story he has to live. Unable to fit himself into that narrative, he decides to die instead, and solidify the story of the bloodthirsty killer. But his death allows him to face himself, and hear the stories he tells himself, and decide which of those stories he wants to manifest. Part of Stede’s role in season 2 is not to free Ed, but to help him free himself, to assure him that he’s loved for all that he is, and is not the story that others, including Stede himself, tell about him.
(gif by @llokilaufeyson)
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"I think this is the most inhuman; and human, that I've ever felt.." MUCH CAN HAPPEN IN A YEAR. IN FIVE YEARS. A DECADE. imagine how much can happen in a century. just ONE (1). How will you grow? what phases do you find? even in 5 years, you will find patterns.
#jrwi fanart#jrwi show#jrwi suckening#jrwi suckening spoilers#jrwi the suckening#arthur bennett#HEY SO THE REALLY FUNNY THING THAT THE CHARACTER DID THAT SEEMED RLY SILLY N GOOFY IN THE MOMENT?#LIKE THE WHIPLASH BETWEEN SERIOUS N SILLY ALMOST PISSED YOU OFF? WHAT IF I FOUND A WAY TO MAKE YOU SAD ABOUT IT#this was meant to be a scribble that would be a bigger part of a bigger page.might leave it on that page.#but still. bc o that i nearly posted it onto my wacky side blog.BUT NAYY I SPENT TOO MUCH TIME N ENERGY N YOU GOTTA SEE IT#ARTHUR BENNETT DRIVES ME CRAZY. I FEEL LIKE ITS ODD FOR HIM TO BE SO TECHNOLOGICALLY OUT OF TOUCH#WHERE HAS HE BEEN. HAS HE BEEN IN WAR? IS THAT WHERE MAGNUS CAME FROM? WHERE WAS HE WHEN HE WAS WITH EDWARDS CREW?#ARTHURRR I HAVE QUESTIONS ARTTHUUURR!! HEY CAN I ALSO ASK; WHAT THE FUCK HAVE YOU BECOME#DO YOU THINK HE HAD ANY IDEA HE WOULD VEER CLOSER AND CLOSER TO THE MONSTER HE DESPISES. ALL BC HE DESERVES IT. OR WATEVER#HE FASCINATES ME SO MUCH. TO LOOK AT THE STONE COLD STOIC FOOL FROM THE START OF THE SHOW#AND TO FIND OUT THAT HE USED TO BE A BAD BOY.. A DELINQUENT... A LIL PRANKSTER.... MY GODDD THATS ADORABLE#I WOULD LOVE TO KNOW MORE.... BUT I DOUBT THE LAST EPISODE IS GONNA ANSWER THOSE QUESTIONS..i love arthur bennett so much....#AS FOR THE ART!! i mostly used the fire alpaca watercolor brush. tbh im not a brush guy. anti aliased default pen tends to be my main game#but LATELY IM SQQQUIRMIN OUT OF AN ARTBLOCK so expirimenting like this is helping#DONT LOOK TOO HARD AT IT!! im still proud tho. colors are fun :3 im also very proud of the backgrounds#I LOVE THE CARTOON THING where the background looks all fancy n painted but the characters are solid colors#what else can i ramble abt. OH YEAH. i looked up the bikes to make sure they were time accurate tehehehe. 1913 to 2012.#almost a century apart!! isnt that neat? ALSO FUUUCK CAN I JUST MAKE A QUICK CONFESSION. DOWN HERE IN MY TAGS.#only the strongest can read my tags anwyay. SO I REALIZED WHY I LOVE ARTHUR SO MUCH. TIME IS A FLAT CIRCLE#while arthur is a Stoic and Cool vampire w a knack for being playful/silly; who alsos been alive fora century thus witnessing HORRORs#THERE HAPPENS TO BE A ROBOT FROM A BAND W A TITANIUM ALLOY SPINAL COLLUMN#WHOS A Stoic and Cool ROBOT w a knack for being playful/silly; who alsos been alive fora century thus witnessing HORRORS#the fuckkkiiinnngggnn The Spine from steam powered giraffe. WHATEVER. i cant escape from my heart. i guess.#i think The Spine and Arthur could be friends. Arthur saw the band perform back when they were the Steam Man Band#EDIT: WOOPS I DIDNT REALIZE THIS WOULD END UP IN THE SPG TAG. HI GUYS DIDNT KNOW U WERE STILL ALIVE SORREE 4 THE CROSS CONTAMINATION
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heartslobbf · 9 months
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hater alert! far too many people say that juri’s character arc ‘isn’t about her being sad about being gay, it’s about being sad about unrequited love that happens to be gay’ and. well. that is not true and by saying that you are completely flattening the brilliance of juri’s character arc which literally culminates in her being able to accept her own lesbianism despite her unrequited love, despite all her shame and self-loathing, despite this pursuit by Some Fucking Guy to try and ‘save’ her from these feelings. like if you think juri’s entire character is just ‘sad about shiori’ how do you appreciate even a modicum of the emotion packed into that final juri duel. it is both about shiori and, even broader, her lesbian identity and what that means to her intrinsically as a person, removed from romantic relationships and just purely as like. you know. Who She Is. the idea that even when juri’s locket is cut from her neck she is still a lesbian that’s still who she is and she cant change that and, crucially, she doesn’t want to even as she is agonised by these feelings. that’s why she forfeits the duel!!!! she’s clocking out she’s quitting she’s saying no!!!!!! this is me and ive got to be ok with that this is me and i can accept that this girl might not love me and i can keep living despite that. like. god im so normal arisugawa juri im so sorry that no one understands you and your intrinsically unapologetically lesbian storyline like i do
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missionel · 11 days
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peter what is your problem 😭
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beanghostprincess · 6 months
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"the way the fandom portrays shanks when referring to shuggy is out of character and he has moved on" aha. aha. yeah. have you considered i like shanks to be a wet depressed cat who's pining for his childhood best friend
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