Not what I usually do here, but I have to. The new helluva episode. It broke me. It tore my heart apart and stomped on it. I can genuinely feel my soul hemorrhaging. A little part of me perished today. I legitimately got a headache.
Here's the thing. Blitzø's feelings are completely valid. I recently rewatched the show while I waited for the full moon to come out and he is right. Stolas, especially in the first season, was pretty classist. Blitzø did have a point when he said that Stolas treated him like one of his butler imps. He literally called him "my impish little plaything".
Stolas has had TREMENDOUS character development. He understood that the transactional deal was not in fact ideal or something to look forward to and he stepped up. He made a truly selfless move and acknowledged his feelings. But here's the thing. He also didn't give Blitzø a chance. He got in his own head so much that when Blitzø failed to understand his feelings at once, he gave up. He thought that all of his worst fears became true and because he overthought it SO much, he just gave up.
But Blitzø. Blitzø didn't shut Stolas off because he didn't have any feelings. He shut him off because he wholeheartedly could not believe that someone loves him and wants to be with him regardless of any physical or material gain. And you know what. He did try. He told Stolas how he felt. Everything. How he thought Stolas only viewed him as a measly imp that fucked him raw. And Stolas had NO FUCKING CLUE Blitzø felt like that.
This episode broke me. I ugly cried. That's not to say I didn't like it, of course. This episode was a masterpiece from every single view point. The voice acting, the visuals, the dialogues.
I think so highly of you. I didn't realize you thought so lowly of me.
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It has come to my attention that a very queerphobic/panphobic BG3 based blog has called me out specifically for saying all companions are pansexual. Now, I never @ people or call people out directly because that's just not me, but if you happen to see said blog in tags, please do yourself a favor and steer clear. If anything I can provide who they are in DMs or a private ask but.
They state "He doesn't show attraction to men at any point in the game, but we're not going to care about a straight-coded man being shipped with another man: it's the average fandom experience." As well as "Gale, the Schrödinger heterosexual". As well as "And oh, we did notice that screenshot quoting the creators, where they indeed state they made the characters playersexual for marketing reasons! Thank you for proving our point." PLAYERSEXUAL?
As someone who HAS a pansexual MALE partner, I won't stand for this, even if it is just a troll. This is PERSONAL. Please don't engage.
Anyways, I will ALWAYS use my blog as a means to provide a safe and inclusive space for everyone who wishes to drop in, especially those who identify as queer. To my queer creator mutuals: I see the stuff you make and do and you make some REALLY good stuff, keep doing what you're doing. This is honestly ridiculous and shouldn't even need to be said but here we are! To my followers and mutuals, you are valid, loved, and respected.
Anyways, have Gale and Othello kissing I guess
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I made the mistake of rewatching Sherlock because I never did finish it back in the day (I was -clenches fist- seething over the queerbaiting and rage quit after not fully watching episode 1 of s4) and I'm here to make my side hyperfixation (what year is this??? Who am I???) Tumblr's problem. The more I sit with s4, the less I like it 😂 There were pieces and elements I liked, but overall, it left a bad taste in my mouth. Forgive me if any or all if these points have been talked to death, I missed all the discourse and I'm hella late, but I need to flail and send my thoughts into the void because what even WAS that season? I can't believe I avoided it for years, got drawn in by a couple of tiktoks making fun (affectionately) of superwholock Era and That Scene about the fucking phone charger port, binged all of it, only to be left with..... that. Not nearly as disappointing or rage inducing as spn's ending but by God, did it leave a hole in me. So please ignore my rambling thoughts as I slap them down here for my own sanity.
• First and foremost, what - and I can't stress this enough - the fuck was UP with the assassination of John's entire character???? What was that??? Why????
• Related to that point - I can appreciate the angst point and potential it provides, as I'm reading many, many fics, but AYO WHY didn't anyone rip John an entire new one for that beat down he did on Sherlock????? Hello???? 911?????
• Tell me why everything felt so stilted and borderline icy. Like I get the high emotions and shit, but after a certain point... 😭 was there a falling out between Benedict and Martin that I'm not aware of? Did they just try to ungay everything so hard and were so pissed at the audience picking up everything THAT THEY PUT???? into this show and their interactions that they just hit the brakes hard enough to make everything feel weird???
• A lot of it felt weird. Off kilter a little. Forced in some places, toned down in others (and toned down where it shouldn't have been), a nod to ships but weirdly/hatefully??? Idk if that makes sense. Like the whole Sherlock and Molly phone call (I do not mean any hate to this ship, I really hope it doesn't come off this way. Not my cup of tea but you are valid). Why was Molly so upset BEFORE the call? Did I miss something? Also I don't personally think or feel she'd still have those feelings for him??? I??? I am bamboozled.
• to that whole point, Eurus was.... Hmm. Mmmm. She was. Something. (Confused derogatory)
• I like Mary as a character. I also hated her. (Definitely biased by my shipper trash ass self for johnlock, I'm sorry). Wtf were those messages, please. Edit: AND ANOTHER THING. John's reaction to Sherlock's death - awful, gut wrenching, beautiful, my heart breaks with and for him, utterly devasting. John's reaction to Mary's death - had me sitting there like🧍♀��(it was weird. so weird. awkward. w h y. (we know why, but also the acting choices were Something TM, in both cases! for different reasons!) i'm sorry i just can't get past my anger and put off-ness with mary, fun as she could be)
• why did mycroft and John switch roles 😭 pls. The last episode was just. So Much. The lackluster responses from John, to John, to Sherlock, between them, like.... hello???? Who are these people?? Help me. Moriarty saved me for a brief shining moment tho, God bless.
There's more I could spew, but that's what's sitting right at the top of my head. I guess all this just to say, if a show runner/writer really just fucking hates the audience they got (instead of the one they wanted), they probably shouldn't have fucking become a show runner/writer in the first place. Either hand it to someone who can actually handle it and listens, or fuck off. I will never understand when shows and plots and characters gets kamikaze'd because of a show runner being pissy and egotistical. Like ????? Grow up. Learn from Bryan Fuller and Hannibal or something.
Sorry for all the rambling, bless anyone who reads this and makes sense of it 😂
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my genuine thoughts on the amazing digital circus episode two because someone has to hear all these thoughts and it sure aint gonna be my friends anytime soon:
the pacing felt off - not sure why, but if i had to guess i think it would be due to how much info and exposition was crammed into the first episode, with very little in the second episode made it feel weird. i literally got halfway through and went 'how am i halfway when nothing has happened?'
like the whole scene when they were arriving at the candy kingdom (i dont remember what it was called currently) felt a bit too long, like they dragged it out a little to fill time (or to show of the animation and design, and if so, valid)
i think the pilot also had more visual comedy aspects to do with 3D animation which i really appreciated. they did keep some in the second episode but less so
Jax definitely came off a whole lot meaner this time, but after revisiting the pilot he's basically the same level of mean just without the comedy or charm. im assuming that they're doing this to keep it in the audience's mind that Jax is an asshole so when he does some cruel shit later on it doesn't seem like such a 180
on that note, this episode also just felt a lot less funny. it might be that it purely wasn't my kind of humour, but i thought the pilot had a fair few good bits and the second episodes comedy just didnt really hit with me
i think also there are specific moments that felt they were building suspense/tension for either comedic or dramatic reasons just for nothing to happen, which felt disappointing. best example would be Kinger throwing the lifesaver (what did he throw?) the second time, going to check on the rope, for nothing to happen. felt like a set-up with no pay-off
and a similar point, and it could just be an emphasis on how old and immortal these characters are so they're used to this shit, but none of them react strongly! to anything! Jax is thrown over the side of the truck with no reaction, the knifes everywhere don't illicit a strong response, Ragatha watches herself get IMPALED IN THE CHEST? and they fall from a cliff and dont even scream. no reaction to anything. it just felt weird.
HOWEVER, it is not all bad. Caine and Bubble are still great (i think a large part of why i did not find this episode as funny is likely coz these two had very limited screen time)
i loved the little gators designs, and the plot line of existential crisis followed by acceptance and then just being smite by god
character development on Pomni felt sweet, great symbolism in one short little moment
i'm real interested to see more of Zooble, and a bit more into Jax's development (i saw his expressions at the end, dont think i didnt)
i think the characters mostly stayed the same (besides Jax and Pomni of course) so im excited for exploring them more in the future!
the possibility of the gators returning is very interesting
the designs of the locations were all very pretty
i did still like this episode, although i enjoyed the pilot i lot more. i'm excited to see where this series goes! and massive kudos to doing this independently, regardless of how this series ends up ill always have respect to the creators for not going to a big boss company to produce it
also dont get me wrong i definitely love this series and i love jax i can criticise and love things simultaneously
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incredibly intrigued by your sam thoughts give me more
hooooohohohohohoh *rubs together grubby little raccoon paws*
I am excited to answer this and also don't know how much more I'll be able to say about Sam that I haven't already discussed here and here (though danged if I'm not going to try!)
Something that I think is central to understanding how my brain thinks about Sam is the way I think about Gwen; more specifically-
(Gwen and Sam from @boonsandwhatever 's amazing art, found here)
While I don't truly think they're the exact same character, I believe that what we've seen of them so far suggests that we are looking at two characters who, in their heart of hearts, are very similar in terms of their inner selves and motivations, but who are nonetheless being set up to walk two very different paths.
So how are they similar? We've seen so far that Gwen and Sam are both
goal-oriented
hardworking
stubborn
temperamental (Sam less openly, but it's there)
petty (not as obviously as Alice, but it's soooo there)
curious
seeking validation for their work/pursuits/questions
not in the career/field they had aspired to be in
under tremendous pressure from their families (Gwen's has not been directly addressed, but what we know of the Bouchards and and Gwen's comments about her 'friend' circles seems to suggest this)
driven (Gwen towards power/recognition, Sam towards understanding - both of these tie into that need for validation)
barely holding it together
more sensitive to teasing than they let on
imposter syndrome? (this one may actually be a stretch but all of the above similarities strongly suggest this one)
Of all of the above traits, "curious" and "seeking validation" are the two that I feel are Sam and Gwen's strongest motivators right now - and were also the source of their conflict in episode 18. They are, of course, pursuing answers to their own questions without realizing that, in this case, they are the ants seeing separate parts of the massive and horrible mystery that is pushing into their lives.
Sam's path has him looking out as he seeks to learn more about The Magnus Institute and about the catalysts and victims of the cases they get at the OIAR. Gwen's path has her looking up, as she questions the role the OIAR plays within the government/society, how it is structured and managed, and what employing literal monsters has to do with it all.
In an ideal world, Sam and Gwen would team up to be like the supernatural Wonder Twins. If they're able to see past their misunderstandings and the walls they've put up, I think they could actually get a lot done - but I worry that their insecurities, ambitions, and lack of validation at the right times/in the right places will push them further away from the best possible allies they have: each other.
(If you're fanfiction inclined, I've actually explored some of these team/friendship dynamics in my fic "Pieces of You." Part 2 continues to explore how Sam and Gwen interact when they are seemingly in opposition)
I do think there is a very good chance that both Sam and Gwen end up in difficult, morally challenging, or outright evil situations as a result of their need for understanding, recognition, and validation. I've seen a lot of folks suggesting that Sam could become "avatar-ized" or willingly take on The Powers of the Horrors in order to finally "live up to the potential" that he perceives himself as having been denied when he was rejected from The Magnus Institute. As for Gwen, I think (hope, pray) that her own insecurities and need to prove herself could lead her right into the claws of Lady Mowbray, someone that she has already defended in front of Lena simply for being of a higher echelon, and who has already given Gwen a level of recognition that she did not expect but clearly craves (when Lady M asks about her family line). Of course I would be tickled pink if they both got over themselves, communicated, and worked together to overcome (or at least understand) The Horrors!
Anyway, I know this ended up being more of a Sam and Gwen rant, but I hope you enjoyed, and thanks again for asking!
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I've reached season 5 on my CSI rewatch and I'm a few episodes past "Swap Meet", where a woman is murdered after attending a swing party with other couples from the neighbourhood. Near the end of the episode there's a moment that made me jump from my seat:
(Grissom walks up to Sara and takes the seat next to her. He's holding two cups. He hands her a cup of tea.)
[INT. POLICE DEPARTMENT - BRASS' OFFICE]
Erin Brady: Everybody fantasizes about other people. (She glances at Grissom.)
Even you, Mr. Grissom. A neighbor, a friend ... girl at the office.
[INT. POLICE DEPARTMENT - HALLWAY]
(The door opens. Paul Brady walks out of the hallway. Erin Brady walks out into the hallway. Sara is sitting in the hallway chair watching them. She watches as they meet and kiss.)
(Grissom walks up to Sara and takes the seat next to her. He's holding two culps. He hands her a cup of tea.)
LIKE!!!!!!!
Right after Erin ends her sentence with 'girl at the office', the first time Sara and Grissom meet again, he brings her tea. This might be an innocent interaction but to me it seemed like a nod to this relationship they have where both are into each other, know about the other's feelings, but can't/won't do anything about it (although Sara has kind of given Grissom an ultimatum). I don't know if it was intentional - I'm guessing it is, because I picked it up immediately. I might or might not have squealed in delight.
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