'I flirted with the idea that instead of being trans that I was just a cross-dresser (a quirk, I thought, that could be quietly folded into an otherwise average life) and that my dysphoria was sexual in nature, and sexual only. And if my feelings were only sexual, then, I wondered, perhaps I wasn’t actually trans.
I had read about a book called The Man Who Would Be Queen, by a Northwestern University professor who believed that transwomen who were attracted to women were really confused fetishists, they wanted to be women to satisfy an autogynephilia. And though I first read about this book in the context of its debunkment and disparagement, I thought about the electricity of slipping on those tights, zipping up those boots, and a stream of guilt followed. Maybe this professor was right, and maybe I was only a fetishist. Not trans, just a misguided boy.
About a year later, on the Internet, I come across a transwoman who added a unique message to the crowd refuting this professor. Oh, I wish I remember who this woman was, and I wish even more that I could do better than paraphrase her, but I remember her saying something like this: “Well, of course I feel sexy putting on women’s clothing and having a woman’s body. If you feel comfortable in your body for the first time, won’t that probably mean it’ll be the first time you feel comfortable, too, with delighting in your body as a sexual thing?”'
-Casey Plett, Consciousness
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My thoughts on how the Milgram mv machine works based on the evidence we have:
(I know there’s been discussion about where exactly the interrogations take place, but wherever they are,) the prisoners are made to sit in a specific chair near the wall that houses the machine.
It’s ordinarily hidden, but the wall panels shift aside to reveal it when the mechanical sounds play in the dramas. As well as the walls moving, the chair transforms to restrain the prisoner and attach whatever it takes to access their brain. The fact that none of the more frightened prisoners try to run or break it makes it seem like they physically cannot. This is why Fuuta sounds so panicked, and why Amane is suddenly helpless in front of Es in their T1 vds.
(My mind conjures very classic sci-fi mad scientist machines with wires, pipes, lights, nodes, needles, etc, but I’d love to hear how other people visualize it.)
In some vds (maybe all? I’d need to check,) you can hear Es take some steps right before their iconic line -- it would make sense that for safety reasons, the power mechanism is placed across the room. Once again it could be anything, but the sound effect makes me think of one of those giant wall-mounted levers you have to pull down.
The voice dramas don’t really provide the type of crime details that an actual interrogation would reveal, and it’s odd that they’re placed before the extraction rather than after Es gets to see the new details. This leads me to believe the machine functions with priming. All Es needs to do is get them talking about their murder, so it’s on their mind.
The video produced is much like a (non-lucid) dream. Even if the prisoners figure out that this is how it works, they can’t control it just by thinking really hard about something else. The murders produce the strongest emotional affect, and that’s what it picks up on. If someone else used the machine, it would default to whatever gave them the strongest emotional reaction in the ~15 minutes beforehand, hence why Es’ video focuses on their daunting task ahead. (The Undercover theory is still a bit loose, though, given the private shots that Es wouldn't have known about). It’s why the videos are usually closely linked to the vd topics/beats. I also like to think that the reason their prisoner colors appear so much is because they’re looking at those colors on their uniform 24/7.
The bell rings to inform Es that it’s the optimal time to use the machine -- the prisoner has been thinking about things for long enough that the video will be about their crime, and if the conversation lasts much longer they’ll start thinking of other things. It’s at a different time for each prisoner because it’s based on the specific conversation. I guess Jackalope is listening in to the interrogation, timing it perfectly. (The only one that kind of messes with this theory is Yonah, because they just keep talking afterwards lol, but it could just show that the interrogation is still in Es’ control.)
Their “Sing your sins” is the final priming nudge to get them to think of their actions as a sin, revealing their guilt.
Once activated, the prisoner enters a sort of trance/sleeping state. It’s very much like REM sleep, with the machine forcibly activating neurons and recording the output. The prisoners have asked Es what they saw, meaning they don’t remember the mvs. I like to think the prisoners do experience the mv in real time, acting as the major version of themself that appears, but can’t remember it afterwards. It’s when you experience a dream, but as soon as you wake up you’re just left with fleeting emotions and memories right on the tip of your tongue.
The video plays immediately upon extraction -- whether on a huge projection or little screen depends on which room it’s in. It simultaneously saves the memory so that Es can rewatch it later (on those old TVs in the jailbreak mix). The machine downloads the song and video together, but requires special parts to retrieve them. The technology is pretty new and fragile, so if one is broken, there might be a delay between when Es can hear the extracted song and see it with the video. (That’s my justification for Kotoko’s delays -- after 9 prisoners the parts wear out, or maybe Mikoto himself overheats it with his complex situation.)
Based on the lack of conversation we get afterwards, I picture Es leaving before the prisoner wakes from the trance. The machine adjusts their brain back to normal before they awaken, restraints freed and able to return to the rest of the prison.
It’s very much like a dream, so it’s not harmful despite the amnesia/head injuries the prisoners have. It does, however, exhaust them. Brain activity alone takes a lot of energy, so forced brain activity with added emotional strain would cause them to feel pretty drained the rest of the day.
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y'know what we don't talk about enough? Hazel died. We talk about how she grew up in the 30's and 40's and we talk about how out of place she feels in the modern world, but! She died! She was dead! She has spent more time dead than alive, and not by a close margin!
How does that effect a person??? We got some of it in the flashbacks, but once those caught up with her present timeline and she shared them, they just kind of... disappeared. And she was a regular girl with some weird past experiences. That's one way of doing it, sure!
I think it would have been a lot cooler if she was just a touch creepier. If she felt a little bit Wrong. Yeah, in general she's more approachable than her brother, she's more sociable and less closed off, but. If you actually spend any time with her, it can be difficult to tell which child of the underworld is actually more unsettling.
Hazel is bright of personality and has a dazzling smile, but sometimes she'll just... shut down. She'll go completely blank for like half an hour and nobody knows what to do with it. Sometimes she forgets she's alive. Sometimes she'll spout the grimmest shit you've ever heard like it's nothing, she won't even notice it's weird until the room goes quiet. She spent decades in Asphodel, which is designed to make people forget about themselves and wander around for eternity, only she didn't have the luxury of forgetting! Wild! After she comes back to life, sometimes she forgets that she's allowed to Do Stuff now. She can spend so long sitting and staring at nothing. Sometimes she'll start crying on cloudless days because it hits her again that she can actually feel the warmth of the sun on her skin and she can hear birdsong. Every little mundane experience is a blessing and she will make you remember that in the most foreboding way possible.
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My gentle dome, my aching tone of string
By someone's worry it could be - long-partied absence that went sudden o/////o By that it went of such - our city we've been settled upon since previous year (as, some may also yet remember - of passed year, when things went into worry and all-ache and loss, we've moved from outskirts of city - then towards, to able be to live and dwell and work upon), Kharkiv, went into raids that shuttered variety of parties within our infrastructure, over the times, again and more - now till it's toll unspeakable, unsoothed out, and hard to bite.
By lack within an electricity - of planned (by nature of a replenishing, within provides of small supply and yet unwavering demand) or rabid-toned (as a results of gotten heavier shellings, that never satiated since day first), along there was a lack of a connection outwards (by major our providers worked for some hours by powers of supplies that own, then - not), and such went days, sometimes within a weeks onward, and such were toll - kind of a dwell and ache and worry that planned no ease, or way to out.
By that went straying, worried and hard - within my tarnished yet dispositions, went dragged down, and without nature of your tenderness - that is to me a rapture, ache of all, - and help, those days - and months, and years of life would be unspeakable by dark, unshed by kind of toll that is by heart. There is no tears enough, and not enough of thank-you's - for patience and gentleness and tender hand onward.
Without you - there couldn't be such way now out, the one that spoken went within the passed month. We've moved, struggled onward to settle outre of city's mound - now on a land, and now by lone, sufficed and replenished and worked by strength of household's that's own. My hopes, my ache of heart - is that the future year, onward, shall be more gentle, mellowed out by passed harsh, and that by it - my yet adore, my gratefulness and worry could come to rapture, into fruit, into a tone of something new, and offered with love, and taken by it.
My gentlest thank-you's, the gratefulness of rabid - for you, as is, for every that previous and what's onward! I'll hope to come, along, with spring-renewed heart and mind, my aching coils and binds, turned to slim and round and toned complex and right!<ззззз
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I think we as a fandom don't talk enough about Aira being Hiiro's fan—y'know, as an idol.
It might be because most people don't read the main story, or because it's not blatantly stated in there like other things, but it's something I think is a very unique facet about their relationship.
As we know, Aira separates his professional life and his personal life a lot. He will wait in line to shake hands with Hiyori Tomoe and buy a dozen CDs just to have a couple of extra minutes just talk to him, even though he can do this at any time since they're both idols living in the ES dorms and friends from the same circle.
And while this is admittedly silly from Aira's part, he truly sees this something serious and actually, he's kind of justified in thinking this way? He takes pride in being an idol otaku, and he wants to play as fair as possible with fellow fans, he doesn't want to take advantage of the fact that he's living and working alongside these super stars, and in my eyes that just shows how pure-hearted and honest he is.
With that in mind, it would be obvious to conclude that Aira would be a fan of his unitmates. He's definitely a fan of Tatsumi and Mayoi, but it's explicitly said in the MS that Aira is a fan of Hiiro.
This is from episode 89, "Grace"
(this episode may or may have not changed my brain chemistry forever lol)
Here, Aira makes the statement that he wants to protect Hiiro as an idol.
Hiiro is new to this world; he's a rookie, he's unpolished, far from perfect, but he's brimming with potential and he shines brightly on stage regardless of his imperfections — especially to Aira's eyes, and Aira wants to protect that, he wants to keep Hiiro's shine, and to help him grow and become the great idol Aira sees in him.
And I just can't express how much this means to me??? To their relationship??? This is why I can't understand people who say Aira doesn't care about Hiiro (these are opinions I've read way too often on twitter...), when Aira more than anyone wants to protect him not only as a person (like when he comforts him, cheers him up and motivates him after Rinne disowns him), but also as an idol. Aira trusts in Hiiro the idol. He sees his potential and he admires him deeply — not only as a fellow idol or as a friend, but as a fan.
And what gets me is the wording Aira uses here. He talks about wanting to protect Hiiro, to defend him. This is stated in another chapter and I don't remember exactly where (I believe it's one of the last episodes of the MS, but please correct me if I'm mistaken), but Aira states that he wants to protect Hiiro's purity — and this can be interpreted many ways, be it in that he wants to protect Hiiro's innocence as in his personality trait (his endearing naivety, his trusting and friendly nature, his endless curiosity, his earnestness and sincerity), or his purity as an idol, in the sense that because Hiiro is an idol, he has an appearance to keep, he has to be shining and to be pure and beautiful all the time (because that's the image idols give to the world, to their fans; the image that gives countless of people like Aira hope); this can include protecting Hiiro from the darker sides of the industry, such as toxic fans, unhealthy relationships with fame, corrupted producers or people from the industry, among other things. Aira seems to be aware of these issues (as he mentions in the second chapter of the main story, see below), so it makes sense that he wants to shield Hiiro, who knows absolutely nothing about this industry or the city, from those things.
Episode 24, "Suspicious"
And personally, I think Aira means both. He wants to protect Hiiro's purity as a person: he wants to protect the cheerful and positive Hiiro he knows and loves and admires (Aira himself states this. Multiple times. So much so that Aira often comments about how uncomfortable he feels when Hiiro is gloomy or troubled, that he is always the first to ask what is wrong or if something is bothering him.... but talking about Aira's high perceptiveness for Hiiro's emotions is a topic for another day) — but he also wants to protect Hiiro as an idol, wants to protect the immaculate image he gives to the world and to his fans, because Aira loves him, the same way he loves an idol from a fan standpoint. And he hopes that by protecting this purity, Hiiro will grow to be the talented and shining idol Aira knows he can be.
And what gets me is that after thinking of Hiiro this way, Aira snaps out of his self-deprecating thoughts and decides to give his best in the Ullambana (episode 89). Aira literally overcame his insecurities because of Hiiro. Thinking of having to do his best and keep working hard in order to keep up with him and with Alkaloid gave him the strength he needed to stop spiraling down his own insecurities and focus his efforts into something that was worth it: in keeping Alkaloid alive, and keeping Hiiro The Idol alive, because Aira believes he will become an idol that will soothe, delight and captivate hearts of many like Aira in the future — and Aira has to become an accomplished idol and a strong person if he is to be next to him on stage to protect him and to help him grow.
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I say a lot, mostly jokingly between my friends, that Aira is the biggest HiiroP... but after writing this whole post, I realize I'm not so far off from this assumption. Aira loves Hiiro as a friend, we all know and understand that, but what is often overlooked is that Aira—who divides his professional and personal life so strictly—recognizes the rookie, unpolished, but talented Hiiro as an idol, and he wants to see him grow and succeed not only as his friend and unitmate, but also as a fan. Hiiro is so shining and wonderful on stage that it awakens the idol-ota instinct on Aira, it brings him back to his roots where he watched and admired idols from afar and inspired and soothed his lonely heart. And honestly? I think this is terribly wholesome, if not incredibly beautiful, and I'm getting emotional over hiiai once again, so I'm going to finish the essay here. Thanks for reading ahdjfk
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I’m so fucking curious about Shannon’s life in LA.
She probably had a job, unless she got some amount of money from her mom after she died (but living on that while knowing how tight things were back home is uh…not great). She was charming and fun so I would assume she had friends, or at least friendly coworkers. Did they know she had a husband and son back in Texas? Neither of them were wearing their wedding rings by the time they reconnected. Eddie took his off when he moved to LA, so when did she stop wearing hers? Were they this huge secret she kept from everyone around her? Did she have anyone around her who knew and was like "Hey, so what’s the deal with your husband and son back in Texas?" There’s so many gaping holes in her side of things and I’m so curious.
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