henry you cant take people through the circles of hell on the first date

50s horror girls

I had a dream last night that there was a bedwars where each of like twelve teams started on the radial edge of a space station and mined into an endstone asteroid toward each other.

But here’s what actually happened last week:

a blissful ending

Mad Dog Lines Up PT 2

Behold the Non-Turtle Hamato Clan members

NGL, my post movie designs have been on point ^.^

Part 1 (the Turtles)

COMMISSIONS OPEN

Individual reference Sheets

Ira L. Hill :: Irene Castle (Irene Foote) wearing a headband, 1910s | src Cornell University

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uhhhh

so you kin anders dragon age huh?

if it was 2011 i would say yes but after doing some soul searching i realized that i'm infinitely better than him because 1) im a dyke 2) not a liberal 3) personally would enjoy eating people on a larger scale

so, this ones technically not a fix it because its still major character death but this is how i would tweak the canon story to give Izzy's death meaning and weight.

First of all, Izzy doesn't get shot by Ricky. The crew of the revenge may still be absolute rookies by Izzy's standards but even they know to take all the weapons off a hostage and unload any guns. Ricky still escapes and alerts the Navy, and our crew are running through the woods, down to the beach and Izzy is still falling back. For all his new prosthetic has helped his mobility immensely, its no good for running. Its clunky and dragging behind him and Ed and Frenchie and Jim and everyone keeps slowing down to make sure he's keeping up with them, but in doing that the navy are quickly catching up to all of them, they're being swarmed.

They break through the trees onto the beach, with more and more men coming up behind them. Izzy's struggling even more across the beach than he was in the woods, the hoof sinking in and sand shifting as he tries to run, and he stumbles. All the while Navy men continue to appear from all directions- and it hits him. That this is it. There's no way they will all make it out alive.

But he's Izzy Fucking Hands and even if he cant run anymore, he can still fight. He can fight for this crew, this family, these people who have given him so much, who have opened their arms to him when he was at his lowest, who have allowed him to feel free. He can still fight. He can buy them time.

So he turns, and draws his sword.

There was never any way he could win, of course. Even when he truly was the best swordfighter in all the Caribbean, fighting dozens of navy men at once would have been beyond him- but he can distract them, hold them off long enough the revenge sets sail. Its a glorious sight, one man against dozens, bodies falling around him as he holds them back. Its impressive to watch, and maybe, for a second, the crew allows themselves to hope. But then, he takes a cut to his sword arm, and another to his side.

And then he goes down.

But he goes down fighting.

Izzy Hands, who spent his whole life fighting dies that way too, fighting for the safety he spent his whole life searching for.

keep also thinking about a particularly fucked scene of leland getting tossed in a freezer w body parts already in it, waking up and just fucking freaking out, hyperventilating, slamming at the lid trying to get out. when he does get out there just being , bodies wrapped in plastic, freezer burned staring at him from the walls of the cold room. forcing himself to get up, think about his friends. anyway he gets really claustrophobic after that and a lot of his nightmares later are about the cold room.

OK, SEVERELY rambly post incoming but - Anderperry Stardust (2007)/ The Little White Horse AU, anyone?

Rundown: I think many of us are familiar with Stardust, originally a Neil Gaiman book but also a great film, starring Claire Danes as a falling star and That Guy Who Plays Daredevil as the lad who promises to bring her to the girl he's infatuated with. The Little White Horse is, to the best of my knowledge, more unknown, but equally very good (for sentimental reasons, I think of it much more highly than Stardust). Published in 1946 by Elizabeth Goudge, it tells the story of thirteen-year-old orphan Maria Merryweather, who moves to her cousin Sir Benjamin's Moonacre Manor in the West Country, where she finds a) a thriving cosy community and a long family history, b) the little white horse of the title, c) a longstanding family feud cutting off Moonacre from the sea, d) her imaginary best friend Robin, real and in the flesh, and e) some of the most deliciously-described food that has ever been or will be. It's a great book even past the rose-tinted glasses of my childhood. Go read it. (The one (1) marring is that you can't find a bloody edition that doesn't have a JK Terfling quote pasted onto the cover, because apparently it was one of her favourite books, but fuck OFF, I'm reclaiming it now. Thou shalt not keep the cosy low fantasy from me.)

Anyway even though I mention Stardust this isn't really part of the AU I have in my mind, except for the bit with the Star, because Todd as a main character who thinks he's a very forgettable bland boy-in-the-corner until he finds out he's a star is a great thought to me. Particulars on /how/ he's a star to be fleshed out later! (I only thought of this AU about two hours ago, lol.)

In my mind this is how it goes - nebulously Olden Times setting (TLWH is set in 1842, so perhaps then). Todd is around seventeen/eighteen and Geoff has just graduated from university, and gone off around Europe, accompanied by their parents. Months go by. Something happens - he's never given the liberty of knowing, but Geoff and their parents stay in Europe, and the townhouse in London is sold, and Todd is packed off to stay at a distant relative's - Keating, as it turns out. It's a blessing in disguise, because Todd is finally away from his family for the first time in his life and around people that appreciate him. He begins to bloom under this new care - but there are strange family secrets only now being revealed to him, and dark forces beyond the valley which threaten to disrupt the haven he's found...

The rest is very cosy fantasy, featuring Mr Perry as the local uptight vicar locking horns with Keating at every opportunity, Neil as his withdrawn but friendly son just longing for a rebellion, and more! (Read: Charlie is here and he is Outrageous as usual. Read also: Pitts as a sailor because I think he'd like it.) Right now I'm thinking of adding an equivalent of Monsieur Cocq de Noir for a villain (Mr Perry is NOT the villain), and Cameron can play a part there so I can give him a good redeeming! Here are a couple of extracts from TLWH to show the kind of mood/tone we're working with:

Thematically, I REALLY like the idea of Todd as a star because it allows me to work in a very fun trope, of "not of the rose but near the rose" - when a character perhaps is shy and a little quiet and reclusive, but inspires other people around them to brilliance and greatness. (Honestly I do think this kind of goes in with the film, where it's not just Keating's teaching but Todd's reaction to it and his presence that galvanise Neil to continue.) This ties in really well if Todd's a star and adds to the overall self-confidence journey - plus I was really thinking about the sun/moon motifs! They're very prominent in TLWH (Maria is a "moon" Merryweather and Robin is a very sunny boy), and I really want to implement them here with slight twists. I think of Todd as a sunny moon; yes he's warm and caring and cheerful but once you go a little closer it's more of a luminosity rather than a blaze, there's a coolness and quietness to him I like. You know, a quiet character doesn't always have to be quiet because there's something "wrong" with them, sometimes they're just like that. For Neil it's the opposite, he's a moony sun; under the thumb of his father he's polite and decorous and demure but somewhere under all of that there's a very loud and booming laugh and a healthy sort of ruddiness. I don't know, I just like sun/moon motifs!!!!!!!!!!

(On a more personal note: this AU, which I already love very much despite not having known very long, would be above all a careful love letter to the West Country. It's been lovely living around here almost all my life and by this time in September I'll be hopefully up very far north at uni, so I'm pre-emptively kind of :') about it. Mutuals who are at uni/college how on earth did you cope?)

Just imagine how gratifying it must have been for Farm boi Jess to gather some genuine interest from Lupe when they say one of their wacky one liner. 

Most of the other girls just brush off her stories or thoughts, but I feel like every time Jess says a passing remark of her experience growing up in Moose Jaw, Sask, Lupe’s attraction for them just grows exponentially by five.

The cast of The Avengers (2012) by Kevin Maguire.

No Wonder

by Joanna Newsom

Take it with me, love, to a place it can be, love. Little bird, little stone, shine, in light of the undone, dig with your hands, dear gather our friends, dear and I will cover with dust, dear Silence and trust, dear. Stay through the winter, wait for the splinter, and the green in the springtime, Queen-and-her-King-time.

Sweetness all summer and fall hit like a drummer and split in the autumn pit with no bottom.

And after the fall, out in the country in the long drought with ya, honey. And I call, daughter and son, ours to adore, whatever may come. After our chores end, and our money and our scores are settled and done, darling, I will stay till the last, plates are all filled, treats are all passed.

Ain’t it a thrill, ain’t it a gas Foot* at the hill, and don’t it go fast? At the foot of the hill, we empty our glasses.

And I’ll follow you over, will you follow me under? Crawl through the shadows, call out the wonder. Oh, how I love you, time will tell – I’ll never tire of you, I’m just tired of myself, dear.

And as our days, waft in a realm our path is away, soft as a dream. We laugh and we race soft and ennui capture a stray pod on the breeze hammer a stake, mark in our seed manage to rake, water, and weed. Hundred to one, our garden will grow. But wonder or none, I wanna be known, wanna be sung, wanna be shown, want for no one but you and your warm opening arms. Watching the rolling storm clouds sail by

our window, dock in the valley; paled*, pocked, and dimpled crocodile belly. We wait all night and count the thunder, there is no lightning. It is no wonder.

But just before dawn, water comes streaming in the dark, every bead burns like a star, blinking to sleep, burns like a spark, burrowing deep, under the lawn, quiet and green rain has begun, honey, come see under the sun, rising like steam. Wonder or none, I wanna be seen, wanna be–eventually, eventually.

Grow through the winter, and summer, surely and slowly. Little star shine of wonder at home with you only.

My favourite thing so far about being overtly anti-phan is how many people have responded to my posts to tell me that they don't understand my pov or that I'm incorrect