Tumgik
#Female characters need to be able to be explore in their full potential and don't be always perfect angels or bad bitches w/o remorse
Text
TUA SEASON 3 SPOILERS
"So you draw the line at SA???"
Yeah, sue me for that, fucker.
7 notes · View notes
kyouka-supremacy · 1 month
Note
Ask game can you do kyouka
Yay Kyouka!!!
Favorite thing about them: HER EXISTING. The fact that she's one (1) fleshed out female character and for one I will love her for that. I also generally really like the trope of little girls facing unimaginable horrors and defeating them, it gives me hope. The fact that she was able to get out of an abusive environment by her own forces is very inspiring, too. More Kyouka love words here.
Least favorite thing about them: I feel I'm cheating at this with always mentioning things that are really not about the character but rather about the way they fit in the story but... I'm very disappointed when the author flat out forgets about her. 55 Minutes and the whole airport arc. I've said it before but I really wish she would have intervened during the Atsushi / Akutagawa airport fight because what were she and Yosano and Lucy doing the entire time. In general, I wish we'd see her more outside of her relationship with Atsushi which I LOVE but that is starting to feel quite limiting of her right now.
Favorite line:
Tumblr media
Eheh. It's been this blog title since day one. It's just that crepes is one of my favourite desserts too but most of all I really appreciate the feeling of carrying on living even if it's just for the small nice things in life. I may be worthless, and with no right to breathe; but crepes still make life worth living. I appreciate the sentiment. Ss/kk should learn from her it'd spare them a lot of trouble lol
brOTP: I LOVE LOVE LOVE HER RELATIONSHIP WITH ATSUSHI. It's really one of my favourite things. I think Kyouka is about the only person Atsushi truly cares about beyond his own selfishness and it's really heartwarming. They make each other's lives better every day and comfort each other that they're good people capable of doing good. I also think Kyouka really helps Atsushi in the way she's so blunt and straightforward, she helps him overcome his insecurities and second-guessing everything; she's a reassuring presence for him because he knows she wouldn't lie to him. And Atsushi allows her to be a child, and it's so sweet!!! They need each other in a lot of ways and they're so perfect for each other. Platonic soulmates fr. I also really like her relationship with Kenji, that too is so wholesome, I'm happy she has someone her same age she can do 14 y/os things with!!! Oh and I LOVE her relationship with Lucy, they're so much fun in their low-key animosity but I like to think they truly care about each other and that Lucy fully took Kyouka on as her annoying little sister she wouldn't hesitate to die for. AND the potential of Kyouka and Yosano, AND Fukuzawa. AND Akutagawa and Kouyou (more as like, relationships to explore rather than think they'd actually get along). I think about Kyouka's relationships with other characters a lot lol.
OTP: You know I'm fully convinced I would have been a full flagged Kyouka/Kenji supporter if only they were a little older, but the way I can really only think of them as children kinda makes it hard for me to say I ship them just because personally I don't really like to imagine them in a romantic picture in general (个_个) It's a shame because again I know what I like and this kind of sun/moon coded het ship is something I would have been really into ;;
nOTP: Likely Kyouka and Kenji for the reasons mentioned above :// It's just something I noticed I'm not very into when it's brought up in ss/kk fics. That said, it's not like I have any strong feeling against it either.
Random headcanon: About that, I really like to think she and Kenji are going to be partners when they're older.
Unpopular opinion: Not sure this goes here but right now I can't think of anything else– I do think that in the early chapters of the manga there was some level of writing Kyouka like she was Atsushi's love interest. Overall I think the manga verges way less in the “siblings” direction than the “eventually couple to-be living together” direction than the fandom makes it to be (I don't think they were ever directly associated to siblings in the manga, like, ever? I don't remember Atsushi ever saying he sees Kyouka as a little sister or something in those lines). Which I personally do not like, but in my reading interpretation that's the direction the manga was going for. That's why the chapter 15 opening is extremely distasteful to me, it really feels like pushing forward the stereotype of little dainty young house wife waking up early to prepare breackfast for her husband... And the way we know she's so young makes it downright disturbing. (But again, that's only as far as my understanding of the manga goes, feel free to disagree with me on this).
Song i associate with them: Shinkai Shoujo by Yuuyu-P!!!! It's just so her, both in the girly j-pop vibes and lyrics. It literally talks about a girl sinking in the darkness but managing to find the light in the end :')
Favorite picture of them:
Favourite panel from the manga:
Tumblr media
Favourite illustration:
Tumblr media
Favourite illustration in the anime art style:
Tumblr media
Favourite Mayoi card:
Tumblr media
Send me a character?
14 notes · View notes
eradicatetehnormal · 7 months
Text
New Kairi Essay Just Dropped
I won't be linking it because that person might not like everything I have to say. I DID NOT THINK IT WAS BAD, it just had some parts I disagreed with: Namely that it wants Kairi to play a supporting role and that it thinks that Kairi was actively choosing to stay behind.
Like buddy, we hate to admit it, but she was a leading female character, she was never a main character. The role of the leading female lead was stolen from her a few times. By Namine in CoM and by Aqua in BBS onward (no hate to those gals).
Kairi was always off to the side, like this post acknowledges never being able to interact with the story at large side from princess of light powers. Regarding the choosing stuff, you're gonna sit here and say she would willingly choose to be in Sora's heart? That she chose to drift away from him on Destiny Islands? Kairi always wants to go with Sora or Riku but she either physically can't or is alright told no, like in Melody of Memory and then feels obliged to agree. It just feels like even with a GOOD Kairi analysis, neither her haters, fans, nor people who are neutral about her, really respect or understand the her supporters or her character enough to write a scenario where she reaches her full potential.
The essay ends with her saying that the best way she can help her friends is by doing what she always has: "Being a "fixed point" in their reality." There's something really condescending about that. The character who can never move up no matter how hard she tries, how hard she wants to, should just stay put, look pretty, and wait till the plot calls upon her. Earlier in the essay, this very person brought up a way more interesting idea of her exploring her past and connecting it to Axel and Isa's subject x storyline. Why does her role have to stop at supporting role? Why can't she be essential to discovering what happens with subject x?
See I don't even disagree with the idea that Kairi should be a fixed point, but it's the way things are worded it's the sad and implications of Kairi settling that gets to me. Though I do recognize that this wasn't the intention, and I think me and the person who wrote this essay would both agree that for KairI to max out her full potential, she's going to have to discover who she is outside of Sora and Riku.
This is where my own analysis gets mean-spirited, but I'll be straight to the point. Kairi is kind of a loser with not a lot of friends. It makes sense. Sora and Riku were seemingly among the first to greet her with open arms on Destiny Islands, and she doesn't remember her own history all that well before that. Sora, Riku, and Destiny Islands are almost all she knows. One might say, well she has Selphie and Axel, to which I say…Sure, but what is she doing when she's with them? When she's talking to Selphie, one of the first things out of her mouth "Hey remember that boy who used to play with us?" "Riku?" With Axel, the girl was so desperate, that she was talking to a Sora who WASN'T EVEN THERE. She doesn't know what to do without Sora or Riku. While her being told to stay in MoM may not have completely been her choice, training under Aqua is. That's a great first step to discovering some self-identity. That's all she needs to feel complete. Some insight, and active consequences of her her CONSCIOUS actions.
5 notes · View notes
hazydaaze · 3 years
Text
An analysis of the Bold Type that I need to get off my chest (it'll be worth it, I promise)
I studied English literature at university, and it has always been instinctive for me to analyse characters, storylines, bigger pictures and under the surface tensions in film & tv. Discussing emotions, motivations and themes with my gf and my pals late at night is one of my favourite pastimes ever and I love everything to do with filmography and art ahhhh. (I wrote my dissertation on David Bowie & The Artistry of Sexuality, ya feel me?)
The Bold Type isn't filmography at all, but I think Jane Sloan and Jacqueline Carlyle hit different for me, being a queer woman in my 20s and a full-time writer. I can't really explain why. I guess there are a lot of queer female characters in film & tv that don't really feel inherently queer, and even as two identifying straight women Jane and Jacqueline felt queer to me. Their connection and understanding of each other was authentic and quite complex. I think they had potential to be something that we'd never seen before in mainstream media, because of their age difference and life experiences. I thought that was so compelling and so important to talk about and to give a recognised space to.
There is one thing that struck me most about them and it's insane to me that I haven't seen a lot of analysis on it, so it's the point of this post.
To my knowledge the show or actors haven't delved too deeply into it either, and given what went down I don't understand why people AREN'T talking about it. I wanted to bring it up. Btw, this post contains spoilers.
***Sexual abuse trigger warning***
In season 1, we learn that Jacqueline is the victim of rape, and the only person she has told about it is her husband, Ian. Given that she mentions that they've been married for around 19 years and the assault happened before they met, we can assume Jacqueline has been carrying the weight of what happened to her for over two decades. During all that time she didn't talk about it with anyone else, not a single other person.
And then Tiny Jane comes along. Jane Sloan, the big swing writer who just wants to write meaningful stories that help other women and girls that need it, like she did growing up. She fucks up a lot on the way and slowly begins discarding her judgemental opinions as she grows. But when she is at her best she has genuine compassion and empathy for people, and despite her reservations, Jacqueline gives her the opportunity to write about the story of a rape survivor and performance artist. She isn't aware, at the time, what that means for her own trauma or her own acceptance of it. But she does it anyway, because she sees something in Jane and she has seen it there from the beginning.
Jane starts to write and, as we know, in the most beautiful and compelling moment at the season 1 finale, Jacqueline is confronted with what happened to her. She stands in Central Park holding these weights, and you can see the crushing pain in her eyes as the realisation descends down on her. She shares a look with Jane, and a moment of understanding passes between them at what this means.
Despite all this, she lets Jane capture her trauma. She lets her publish her untold experience of her rape from two decades gone. She lets millions of people see her story in writing, with Jane Sloan's name printed above it. She re-lives and faces up to the harsh reality of that pain and that truth, through Jane.
Can you even imagine the trust you must have in someone to do that? The sheer love that took, for Jacqueline to give Jane her voice and her truth, with all its painful and hard repercussions?
This storyline is the boldest part of the Bold Type. It's the most honest and the most authentic. It captures the raw emotion of Jacqueline, and of Jane, and the two characters really see each other for who they are. It's one of the reasons why their relationship is so central to the other's storyline.
We don't ever see Jane truly unpick in detail what Jacqueline did for her. It spoke so many volumes and ... well, isn't that what love is?
It's this storyline that sets the tone for their relationship over the course of the show. Jacqueline sacrifices herself for Jane again and again. She publishes the article about the lack of accessible healthcare at Safford and gets fired for doing so, purely so Jane can afford to freeze her eggs. Jacqueline says there were a lot of other things that contributed to it, but Jane knows her article was the final straw, the point of no return.
Over a decade of pouring everything she could give into Scarlet Magazine and it’s readers, only to be gone in a second. All for Jane.
And again, in season 4, in the few real moments we are given between them, one of their final interactions is Jacqueline giving Jane the go-ahead to explore a story of potential abuse at States & Nations, a company Ian is associated with. Ian literally asks Jacqueline to stop pursuing the story, due to the sexual relationship he had with the source when he and Jacqueline were separated. When Jane challenges Jacqueline over her reasoning for pulling the story, she asks her to give the story a chance. Jacqueline lets her, knowing full well that it could prove irreparably damaging to her marriage and her family, and she does it anyway.
Jacqueline chooses the truth, over her career and over her marriage. She chooses Jane. As humans, there isn't much more you can give to someone else. I’m wracking my brains trying to think of a way Jacqueline could portray her love for Jane more, and I’m all out of ideas.
I want to reiterate again how insane it is to me that none of this is really acknowledged, or at least not nearly as much as it should be amongst the show, its creators and its viewers, Jacqueline continually falls on her sword for Jane (weird analogy, but she does) and it is repeatedly glossed over. Their relationship is quickly dismissed as a "mother Jane never had" or a simple "boss/employee" power dynamic, and it seems so hollow, unjust and sorry - so unbelievably boring - in contrast to the experiences they have shared together and the sacrifices they have made.
I understand Jacqueline’s character was based on Cosmopolitan Editor in Chief, Joanna Coles, and therefore it makes sense that this queerness to her relationship with Jane was not intended. However, it’s there. Everything I mentioned in the post happened on the show in canon.
In 2021, the possibility that these two women could have romantic or sexual feelings towards each other shouldn't be a stretch. If either of these women were male characters with this much intertwined investment, high stakes and sacrifice, there would be no doubt they would be endgame. They would run away, have the hottest sex, all the while their reputations would be forever ruined in the name of love. And we, as viewers, would celebrate it without question - we would never dismiss it.
The concept of what they are, and what they can be as two women should be able to live and thrive. It should be given a beating heart. In the very least, the reality of it should be on the table and up for debate. But for many viewers, and the show’s creators, it just isn’t. And here lies the problem.
Jane and Jacqueline have such a beautiful dynamic, it is so deep and soul-wrenching. How can we ever limit what these two women are and what they would do for each other?
I really hope that one day we can see a relationship like theirs given the queer space it deserves. Because it would've been the bold thing (and the right thing) to do.
I'm going to publish a longer and more in-depth article about this on Medium, because as I said, analysing is my favourite pastime and I can't stop doing it. But for now, this is all I can manage.
Edit: Read my published Medium article.
Here's to Jane and Jacqueline and what could've been.
Tumblr media Tumblr media
110 notes · View notes