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carldoonan · 8 months

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Carl Catches Up On Adventure Time And Doodles Characters From Each Episode As He Goes:

Episode #022 ~ Henchman Eberhardt

Episode #023 ~ Rainy Day Daydream Bellamy Bug

#Adventure Time #Eberhardt #Bow Tie #Bellamy Bug #Doily #Crochet Doily #Cartoon Network #Doodle #Fanart #Carl Doonan Art #Adventure Time Catchup

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capybarafarts · 8 months

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#fionna and cake #adventure time #fionna & cake #eberhardt #fionna and cake spoilers

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phantasmagoriaoriginals · 9 months

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Here There be Monsters: Creature Basic Intros (Part 3)

Ichabod

Capran, any pronouns.

A friendly Creature whose species is widely known for enjoying tricks, humor, and wild company. Ichabod is even friendlier than the average Capran— anyone who treats him kindly can expect a close companion for as long as they'll allow him to stay.

His mind works quickly enough to run in circles more often than not. The bizarre things that come out of his mouth are usually hilarious, but it's impossible to understand what he's thinking. He's adaptable, good-natured, and eternally trusting of anyone he decides is "good". With a fondness for human culture (especially media), he's determined to adapt to "society" and make friends.

5'5. Surprisingly stocky build for his height, though he never seems to put on weight no matter how much he eats. Thick, ginger-blond hair that fights any comb, gauges in his ears, and a wild spattering of freckles over his skin. Yellow eyes with a goat's signature square pupils, and thicker body hair than a human.

Filch

Goblin, he/him.

The definition of a remorseless troublemaker, his uncanny skill for knowing exactly how to get under people's skin is truly loathed. He's capable of invisibility, shapeshifting, and intuition, but only uses his skills to cause problems for those around him.

Filch is the kind of disrespectful and careless that makes enemies at every turn. He lives for entertainment, but his annoyance-based sense of humor turns that simple goal into a constant problem. He has a habit of stealing, not out of greed, but purely for the sake of the problems his theft will cause. Forever living in the moment, he's both easy to please and immaturely reckless.

4'11. His teenage-like appearance is far from his true self, but Filch's dark, greasy hair, dull eyes, and taunting smirk fit the part well. His pointed, oversized ears and sharp teeth are more unusual, though, and the rasp in his voice doesn't fit his surprisingly youthful face. Somehow, he always seems dirty.

Mithri

Naga, they/them.

Their species, the Anatolian Naga, has venom that can supposedly be transformed into a cure-all antidote. Unfortunately, they tend to be exceedingly prideful and uninterested in human well-being. Supposedly, they have supernatural intuition for medicine as well.

Mithri is the kind of self-centered person who believes that they can do no wrong. They have the utmost confidence in their own abilities, and take every perceived slight against them as a mortal sin. They're vindictive and quick to lash out at others, but their ego doesn't make up for the terrible luck that follows them.

6'0. Tall, slender, and graceful, with the kind of lean muscle that contains far more strength than it looks. Brown skin, copper eyes with slit pupils, pointed ears, prominent canine fangs, and hip-length aqua hair often worn in complex up-dos. Their face is almost inhumanly beautiful, but their expressions are mean.

Senka

Shadow Beast, any pronouns.

A shapeshifting Creature known for its unmatched speed, and often associated with children, dark nights, and sudden visions. Though Senka's species usually hides in the shadows, when one bonds to a human, they're protective and fiercely loyal.

Their silent stare comes off as intimidating, but in reality, Senka is more impassive than volatile. An observer who prefers not to get involved with complicated problems, they follow orders with frightening efficiency and seemingly no thoughts of their own. However, they can be surprisingly patient with children and younger Creatures— especially those who can do the talking.

5'10. Dark skin, void-black hair, and piercing red eyes that glow with an unnatural light. Their exact appearance is difficult to precisely pin down— even their facial features fade from memory once you stop looking at them. Athletic, muscular body, sharp teeth, and a creeping darkness that follows their steps.

Eberhardt

Dire Boar, he/him.

His species was commonly hunted by humans throughout the Middle Ages— their strength and aggression made them a valuable trophy prize for the wealthy. Due to living in isolation, he has a highly outdated idea of how human society now functions.

Outwardly, Eberhardt comes across as a reserved, relatively polite man who speaks little and follows orders well. Though he's exceedingly loyal if he respects someone, most people are met with stony disdain. He has a strong dislike of certain humans (especially hunters) and a bad habit of getting a bit carried away when using his strength. His brutality is truly outstanding.

6'2. Impressive in both stature and build, with the aura of a battle-hardened knight. His hair is sandy brown, his one remaining eye is a deeper, warmer shade of the same, and he has a variety of prominent scars scattered across his face and body. Though he's technically rather handsome, his expressions are far too cold.

#Here There Be Monsters #Ichabod #Filch #Mithri #Senka #Eberhardt #Character Info

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slashbokeh · 2 years

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#heiko #klingele #photographer #celine #eberhardt #model #girl

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the-cricket-chirps · 9 months

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Ernestine Eberhardt Zaumseil

Branches and Vines Quilt

ca. 1875

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atomic-chronoscaph · 9 months

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Kelli Maroney - Night of the Comet (1984)

#kelli maroney #night of the comet #80s movies #80s sci-fi #sam belmont #thom eberhardt #cult movies #1980s #1984

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floq · 5 months

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character redesign

experimenting on how to convey albinism in my art style

#you may recognize her as fuyumi #her name is violeta now #I’ve been in the process of relocalizing my story and characters #instead of basing it in the US I want to have my story take place on my country chile #most specifically in the chiloé archipelago #it’s a place in chile famous for its culture and folklore #and I think it tights very neatly with the story about witches and demons I want tell #like you gringos aren’t ready for the chiloé witchcraft lore #parasomnia #violeta eberhardt #oc #my ocs #my art

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sesiondemadrugada · 2 months

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Sole Survivor (Thom Eberhardt, 1984).

#sole survivor #sole survivor (1984)#thom eberhardt #Anita Skinner #Caren L. Larkey #russell carpenter

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alice-in-wond3rland · 2 years

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by Curtis Eberhardt

#curtis eberhardt #Alice In Wonderland

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weirdlookindog · 3 months

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The Return of Dracula (1958)

#the return of dracula #francis lederer #norma eberhardt #1950s horror #1950s movies #1958 #paul landres #horrorgifs #gif #my gifs #vampire gif

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molecoledigiorni · 10 months

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Più lontano lascio il passato dietro di me, più sono vicina a forgiare il mio carattere.

- Isabelle Eberhardt

#isabelle eberhardt #carattere #passato #citazioni

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drafthearse · 4 months

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preparing a horse for colic surgery. photo by Anne M. Eberhardt for The Horse

#anne m. eberhardt #horse #veterinary science #medical #please enjoy i think this image is so fun #finds

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389 · 7 months

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#now watching #night of the comet #title card #1984 #Thom Eberhardt

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onekindredspirit · 1 year

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“If Alexander Trophimowsky had not taken complete charge of his daughter’s education and upbringing, no one would ever have heard of Isabelle Eberhardt. By obliging her to perform hard physical labor outdoors alongside her brothers during her childhood and adolescence, he made it possible for her to withstand the rigors of the spartan life she was to live later on. By insisting that she appear regularly, dressed in men’s clothing, not only at home but also in public, he assured her the subsequent ease she felt in wearing male disguise, a device which was to prove a sine qua non in the Sahara. Had he not bought her a horse and taught her to ride it properly while she was still a child, she would have had no mobility in the desert. He saw to it that she grew up a polyglot, even teaching her to read and write Classical Arabic, when she asked for it. Trophimowsky had been a friend of Bakunin and was himself a Nihilist, full of untried theories about education; he allowed his daughter to have no contact with the Swiss among whom they lived. Very early he instilled in her a healthy contempt for the values of bourgeois society. Indifference to public opinion was essential if she was to be able to lead the kind of life she demanded.” Paul Bowles - Preface to the 1975 City Lights edition of The Oblivion Seekers

Images - 21 October from Patti Smith’s “A Book of Days” and 1975 City Lights edition of The Oblivion Seekers

#isabelle eberhardt #paul bowles #patti smith

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bungandmunchpi · 29 days

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Just wanted to write a little something about the shows I saw in New York before the Tony noms come out tomorrow! I never write long-form about the things I've seen any more so thought I'd indulge myself quickly.

Stereophonic, 13th April

Theatre twitter was abuzz about this when it was at Playwrights' Horizons and the transfer rumours were very exciting as we were planning our trip. We managed to nab some $40 seats in the rear mezz for previews and went with it as the first show of our week!

It's a great play, although I don't think totally deserving of the raves/five stars it's getting everywhere. It could do with some pruning in places and I think both Nancy and I thought the female characters were a little bit underwritten: I'd say the scenes where it's just the two of them discussing their careers and personal lives are the weakest of the play, although Sarah Pidgeon and Juliana Canfield are both fantastic. The rest of the cast is as well - it's stacked top to bottom, with six out of seven making their Broadway debuts which is thrilling! Will Butler's music is absolutely phenomenal, and the show really soars when the band kick into gear and are recording successfully: we were both nodding our heads and tapping along, and I can't wait for the album to come out on May 10th.

Shout-outs to basically everyone in the cast, as everyone gets their little (or large) moment, but I think Eli Gelb really anchors the thing and has a gorgeous arc, and Will Brill is incredibly funny and sad at the same time. Tom Pecinka is doing fantastic work too as the antagonist/engine of the show, and I've really enjoyed watching his Gold Derby interview where he speaks about the hostility he experiences from the audience a lot of the time, and how he processes that and stays true to the text without being tempted into making the character more likeable.

We stagedoored too and everyone was very lovely! We got to compliment Will on his British accent and meet Tom's dog Molly, who was totally over the two-show day and ready to be on her way (but very sweet with it). A great start!

Merrily We Roll Along, 14th April

This was the show I spent the most money on, and I went on my own as Nancy was off being immersed at Punchdrunk (/the McKittrick Hotel, apologies). I love Sondheim and I really love this show - I was introduced to it by Lonny Price's beautiful documentary The Best Worst Thing That Ever Could Have Happened, which I would really recommend even if you're not a big Sondheim/musical theatre person, as it deals with being creative and dreaming big at a young age, and how we adjust when those dreams aren't realised or turn sour. It felt very special to be seeing Merrily on Broadway, as I believe Sondheim used a lot of his own early experiences in the theatre to make it. So special in fact that just hearing the overture made me extremely emotional (although it's a different version/orchestration to the overture on the original cast recording, which is one of my favourites of all time).

It's brilliantly directed/somewhat reworked by Maria Friedman, and she's been credited with turning what was a notorious flop originally into an absolute smash off and on Broadway this season. I think she does a lot of good work but it's undeniable just how brilliant a lot of the songs in it are: when Daniel Radcliffe finished Franklin Shepherd Inc, the man sitting behind me exclaimed "what a number!" to his seatmates. The material in the second half in particular is extraordinary, and I thought all three leads were fantastic as the characters get younger and younger, with It's a Hit, Opening Doors, and Bobby and Jackie and Jack highlights. Our Time, the brutally optimistic climax of the show, had me tearing up as soon as it started, and I cried all the way through the curtain call, just because I felt so lucky to have been in that space experiencing that piece of work made by this team of cast and creatives.

Jonathan Groff, Lindsay Mendez, and Daniel Radcliffe are all phenomenal in it: I was expecting less from Daniel Radcliffe as I know he has the least musical theatre experience of the three, but he did a great job and brought so much humour to Charley, which I really enjoyed. Jonathan Groff's Growing Up is stunning and he just leads the show so well - he's a real star and would be very deserving of the Tony, which I have a feeling he may just land. Lindsay Mendez has been out of the show now and then so I was preparing myself not to see her and then was thrilled I got to: her voice is so solid and her arc was beautifully drawn, from Mary's acerbic comedy at the beginning of the show to her brightness as she's entering the creative world early on in her career.

In terms of emotion, this was probably the highlight of my trip, and I'm excited to see the production sweep a lot of awards in June!

An Enemy of the People, 17th April

As soon as this was announced, it started making my New York trip plans more concrete. I think Jeremy Strong is one of the best actors we have working today, and it was brilliant to see him onstage - I don't think he's done any theatre for a decade, and Circle in the Square is pretty intimate for a Broadway venue, so that was extremely exciting.

I was left a little cold by the production: I think that may be Amy Herzog's version, which gets through the nuts and bolts of Ibsen's play, but does so at quite a lick (the show runs about two hours with a five minute pause in the middle). The character work the actors are doing is beautifully detailed, so you really want to spend some more time with them all. Jeremy Strong is totally transformed from Succession, endearing and frustrating in equal measure, and he and Michael Imperioli work so well together as very different brothers. I saw Branden Jacobs-Jenkins' The Comeuppance recently at the Almeida, so it was fun to see Caleb Eberhardt and try to read him back into that play: I thought he was really fantastic and nuanced in Enemy, and would love to see him snag a Tony nom, although I think Featured Actor in a Play is insanely crowded (and I would hate to see any of the Stereophonic guys lose out).

Sam Gold's staging is nice although the space seems to be a little difficult to work in. There are some interesting details in the second half as things become less naturalistic, with characters remaining onstage to watch the action, and Jeremy Strong being Jeremy Strong has to put himself in some kind of physical peril (getting buckets of ice poured on him as the townspeople turn on Stockmann, leaving him wet through (and I presume freezing) for the rest of the show).

Overall this was good if not as impressive as I'd hoped, but it was amazing to see Jeremy Strong onstage and he again was lovely at the stagedoor, so I'd recommend that if you're interested!

Appropriate, 17th April

This was the best show we saw all trip, from the writing to the direction to the performances, and so brilliant that we didn't try very hard to get into something on the Thursday evening, as we didn't want to spoil the high we'd experienced the night before.

I love Branden Jacobs-Jenkins' writing, and the way he plays with drama as a form to create his shows. Appropriate sits in the tradition of American domestic drama, and it's harrowing and screamingly funny all in one go. Again a real thrill to see a cast this stacked, and fun to pick up another Succession cast member, with Natalie Gold so good in what could be a tricky role. Sarah Paulson leaves it all out there in the lead role, and does a fantastic job: another actor who isn't afraid to be unlikeable, and who goes deep in the cruelty she exhibits towards other characters. Corey Stoll does some great, solid work too, and Michael Esper is so SO good as Franz. The role is so disruptive and interesting and gross and funny, and he does a beautiful job. Nancy and I really bonded over the production of The Glass Menagerie he was in in London in 2017, so it was wonderful to see him onstage again and to see him bring it so hard.

The design elements of Appropriate are phenomenal too, particularly the final sequence, which I won't spoil but is one of the most extraordinary things I've seen done onstage.

That was the trip!! I had a brilliant first ever week in New York and the best time seeing my first shows on Broadway: I was very sad to leave but it's made me really excited to see great work in London over the summer, and I'm ready to start saving up again to go back!

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atomic-chronoscaph · 1 year

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Night of the Comet (1984)

#night of the comet gif #catherine mary stewart gif #kelli maroney gif #80s movies #80s sci-fi #thom eberhardt #cult movies #post apocalyptic movies #reggie belmont #sam belmont #1980s #1984 #gif #chronoscaph gif

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