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obisamya · 2 years
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DINITA GOHIL ‘THE MAIDEN’ THE SANDMAN, 2022
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capinejghafa · 1 year
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DINITA GOHIL as FATE MAIDEN THE SANDMAN: SEASON 1 (2022- ) 
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aquitainequeen · 2 years
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Dream: I give unto you a crossroads, a gallows, and this snake.
The Fates: Oooooooo.
Fate Crone: Gimme.
Fate Mother: *swallows the snake*
Fate Mother: *no, that's not a euphemism; she literally swallows a snake*
Fate Maiden: Yummy. Okay, you can ask your questions now.
Dream: I. Wow. I was not expecting you to do that with it. Bit weird.
The Fates: This, coming from the being who once made a man with mouths for eyes.
Dream: ...fair point.
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favorite-characters · 2 years
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𝕋𝕙𝕖 𝕊𝕒𝕟𝕕𝕞𝕒𝕟
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Nina Wadia as ғᴀᴛᴇ ᴍᴏᴛʜᴇʀ × Souad Faress as ғᴀᴛᴇ ᴄʀᴏɴᴇ × Dinita Gohil as ғᴀᴛᴇ ᴍᴀɪᴅᴇɴ (S01.E02 • dir. Jamie Childs • 2022)
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neil-gaiman · 2 years
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Hello Mr.Gaiman, I'm really stoked about upcoming sandman TV series. Sandman is definitely one of my favorite books of all time! I really loved the good omens adaptation, and can't wait to watch the sandman in few days.
I did want to ask you, politely, that I notice there are lack of Asian representation in what has been released so far. Will there be Asian(NorthEast, MiddleEast, South etc..) character getting featured in TV adaptation of the sandman? I don't want to be "that guy" asking questions but as an Asian person, I couldn't help but wonder about it..
Or will it be another "wait and see" question and I was just too eager haha
Thank you for everything you do Mr.Gaiman, I'm glad I get to spend the same timeline with you!
Sanjeev Bhaskar and Asim Chaudry play Cain and Abel. Lourdes Faberes plays Kate in Episode 5 (the Diner). Nina Wadia, Souad Faress and Dinita Gohill are the mother, crone and maiden. And that's off the top of my head, so it's probably very incomplete.
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pers-books · 5 months
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The 2024 Shortlist
The BBC’s 13th Annual Celebration of Audio Drama
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2023 marked the centenary year for audio/radio drama at the BBC. For 100 years of this unique genre, audio drama and comedy have provided enjoyment, diversion, illumination, insight and escape for listeners, evolving in approach and style as audio practitioners have responded to new ideas and technology with ingenuity, imagination and inspiration. These awards celebrate the creativity of actors, writers, directors, producers, musicians, sound designers and all who work in this vibrant art-form.
The winners will be announced on Sunday 24 March 2024 in a ceremony in the Radio Theatre at BBC Broadcasting House London. The winners of the Imison and Tinniswood Awards (judged and administered by the Society of Authors and the Writers’ Guild of Great Britain) will also be announced at this ceremony.
Best Original Single Drama
Benny and Hitch by Andrew McCaldon, producers Neil Varley and Tracey Neale, BBC Audio Drama London
Churchill versus Reith by Mike Harris, producer Gary Brown, BBC Audio Drama North
Dear Harry Kane by James Fritz, producer Sally Avens, BBC Audio Drama London
Eat and Run by Paolo Chianta, producer Lorna Newman, BBC Audio Drama North
Rare Earth by Richard Monks, producer Nicolas Jackson, Afonica
Voices From the End of the World by Lucy Catherine, producer Sasha Yevtushenko, BBC Audio Drama London
Best Adaptation
The Age of Anxiety by W.H.Auden, adapted by Robin Brooks, producer Fiona McAlpine, Allegra Productions
Beowulf Retold based on the version by Seamus Heaney, producer Pauline Harris, BBC Audio Drama London
Bess Loves Porgy by Edwin DuBose Heyward, adapted by Roy Williams, producer Gill Parry, feral inc
The Dark is Rising by Susan Cooper, adapted by Robert Macfarlane and Simon McBurney, producer Catherine Bailey, Catherine Bailey Productions and Complicite
If on a Winter’s Night a Traveller by Italo Calvino, adapted by Tim Crouch and Toby Jones, producer Nadia Molinari, BBC Audio Drama North
One Moonlit Night by Caradog Prichard, adapted by Rhiannon Boyle, producer Emma Harding, BBC Cymru Wales
Best Original Series or Serial
The 5000 by Sebastian Baczkiewicz, producers Gaynor Macfarlane, BBC Scotland
An Eye for a Killing by Colin Macdonald, producer Bruce Young, BBC Scotland
Flirties, written and produced by Jess Simpson, Audiocraft
There’s Something I Need to Tell You by John Scott Dryden and Misha Kawnel, producer Emma Hearn, Goldhawk Productions
The Tomb by Sebastian Baczkiewicz, producer Joby Waldman, Reduced Listening
Trust by Jonathan Hall, producer Gary Brown, BBC Audio Drama North
Best Actor
Hiran Abeysekera, Dear Harry Kane, director Sally Avens, BBC Audio Drama London
Max Irons, The Bronze Horseman, director Susan Roberts, BBC Audio Drama North
Toby Jones, If on a Winter’s Night a Traveller, director Nadia Molinari, BBC Audio Drama North
Lorn Macdonald, Confessions of a Justified Sinner, director Kirsty Williams, BBC Scotland
Tim McInerny, Benny & Hitch, director Tracey Neale, BBC Audio Drama London
Tom Walker, Call Jonathan Pie, Alison Vernon-Smith, Yada-Yada Audio
Best Actress
Gabrielle Brooks, Bess Loves Porgy, director Michael Buffong, feral inc
Dinita Gohil, Victory City, producer Alison Crawford, BBC Bristol
Maxine Peake, The Women of Troy, director Nadia Molinari, BBC Audio Drama North
Rosamund Pike, People Who Knew Me, director Daniella Isaacs, Merman
Lydia Wilson, Happy Birthday, Mr President, director Gaynor Macfarlane, BBC Scotland
Fenella Woolgar, Lines in the Sand: The Journeys of Gertrude Bell, director Jessica Mitic, BBC Audio Drama North
Best Supporting Performance
Sacha Dhawan, Anna Karenina, director Nadia Molinari, BBC Audio Drama North
Erin Doherty, The Seagull, director Toby Swift, BBC Audio Drama London
Mark Heap, Kafka’s Dick, director Dermot Daly, Naked Productions
Sophia Del Pizzo, There’s Something I Need to Tell You, director John Scott Dryden, Goldhawk Productions
The Marc Beeby Award for Best Debut Performance
Izzy Campbell, Of a Night, director Jessica Mitic, BBC Audio Drama North
Rosie Ekenna, Faith, Hope and Glory, director Anastasia Osei-Kuffour, BBC Audio Drama London
Rosalind Eleazar, Hindsight, director Gaynor Macfarlane, BBC Scotland
Jadie Rose Hobson, Exposure, director Anne Isger, BBC Audio Drama London
Dan Parr, The Test Batter Can’t Breathe, director Tracey Neale, BBC Audio Drama London
Olivia Triste, Rise, director Dermot Daly, Naked Productions
Best Sit Com or Comedy Drama
Call Jonathan Pie by Tom Walker, producer Alison Vernon-Smith, Yada-Yada Audio
Kat Sadler’s Screen Time by Kat Sadler and Cameron Loxdale, producer Gwyn Rhys Davies, BBC Studios Audio
Michael Spicer: Before Next Door by Michael Spicer, producer Matt Tiller, Starstruck Media
Mockery Manor by Lindsay Sharman, producer Laurence Owen, Long Cat Media
She Stoops to Conquer by Oliver Goldsmith, adapted by Barunka O’Shaughnessy, producer Emma Harding, BBC Cymru Wales
Where to, Mate? devised by Jo Enright, Peter Slater, Abdullah Afzal, Nina Gilligan, Andy Salthouse, Keith Carter, Jason Wingard, producer Carl Cooper, BBC Studios Audio
Best Stand Up Comedy
Daliso Chaponda: Citizen of Nowhere by Daliso Chaponda, additional material Meryl O’Rourke, producer Carl Cooper, BBC Studios Audio
Janey Godley: The C Bomb by Janey Godley, producers Julia Sutherland and Richard Melvin, Dabster Productions
Maisie Adam: The Beautiful Game by Maisie Adam, producer Georgia Keating, BBC Studios Audio
Olga Koch: OK Computer by Olga Koch and Charlie Dinkin, producer Benjamin Sutton, BBC Studios Audio
Rob Newman on Air by Rob Newman, producer Eloise Whitmore, Naked Productions
Sarah Keyworth: Are You a Boy or a Girl by by Sarah Keyworth, additional material Ruby Clyde, producer James Robinson, BBC Studios Audio
Best Use of Sound
The Adventurers, sound by Alisdair McGregor, producer Boz Temple-Morris, Holy Mountain
The Dark is Rising, sound by Gareth Fry, producer Catherine Bailey, Catherine Bailey Productions and Complicité
Hamlet Noir, sound by David Chilton, Lucinda Mason Brown, Weronika Andersen, producers Charlotte Melén, Carl Prekopp and Saskia Black, Almost Tangible
Slow Air, sound by Alisdair McGregor and Eloise Whitmore, producer Polly Thomas, Naked Productions
Voices From the End of the World, sound by Peter Ringrose, producer Sasha Yevtushenko, BBC Audio Drama London
The Women of Troy, sound by Sharon Hughes, producer Nadia Molinari, BBC Audio Drama North
Best Podcast Audio Drama
Badger and the Blitz by Richard Turley and Darren Francis, producer Richard Turley, Roxo Ltd
Below by Aaron Gray and Paul Skillen, producer John Wakefield, HTM Television
Flirties, written and produced by Jess Simpson, Audiocraft
The Haunter of the Dark – The Lovecraft Investigations by Julian Simpson, producer Sarah Tombling, Sweet Talk Productions
The Salvation by Justin Lockey, Jeffrey Aidoo, and AK Benedict, producers John Hamm and Boz Temple-Morris, Holy Mountain and Free Turn
Tagged by Brett Neichin and John Scott Dryden, producer Emma Hearn, Sony Music Entertainment and Goldhawk Productions
Best European Drama
Evicted by Karel Klostermann, adapted by Tomáš Loužný, producer Renata Venclová, CZR Czech Radio
Faust (I Never Read It) by Noam Brusilovsky, producer Andrea Oetzmann, SWR Südwestrundfunk with Deutschlandfunk
Irina’s Soul Is Like a Precious Piano by Rona Žulj, producer Katja Šimunić, Croatian Radiotelevision
The Sick Bag Song by Nick Cave, adapted by Kai Grehn, producer Lina Kokaly, Radio Bremen
The Supervisor by Nis-Momme Stockmann, producer Michael Becker, NDR Norddeutscher Rundfunk
This Word by Marta Rebzda, producer Waldemar Modestowicz, Polish Radio Theatre
-- WooHOO! The Haunter of the Dark, part 4 of The Lovecraft Investigations, is up for a BBC Audio Drama Award! I am made up!
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thesandwomen · 1 year
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god, souad faress’s performance as the crone is outstanding. she has this gravity and acerbity in her voice that i think is PERFECT for the crone. in particular the way she says “he had a beautiful voice too. orpheus” makes me want to grip my hair
also shout-out to nina wadia and dinita gohil for doing an impeccable job of swallowing that snake 11/10 would watch again
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philsharp · 2 years
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Dinita Gohil @itg_ltd - - - - - - - #proportrait #headshotslondon #portrait_page #portrait_planet #withhumans #actorslife #headshot #headshotlondon #headshotphotographer #londonheadshots #headshotnyc #headshotsla #actorsheadshots #portraitfolk #portrait_star #portraitvision_ #portsinspired #portrait_today #cityports #portraitsfromtheworld #flakphotorecs #gfx100s #portsinspired #fotoroom #photoplan #saturdaysmag #btsphotoshoot #greed #tappancollector #dinitagohil #thesandman (at The Archives London) https://www.instagram.com/p/CidfRybrtv6/?igshid=NGJjMDIxMWI=
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Dinita Gohil as Fate Maiden in The Sandman - Day 248 Drawing (of year EIGHT) *SOLD - commissions are temporarily closed* #adrawingaday #dailydrawing #quicksketch #sketch_daily #sketch #sketchbook #journal #art #artistsharing #artist #artoftheday #artistsofinstagram #instaart #portrait #dinitagohil #fatemaiden #thesandman #neilgaiman https://www.instagram.com/p/CiI9PG6JLw6/?igshid=NGJjMDIxMWI=
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upyourgeek · 2 years
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IN CASE YOU MISSED IT: Netflix has just released a two-part bonus episode of Neil Gaiman‘s The Sandman, featuring one animated short story and one live-action installment. The animated section, titled “A Dream of a Thousand Cats,” follows an independent arc from the Sandman comic book of the same moniker. The voice cast includes Sandra Oh, James McAvoy, David Tennant, Rosie Day, David Gyasi, Joe Lycett, Michael Sheen, Nonso Anozie, Diane Morgan, Tom Wu and Neil Gaiman himself. The latter half of the surprise-dropped episode, “Calliope,” stars Melissanthi Mahut and offers a live-action take on the namesake character, who was abducted by a 20th-century writer in the original comics. Aside from Mahut, the cast features Arthur Darvill, Nina Wadia, Souad Faress, Dinita Gohil, Kevin Harvey, Amita Suman and Derek Jacobi. Despite Gaiman’s original comics existing in the DC universe, the author, who serves as an executive producer on the show, recently explained why the series didn’t follow suit. “By the time The Sandman finished, it had its own aesthetic which really wasn’t the DC Universe anymore,” he said in an interview. “We didn’t want a TV show where you felt that you had to have read a whole bunch of comics published in 1988 and 1989 to understand what was going on.” Stream The Sandman‘s new bonus episode on Netflix now. #Netflix #TheSandman #BonusEpisode #NeilGaiman https://www.instagram.com/p/ChdELaKPgh-/?igshid=NGJjMDIxMWI=
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cultfaction · 2 years
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Review- The Sandman Eps. 2-5
Review- The Sandman Eps. 2-5
Following on from the events of Episode 1, Neil Gaiman’s The Sandman, sees Morpheus returns home… Ep. 2: Imperfect Hosts Morpheus returns to his kingdom the Dreaming, but things are not how he left them. He visits Cain (Sanjeev Bhaskar) and Abel (Asim Chaudhry) and summons the Fate Mothers (Nina Wadia, Souad Faress, Dinita Gohil) to help him find his lost totems. Verdict: 8/10. There are manvvvvy…
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oughttobeclowns · 2 years
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Review: The Father and the Assassin, National Theatre
Review: The Father and the Assassin, @nationaltheatre Simply phenomenal
Rajha Shakiry’s gorgeous design, Shubham Saraf’s astounding lead performance, so much to love about Anupama Chandrasekhar’s phenomenal The Father and the Assassin at the National Theatre “What are you staring at? Have you never seen a murderer up close before?” Too often, plays can feel stranded in the cavernous space of the Olivier Theatre but between them, writer Anupama Chadrasekhar and…
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olivierdemangeon · 2 years
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THE SNOWMAN (2017) ★★★✮☆
THE SNOWMAN (2017) ★★★✮☆
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spryfilm · 4 years
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DVD review: “Greed” (2019)
DVD review: “Greed” (2019)
“Greed” (2019)
Drama
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Running time: 104 minutes
Written and Directed by: Michael Winterbottom
Featuring: Steve Coogan, David Mitchell, Asa Butterfield, Dinita Gohil, Sophie Cookson, Jonny Sweet, Asim Chaudhry, Shirley Henderson, and Isla Fisher
Samantha: “No one reads the Mail Online, it’s cleavage clickbait!”
Sir Richard McCreadie: “Yeah, except I’M the tit this time.”
Releas…
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pers-books · 1 year
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[Freema Agyeman. Photographer: Joseph Sinclair]
By Steven McIntosh
Entertainment reporter
Doctor Who star Freema Agyeman will appear in a new stage production of the Tony and Olivier-winning dark comedy God of Carnage.
The actress is best known for her role as the companion Martha Jones in Doctor Who and recently starred opposite Lily Allen in TV comedy Dreamland.
She will play Veronique Vallon in the revival of Yasmina Reza's play at the Lyric Hammersmith theatre in September.
Agyeman told BBC News she was "beyond thrilled" to be returning to the stage.
God of Carnage tells the story of two sets of parents, who meet up after one 11-year-old knocks out his classmate's two front teeth in a playground fight.
The boys' parents meet up to have a civil conversation about their children's altercation in a supposedly calm and rational way. But chaos ensues as the parents themselves descend into tantrums, name-calling and tears.
Agyeman said: "I'm happy to be staying in the genre of dark comedy post Dreamland - God of Carnage made me gasp and guffaw in equal measure.
"I look forward to performing in this play alongside the fantastic cast and am very excited to be working with director Nicholai La Barrie whose enthusiasm is infectious!"
Reza's play was translated for English-speaking audiences by Christopher Hampton, who won an Oscar in 2021 for best adapted screenplay for The Father.
God of Carnage premiered in the West End in 2008 before transferring to Broadway the following year.
The play went on to win both the Tony and Olivier Award for best comedy, as well as additional Tonys for best play and best actress for Marcia Gay Harden.
Agyeman's screen credits include Torchwood, Silent Witness, Law and Order and The Carrie Diaries, as well as the most recent film in the Matrix franchise, Resurrections.
She will appear alongside Ariyon Bakare, Dinita Gohil and Martin Hutson in the Hammersmith production of God of Carnage, which runs from 1 to 30 September.
Agyeman said the Lyric had an "incredible history and tradition" and praised its "consistently solid, inclusive and high-calibre work".
Director Nicholai La Barrie said: "God of Carnage pokes fun at wealth, power and money. It lifts the lid on civility which is immensely funny to watch. From the moment I read this play, I imagined it to be a reflection of the cosmopolitan cities that we live in."
In a review of a 2018 revival of the play in Bath, the Guardian's Arifa Akbar recalled how the show's 2009 run in the West End "put in just enough laughs, balanced with middle-class menace and marital rage, for the play to earn its reputation as a savage comedy that tears away the veneer of respectability in modern bourgeois lives to expose the bigotry, anger and predations that lie beneath".
Prior to God of Carnage, writer Reza made her name with the the 1994 play Art, which also won a string of Olivier and Tony Awards.
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letterboxd-loggd · 4 years
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Greed (2019) Michael Winterbottom
May 14th 2020
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