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#David Woodward
neweramuseum · 3 months
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NEM CLOUDS 127 - James Clarke selection
FEATURED WORKS BY: David Woodward, David Scott Leibowitz, Jack Schim, Jale Yuce, Sendai Ganime Turan, Michael James Picard, Jim Gable and Peter Koczera.
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officaldavidcallan · 3 months
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What is he always smiling about...
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unwillingadventurer · 4 months
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magichourmovies · 3 months
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I know that pose from somewhere...
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spilladabalia · 14 days
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Scratch Acid - Owner's Lament
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dailydccomics · 2 years
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it’s like a deranged video game
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gaytobymeres · 4 months
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Callan, s4e9 The Carrier
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hadescavedish · 2 years
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i am just like this sometimes @foreignobjecticus wrote your name in advance despite the art part is me lol
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letterboxd-loggd · 11 months
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The Three Faces of Eve (1957) Nunnally Johnson
July 2nd 2023
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ireneead · 1 year
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mariocki · 1 year
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Edward Woodward guest stars as Jack Liskard, Prime Minister of an unspecified African country and the target of multiple assassination attempts, in The Saint: The Persistent Patriots (5.15, ITC, 1967)
#fave spotting#edward woodward#callan#the saint#the persistent patriots#1967#david callan#classic tv#eddy is the named guest star for this episode but actually he wasn't really the household name he would become at this point#in fact this ep was the first Saint episode to air in the uk in 1967 on January 6th‚ setting off a banner year for Woodward that would#be the making of his career. he'd done a few guest spots (Sergeant Cork and Mogul among them) and yes he'd had some stage success#but 67 was his year; around the same time as this Saint appearance he could be seen on the BBC's celebrated drama strand Theatre 625 as the#lead in a multi episode adaptation of Evelyn Waugh's Sword of Honour‚ and almost exactly a month later he'd be making his first screen#appearance as Callan in the Armchair Theatre pilot A Magnum for Schneider‚ the beginning of tv immortality and bigger and better things for#the actor. here he's... well he's serious and he's sullen (two of Ed's strengths as an actor) in a role which.. is FINE on the surface but#absolutely begs some deeper questions. he's the prime minister of an unnamed African country‚ in London to negotiate the independence of#said country from the UK. it's.. a complicated issue (which this single Saint episode absolutely fails to address but I'd have been truly#astonished if it had). i mean yes we're all anti colonialism here of course (even if Simon does seem suspiciously morose about the prospect#of losing another colony in his opening voice over‚ he at least appears to be on Eddy's side through the episode) but there's a kind of#deafening silence throughout this ep: Ed is of course white. his various ministers and other government officials who oppose him are all#also white. the titular 'patriots' who oppose him and make attempts on his life and to prevent the process of independence are all white#the most obvious comparison to be drawn (and presumably the main inspiration for the character) is Rhodesian prime minister Ian Smith#who had led the white minority government of what is now Zimbabwe from 1964 and had been involved in similar negotiations with the british#government (that fell apart in late 65 as Smith's government announced Rhodesia's unilateral independence; the country then became an#unrecognised state subject to economic sanctions that lasted more than a decade). the thing is‚ Smith was a racist piece of shit; the whole#reason those negotiations broke down was because of his refusal to secure black representation in Rhodesia's governance#which makes the complete absence of any black characters in this episode a major red flag. but Ed's character isn't presented as the#villain of the piece; the episode is adamant that the work he's doing is selfless and for the betterment of his country‚ and it isn't as if#Smith was a particularly popular figure in the uk at this point for the ep makers to be painting a positive portrait of him. idk#it's messy. at best tone deaf and at worst.. well. i wish Ed had had a better ep to guest star in that's all im saying
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neweramuseum · 7 months
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NEM CLOUDS 123 - James Clarke selection
FEATURED WORKS BY: Philip Del Carmen, Jane Kane, Iris Maybloom, Pati John, Donna Donato, Jim Gable, David Woodward and Dorothy Green Alcorn.
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officaldavidcallan · 3 months
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Tea Time
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ludojudoposts · 2 years
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Callan - Heir Apparent
"What are we going to do stuck in a German ditch for 18 hours."
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magichourmovies · 4 months
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adamwatchesmovies · 6 months
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A Christmas Carol (1984)
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There are many adaptations of Charles Dickens's A Christmas Carol to choose from for your Holiday Christmas marathon. Many consider this 1984 version by Clive Donner the one to go with. If you ask me, no Christmas season is complete without viewing either Alastair Sim or George C. Scott as Ebenezer Scrooge.
Ebenezer Scrooge (Scott) is a bitter miser who considers the ideals and spirit of Christmas pure humbug. He hesitates to give his underpaid assistant Bob Cratchit (David Warner) the day off and scoffs at his nephew Fred (Roger Rees) when he suggests a holiday dinner. One cold Christmas Eve, the ghost of Scrooge's former partner Jacob Marley (Frank Finlay) appears to him with a warning "You will soon be visited by three spirits, heed their counsel and change your ways or risk an eternity of suffering."
Though originally made for television, this is a top-notch production. The locations/sets transport you to 1843 London like a Ghost of Christmas Past and the costumes all look authentic. The stage is set and George C. Scott is perfect for his role. One look at the actor and you can practically see every time he's rolled his eyes at the concept of charity. He delivers the over-the-top dialogue like it was written for him but Scott also grounds the story in reality. It makes the drama that follows that much more powerful. Scrooge is a miserable, horrible person… but he’s still a person. His journey through the many Christmases the ghosts take him through rouses intense emotions.
So much of what makes this story endure is the message. Christmas is a joyous time, but it can be scary under certain lights. That uniformly white blanket over everything, the bare branches swaying in the frigid wind, the shortening days, the cold… the idea of ghosts emerging from the darkness just fits. These fears are juxtaposed by this renewed hope of salvation, the explosion of generosity and the potential for miracles. A Christmas Carol taps into all of those sentiments. There are talks of gifts but no commercialism. It’s about the importance of relationships with loved ones and what you must do to keep them close to you. That's not to say any adaptation is a hit; the cast and the production's dedication make this a special rendition of the timeless story.
There’s only one flaw with the film: the portrayal of the Spirit of Christmas Past by Angela Pleasence. It isn’t her performance; it’s that unless you know what the movie is trying to do, she'll leave you scratching your head. She’s supposed to be candle-like: a light that could easily be put out (which is why we see Scrooge extinguish her with his cap). You can't tell unless you already know. Otherwise, everything you want to see in this story is there. The comedy of a miser so cheap he won’t even spend money to keep himself comfortable, the drama over lost love and seeing a heart grow cold, the warmth of redemption and the horror of the ghosts. As a child, I distinctly remember seeing the Ghost of Christmas Present (Edward Woodward) showing off Scrooge’s “children” to him and finding it terrifying.
It’s easy to become bitter around Christmas. Even if you don’t feel like the true meaning of the holiday has eroded, there’s so much pressure and so many high expectations that are rarely met. 1984's A Christmas Carol is the perfect remedy for any bitter sentiments. Whether you see yourself as Ebenezer Scrooge and need to be shown the error of your ways or you’re his nephew and need your faith in others renewed, this is the movie for you. Its final scene always brings tears to my eyes. (December 14, 2020)
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