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thisislizheather · 3 years

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June Jaunts 2021

July always feels like one big long nap to me. There’s never really anything going on, kids are off school, adults seem to work less, it’s kind of great in that way. Maybe I won’t hate it this year? In any case, here’s what went down in June.

I compiled the best tweets of June over here and here.

I visited and wrote about the new Rockaway Hotel and pool.

I did Nathan’s podcast amidst his hiatus.

I recapped what I did from my spring list and made an upcoming summer to-do list, which I really encourage you to do on your own.

I read and reviewed The Happiness Advantage by Shawn Archor.

I’ve almost finished watching Living Single and seasons one through four are definitely the best ones. Love the episode where Kyle says goodbye to an old jazz venue that gets demolished, such a solid show.

I just saw the latest issue of the LCBO magazine and someone needs to pick me up that dill pickle vodka immediately.

Dying over how good the Strawberry Pound Cake candle smells from Bath & Body Works. Also picked up the Whipped Coffee candle for later this year from their semi-annual sale.

I went on an impromptu day trip to Connecticut.

I met up with Irene in Chinatown so I went early to walk around because man, I love that area.

Above Photo: Chinatown NYC, June 2021

Above Photo: Doyers Street, Chinatown NYC, June 2021

Above Photo: Irene!

Above Photo: Me!

I ate at dell’anima and it was insanely disappointing. It felt like being in a cafeteria at the mall, it’s just a terrible location. I wasn’t expecting much since I knew it was on 11th Avenue, but still. I had no idea it would be so deeply casual (which is upsetting for an NYC restaurant). The food was as average as could be. Also, can we stop with the plastic cups at restaurants? It’s time.

I also stopped by Anfora which is a pleasant little spot, especially before or after dinner.

I went to Daily Provisions and tried their roast beef sandwich and salted caramel brownie and does everywhere just suck this month? And I support Danny Meyer, but he truly is the master of overpricing food. Also - on what planet can a brownie taste bland?? Tell me??

I’m on the lash extension train again (I know, I’m weak) and I just got them done at Lash Princess in the city and they look incredible so I’m definitely going to return.

I rewatched Baywatch: Hawaiian Wedding and yep, still great.

Love the stationary/toy store Modern State on the Upper East Side.

I’ve heard about cotton candy grapes for years and have never been able to get ahold of them, but I just found them and whoa! Everything you want them to be and more. Am I bothered by the fact that they’re 1000% modified and MUST be terrible for humans to eat? A bit.

I finally ate the Wednesday sandwich special at Mama’s Too on the Upper West Side and it was pretty incredible. It was a roast beef au jus with horseradish cream on top of their house-made pizza crust. It was a little heavy on the fatty pieces of meat, but once those were taken out, it was insanity to eat. Take a look.

Above Photo: Roast beef au jus with horseradish cream at Mama’s Too, NYC

We saw A Quiet Place 2 in theatres and yes it’s an okay movie but it was too suspenseful for me after not seeing a movie in theatres for so long. I don’t think I want any more suspense in my life

We also watched The Conjuring: The Devil Made Me Do It at home and meh. Patrick Wilson can still get it, though.

Yet another great song off of Olivia Rodrigo’s album.

I finally got a reservation at Forsythia and it was looooovely, I can’t wait to go again. The restaurant itself is beautiful and such a perfect date place, the chairs are gorgeous and comfortable, the service was flawless and the pastas were phenomenal (the garganelli was a standout for sure). And god knows how much I love a place that serves their bread with olive oil as well as butter, WHY DOESN’T EVERY PLACE DO THIS?

I had to try the panzanella salad at L’Artusi and of course it’s great, but it’s also just so genius to put the cheese ON THE BOTTOM of a salad like this one. (Also, I’ll forever support whatever this team wants to do.)

Above Photo: Heirloom Tomato & Burrata Panzanella with Stonefruit, Sourdough, Basil, Yuza, Nigella at L’Artusi, NYC

Above Photo: Bucatini with Pancetta, Tomato, Chiles, Pecorino at L’Artusi, NYC

I tried the new Milk Bar cookies at Whole Foods and they truly taste like the cake truffles at their stores, so watch out.

The two best gelato flavours at il laboratorio del gelato? 1) Peach 2) Ginger. I’m telling you.

I’ve been looking for the perfect navy raincoat for years and I finally found her at J. Crew on sale for $71.

I tried the gelato at Anita Gelato and even though the wild strawberry with ricotta & mascarpone was really good, there’s no way it’s worth waiting in line for twenty minutes.

Above Photo: Wild strawberry with ricotta & mascarpone with a vanilla scoop, Anita Gelato in NYC

A great piece, with great photos on NYC reopening.

I made hash browns at home and does everyone do this already? It’s ridiculously easy and satisfying and I had no idea.

I’ve been on a real orzo bender lately and this tomato one was great. So was this lemon basil one (I added a ton of fresh parmesan and it was nuts).

This sketch is old, but I just saw it for the first time and man it’s great.

The new Halloween trailer is out and I want to love it but can’t we just let some things die?

This Target candle reminds me of Florida vacations and I want to buy ten.

I stupidly ate at Eataly (don’t do it, especially if you live in New York, you should know better) and of course it was bad. What a smart idea to eat at a place called Le Pizza & La Pasta, I’m a moron. Even smarter, I got the steak tartare and it was as bland as the day is long (and look I know I’m a clown for not even ordering pizza OR pasta when it’s in the name). The basil vodka cocktail was pretty good, though.

One thing that Eataly is good for, though, is selling really good dried pastas. I finally tried the brand Afeltra (the pasta as well as their canned tomatoes) and wowza. Definitely will be buying again. Best dried brand I’ve tried so far. Oh! I also bought this Ponti Balsamic Vinegar that tastes like candy, it’s so good. It’s thicker than other balsamics, so maybe it’s more of a finishing vinegar but I highly recommend.

I made these white chocolate apricot scones (and then later that week some white chocolate strawberry scones) and they were phenomenal. I did use cake flour because that’s all I had and I think that might be the reason they tasted so great. Also, it’s a wildly easy recipe to follow incase you’re intimidated by the word “scone.”

Above Photo: White chocolate apricot scone

I started watching the new season of Dave and it’s so well done I could scream (do you remember how good this part was from last season?). Such a good show. I do sort of hate men more by the end of each episode, so I don’t know what that’s about but I think I’m okay with it.

Bought a new nonstick frying pan (the GreenPan) and it’s incredible. Sometimes the answer is new cookware, no matter the question.

Nathan bought a new filtered shower-head and it’s making me excited for every shower now. Just a powerhouse. Feels like I’m at a hotel in there.

Since it’s summer, I’d love to make these summer recipes:

Grilled Caprese Skewers with Halloumi and Sourdough

Pan-Seared Scallops with Chorizo and Corn

BLT Pasta Salad

Summer Coconut Chickpea Curry

Strawberry Crumble Coffee Cake

Some things that I’m looking forward to: I’m not usually into miniseries but Nine Perfect Strangers looks pretty good so I might watch that, we’re going to TWO weddings this month so that will be wonderful, and I really need to get back in a pool so I’m working on that happening.

If you have any interest in reading what went on in May, come on over here.

#June 2021 #June Jaunts 2021 #this is liz heather #Liz Heather #monthly post #monthly roundup #NYC June 2021 #NYC summer 2021

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ashintheairlikesnow · 5 years

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Daniel Michaelson: The Adoption

I meant to write the baking-cookies drabble from Danny’s adoption stuff came out instead! Whoops. No warnings for this, beyond it being pretty bittersweet - takes place in the past, when Danny is five years old.

I’ll tag the usual people - even though this isn’t really whump. But it’s background for Danny!

@finder-of-rings, @bleeding-demon-teeth, @spiffythespook, @special-spicy-chicken

“He’s small,” The woman says, looking down at him, and Danny tries to straighten his back and make himself as tall as he possibly can. His hair sticks up a lot, which he has to hope helps at least a little. “Why is he so small? The papers I looked at said he’s five years old, has been since July.”

“He was born premature,” The social worker says without looking up from her paperwork.

She’d brought Danny a cheeseburger Happy Meal and he’d inhaled every single bite and licked all the salt off his fingers afterward, so happy to have enough food to feel full and not have to fight any of the other kids for a single bit of it. He was currently twisting back and forth the little arms of the plastic toy man that had been inside the box, making him fight an invisible bad guy that kept punching him but he couldn’t see it.

The toy man was from some movie, but it wasn’t out were Miss Karla could buy it yet, so he didn’t really know anything about it. Fighting an invisible bad guy seemed like the right thing to do with him.

Bam, Danny thought to himself, making a mean snarling face. Punch him, kick his head.

“He was born eight weeks early, according to medical records,” The social worker continues, giving a loose, casual shrug. “He spent three weeks in the NICU before he went to his first placement.” This social worker was a new one, way younger than the last social worker. She didn’t seem to like him very much, but actually Danny thought mostly she looked more tired than angry, so maybe she didn’t mind him like some of the others did.

The woman sitting at the table leans over, her voice pitched low, probably thinking Danny can’t hear her. Little pitchers have big ears, they said all the time at Kindergarten. He didn’t know exactly what that meant, other than adults said it to shut each other up when he was in the room. “Were there drug issues? We specified that we were not interested in taking on a greater than average amount of obligation-”

“He’s not a dog, Mrs. Michaelson,” The social worker says, looking up with the barest hint of an edge to her voice, and Danny fights back the tiniest little smile. It’s kind of nice, having one who sticks up for him. Usually they don’t. “But I understand what you’re trying to say, or at least what I hope you’re trying to say. Please understand that your guidelines were taken into account by the agency you contracted when they contacted us. Daniel was premature due to pregnancy-related complications with the mother, that’s all.”

“Complications? Does that mean there’s a family history of serious health concerns? Did his mother die?” The woman’s fingers stopped tapping again, and Danny looks back at his toy, but some of the shine has gone out of having a new thing (and Danny doesn’t exactly have a lot of things just for him), because he knows the answer to that question.

She gave me up.

The social worker’s eyes go to him, and Danny ignores her, setting his jaw in an angry, pouting line, and the invisible bad guy punched his toy until he died. Then he lived and got back up, but the dead part was pretty satisfying.

The social worker looks back at the pretty woman in the nice clothes and jewelry and sighs, a little sadly. “No, she didn’t. She chose to, um, to place him with state care.”

“Do you know why she chose to-”

“She was thirteen years old, Mrs. Michaelson,” The social worker says quietly, so quietly Danny almost misses it. Thirteen isn’t very old, he thinks. One of his foster brothers, Craig, is thirteen, and he’s not even in high school yet. Danny could count to thirteen easily and without even needing help when he was four years old, so he knows it can’t be a very high number. That makes him think. If he’s five years old and his real mother was thirteen years old, then thirteen plus five is… Danny counts on his fingers, trying to remember.

If it’s ten eleven twelve thirteen… then it’s fourteen fifteen sixteen seventeen… eighteen.

That would make his real mom eighteen.

Danny sits back, proud of himself for doing the counting all in his head and on his fingers, without having to ask the grown-ups, who were still talking about him like he couldn’t hear them.

Most grown-ups did.

“You can understand,” His social worker was saying, “Why a thirteen-year-old might make such a choice with even the healthiest baby. The home life was... not ideal.”

“I can understand.” The woman’s mouth purses a little, like she has a bite of food in her mouth she doesn’t like. “Poor thing. But you’re sure he’s healthy?”

The social worker shrugs. “He could use more time out in the sun and probably someone who lets him play outside more often, but… he’s healthy enough. He measured between 6th and 13th percentile straight through from birth until now, and his growth is steady. Honestly, ma’am, with a decent enough food intake he’d probably grow faster and catch right up. But...”

The social worker waves her hand around the house they’re sitting in, a vague gesture that means nothing to Danny - but the woman sitting at the table nods very seriously, and so Danny tries to look serious, too.

The woman raises an eyebrow and looks around the dining room. The large table has enough chairs for twelve people to sit, and Danny is unlucky number thirteen - the youngest - so he was used to sitting at the card table off in the corner, where he sat now, swinging his legs in the folding chair and making the toy man run across the table and dive-bomb towards the floor.

When he makes the little exploding sound, the woman sitting at the table - she has pretty brown skin and black hair, and funny honey-colored eyes - smiles at him, and he smiles right back at her. She has a really, really pretty smile - warm and nice.

His foster mother is nowhere to be seen - Miss Carla didn’t really like talking to his social worker anyway, and she had been furious to hear about the rich lady coming to look at Danny, which… Danny didn’t really get, since getting adopted was a good thing.

Then again, Miss Carla didn’t exactly like him very much. Danny had a mouth, Miss Carla said all the time, and Danny would just grin at her with all his teeth inside that mouth.

Then he called her whatever names the older boys had taught him, only he got in trouble because the words were different when the older boys said them, for some reason.

His social worker had told him this lady and her husband had chosen him straight away after seeing his photo, and so he had combed his own red hair this morning nice and careful (no one else ever did) and dressed in his absolute best clothing - his favorite blue T-shirt and his good brown pants, his Sunday pants.

He wasn’t sure if the lady at the table had noticed, but he was sort of hoping so.

“How are his academics?” The lady at the table asks, glancing over at him again. He smiles brightly at her, trying to get her to smile again - he’s pretty sure she likes him. He’s little, and he’d heard Miss Carla say that little kids get adopted faster.

His biggest foster brothers probably won’t, he thinks, if that’s true. They’re both big and mean, and they look older than they really are. Parents won’t want them, even if Miss Carla likes them the best because they act like her.

“I’m in kindergarten,” Danny speaks up, holding the little toy man in his hands, nervously twisting at his arms again. His voice is high and clear, and he swings his legs a little harder where he sits. “I have lots of good days on my take-home sheets. More good than bad, Miss Carla says.”

“That’s right, Daniel, you do,” His social worker replies, and she smiles at him, finally - a thin and tired smile - as she flips through the paperwork she brought with her in a big folder with his name on it and his photo paperclipped to the outside. “Daniel’s in his first year at public school,” She says to the lady at the table. “He’s in a class of 25-”

“My God.” The woman at the table puts a hand up to her chest. “We’re looking at an exclusive Montessori for our little boy with an average class size of eight - I showed you his photo, the three-year-old. Obviously Daniel would also attend, I’ve already ensured him a spot should we bring him home, I’m good friends with the director. I just cannot imagine attempting to corral so many five year olds-”

“Most of them are already six, actually - Daniel is the third-youngest in his class. In any case, based on his school reports, he excels at academics and struggles with focus, sitting still, and social interactions. Makes sense for the age and his current… ah, situation.” The social worker looks at him again, and Danny sits himself up just a little straighter, making the toy man wave his little movable arm at her.

The smile this time is less tired, and more real.

“Does he do well with younger children?” The woman at the table asks. “I mentioned our other son - he’s just turning three. Any aggression would be absolutely unacceptable-”

“He loves younger children actually - his last placement was with a foster home that had very young babies and toddlers other than him, about a year ago for three months, and his foster parents reported that he was very gentle and loving with the younger children. I’ve been told he changed diapers, watched the younger ones, and was very good at comforting younger children at night.”

Well, Danny thinks to himself, nobody else woke up as fast as I did, so...

“Ryan doesn’t wear diapers any longer, so we’re not worried about that, but… why was he moved, if he was so good with them?”

Danny looked down at the floor, because he knew the answer to this question, too.

Because she was growing a new baby and there wasn’t any room anymore.

“His previous foster mother became pregnant,” The social worker says brusquely, waving one hand in a dismissive way. “All the foster children in that home were moved to new placements at the couples’ request.”

“That must have been hard on the children,” The lady says, and her voice changes a little. It’s softer, but angrier at the same time. “They must have bonded. The young ones bond so quickly-”

The social worker shrugs. “It’s not uncommon. Daniel had some… difficulty adjusting here, but he’s doing well now.”

“Difficulty?”

“It’s all in the paperwork,” The social worker replies, looking uneasily over at Danny again, who only stares back at her with his best totally-blank ‘I wasn’t listening’ face, even though he absolutely was. “He had conflicts with his new foster brothers, missed the little ones. Struggled with the change in schedules and rules. That happens with every new move, learning a whole new household.”

“So… when he moved, he doesn’t see the other children any longer?”

The social worker blinks, surprised by this line of questioning. “Ah, no. He has no further contact with them, that would be… incredibly difficult to put together, considering he’s not related to any of the other foster children. It really isn’t an uncommon situation, kids in the system tend to adapt really quickly to the loss of foster siblings.”

The lady at the table’s mouth thins, just a little. Danny watches, fascinated, at the way her honey eyes shift, and for a second he sees them flash a really pretty purple. Then the color was gone, before he even blinked.

The social worker isn’t looking up, and didn’t see it, and honestly maybe Danny just made it up. He did that sometimes.

“If we come to a decision in favor of bringing him home,” The lady at the table says, her voice firm and warm and calm, “It should be with the understanding that it will be permanent. I dislike the idea of such a young child being moved around so often, that cannot be healthy.”

“It’s not, Mrs. Michaelson, but that’s the system we work with.” The social worker sighs. “Daniel, will you come over here for a second? Mrs. Michaelson wants to speak with you.”

Mrs. Michaelson hadn’t said any such thing, but Danny shrugs and nods, hopping off the chair to walk over to her, tilting his head and looking up and up and up at her pretty eyes. No purple at all.

“Hi,” He says, politely. “You can just say Danny. I don’t really like Daniel.”

The woman - Mrs. Michaelson - nods, slowly, thoughtfully, a smile playing at the corner of her mouth. “He really is exactly what we had in mind when we began discussing bringing a child home for-... to be a sibling for Ryan,” Mrs. Michaelson says, her voice softer and more gentle now that he stood right there with her. She turns her eyes back to Danny and leans down to get a little closer to him. “I have a little boy named Ryan at my house. Do you think you could be nice to him?”

“Oh, sure,” Danny replies, nodding, because that’s what he’s supposed to say. And he really does like the littler kids - he’s small and littler kids don’t pick on him like all the big kids do. “I always think it’s fun to play big brother. Is your house very big? Would I share with him?”

“Share?” Mrs. Michaelson cocked her head, and it was like Miss Carla’s cockatoo in its cage, and Danny giggled a little. She smiled at the sound. “Oh, like a bedroom? No, darling, you would have your own room, of course you would.”

“Then I think I could be a good big brother,” Danny says, with a grave and thoughtful voice he thought sounded very grown-up. He was rewarded with another smile. Mrs. Michaelson looks him over one more time, taking in his skinny arms and the freckles scattered across his face and the rest of him darkened by the time he spent just sitting outside in the sun.

“He really does fit the profile we were hoping for exactly,” Mrs. Michaelson says, but her voice is very quiet and she seems to be talking more to herself than Danny or even the social worker. “They’re looking for Ryan, but that hair, those freckles… that’s what they think they need to look for, isn’t it? They think we’ re meant to be Irish, but oh no, we’ll fool them, won’t we? We always have...”

“Huh?” Danny cocks his head right back at her, and she laughs, a brilliant, sparkling sound that he loves already.

“I’m sorry, what?” The social worker asks, looking up.

“Oh, nothing,” Mrs. Michaelson says breezily. “Just muttering to myself. I don’t need to speak with Patrick about this, I’ve already decided. We’ll move forward with the adoption immediately.” The social worker smiles, and the two women begin to speak in low tones, throwing words and terms and stuff back and forth Danny hadn’t heard before and doesn’t know. He steps a little closer, and a little closer still.

Danny blinks.

He blinks again.

“The what?”

The two women turn to look down at him.

“Oh,” The social worker says, surprised. “Daniel. Mrs. Michaelson would like to consider adopting you. Would you like to go stay with her and see how it works out?”

“Go stay? For real?” Danny’s heart starts to beat fast inside of him, like when he stands up in front of music class to sing. He smiles, and he clutches onto the little toy man as tightly as he can. “For really real?”

Mrs. Michaelson laughs again, and he hopes she will laugh like that for him a lot when he goes to her house. “For really real,” She says with a nod, and leans over to tap the end of his nose with one finger.

“I, I, I’ll go get my things! I don’t have a lot of things, but I do have, I have a little dog I carry around his name is, um, his name is Scruff and he has a collar but I can get him and I have some clothes-” Danny starts to turn, only for both women to laugh.

He stops and looks back at them, suddenly embarrassed, his face burning bright red under his freckles, feeling his lower lip stick out all on its own. Miss Carla is always telling him to pout less, but he can’t stop, it’s not his fault, the lip just does that.

“Oh,” He says, and feels a wave of hurt and mad. “Oh, it was a joke. I thought you meant for really real.”

The social worker is the first to understand, and her expression goes serious and thoughtful. “Daniel, we’re not laughing because it was a joke. It’s not, Mrs. Michaelson really does want to bring you home to meet her little boy.”

“I do,” Mrs. Michaelson says. “As soon as I can. We were only laughing because you were so excited - and it can’t happen right away, it takes a little while. The agency has already put everything in motion, of course,” She says sidelong to the social worker. “It’s just a matter of getting all the right papers to the right people.”

“Of course.”

“Then we’ll take you home, Daniel,” Mrs. Michaelson says to him, and bops him on the nose again. He hates when his foster brothers do this - they always flick the end of his nose and make it hurt - but he kind of likes it, from her.

“Yeah? Not a joke?” Danny’s head goes back up, and he searches both of their faces for signs it’s still just a mean joke, like when Conrad apologizes and then smacks his head again and he didn’t mean the apology at all. “For really really real?”

“Not a joke,” Mrs. Michaelson says, and there’s a sweet little smile on her face as she puts her hand out, littlest finger crooked. “Pinkie swear.”

Danny puts his hand up, too, and he hopes that she understands how much it really means when you say you pinkie swear a thing, because that means you have to do it.

“For really really really really real,” He says, seriously. “You have to mean it or you shouldn’t say it.”

“I mean it,” Mrs. Michaelson says softly. “I really, really mean it. Don’t worry, Danny. I’m going to bring you home to stay with us, and you’ll be just like another son. My little boy Ryan is going to love you. He’s always asking for a brother.”

“Are you going to love me?”

The question startles the two women, who blink down at him in unison.

Then Mrs. Michaelson leans over to tuck a curly bit of bright red hair behind one ear, and smile. “I’m sure I will.”

#Daniel Michaelson's story #not whump #but from a whump story #tiny child danny #corrine michaelson is a bad mom #but he really thought she'd be a great one #poor guy #whump #fiction #daniel michaelson is a tall smol bean #but he used to be a very tiny one #tw: depictions of less than ideal foster care

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crazy-loca-blog · 5 years

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Personal Thoughts On Open Heart

When I first tried Choices, I said “I used to read this type of books (in paper, of course) when I was a kid, so let’s give it a chance… 5 minutes and then I’ll uninstall it”. And here I am, about 2 years and 45 books (and a lot of diamond purchases) later. But I never, ever felt so attached to a book as I am to Open Heart. I even recovered my forgotten Tumblr account, just to read stuff related to the book because I missed Dr. Ramsey and associates from Saturday to Thursday!

So I was just thinking about the final chapter (insert broken heart emoji here) and how there are lots of things that are still unsolved (and will probably remain unsolved or we would have like a 3-hour long chapter). It even made me think that this book was so successful that instead of shortening and rushing things (something that has been happening a lot in PB lately, let’s be honest), they may be trying to do the opposite, that is, to drag and delay some stuff as much as possible so they have plenty of interesting content for book 2 (and book 3?) as well.

I guess when the book was first released, most of us assumed the series was going to have three books, one per year: the first one would be about the competition, the second one about the MC joining the diagnostics team (after winning the competition, of course) and the third one about the MC finishing the residency and, of course, the wedding. But after the massive success of Open Heart and the lots and lots of things we want to know about every single character in this book, I’m beginning to wonder how many questions will be answered in chapter 17 and how many things will be left unsaid and unknown until book 2 arrives. So I had to make a summary a draft a list a long post the longest post I can think of now regarding the things I think will happen in the near future… or the things I WANT to happen in chapter 17 and in book 2 (or even afterwards, fingers crossed so we can get a book 3)…

The hearing: I’ve been trying to think about how things will go in chapter 17. For some reason, I think the tricks Ethan talked about when we saw him before the hearing are related to that empty chair the MC noticed in chapter 15. We know that the chair belongs to Naveen, so probably when he retired, that spot was meant to be Ethan’s. Also, we all saw Ethan quitting… but did he “officially” submitted his resignation to the board or was it just a verbal thing? I’m pretty sure that PB would have given us a scene with him taking his stuff out of his office, but that didn’t happen hasn’t happened yet. Also, we know there are 8 chairs, so my guess is that after 7 votes our MC will be losing the case… and that’s the moment where Ethan will come to the rescue to submit the 8th vote and make things even. So will there be a cliffhanger at the end of book 1? Who knows… part of me would love it because it would be a different and unexpected ending (we already know we don’t need a closure because we’ll be having a second book)… but I don’t know if I can wait months to discover what happened in the end. It would also be nice to see some type of unexpected plot twist during the hearing, as for example Aurora testifying for us or the snake Landry publicly recognizing that he sabotaged the MC, putting in danger the patients and ruining the MC’s reputation among the nurses.

The competition: since the snake’s Landry’s episode, we haven’t heard much about the competition. As Jackie said, with Naveen and Ethan out of the picture, there isn’t even a diagnostics team to join, so that made me think that PB is not even going to try to finish the competition in book 1, they’ll carry it to book 2 (Two books covering only the first year? That would be awesome, as it makes me dream of more than 3 books on the horizon… “a girl can dream”, said certain MC in chapter 10).

The hospital: Naveen is retired (and we still don’t know if he’ll live)… Ethan quit… Harper hates her current job. I’m guessing that book 2 will be all about chaos in the administration of Edenbrook. And for some reason, I can see Declan Nash and the contract that Ethan had to sign involved in all this mess (I’m guessing Panacea Labs will be our real PITA in this series).

Backstories: we know so little about our friends/LIs lives outside the hospital and about their past! We know that our beloved and hot smart ass Ethan (insert heart emoji here) doesn’t have a good relationship with his family, but we don’t exactly know what happened there. We also know that there might be something about Bryce and his family, and that’s why he decided to be as far from them as possible. We know about Elijah’s childhood and his parents being on medical debt, but it would be huge to be able to learn more about the difficulties he must face every day as a person in a wheelchair. We are just getting to know Aurora and how hard it is for her just to be herself because of her family name (I’d love to see her kicking some asses and showing everyone that she’s there because she deserves it, not because she’s Harper’s niece). The only thing we know about the MC is that there is a brother somewhere in the universe. But we still don’t know anything about Landry, Jackie, Sienna or Kyra’s past, so I expect to have a book 2 full of backstories.

The new roommate: that will have to be solved by the end of chapter 17 or in the first chapter of book 2 (because we have to pay the rent!). I definitely don’t want the snake Landry our old roommate to return to the apartment (does anyone want it that way, actually?) and I definitely see Bryce as the natural choice to fill that spot, I don’t see any other option.

The patients: of course we’ll keep receiving new cases in book 2, but I’d love to see PB giving some special treatment to Kyra. We do know that her fight is a long one and I’d love to see the MC right next to her every step along the way not only as her doctor, but as her friend. I’m still not sure if she is a LI or not, but I wouldn’t like her to be one or to become one in the near future. Don’t get me wrong, I love her, but right now I see the Kyra/MC relationship being the equivalent to the Dolores/Ethan relationship and even though I don’t want this to happen because it breaks my heart, I may see the same outcome in both cases, especially after Ines told Kyra that her survival chances were ridiculously low (insert broken heart emoji here).

New LIs: OK, so most of us have already chosen our fave LI (team Ramsey for life here… my heart, soul and body belong to him, please don’t let my boyfriend read this) so probably book 2 will be the one where we will make things official and become more serious about our relationships (especially if you’re dating Bryce, Rafael or Jackie… it took less than 2 chapters for Ethan and the MC to look like a married couple already so I think there isn’t anything to discuss there). But we definitely need at least one more LI and it has to be a female. My votes go to Aurora (I can see it like the Becca/MC relationship in TF series) and Sienna (just because she’s the sweetest!).

New relationships: again, now that we all are dating our fave LIs and living the honeymoon phase, what about some of our friends and LIs that received a “thank you, next” answer from us? We’re already shipping Elijah/Phoebe (even though they are not in a serious relationship yet, I can totally see him moving to her apartment at some point in book 2) and Sienna/Danny (like please PB! I’d be so happy if by the end of book 1 they go on a date! I need that thing to happen like NOW!). I’d personally LOVE to see Bryce dating Harper… I can totally see him dating an older woman (and of course I can see Harper having a hot toy boy in her life) and they’d be such an unstoppable power couple! We know he admires her a lot professionally speaking, but taking things to the next level would be like living the Ethan/MC love story all over again (except that I don’t think Harper sets boundaries as Ethan did tried to do). I’m also hoping for Ines and Zaid to confirm during chapter 17 if they are a thing or if they’re just friends… I think most of us ship them and a lot of people assume they’re already in a relationship as they’re seen together like everywhere… maybe we’ll have to play matchmaker once again in book 2? And if I have to choose some type of crazy match I’d say Aurora and Jackie. Can you image how they’d flirt? We wouldn’t even know if they are throwing shade or complimenting each other, but they’d love each other in their own twisted way.

Gossiping sessions with Sienna: this is simple: I always knew Sienna was going to become our bestie sooner or later, and I’ve been dreaming about a gossiping session with her since she told us she wanted to know every little dirty detail about that trip to Miami (has anyone written a fanfic about that conversation? that would be so awesome!). Please PB, just make it happen!!

Ethan: last but not least. No matter if he’s your LI or not, this man is a topic by himself. You just can’t deny he’s one the best characters that Choices has created so far (if not the best one… his character development is just amazing) and that he’s the main reason why we are so obsessed with this book. I’ll focus on him as a LI as well because that’s the route I took. I’m really hoping to see him returning to Edenbrook this week, after saving Naveen (please PB, give Ethan a break and let Naveen live! He’s had enough suffering already!), saving our MCs ass at that hearing and recovering his confidence as an attendant. If he returns, his biggest conflict in book 2 has to be how to be able to keep a relationship with the MC and being our mentor and our boss at the same time. He is madly in love, so this will be a constant struggle! There is also what I call “the Harper factor”. The reason why Ethan and Harper broke up was because she became his boss. Now Ethan is facing the same situation, but he is taking Harper’s place as the boss. How will she react? How will he explain to Harper that he’s doing exactly the same thing they used as the excuse for their breakup a year ago? Will we have another Harper/MC tense interaction in book 2 where they both will talk about Ethan? I’m seriously waiting for it to happen. Despite this, I’d love to see a kind of hidden relationship between them (I don’t remember PB doing that before) until they can’t just hide it anymore because it’s too obvious or because someone caught them (let’s face it, both the MC and Ethan fail miserably when they try to hide their feelings). I think something like this could work in this very specific case because no matter who your LI is, our MC tends to be a super private person and I don’t know if after all the things that happened in book 1 we would want to keep being the favorite topic in the nurses’ gossiping sessions. Wedding bells? Of course, but not yet… I even think the engagement may take place in book 3 (if we get there). Will we meet Jenner? I don’t think so, at least not yet (insert broken heart emoji here). A few days ago I realized that if you didn’t do the diamond scene or if you didn’t choose the option where Ethan talks about Jenner, you have no idea that he has a dog. Just do something about it, PB!!!!

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familiarvulpes · 5 years

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Tool - Fear Inoculum Album Review

It feels good to review albums again. I reviewed albums last year for about six months but it just became too much trying to juggle everything with personal life and day job and writing songs for the channel and creating stuff for the second channel. But now instead of doing video reviews, I can do blog reviews. To be honest I don’t know why I did not think of this sooner. Album reviews will be about once a month. If I am feeling giddy then maybe two. Another good thing with doing reviews through this blog is I can spend more time on each album talk about it more and give more thought to each review. Like before with the reviews that were on the YouTube channel. Each album will get a score between one and ten. The higher the score, the more I enjoyed the album. It is just a number on how much I enjoyed it. It is just an opinion. One thing I am going to add is that in these reviews here on the blog, I will go track by track and talk about each one specifically.

The first album I am going to review or talk about is the brand new album from Tool “Fear Inoculum.” The first time I heard Tool is a toss up because I can't really remember. It was either on the video game Guitar Hero World Tour. It had three songs from them. “Vicarious” “Parabola” and “Schism.” The other time that it could have been the first time I heard Tool is when in high school I was in the car with my band mates and he played Tool. I believe it was Sober. Either one of those two were the first time but ever since then, I have been obsessed with them. They are the reason I make the music I do. I never knew you could make with dark spin and a hint of ambiance. Unfortunately, by the time I discovered them it was after “10,000 Days.” If you are a Tool fan then you know that is a horrible time to become a fan because it would be 13 years before any new music would come out. I am not going to talk about each time there was a rumor on the internet buring the span or the lawsuits had to deal with during that time. All I want to talk about is the new album.

The first time I listened to the album in full, I was in complete silence and in awe. You can say I was fangirling, I don't care. I love this album. The fillers I am not the biggest fan of but the songs themselves are amazing. You know you are doing something right when you right a ten minute song and it goes to number one on the billboard top 100. My personal favorite on the album is “Culling Voices.” It is the calmer one of the main songs and the lead vocals just make the song. Maynard James Keenan and his haunting voice makes this album very special. I love the album. The wait is worth it. I know people complain about it. I knew once it came out that people would have a problem with it. When you wait 13 years to release an album, there will always be people who expect way too much. I knew that when this would come out that people would feel underwhelmed. This album has become almost a deity with all its rumors and hearsay. Number one rule in life. Don’t try to make other people happy. You can’t make everyone happy. That doesn’t mean be rude to everyone but do things that benefit you. Now onto the songs.

Fear Inoculum

The First song on the album, and the single, opens up with your classic Tool ambiance. From faded in and out guitars that pan left to right , which is a good touch, to the drums and synths from the incredibly talented Danny Carey. After a while the bass comes in. What brought me to love Tool is the bass riffs. They play bass like a guitar which gives them part of their sound I believe. If you would ask me what is the heart of Tool music, I would say the bass. I know not a lot of people would agree with me but I can not think of another rock band has the bass guitar be so unique. Most of the time the bassist is just playing the root notes of what the guitarist is playing. But with Tool, the bass gives something more to the songs. Then Maynard James Keenan comes with the vocals. His vocals on not just this one but all of the songs sound amazing. The vocals are crisp and clear and just the overall tone of his voice is beautiful. The word inoculum I had to look up and it turns out Maynard talked about ‘inoculating’ in an interview about his wine making business. This interview was like three four years ago. The title was right in front of us for so long and yet we were looking for some weird spiritual things. No, its a wine making things, at least I think. I am not the greatest at grammer. Worst subject in school. At one point Mayrd does this whisper type of vocals and goes right into singing. The melody during the ‘chorus’, I was not expecting. Do not get me wrong, it was a pleasant surprise. Then after a whole the bridge hits and it is classic Tool. Almost dissonant guitars with punchy bass riffs. It calms down with the whole band with Maynard doing a very eerie vocal performance. The next vocal part is chant like. This song just goes into one thing after another. The transitions between are performed smoothly and precise which I expect no less from these guys. Then at the end of the songs everything picks up and gets heavier. At times it sounds like there are two drummers but in fact just one drums with 42 arms. I don’t know how the guy does it. You also have a guitar solo that sounds similar to something you would hear on 10,000 days. Then the very end is just guitars and crazy drums. I love this song. I think it is the perfect single for the album because it is the ‘catchiest’ on the whole thing.

Pheuma

The second song on the album is called “Pneuma.” This might be the most “Toolest” title ever because the word pneuma means the spirit or soul of a person. The song starts with a guitar riff that is kind of hard to explain. It is unique but hard to explain. Then the drums come and play some complicated groove that I am not going to even try to count because I am bad at math. Then it fades out to a bass riff that is in an odd time signature with a delay effect so the whole thing so far is in classic Tool fashion with being in an odd time signature. The guitar joins the bass in the same groove with a delay affect so it gives it a more spacey vibe to the riff. Then the Maynard comes in and the song officially starts. This song also has some chanting like parts from Maynard which is a theme in the album so far. I can only imagine what it is like live. After the chanting it goes into open chords and drums fills and just a huge sound. The quality on this record just surprises me every time how clear and crisp it is. The song continues a little while instrumentally and then goes back in the chanting like vocals with a little bit different guitar. This song is much more trippy and spacey than “Fear Inoculum.” It continues the pattern so far for quite a while. For some, I could see that being a turn off but I enjoy mainly because I love the sound to begin with but I can see why people would say that the record is too repetitive. I think it is meant to be repetitive because I have always seen Tool as a band that make music for meditation and it is hard to meditate to a three minute song. After several rounds of the same thing it breaks to just bass and what I think are bongos but I could be wrong. Then Synths come into the mix. That is another thing I believe they added more of than the previous releases is synths. I have noticed that synths are making a comeback, especially analog or modular. They’re just fun toys and super easy to make trippy music with. The song has a solo that sounds like a Tool solo. That is one thing about the solo’s is that once you hear you can instantly know who plays it. After the solo, it goes into a super heavy riff that is one of my favorites in the album. It is almost like a breakdown. The guitar tones rip through the mix in the best way possible and then song goes back into the chanting like vocals with the whole band just going crazy. The whole song explodes at the end. This song is becoming the fans favorite one I can see why because it has all the classic Tool characteristics but more. The song slowly fades out with instruments. My favorite thing of the song is the bass and delay effects. I am a huge nerd for delay effects and reverb so anytime I hear stuff like this I just love it.

Litanie contre la Peur

This is the first filler song for the digital album. Funny story about this song. First off you have to know what it sounds like. It is this super creepy synth that fades in slowly. The sound is very disheartening and creepy. One night at 4 in the morning, myc at apparently got on my computer keyboard and hit the play button and this song is the song that played. I was so freaked out. I thought the raptured happened or aliens invaded or a ghost with a broken flute was haunting me but it was just my silly cat. The song is ok. Like I said before, I am not the biggest fan of the fillers. I just am not sure why they put them in. If it was to make the album more than ten songs then ok maybe I understand. It is just ok this one. But lesson learned. Don’t have your cat walk on your computer keyboard.

Invincible

This is one is to me the best song lyrical on the album. It starts with a sweet guitar riff. It goes on for a bit but there are some changes in the riff so it is not the same thing over and over. Then the bongo whatever things come in and then Maynard starts singing. Like I said before, the lyrics on this one are amazing to me. From what I got from it is a person struggling to stay relevant, which is kind of the theme on the whole record but this song really hits the nail on the head on that theme. Then after a while a break happens with another Tool bass riff with a delay affect on it and goes back into Maynard singing. Just like before but without guitar and a more of a focus on the bass. After a little bit, the guitar comes back and whole the whole bands plays this trippy whatever you call it. One thing about this song is the chugging is real in this one and yet still has parts of ambiance in it. Like the ones before, the transitions are smooth and clean. For about the first half of the song they kind of repeat the riffs and parts but add little differences to them. Pretty much you are going to hear something different every time you listen to it. Around the six minute mark there is the first breakdown. Again the tones are monster. The breakdown does not last long but later in the song, they make sure to properly do a breakdown. It is kind of weird to talk about and the usage of breakdowns but they do great at them I think. Around the seven minute mark, it cuts to what is almost a different song or a different tempo. Super trippy and psychedelic. Then goes into a very tribal chugging part. It sounds like something you would hear from a tribe like thousands of years ago that is about to go to war or sacrifice some goat or fish or something. Maynard adds some vocals in this part with some effects on his vocals. I am not sure what the effect is though. The tribal chugging continues for a bit then breaks into super heavy chugging even though it's the same riff. It is just really heavy. Only complaint about this super heavy thing is that it does go for a long time. I would’ve liked to hear some ambient stuff or something different as the breakdown went along. Then all of the sudden when you think the song is over the whole band comes back in with a killer riff and picks up the tempo a little bit. The end of the song, the whole band just jams out and does what Tool does best. I love this song especially the lyrics on it.

Legion Inoculant

This is the second filler. More ambient-synth stuff. It is border-line noise music. You hear some vocals from Maynard from songs on this album. This is my favorite filler on the album because I do love noise/drone music.

Descending

This one the band has been playing bits and pieces of for a couples before the release of the album. It starts off with ambient noise and then comes in a bass riff with what sounds like a phaser or chorus effect. This riff is the riff they played at shows before the release of the album. Not long after the riff starts Maynard starts to sing. The songs start off very calm and hypnotic like but you can already tell it is in an odd time signatures. This song is more ambient than the others and somewhat chiller than the others. I am not saying that is a bad thing at all. Sometimes you gotta chill and relax and not listen to constant tribal chugging. Around the five minute mark, things pick up and up, not much and then the guitar and bass ring out to start with chugging on the guitar and the bass riff that was in the beginning of the song. This song so far is just one big build up. The part in the song where Maynard sings loudly “Stay Alive” is just so haunting. Around right before the seven minute mark the band goes into a massive jam session with Danny Carey just destroying the toms and the bass and guitar sounding massive. Adam Jones goes into a solo that just Tool. One thing I did not expect was the harmonizing on the guitar during the solo which I thought was a very nice touch. Then the ambiance comes back with the guitars fading in and out and the same bass riff that was in the beginning of the song. The jamming comes back in the while the band and you almost forget you’re listening to a song because it puts you into a trance, at least it did to me. Then another solo comes in and Danny Carey is just destroying the drums. This song just has so much in it. I think over half the song is instrumental and if you know me, I love that. The song just ends with the band going crazy. There is not much more to say about it that that.

Culling Voices

This song is hands down my favorite. It starts off with some sweet ambient noise and goes into a beautiful guitar riff. Maynard comes shortly after. What I like about this song is the vocals and melodies. That are so haunting and hit so hard. The song itself so almost creepy it is so haunting and I love it. This is actually, when it comes to songs, is the shortest at ten minutes and five seconds. Says a lot about the album when the shortest actually song is over ten minutes. My favorite part of the song is when Maynard sings “Don’t you dare point that at me.” I don’t know why I love it but I do. Maybe it is the style of singing he is doing or maybe it hits with me personally. I don’t know. I just love it. The guitars for most of the beginning of the song remind of a post rock band. It could easily be mistaken for a post rock band like God is an Astronaut or Russian Circles if you added more reverb to it. After a while the bass comes in with its own riff and of course sounds amazing. Around the six minute mark, you can tell the song is slowly starting to pick up. As Maynard sings “Don’t You Dare Point That At Me,” The song grows and explodes with full band just going crazy. Even Maynard after a while pretty much screams it in like a whisper cream. The song has a little break near the end but of course picks back up with another jam. This album is full of jams. Every now and then on the internet you will see a person ask for an instrumental album from Tool. There are plenty of instrumental parts on this album that will suffice their fancy. This song is great, I love it. It is my favorite it and I don’t feel like it is talked about enough.

Chocolate Chip Trip

This is my least favorite thing on the album. The synths I do not care but this is just a drum solo. I Know Danny carey is a monster of a drummer but the synths on this just ruin it for me.

7empest

The Longest song on the album. Clocking in at almost sixteen minutes. It starts with a guitar intro that similar to ones throughout the album but then goes into a riff that sounds like it could be on a Tool album in the 90’s. Reminds me of chevelle almost. They said in interviews I believe that they had this riff for years and now are able to put it into a song. The song sounds like it could be on undertow. Even the vocals and melodies sound like undertow. Out of all the albums, Undertow is my least favorite but has one of my favorite songs on it. That album to me feels like they were beginning to find their sound. Around the two minutes and forty second mark, they do a quick chugg thing then go right back into the song. Maynard’s vocals are angriest on this one when compared to the whole album. Of course it is in an odd time signature. I am not going to try to figure it out. The more you listen to the song, the more you hear other albums on it. It is ike every album into one song. The band even goes hard on this song. They let everything loose and just go insane. There are guitar solos, sweet bass riffs and insane drums throughout the whole song. The guitar solo goes for quite a while. And more impressive is that it is in an odd time signature as well which of course makes sense. At times I wish there was more singing but I am totally OK with these exteneded instrumental parts. It is hard to digest the whole song in go since it is over fifteen minutes long. Around the half way point of the song, they do this really fast guitar chugging which at first listen took me by surprise because it is just so cool. They have done riffs like that before when it is chugging pull offs but not the fast before. This song is really something else. It is a behemoth of a song because there is so much in it. I could only imagine the writing process for it. No wonder it took so many years to write the album. Around the ten minute and forty second mark they do a nasty breakdown that you can’t but help bob your head to and right after that, goes right back into a solo. Once the solo ends, you hear the guitar riff you heard at the very start of the song. It picks back up and the band goes crazy again. This song is a rollercoaster. At the end you heard that nasty breakdown with vocals for a short period and everything fades out at the end.

Mockingbeat

This is the last song on the digital version and probably the weirdest filler thing on the album. I am not sure what it is. I don’t really understand. But they put it on the album for a reason and there is probably some hidden meaning behind it but we will probably never know. Or maybe we are looking to much into it. Oh well.

Final Thoughts

The albums is a 9/10 For me. At times, I wish there was more singing and yes at times it does repeat a lot but that does not take away from the masterpiece that is this album. And now time to wait 54 years for the next Tool album.

If you want your album reviewed. Email [email protected]. There is a small fee but email for any other questions.

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dailyexo · 5 years

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[NEWS] EXO - 181227 Billboard: “EXO's 'Love Shot' Album: The Producers & Songwriters Break Down Every Song”

"The long-awaited one-two punch of EXO’s Don’t Mess Up My Tempo and subsequent Love Shot repackage provided fans with two heaping doses of polished pop. From Daft Punk’s Tron to U.K. garage, EXO checks off all the stylistic boxes on their latest works, expanding upon and further fleshing out their diverse discography.

The sonic gambles have paid off: The Love Shot repackage has already swept iTunes charts around the world from Thailand to the United States, building upon the record-breaking success of its predecessor Tempo. The members of EXO are still going strong six years into their careers, with Love Shot representing a new apex for the boy band.

We spoke with the producers behind EXO’s greatest LP thus far for the stories behind the songs.

“Love Shot”

Mike Woods: Last year in January, we had a camp with Marz Music and SM. They had liked the song since January [2017] -- Korea's just very strategic when they release songs and how they brand everything around the song. It was purposely [for] the repackage album from day one -- not necessarily day one, but they were deciding between "Tempo" and "Love Shop" -- the original [title] is "Love Shop," by the way. So we kinda knew that the repackage album would have "Love Shot" being the title single.

We wanted something that was very, very performance-driven, very dance-driven -- something that would sound good loud and in an arena. We like the fact that it's kind of in a different time signature -- it's in 6/8, so that's not like a generic pop song. With Korea, we like to do things that push the boundaries, not super generic, because they're very musical. Things like that translate a lot better than they do in America. We really like the anthemic [sound] -- even [with] "Oasis," that's what we strive for. We like to do things that just sound big -- I feel like that's our niche with me, Kevin [White], and Bazzi. It's fun, big, and loud. We saved it for the last day 'cause we knew we wanted to end the camp with a bang, and in our heads, we knew what song we wanted to make. We had voice notes of it from the first or second day we got there, but we wanted to save it for the end 'cause we knew it would be a big song for them.

“Tempo”

Leven Kali: Two years ago I went to Seoul for the first time for a writing camp with SM, and we started “Tempo” during that trip. It took a few sessions after that back in the states with the rest of the writers [Tay Jasper and Adrian McKinnon] to finish it up, and then Digi, the main producer, brought it home with the final touches. We didn't know where the song would end up, but I'm grateful that it ended up with EXO because they always execute the records at a unique and high-quality level. I'm really happy [with] how it turned out and blessed to be a part of their story.

The song is inspired by a lot of different genres and artists, like Teddy Riley, OutKast, and Take 6. Adrian is one of the most talented singers and musicians I’ve ever met, and he really brought that doo-wop flair to the track. In K-pop they really encourage experimental arrangements, so we got to be creative with this one.

“Tempo” was so fun to make because the energy during the entire trip was on fire. We were working so fast, coming up with tons of good songs, and definitely dabbling in the Seoul nightlife. Digi and Adrian had started the song on one of those crazy nights, and when we got back to the studio, it was a party making the record. Gotta give a big shout out to the blue soju. Also, fun fact: The original spelling of the song is “Ttempo,” with two Ts.

Digi Chammas: “Tempo” was a huge group effort with the writers and they absolutely killed it. I feel like you can tell it was a group of us having the most fun making that song. The constant switch ups and harmonizing is how we like to work. When we do that, there is a lot of back and forth for months with fine tuning, especially the a cappella section because it’s so special. Adrian [McKinnon] is a genius with his harmony. It’s one of my favorite songs I’ve produced, and EXO just crushed it. Crushed it! Having a single with them is what I’ve always wanted, and to be a part of such an exciting release is unreal.

"Tempo" is an amalgam of R&B, funk, disco, EDM, and '90s house. It all goes together without trying too hard. The pieces just fit. Doing edits on the demo wasn’t annoying or daunting because it just never got annoying to listen to.

I wanted to bring a bright energy to their music while still letting it still be serious without being too serious. Also, bed squeaks. They just work.

“Trauma”

Keynon “KC” Moore: Since [co-producer] DaBenchwarma and I are both managed by 3Sixty Music Group we collaborate on many different songs. Danny [Smith, KC’s manager] is telling me he had a plug for 5 Seconds of Summer. And I know they wanted to kinda go [in] a crossover, kind of urban [direction], but still keep it pop. So DaBenchwarma sent me over a few tracks for that and I wrote to four or five of them. And “Trauma,” as it is now, was one of them. It was actually called "A Little Bit" originally. I wrote to that -- usually what I do is I'm a night owl. I'll write really late, like 3 a.m., and then I'll toy with the melodies in my head. If I can remember the melody the next day when I get ready to record, it usually works out. The next day I went in and recorded it, so when I sent it over to DaBenchwarma, that was one of the tracks he really liked. Danny sent the records over to the A&R for DNCE and Ryan [Jhun], but Ryan hit us back first and was like, “We really like this track -- I’m going to send [it] to SM Entertainment, but let’s make some changes before I pitch it.” We made all those changes, [and] Ryan hit us back [and] said, “They want this for EXO.” A special shout out Ryan’s team Marcan Entertainment because none of this would be possible without them.

Maroon 5's last album was very [influential] -- I have a friend that wrote on it and she's one of my biggest inspirations. I wanted to keep things simple -- I'm still working on really simplifying what we call "pop music," trying to strip things down enough to where it's still very much intelligent but easy for a two-year-old to catch onto. Maroon 5, definitely, I feel like I utilized some of their simplicity and took my own take on it from there.

To me, it's a progressively pop song in which it's simple, but it definitely has a lot to it if you really strip it down and listen -- there's so much going on.

Cedric “DaBenchwarma” Smith: When I started working on that particular track, I was working on some stuff for DNCE at the time, and KC was writing some stuff for them as well. One of the songs that we'd written to, Danny had just gotten a pitch from SM again. At the time I was doing a lot of urban music, and so… it took me a day or two, because I had to readjust myself, just kinda reset and get in a different zone for the type of track it is. 'Cause it's uptempo, guitar-driven pop, a lot of energy. And I had to readjust and reset to get it how I wanted it, and once I sent it over to Keynon, we just started vibing out to it. We were like, "Man, I think we got something here." And so we sent it over to Ryan Jhun; he and his team loved it but wanted to make a couple of adjustments to make it fit for EXO. After making the adjustments, Ryan sent it to SM Entertainment. They loved it but ask[ed] for some changes and edits in additional to the changes Ryan’s team requested, plus a rap verse was requested since it wasn’t in the original pitch. We made numerous adjustments so it could be more energetic so that EXO could showcase their dancing. They're just a very multi-talented group; we wanted the music and the track to reflect who they were.

I was listening to so much at [that] time. I don't like to listen to one thing too long -- I kinda get influences from a little bit of everywhere. A little bit of DNCE, Maroon 5 -- guitar-driven melodic tracks that just keep you moving rhythmically from top to bottom. For me, I was looking for records that have that strong guitar influence in 'em at the time. I think that's one of the things that caught [SM’s] attention, 'cause it gets your attention right from the front of the melody of the guitar, and it drives the song right on home.

Last time we did an urban R&B mid-tempo style [track]. But this time around, we just wanted to do something more upbeat. Like I said, they have so many talents, with their dance and the stage presence and the energy they give. We were doing a track, we heard the energy to it, we [were] like, "Hey, this'll be a little different than what we did, but I think it'll be perfect for them because of how versatile they are." One day they may do the R&B, mid-tempo [sound], then next they come out with [a] high-energy dance track, and they can kill it all.

“Wait”

Andreas Öberg: This is kind of an interesting story, because it's an older song. We did this back in 2014, so the name "Wait" is very appropriate. I've done many camps, over ten camps together with [SM] in Seoul, but this was in my own camp -- it was arranged by a publisher in Korea called Iconic Sounds. So we were doing a week of sessions, and we had one day off. We were gonna go somewhere, but for some reason we didn't. We were indecisive [about] what we were gonna do that day, so Jimmy [Burney] and I were talking and we had done a bunch of songs based on tracks, more full-on kind of productions. We said, "Oh, we have this afternoon off, why don't we just go to the studio, do something just you and I, acoustic guitar and vocals?"

Back then, EXO were already doing winter albums, so we were aiming at that. Shortly after the camp, [SM] said, "Oh, this is perfect for EXO's winter album." So we got it confirmed as a placement. It was supposed to, I think, be on one of those Christmas releases. But then for some reason, they said, "Oh, sorry, no, we decided to use it at a later stage." Through the years, at different times, they told me, "Yeah, it's about to come out." So we didn't pitch it elsewhere because we thought it was coming out, but it always got pushed. And now, finally, four and a half years later -- I think it was autumn of 2014 that we created this song. We were kind of joking about it, "Wait" being an appropriate title, but it ended up where we kinda intended it to end up. We're really happy with the results, how it sounds with EXO's vocals.

I had to re-record the guitar a month ago because they changed the key slightly. It's basically two channels of guitar, one [with] basic chords, a little bit of lower bass mid-range chords, and then there's one other channel where I lay out some of the chords in the higher register just to get a little bit more glitter. We wanted to create something emotional for the winter season. Not necessarily a plain Christmas song, but this is, I would say, a winter season song. I think in Korea, in my experience, the releases from the labels are very season-based. People and fans are expecting specific colors, chords, styles of music.

Jimmy Burney: Four years ago I was in Seoul, Korea at SM doing some sessions with my friends from Iconic Sounds, a very talented music production crew. I went to breakfast one morning with Tesung [Kim], who is the head guy at Iconic, and he asked me who else I had been writing with in the K-pop market at the time. I told him about my buddy Andreas Öberg who does really well in the K-pop scene, so they ended up flying him out as well. Andreas is a genius on the guitar. So after a few sessions of writing to fully produced tracks, I suggested maybe doing something a little more stripped down. He started playing this beautiful progression and the record just came together like magic. A year after that, we were told that EXO would be cutting it and releasing it. That ended up not happening that year; we had to wait a little longer... so long to the point I almost forgotten they even recorded it. It was a nice surprise to wake up and see that the repackaged album it’s on had went No. 1 in 60 countries [on iTunes]. So I guess it was well worth the wait.

I really wanted to do a record that captured raw emotion, and the best way I felt it would stand out was to write a song that was opposite of what we had been writing the whole trip. Don’t get me wrong -- I think uptempos, drums, 808s, synths, and other fun sounds are amazing, but there is nothing like the feeling of a real instrument, like guitar, piano. It was really fun to arrange this with Andreas who has a great ear for structure and harmony. When I recorded my vocals on the demo, I wanted to make sure that it captured the essence of raw emotion so that whoever ended up cutting it would feel it immediately.

Andreas and I started creating this song in the evening -- I was extremely jet lagged. We ended up taking a break and my friend Siwon Choi from Super Junior came and picked us up and took us to dinner and a night out on the town showing us Seoul. We got back to the studio after midnight and finished writing and recording “Wait.”

I had another song with EXO years ago called "Love Love Love.” I’m honored to be a part of another album, I think EXO are amazingly talented. Since “Love Love Love” had more rap elements, it was really nice to give them a record that was more vocal driven this time around.

“Sign”

Patrick "J. Que" Smith: We called it originally "Body Don't Lie," but I think it might've been a little too spicy, so they made some flips to it. But the process of writing it was super, super easy. I remember we got over there and HM -- Harvey [Mason, Jr.] -- brought the track to the table. This trip, in four or five days, we maybe wrote fifteen or sixteen songs. So we've written one or two songs, and Harvey comes in the room excited -- "I got one! I got it! I know I got it!" And he plays the track, and immediately everybody's hype. We sit down and we start writing and we start vibing off of each other. We blew through the song fast, cut it, dressed it up, played it for the crew, and they were like, "Yo, we love this one, we definitely think we wanna use this one." We got the call when we knew they were gonna cut it. The guys ended up recording it, and I remember being back in L.A. at this time, getting a call from Harvey saying, "Hey, it's going really well, they wanna know if you can write a rap for 'em." We sat down, banged out a rap really fast, and sent it back.

Before we started writing, that [concert aspect] comes up now. You have to picture it on stage. If you can't hear it being sung, if you can't see it being performed in a stadium, then it's not the record it needs to be. We've met them, and they're all amazingly sweet guys, but seeing them perform was just wild. It's like watching Clark Kent turn to Superman. They're so amazing and mild-mannered and good natured and super polite, and then when they step on stage, they just become these superheroes. When we sit down to write, you just understand that you can't write this song for Clark Kent. We knew that we had to write the song for Superman. If Superman can't sing this song, we're not doing our job.

“Ooh La La La”

Digi Chammas: “Ooh La La La” came together so smooth. Bazzi is an animal with the pen. One of the A&Rs said something a little Latin would be amazing for EXO. Bazzi and I sat in the studio listening to this bossa guitar loop I had made with Justin Lucas right before I had gone out to Seoul. Honestly, [Bazzi] probably had half of song done within 5-10 minutes while I did the drums, haha. Then I just touched up the arrangement later that week before I left for L.A.. [Bazzi] knows how to write the catchiest shit ever. All I had to do was make it slap.

“Ooh La” is a Latin bop. It has low end and it moves. The inspiration for that was just EXO. When you have them as [the] goal, it’s easy to get inspired because you can almost already see them bodying it. You just know what direction to go.

Justin Lucas: The guitars throughout is me. It's got a bossa nova-inspired kind of groove. Me and Digi [Chammas] were messing around with the sort of bossa nova-inspired feel on the guitar, and then he sort of flipped that to more of the K-pop feel. We got together and played around with ideas, and while we were there writing, they sent some ideas. They said, "Hey, we're finishing the track, here's the bridge chords, can you do the bossa nova-style guitar over this section?" Once we started writing to the initial idea, it [took] about two days and it was done.

“Gravity”

Greg Bonnick, LDN NOISE: Whenever we start to work on records for EXO, we usually start by creating tracks freely and try to be as experimental as possible. Being fortunate enough to have worked on past records, we are quite connected to their journey, so therefore [we] have a feeling of what we would like to hear them do next as listeners and fans.

For “Gravity,” we started with a simple beat like Michael Jackson’s “Billie Jean,” and then played a funky bassline. As we layered more sounds, it became more like a disco/funk hybrid and gave us a futuristic feel. We visualized the movie Tron and the soundtrack by Daft Punk for the mood of the song and added the lead sound from “Power.” The lyrics added to the theme, and then Chanyeol helped with translation.

“With You”

Mikey Akin, Sons of Sonix: We basically had the writing session for another artist by the name of Aston Merrygold who's based back home in London, and it was a writing session that we had with him. It was us, Varren Wade, and Aston. I felt like [Aston] loved the song, but he was still deciding his sound for his project, so the record was still open. And then Varren had a meeting with one of the representatives at SM, someone that was looking after EXO, and played the record to them in the meeting, and they loved the record. SM was like, "Yo, we would love to take this for our project." ["With You"] was [created in] May 2016, and it found a home eventually. [SM], they must have heard it top of this year or later.

Myself and Mo [Samuels], our whole production is based in fusion, a lot of fusion [from] our background, us being British and Nigerian. Being from southeast London, you grow up listening to so much garage, so much jungle, so much grime, so what we tend to do is we fuse elements of each genre that makes our foundations in our productions. So even though the record is an R&B pop record, you have the elements of U.K. garage in there. I guess that's kinda one of the reasons why the record must have stood out, because it's something new, but something they could relate to. We just added a different spin to it with the U.K. element. It's kinda like cooking, when you make [something] a certain particular way and you [add] extra ingredients, and you go, "Oh, this is new, I didn't know you could do that!" But you're not scared to enjoy the meal.

[Chanyeol's involvement] was more of a direction kind of basis, making it fit into EXO's vision for the song. Because you gotta understand, if someone presents to you a whole complete record, there's still things you might wanna change. When we were finishing off the record and doing post-production on the record, he did have his input in terms of if we could try this and move this section of the rhythm there and have a drop out here. It was a collaboration back and forth to get the best out of the record.

“24/7”

The Wavyz: The initial idea for “24/7” came together almost a year before it got released. Our team is constantly working on new stuff for K-pop artists, and this is one of the ideas that we felt super strongly about.

Funny enough, it actually was meant for NCT 127 originally. We didn't find out that EXO was interested in it until around March, which is when we started to rework some of the parts.

We were going back and forth with [SM Entertainment] about different options for the intro of the song. We felt like we hit a wall and were stuck until the engineers we work with -- Aaron Berton, Andrew Hey -- walked by whistling the melody from the chorus. That’s when we knew it had to be the intro!

Our goal for this song was always to make it sound effortless while still keeping a high, driving energy going throughout. We wanted it to stand out from the other records on the album.

“Bad Dream”

Bianca Atterberry: It was [titled] "Stranger" when we initially wrote it. Me and Deez and Mike Daley and Mitch, they played the track. Deez will have a track listening when we come in and then we'll sit down and listen to the tracks that they've created. We started with melody -- that's how I normally start in general. I'll hear it and then we'll come up with the melody, and [Deez]'s so good at hearing harmonies and backgrounds and little ambiances. His ears are crazy. Deez is a very hard worker, so he was like, "We gotta get it done." That's all harmonies, all backgrounds, all lyrics -- we [got] it done that day. I feel like songs that are made in the moment are best.

It almost sounds like a '90s R&B song [in] the intro, and then it just hits with this energetic drive to it. It has a whole 'nother drive, almost like a poppy drive to it. But I felt like the melodic pocket needed to be a little bit more open because the beat was moving a lot, so I didn't want the melody to be too fast. I wanted it to be something you could still sing to and vibe to, so I was just going through melodies. I just sang, girl, I don't know where it comes from! I freestyle [the] majority of the songs that I write -- I'll just come up with the melody and sometimes I'll have the concept within whatever I just came up with. I'm not saying anything, I'm just [mumble-sings], you know what I mean? Just hearing what naturally feels good in that pocket.

Of course [the inspiration] would be a '90s male group, of course. It's New Kids on the Block, *NSYNC, Backstreet Boys. Because I know that they have these supergroups and they're still in that '90s vibe but then they have these pop elements to them as well. They also dance like Backstreet Boys and *NSYNC, and it's like they all had a baby, basically. That's what the vision normally is for EXO and groups like that.

Deez: “Bad Dream” was written during a song camp hosted by SM Entertainment. Normally in SM camps, producers bring their tracks, and the songwriters choose one of them to work on based on the discussion between the writers, and also with the A&Rs. When I’m in those song camps, I usually get involved in the track and vocal producing and toplining. For this song “Bad Dream,” I worked as a vocal producer and topliner. This was my first collaboration with the co-topliner “Blush” [Bianca.] She has [a] classical voice, but at the same time, it’s very trendy -- you don’t see that very often. Right after I listened to her voice, I could easily come up with melody of the song. She’s absolutely one of the best U.S. songwriters I’ve met. Blush and I worked on the track in very extemporary way, as we both like that type of work.

In song camps, I normally create one song per a day, but the chemistry with Blush made us to do two songs on that day, and “Bad Dream” was the first song of the day. It took 6-7 hours for the toplining and the vocal production. [It] was a very satisfying session. I normally do not follow any leads, but for this one, I was exactly targeting EXO, as Blush’s voice gave me the inspiration.

When we were going through Mike Daley’s tracks, it was hard for me and Blush to choose, as most of Mike’s tracks were used during the previous sessions. While we were struggling, Mike played a track that I heard while I was in L.A. last year. Mike let me listen to the track at that time, and I kept that one since I really liked it. I was thinking of TVXQ. Mike didn’t remember the fact that he gave it to me already, and played to us. Blush and I agreed with working on the track, and result was more than great.

Mike Daley: Usually when I go out [to Korea], I try to have a couple tracks ready from my camp just to be able to start the first couple of days off, and then start making new stuff when I'm out there. But that was a track I worked on with a producer I work with a lot, Mitchell Owens. So we started working on a couple of songs and if you hear two different beats -- it started off as a guitar-R&B vibe [track], and then I just started messing with some of the chords and different sounds and got a whole different vibe in the verses. [I] tried to make it sound a lot different than the intro, 'cause I know that's the stuff Deez likes writing to.

I think their sound, it can't be anything regular, down the middle. It's gotta be a little left of center, just something that's engaging, because their performances are so crazy. That's what I'm thinking about with the track, trying to make something that performance-wise will be cool.

Some of the new EDM pop elements, I got some inspiration from that. But then still, the real feel-good R&B, boy band vibe, which is what I came up in with The Underdogs -- that's always a part of what I'm doing.

“Damage”

Greg Bonnick, LDN Noise: For “Damage,” we really wanted a bouncy hip-hop record but with [an] anthemic chant feel to the chorus, so even though the verses were laid back, the crowd could really engage with the hook. We started with a piano riff and clap and built the song around that, adding in different elements as it progressed. It was a lot of fun and something different for EXO, one of our favorites.

Deez: “Damage” was created during the same camp that “Gravity” was made. The work flow with LDN Noise was pretty similar, but I wanted to stress [the] bridge part of the song. As you can hear, the chord progression, the melody, [and the] harmonies of the background vocals in the bridge part are quite dramatic. Since the initial track was [a] very strong hip-hop track, I wanted to give some turn around through the bridge part, and it was very satisfying, as listeners could have more [of a] spectacle when they get to the final chorus, with the bridge.

Adrian and I [are] always obsessed with new topline[s] and fresh harmonies, and this song was particularly a challenge for us. I think we were just trying to make the topline of the chorus part with obvious counterpoint. We took a break to think out of the box, and boom, all the rhythm and notes of the chorus hit my head. Based on them, we worked on the catchy rhythm.

“Smile On My Face”

Iain James: “Smile On My Face” came together in Los Angeles at Brian Kennedy’s studio with myself and Sam Hook. Sam is very close friends with the artist Trey Songz, and the song originally started out as an idea for him. It didn’t take long to be produced, mainly because Brian already had a lot of the track in place, especially the chord structure. So it was really just a case of myself and Sam coming up with the concept, defining the lyric[s], and then creating the melody, which I remember being a lot of fun as we’re both singers.

In terms of inspiration for the song, I think it was clear from the start that we wanted it to be an intimate love song, something for a singer to really connect with, and have a catchy chorus -- which I think it really does.

The song I did for EXO-CBX was probably a bit more fun and upbeat, so I’m glad we could do something a bit more heartfelt this time for EXO. Something their fans could really connect with, and something that would really show off their vocal abilities.

“Oasis”

Mike Woods: The original title is "Running," and the chorus [was] "I'm on the run/Baby I'm running."

Kevin White: I think the first or second thing [Bazzi] did [was] the "Running" [part]. I think at first it was kind of a mumble, and then he transformed it into words. We work real close with Bazzi -- we have a really good rapport and really good working relationship. I think this is one of the earlier songs we did in the camp. I remember Mike playing the stabbing chords, and then that kinda hit in the verses, and I remember we were saying, "It'd be crazy if the drums hit with that and then cut out." So it's doing a lot of things that come naturally to us.

Mike Woods: With us and Bazzi working together, I think we always try to do something that hasn't necessarily been done before or the way that we've done it. That's a really big thing for us anytime we work collectively, it's always about "How can we push the boundaries?"

Kevin White: The big choral stack... we just knew it had to go there because I think we were really searching for that big anthemic chorus that everybody's gonna sing in a stadium -- that's always the goal."

Credit: Billboard.

#EXO #EXO K #EXO M #181227 #t:news #fs:billboard #comeback:Tempo #followup:Shot #album:love shot

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scientifically-strange · 7 years

Text

What’s it Like?

Trying something a little new. Instead of third person it’s straight from Danny’s pov

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What’s it like?

I always find myself getting asked this, whether it be from Tucker, Dani, Sam, or hell, even Valerie sometimes. And while it doesn't upset me, the question itself is hard to answer, and is tiring to do so after having to do it so many times.

So what is it like living with the Avengers?

It’s indescribable, really. It’s fun, and annoying, and stressful, and happy, and so many other words, so I think the only way I can properly tell you is if I list them all off one by one.

Well, let me tell you.

First, I guess I should start with the host himself, Tony Stark. Though you probably know him better as Iron Man.

He’s everything people say he is, and more. He’s selfish and sarcastic, and is stupidly smart. Yeah, he’s also a playboy, and he never focuses on the important stuff for his company. Instead he pays with desk toys in important meetings.

Like all of us, Tony has a lot of baggage. We all have our demons, but Tony’s are arguably the worst. Yeah, I fought my older evil self and the ghost king, and Steve was in World War II, but compared to Tony it was a cakewalk. Because Tony’s been through a fucking blender. He’s got serious PTSD from the Incident, from the cave he was tortured in, and a few other things. He copes by drinking unhealthy amounts of coffee spiked with alcohol and monster energy drinks while building several more Iron man armors, all with their own special skills and weapons.

He also has really bad attachment issues due to his father was never really around, and the father figure he did had tried to kill him. So.

However, despite all of that, Tony is probably the most caring person on the team. And that’s including Steve. He just doesn’t know how to express it with emotions. So instead, he uses his actions. Thor mentioned one time that he needed to get more lavender (?) shampoo because he ran out, and now there’s a cabinet full of them, just for the thunder god himself.

There was another time when Clint’s hearing aids got blown up on a mission, and Tony made him everything-proof Stark hearing aids. Clint hasn’t needed a new pair since. And he made Steve and Sam’s rooms soundproof, so that when fireworks go off they can still enjoy the view, but now with less gunshot sounds.

Tony also really loves to nerd out, which brings me to my next friend, Dr. Bruce Banner. He’s pretty soft spoken, until he starts talking about science. I remember the longest conversation I’ve had with him was when we were talking about space and NASA, which somehow ended up on a conversation of the horrible structure of hot dog buns? Not really sure what happened there...

Bruce always has great advice, and is always in like, a zen sort of mood. He’s not nervous all the time like most people think. No, he’s only fidgety around stressful people, like Fury or Ultron. Which is perfectly understandable considering if he gets to angry or freaked he starts looking a little green around the gills.

That being said, Bruce also makes the best tea on the Compound. Nobody knows what he does to it, but if you’re having a rough day or something he’s got your back. And he’s always got Tony’s back, too. I There was one time when Tony had been up for almost four days and Bruce had come in and put some headphones on Tony, and he passed out immediately. I helped him get Tony to his room, and Bruce kind of took it from there.

Hulk is pretty nice to. Though, to be fair the first time I met him he was pretty pissed because he couldn’t hit me. But after he calmed down enough, I told him a couple of jokes and he kind of warmed up to me.

And I told him I could help get the glitter out of his hair.

He still doesn’t know that it sparkles sometimes when crime-fighting. Nobody else has either, but that’s only because they’re to busy kicking ass themselves.

Steve is kind of like everybody’s dream guy, even if you yourself are a straight guy. He is 240 pounds of All-American beefcake with a heart of gold. His hair is pretty soft too.

He’s caring, but I’ve recently learned that he;s a little shit.

You would expect Captain America to be the perfect man, soldier, superhero, whatever. But he isn’t. I don’t even know where anybody got that idea.

This guy has a police record that’s longer than a list of Mr. Lancer’s book-swears. And he has the worst mouth on him. He stubbed his toe the other day and was cursing up a storm. However, he was cursing in Gaelic. I asked him about it and he said it was his first language due to his parents being Irish immigrants. I hadn't known that before, so that was really nice to know. But it also explained his accent. He had a lot of Brooklyn in it, but every now and then the Gaelic would slip through with it, making for a weird verbal cocktail that never sounded quite right.

He also has the worst mind out of all of us. It’s worse than Tuckers. His mind may be the gutter, but Steve’s is the fucking sewer. He was telling me about how he thought fondue equaled sexy times, and like? Literally, where did you make that connection? How many other foreign words has he heard and thought it was something sexual?

It shouldn’t surprise me though, considering he was in the army.

I could go on and on about Steve’s mouth and reckless behavior, but he, like Tony, has serious PTSD. A lot of it is from the war. He doesn’t like fireworks or loud, sudden noises unless he’s on the battlefield. There was one time I saw him mute a movie during a scene with a train, and I was going to ask him why, but then I saw that far away look in his eyes. It wasn’t my place to pry.

There’s also something about the sound of Tony’s repulsors powering up, too. It makes Steve tense up like a cat every time he hears it.

His coping methods are a bit healthier than Tony’s. He likes to draw his thoughts and feelings out. He’s damn good at it to, and while that’s a great thing, sometimes he falls asleep with them open, halfway done, and the shit he draws is so dark and depressing. I kind of worry about him sometimes.

But Sam’s been helping him though a lot of it. He was stationed overseas for a while before coming back to the states, only to get caught up in the fight again a few years later. He didn’t really seem to mind though. In fact, he seemed happy to do so. Whether or not that was from Captain America asking him to, or because he missed flying, I had no idea.

But I’ll be damned if I ever go to the park with him again.

His name is Falcon. He has cool metal wings he uses to fly. That all makes sense, right?

So how the fuck is he talking to pigeons?

I am genuinely worried that one day Sam till take over the world with birds, and h will have them shit on people’s cars and peck out the eyes of Hydra. Or something on the lines of that. However, if he is actually going to do that I think he needs a cooler bird.

Like a Falcon.

And as weird as that was, it doesn’t match up to the awkwardness of meeting Natasha “Million Alias” Romanoff. She’s as deadly as she is beautiful, and if I was into her in any way I would probably pay her to beat me up.

It never actually occurred to me that she’s not always being a spy? I mean, yeah, she’s always looking at the ulterior motive, because anyone with her background (which we will not speak of, so don;t even ask) would do the same. But she’s also a shitposting meme generator and has a really popular vine account even though vine is dead? Then again this is Natasha we’re talking about. I don;t wanna know how she does what she does.

She also steals clothes. SO far she’s stolen one of Tony’s hoodies, a pair of Clint’s sweatpants, a scrunchie from Thor, and one of my old Dumpty Humpty shirts I got at a concert. She also cheats at Monopoly and Cards Against Humanity. I haven’t figured out how she’s done it, but I know she does. Nobody, and I mean nobody, can just fucking win seventeen times in a row. You;d have to be a mind reader to do that shit. Jesus.

She’s terrifying, and honestly, every time I see her glare the fear of Thor runs through me, but a good portion of that goes away when she’s around Clint. And honestly> I can’t blame her. Clint, out of all of the Avengers I live with, is probably the one I hang out with the most. He’s super chill, and covered head to toe in bandages and has to have an entire pot of coffee just to stay awake. Also, he’s deaf? I had no idea during the Battle of New York, but later I found out that it was because they had broken and his new ones hadn’t come in yet. He’s taught me a lot of sign language so far, and Tucker makes fun of me for practicing it when I’m back in Amity.

Clint also has a lot of nests.

He has one on top of the fridge, in the A that’s on the outside of the building, a couple of key spots in the vents, and a board room on the 27th floor under the table because nobody ever uses it and it has a nice view of the sandwich shop right across the street. I’m sure he has more, but those are just the ones that I’ve found.

Also, his dog is not cuter than Cujo, don’t listen to that asshole.

Even though Clint chooses to keep his hearing aids out half the time, he still knows when Thor has come back from Asgard. Every single time, no matter where we’re at in the building, he just knows. It’s like a sixth sense. His head perks up, and he gets a dumb grin on his face, but then it quickly falls when he remembers that he ate the rest of the thunder god’s poptarts.

Thor is really fun to be around. And while I haven’t had a lot of quality bonding time with the dude, Dani has. They sit around and braid each other’s hair all the time, talking about flowers and giant monsters and space. Really, they’re best friends. And it’s adorable.

Don’t tell Jazz I said that.

There are aspects of Thor that remind me a little bit of all of the Avengers. Like Natasha, he can be cunning when he wants to. He’s always got the munchies like Clint, and has great advice like Bruce. Similar to Tony he also struggles with his own demons. But he seems to be most like Steve.

That being said, they are both huge little shits.

See, Thor likes to prank people. Half the time he uses Mojo (I don;t know how to pronounce the hammer’s name, okay) to fuck with us. I remember he and Natasha handing different house members his hammer while Natasha video taped it. He gets a huge kick out of watching us fall over. I remember when he did it to Steve, who was to zoned out in his paper to even realize what Thor had asked him to hold. He was gobsmacked for a whole week.

He hasn’t done it to me yet, and I have no idea if that’s because he hasn’t gotten around to it or because he’s still obsessed over me technically being royalty since I beat Pariah Dark, the former king. The first time we met he got down on one knee and bowed. It was the most surreal experience of my life, and that’s including when Tucker had to wear a chicken costume to a Dumpty Humpty concert because he lost a bet to Sam.

Every time he comes back from Asgard, we shake. But we don’t shake like normal people. It’s a sort of cultural thing. Instead of shaking hands we grip each other’s forearms and squeeze. I kind of like doing that better than a handshake. It seems way cooler.

So, you ask me what it’s like to live with the Avengers?

Living with them, it feels familiar, like it;s the one thing I’ve been missing my whole life.

It’s family.

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Also, OC week submissions are open officially if you want me to write them in with a DP and marvel!

#danny phantom #avengers #crossover #drabble #fan ficiton #dp x marvel

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