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witchlingcirce · 17 days

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MY SHADOWHUNTER FANCASTS / FACECLAIMS

AC = CASSANDRA JEAN

this really isn’t generalised to one series, just particularly face claims / fan casts I have for the characters !! This is just how I see them BTW. (Also, I made this because I was rlly bored- that’s why all the edited photos here look really bad HAHAAH)

JACE HERONDALE - Rudy Pankow

SEBASTIAN MORGENSTERN - TOM GLYNN CAREY

ISABELLE LIGHTWOOD - DEVA CASSEL

JEM CARSTAIRS - WILL GAO

JESSAMINE LOVELACE - HANNAH DODD

I really wanna know what everyone else’s face claims / fancasts are ! So I can add them to my list.

Only on a little fun side note: this isn’t a fancast more like a hair cast (HAH that’s so stupid). But I really imagine Ty’S hair like this, and I hope they kind of stick to that during TWP.

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lavenderinoz · 10 months

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youtube

Tom Glynn-Carney plays Emma Thompson’s son in this satirical short film "Extinction" (2019)

#tom glynn carney #extinction #emma thompson #Rakhee Thakrar #nicholas rowe #charlotte hamblin #extinction rebellion

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sillypenguinwitch · 9 months

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isaac's books in heartstopper s2

episode 1:

Tillie Walden: I Love This Part

Faridah Àbíké-Íyímídé: Ace of Spades

episode 2:

Nina LaCour: We Are Okay

Oscar Wilde: The Importance of Being Earnest

episode 3:

Ocean Vuong: Night Sky with Exit Wounds (the one he is carrying under his arm, I'm assuming that's his and not for the display?)

has read: Ritch C. Savin-Williams: Bi: Bisexual, Pansexual, Fluid, and Nonbinary Youth

Emily Henry: Book Lovers

episode 4:

Victor Hugo: Les Misérables

Antoine De Saint-Exupéry: The Little Prince

Kate Chopin: The Awakening

Nina LaCour: We Are Okay (again)

episode 5:

Albert Camus: The Outsider

episode 6:

Martin Handford: Where's Wally? The Great Picture Hunt

Meredith Russo: Birthday

Jules Verne: Around the World in Eighty Days

Sara Pennypacker: Pax Anne Berest, Audrey Diwan, Caroline de Maigret, Sophie Mas: How to Be Parisian Wherever You Are ? ? ? Damian Dibben: The Color Storm Alice Oseman: Loveless Susan Stokes-Chapman: Pandora Katy Hessel: The Story of Art Without Men ? Evelyn Waugh: Rossetti Arthur Conan Doyle: The Hound of the Baskervilles A.O. Scott: Better Living Through Criticism ?: Then We Came to an End (?) Ruth Millington: Muse Dr. Jaqui Lewis: Fierce Love Charlotte Van Den Broek: Bold Ventures - Thirteen Tales of Architectural Tragedy ?

Richard Siken: Crush

episode 7:

Garrard Conley: Boy Erased

George Matthew Johnson: All Boys Aren't Blue

Samra Habib: We Have Always Been Here

episode 8:

Akemi Dawn Bowman: Summer Bird Blue

Angela Chen: Ace

bonus:

Truham school library pride display (seen in ep. 3 and 8):

top to bottom, left to right: Angela Chen: Ace Andrew Holleran: The Kingdom of Sand Mary Jean Chan and Andrew McMillan: 100 Queer Poems Scott Stuart: My Shadow Is Pink Lotte Jeffs: My Magic Family Tucker Shaw: When You Call My Name Ritch C. Savin-Williams: Bi - Pansexual, Fluid, Nonbinary and Fluid Youth Alok Vaid-Menon: Beyond the Gender Binary George M. Johnson: All Boys Aren’t Blue Mason Deaver: I Wish You All the Best Alex Gino: George Melissa

on top of shelves (left to right): Kevin Van Whye: Nate Plus One Xixi Tian: This Place is Still Beautiful Becky Albertalli: Leah on the Offbeat Mya-Rose Craig: Birdgirl Bernardine Evaristo: Girl, Woman, Other Connie Glynn: Princess Ever After Saundra Mitchell: The Prom

Charlie's choice at Shakespeare and Co (ep. 6): Allan Hollinghurst: The Swimming Pool Library

That's it for now.

Sorry about the ones i couldn't identify and sorry if i missed any! Might try and do some of the ones in Isaac's room later but that'll take a minute

#hearstopper #heartstopper s2 #isaac henderson #books #shakespeare and company #lgbt #charlie spring #alice oseman #aspec #aroace #aromantic #asexual #heartstopper season 2

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ginevrastilinski-ocs · 7 months

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🔁 all the crossovers I love them

Yes Yes Yes! Long little list coming long little list coming! 👀 Gonna also add some non-introduced yet ocs but I promise their posts are coming 👀 (Ofc feel totally free to turn any of them down if you don't feel like it!)

Descendants

Gabriel Legume & Jax Hearts

Gabriel Legume & Jess Hearts

Gabriel Legume & Juniper White

Gabriel Legume & Prince Baz *

Annalise Andersen & Celestine

Annalise Andersen & Rowan Cheshire

Emmeline Fitzherbert & Jess Hearts

Emmeline Fitzherbert & Jax Hearts

Emmeline Fitzherbert & Primrose Rider *

Emmeline Fitzherbert & Crystal Charming *

Charlotte Charming & Crystal Charming *

Charlotte Charming & Primrose Rider *

Charlotte Charming & Celestine

Ginevra Gothel & Jax Hearts

Ginevra Gothel & Jess Hearts

Ginevra Gothel & Brielle

Ginevra Gothel & Primrose Rider *

Ruby Fitzherbert & Juniper White

Ruby Fitzherbert & Primrose Rider *

Ruby Fitzherbert & Crystal Charming *

Glee

Ashton Daniels & Nate Simmons

Ashton Daniels & Elliott Walker (🥺)

Ashton Daniels & Maya Puckerman

Ashton Daniels & Melanie Jay

Ashton Daniels & Susan Cole *

Ashton Daniels & Jennifer Glynn *

Ashton Daniels & Chrissy Chamberlain *

Zeke Beiste & Nate Simmons

Zeke Beiste & Elliott Walker

Zeke Beiste & Melanie Jay

Zeke Beiste & Melody Wells & Lyra Wells *

Zeke Beiste & Zeke Wright (choose just for the name ngl)

Zeke Beiste & Connie Sanchez *

Giselle Abrams & Nate Simmons (🥺)

Giselle Abrams & Elliott Walker

Giselle Abrams & Kaylee Hummel (🥺)

Giselle Abrams & Ronnie Nell *

Giselle Abrams & Mirabelle Ryder

Steve Shuester & Nate Simmons

Steve Shuester & Elliott Walker

Steve Shuester & Jean St James

Steve Shuester & Melody Wells & Lyra Wells *

JATP

Luka Barbero & Grace Harris

Luka Barbero & Kat Patterson

Conrad Brooks & Gace Harris

Conrad Brooks & Kat Patterson

Anastasia Donahue & Grace Harris

Riordanverse

Cassandra Rose & Mike Lore

Cassandra Rose & Lucas Alderidge (& Gilbert Summers)

Cassandra Rose & Reggie Warwick

Chloe Brown & Catarine Jhonson

Chloe Brown & Ashley McCoy

And pls pls give me my rwrb babies so we can talk about crossovers also for them 🥺

#answered #oc related ask #crossover ship #charlie tag #manyfandomocs

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gaygryffindorgal · 1 year

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family lines; the quinn twins

aaron tveit and elizabeth debicki as melvin quinn and irene quinn, née fawcett

tom glynn-carney and hermione corfield as stephen quinn and charlotte quinn

naomi watts and liam cunningham as gwendoline quinn, née greengrass, and stephen quinn

danny griffin, alex pettyfer, and lucy boynton as camron quinn, stephen quinn jr. and bessie quinn.

charlie rowe and danny griffin as olly enfield and camron quinn

austin butler and cole sprouse as edmund ‘baby’ quinn and rome st. james

liv tyler and lucy boynton as delphine vixen and bessie quinn

hunter schafer as stephanie quinn-vixen

olly and rome belong to @potionboy3

delphine and stephanie belong to @endlessly-cursed

#the quinn family #irene quinn #melvin quinn #stephen quinn sr #charlotte quinn #gwendoline quinn #camron quinn #bessie quinn #stephen quinn jr #olly enfield #edmund 'baby' quinn #rome st. james #delphine vixen #stephanie quinn vixen

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dear-indies · 2 years

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Hello , please could you suggest some fc's who are British in nationality, of any ethnicity, preferably female or nb. And are under 30 years, and thank-you

Emma D'Arcy (1992) - non-binary - they/them.

Bimini Bon-Boulash / Thomas Hibbitts (1993) - non-binary - they/them.

Toby Marlow (1994) - non-binary and gay - he/him.

Olive Gray (1994) Zambian / English - non-binary - they/them.

Travis Alabanza (1995) Black and Filipino - transfeminine and gender non-conforming - they/them.

Emma Corrin (1995) - non-binary and queer - they/them.

Women:

Adwoa Aboah (1992) Ghanaian.

Olivia Cooke (1993)

Jodie Comer (1993)

Millie Brady (1993)

Aimée Kelly (1993)

Abigail Thorn (1993) English - trans and a lesbian.

Sophie Skelton (1994)

Connie Glynn (1994) English - she/they, aromantic lesbian.

Little Simz (1994) Yoruba Nigerian.

Fola Evans-Akingbola (1994) Nigerian / British.

Patricia Allison (1994) Kenyan.

Phoebe Dynevor (1995)

Simone Ashley (1995) Tamil Indian.

Natacha Karam (1995)

Jasmine Jobson (1995) Afro-Jamaican / Irish and Greek-Cypriot.

Priya Blackburn (1995) Indian / Unspecified.

Maddison Jaizani (1995) British / Iranian.

Ella Balinska (1996) Afro-Jamaican / Polish, English.

Anya Chalotra (1996) Indian / English.

Vivian Oparah (1996) Black British.

Ellie Bamber (1997)

Toto Bruin (1997)

Sophie Simnett (1997)

Hope Tala / Hope Natasha McDonald (1997) Afro-Jamaican / Irish, British - bisexual.

Bethany Antonia (1997) Black British.

Daisy Edgar-Jones (1998)

Lottie Moss / Charlotte Moss (1998) English - pansexual.

Ella Hunt (1998) - queer.

Erin Kellyman (1998) Afro-Jamaican / Irish.

Rhianne Barreto (1998) Indian and Portuguese / English.

Isa Briones (1999) Filipino / Swedish and Irish.

Nethra Tilakumara (1999) Indian.

Jessica Alexander (1999) English - bisexual.

Freya Allan (2001)

Please note the Irish suggestions listed are British by nationally but please don't erase their Irish culture regardless!

#fc help #rph #rpc

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deadlinecom · 5 months

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deadcactuswalking · 11 months

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REVIEWING THE CHARTS: 10/06/2023 (Dave & Central Cee, The Weeknd/Madonna/Playboi Carti, Metro Boomin’s ‘Spider-Verse’ OST)

Content warning: Incest?

It’s Dave’s third, and Central Cee’s first: their massive collaboration “Sprinter” debuts at #1 on top of the UK Singles Chart, and with a four-song EP, the two have definitely shaken things up, so welcome back to REVIEWING THE CHARTS!

Rundown

We have a bit of a hectic week to cover this episode, so it’s of no surprise that we ended up with tons of notable dropouts, those being songs that exit the UK Top 75 - which is what I cover - after five weeks in the region or a peak in the top 40. This week’s hefty list includes Eurovision hits like “Queen of Kings” by Alessandra, “Cha Cha Cha” by Kaarija and… Ed Sheeran hits like “Life Goes On” and “Curtains”. Otherwise, we say farewell to “Tony Soprano 2” by Nines, “Princess Diana” by Ice Spice and Nicki Minaj, “Snow on the Beach” by Taylor Swift featuring Lana Del Rey, “What’s Love Got to Do with It” by Tina Turner, “Sure Thing” by Miguel, “Forget Me” by Lewis Capaldi and “I Ain’t Worried” by OneRepublic.

As for what’s filling in the gaps, “Anti-Hero” by Taylor Swift is our only re-entry at #49, but our notable gains include boosts for “Relax My Eyes” by ANOTR and Abel Balder at #58, “UNHEALTHY” by Anne-Marie featuring Shania Twain at #48, “TMO (Turn Me On)” by Luude and Bru-C featuring Kevin Lyttle at #45 - definitely not complaining about those three - alongside some I’m not as pleased about, like “Area Codes” by Kali at #39, “Talibans” by Byron Messia at #37 and “Side Effects” by Becky Hill and Lewis Thompson at #35, though at least “Little Things” by Jorja Smith is up to #28, and “Good Love” by Hannah Laing and RoRo is big off of the debut up to #22. We also see Dua Lipa’s “Dance the Night” gain up to #13 and “Padam Padam” by Kylie Minogue at #12, both just missing the top 10, whilst “Dancing is Healing” by Rudimental, Vibe Chemistry and Charlotte Plank enters the top 10 at #8, becoming the first for Vibe Chemistry or Plank but Rudimental’s fifth; their first in five years since 2018’s “These Days” with Jess Glynne, Macklemore and Dan Caplen. It’s a shame that this new top 10 hit isn’t all that good, but what can you do?

The top five on this week’s UK Singles Chart consists of “Daylight” by David Kushner at #5, “REACT” by Switch Disco and Ella Henderson featuring the late Robert Miles at #4, “Giving Me” by Jazzy at #3, “Miracle” by Calvin Harris and Ellie Goulding at #2 and of course, “Sprinter” at the very top, which we’ll get to later as part of our muddled batch of this week’s new entries, which we’ll start now.

NEW ARRIVALS

#70 - “Give it to Me” - Matt Sassari

Produced by Timbaland, Danja and Matt Sassari

If this week is defined by anything, it’s that we have songs by the duo of Dave and Central Cee, songs produced by Metro Boomin and a bunch of loosies that fall into neither of the categories. This song, more known for its “Full Vocal Mix” that halves its length yet has around 100 more million streams, is by French DJ Matt Sassari, and is essentially a remix of Timbaland’s 2007 hit of the same name with Justin Timberlake and Nelly Furtado that was a #1 hit in both the UK and US. The original is a fascinatingly bitter takedown from the trio onto… pretty much anyone who they didn’t like, whether that be Janet Jackson, Fergie, Prince or Scott Storch - yeah, they hit some pretty big names here, and it’s one of those diss tracks that feels a bit more petty than it does deserved… though honestly, I don’t find that much of a problem given how the Timbaland solo albums are mostly celebrity showcases anyway so it makes sense to stain them with gossip. With that said, I don’t like the original that much, as whilst it’s got the classic buzzing synth bass and heavily percussive groove of Timbaland tracks, it also has some of Nelly Furtado’s weakest and most awkward performances, especially in her verse, and the vocal melody all three of them go for in the verses is sing-songy and bitter to the point where Nelly sounds completely confused, Justin sounds punchable and Timbaland just sounds funny… which means he at least has the most charming performance. Given the club-based lyrics, it makes sense for a house remix but I do feel it’s a tad awkward, especially with how disjointed the new house beat ends up feeling with the original song’s vocals, which whilst being effectively chopped up, don’t really provide any sensible alternative to this just being an instrumental, and said instrumental would be pretty cheap-sounding and boring with its typical slap house synths that cloud up into a whole lot of nothingness. If not lazy, it’s empty - so it definitely makes sense that they shortened it to not even two minutes, got rid of the instrumental and replaced it with the original verses, excluding Nelly’s, which is a welcome decision but with every Timbaland-produced track, you could tell how involved he was in ensuring everything made perfect sense and worked together. He was a star-producer for a reason, and adding his work onto some distantly made slap house beat does no justice for the original track, even if I’m not a fan.

#68 - “HEATED” - Beyoncé

Produced by Beyoncé, Sevn Thomas, Neenyo, Jahaan Sweet, Boi-1da, Cadenza, Kelman Duran, Stuart White and Harry Edwards

There are four and a half minutes of runtime on this track, and double the amount of producers… yet you can definitely tell where they’re all coming from. Sure, this is not my favourite track from RENAISSANCE, but there are so many layers to this at any point in time: the liquid-smooth acoustic guitars, the weirdly intense Afrobeats percussion, the distant distorted chanting under several different layers and harmonies of Beyoncé providing great vocals as always. Sure, there’s only one real verse, but this is the “vibiest” song on the album, coasting off personality in an actually endearing way, mostly because Bey is full of charisma and whilst the song is mostly about how only a real man can handle the unique, powerful woman that is Beyoncé, there are some nice nods to how she came up - with her subtly paying tribute to her uncle Jonny in the pre-chorus - and the completely insane outro of liberation and aggression that ends the song with the mantra that had been in the back of the mix the whole time. Like most of RENAISSANCE, it’s just a great, slickly-produced and cleverly-composed track with a lot of attention to detail - why it’s coming back now I have no idea, but it may have something to do with the leaked Drake reference track. I honestly wouldn’t have minded him on the final track, mostly because a song about being uniquely powerful makes a lot of sense for both Bey and Drake, but it’s not like he brings all that much personality to the table, so the solo version works just as fine.

#63 - “bread & butter” - Gunna

Produced by Turbo, Omar Grand and Cam Griffin

I could not care less about if Gunna “snitched” or not - it seems that he took a plea deal, which is normal and common in the legal system, and Gunna’s relationship with his friends is of no interest to me, or any white boy on Twitter who thinks they have an eye on the streets. I did expect a comeback single when he was freed, but I didn’t expect it to honestly go this hard and be so connected to the story at hand. First of all, the R&B synths sound warm and the bass is surprisingly fuzzy and dynamic for a trap beat. More importantly, Gunna maintains his hustle, dissing Lil Baby for his perceived hypocrisy as he apparently still associates with “rats”. It’s a shame to see that duo dissolve, but the melancholy flow Gunna keeps with for most of this song is pretty defiant though it shows a level of sorrow and guilt considering how he becomes so paranoid and arguably allows his flow to become quite wonky in that second verse, mentioning how many have wronged him, his addiction to prescription pills and most interestingly how he feels that he fell for a manipulation of the legal system, which isn’t exactly hard for me to believe. Ultimately, this is not a great song - it runs a little long and Gunna is still not a dynamic vocalist, even if the melody gives his bars an internal sadness that interests me about where he could possibly go next, perhaps for more vulnerable lyrics down the line. I mean, it would be interesting to hear from Gunna of all people, but I don’t think I wanted it to have to come about like this.

#60 - “Closer” - Bou featuring Slay

Produced by Bou

Okay, for once, I think we need to stop thinking about the “Children”. Bou’s recent drum and bass hit is yet another flip of the late Robert Miles’ trance classic that hit #2 in 1996, and it definitely feels overdone, especially since the piano sound here Is particularly cheap, and the build-up is so liquidy it’s practically slime, which isn’t worth it since the drum and bass break is tacky and the bass is straight-up ugly, with the borderline off-key 808 clipping in the mix. Slay is a BTEC Bru-C who just repeats the chorus for half of the song until he actually gets into a verse, which for whatever reason is set to the back of the mix with a bunch of reverb, so it sounds like a completely disjointed song. Slay can barely flow and sounds completely out of it, so everybody here is amateur hour. Next.

#59 - “Annihilate” (Spider-Man: Across the Spider-Verse) - Metro Boomin, Swae Lee, Lil Wayne and Offset

Produced by Metro Boomin, MIKE DEAN and Prince 85

I’ve heard really great things about Spider-Man: Across the Spider-Verse, and I do feel it is one of those superhero films you can enjoy without any prior knowledge of superhero films, and whilst I’m a fan of animation, so it’s probably necessary to watch it at some point, I don’t really have any interest in it, especially not after listening to the soundtrack, which feels as watered down as it could possibly be before it isn’t even recognisable as Metro Boomin production. What’s much more prominent are the flamboyant MIKE DEAN synths which make complete sense amidst all of the pop-music melodrama Swae Lee brings to the table, and honestly even Lil Wayne’s pretty great verse wherein he gives all the spider lines he must have been saving up for this groove-less trap beat. Offset on the other hand is embarrassingly basic, and Swae Lee has a verse for whatever reason that just makes the song drag on for no reason, especially since it’s a motivational song so if you’re not feeling it in the first hook, you won’t feel anything else. I get the appeal, but I’m not a fan… yet we have more Metro Boomin-Swae Lee Spider-Man tracks next week, except replacing the guests that are actually talented with, well…

#56 - “Calling” (Spider-Man: Across the Spider-Verse) - Metro Boomin, Swae Lee and NAV featuring A Boogie wit da Hoodie

Produced by Metro Boomin, Chris Townsend and johan lenox

NAV. He replaced them with NAV. To be fair, A Boogie is here too, but this is mostly the Swae Lee affair once again, with a liquid guitar line and an incredibly basic trap beat relying on pianos and occasional sound effects to make it sound in any way unique to Metro or the soundtrack. NAV is dour, also saying he isn’t materialistic, because anybody is believing that, and the rest of this is a love song. Great. Naturally, most of them sell it through the idea of giving them a bunch of luxury items, as well as generic platitudes that don’t paint an actual picture, with Swae Lee relying on superhero tropes again. I quite like A Boogie here, with a particularly dynamic, ever-changing flow and particularly honest, kind of cute delivery that has slightly more reciprocal lyrics as well as a great moment where the strings come in at the end of his verse, and he sounds great over them. That verse doesn’t save the song entirely though, especially due to the overlong instrumental outro that just fades out... and without any Spider-Man vore, unfortunately. We’ll be back to your feature film presentation after these brief messages.

#52 - “Sittin’ on Top of the World” - Burna Boy

Produced by Skread

So, in 1998, Brandy Norwood released “Top of the World”, featuring the laidback, effortless rap of Ma$e and the hit-making grooves of Rodney “Darkchild” Jerkins. It’s fine. The production actually feels very underwhelming, and the conceit of the song isn’t exactly fascinating, especially with a just-okay Brandy performance, two tacked-on Ma$e verses and a post-chorus that hasn’t aged particularly well - not because it’s problematic or anything but because it sounds very jerky and missing the fine tuning that probably would exist with that kind of vocal stutter and refrain nowadays. To be fair, the strings in the bridge are great, but the song isn’t overall, and it stalled at #2 behind B*Witched… okay, so the song was at least better than that song, and I’ll admit that it’s funny to hear Brandy ask Ma$e to slow down because he’s “killin’ ‘em” considering Ma$e is one of the most - purposefully - boring rappers of all time. Is Burna Boy’s remake an improvement? Well, I say yes, actually, with a fatter bass groove than the original, and a clever interaction with the sample, which is pitch-shifted and both interrupts and completes Burna Boy’s self-liberating chorus. Sure, that vocal stutter still doesn’t sound great, but it’s more well-integrated with the blended production here, and Burna Boy’s rich voice definitely helps further how catchy and honestly just kind of cute this song is, with the wormy synth by the end sealing the deal. Mediocre sample ends up producing pretty good song. Who knew?

#51 - “Am I Dreaming” - Metro Boomin, A$AP Rocky and Roisee

Produced by Metro Boomin, MIKE DEAN, Peter Lee Johnson and Scriptplugg

Our third and final track from the soundtrack is the only good one here, and yes, I’m saying that because A$AP Rocky is on it. Let’s just say I’m a fan. Seriously though, there are other factors here, mostly the whole early-2010s pop vibe it has going on, though a bit less compressed than those tracks were. The strings sound excellent and actually make this feel like a superhero anthem, especially when Roisee’s hook lines up perfectly with it, amidst the buzzing bass synths, and whilst I think that hook may be repeated a bit too much, she actually sells the motivational angle, partly because of how distorted her vocals end up sounding, indicating a filter that’s actually an obstacle between her and her dreams, whilst the rest of these tracks are complete fantasies. Similarly, Rocky mentions waking up feeling thankful for everything that’s been granted to him, and remembering how far he’s come from his impoverished childhood, even mentioning that because of the disparity he saw, he ends up ensuring his poorer friends hang out with his wealthier friends… which is not how that should work but I don’t care when he’s flowing this effortlessly, and the drums are so busy during his verse, it’s impossible not to have at least a little fun with it. I do wish Rocky was on the rest of this, but Roisee’s vocals are great, even if she doesn’t really go for an alternate melody at any point, meaning it feels a bit exhausting to try and split the chorus and verses from each other. Even if Rocky’s a non-presence for the rest of the track, MIKE DEAN is definitely here decorating the track with all his favourite synth patterns. Speaking of, even if it’s our last from him as a lead artist, Metro - and MIKE DEAN for that matter - still have yet another track debuting this week, that being…

#21 - “Popular” - The Weeknd, Playboi Carti and Madonna

Produced by Metro Boomin, MIKE DEAN and The Weeknd

Yes, this sounds bizarre on principle. The Weeknd and Madonna makes some sense considering the over-the-top pop icon status they both display, as well as both singers’ obsession with modal eras, but Playboi Carti? Well, it makes more sense when you consider Madonna was intended to be on the song firstly, and secondly, Carti’s only contributions are baby-voiced ad-libs in the post-chorus. In fact, let’s get him out of the way - he’s mixed horribly, doesn’t need to be here, sounds like he’s been sped-up and awkwardly placed in and his parts feel double the length of any actually decent elements the song brings to the table, which is a shame because this is actually a fantastic song, perfectly fit for soundtrack of The Weeknd’s HBO series The Idol not only due to its lyrics about being desperate for stardom but also with the campness of it, not pretending to be cool like any of the Spider-Verse cuts. Instead, we get Madonna’s silly spoken-word monologue over thematic synths and Metro’s drums doing their best Timbaland impression in this very 2000s funky dance-pop production. I’m pretty sure the song is about the series’ characters in some way, but I care very little about that so I’m just interested in the constant hooks exploding from everywhere, whether it be the sneaky keys, Abel’s constant grunting in the verses, the infectious “oh-oh” refrain in the pre-chorus, and of course, that impeccable chorus, whether it be the synths jabbing in and out or the catchy refrain Abel croons out. Madonna, unsurprisingly, gives not a fantastic performance but one very much within the realm of what she needed to do, as keeping it a tad more subtle was probably for the best to avoid this becoming a completely incoherent track. The cute laughs added in the bridge is a nice touch too, it does sound like this could have very well been a prime Madonna track… except you know, with The Weeknd replaced by Prince and Playboi Carti a complete non-presence. Please make a version without him, Abel, it’s the only thing that’s preventing this from being an excellent song - and you know, maybe add a bridge or synth solo in his place. Please?

#17 - “UK Rap” - Dave and Central Cee

Produced by Kyle Evans

Okay, so one thing I’ve noticed is a trend across all of our new arrivals this week: the lyrics are not interesting. If you run through them, they’re mostly either generic for no reason and as a result just uninteresting or generic because they’re soundtrack singles, with “Give it to Me” being a remix so the lyrics can’t really be totalled up there even if they are a bit more interesting. Apart from “bread & butter” and maybe “HEATED”, these three songs from Dave and Cench, all from their four-song EP Split Decision will be our only chance for some depth or at least comedy this week, since Dave is a conscious rapper and well, let’s just say Central Cee is never afraid to elaborate. Apart from the only track on the EP that didn’t chart, it’s pretty low-stakes for Dave and a comeback to making actually good music for Cench, so I’ll try and make these last three pretty quick and light-hearted. “UK Rap” is a slightly condescending nod to how British hip hop is under-represented, with Cench knowing a girl who only listens to the two most famous British rappers - guess who - and otherwise only bumps Americans in the car. Kyle Evans provides a decent enough drill beat, even if I’d want it to be a bit more fluid with the 808s and it seems a tad too intimidating for a song that’s mostly comical in its lyrical content about this… underwhelming relationship. Cench actually goes for some wordplay as well as having a pretty confident delivery, and mostly does alright. Dave… well, his verse is just as comical, and I had to stop and replay the song after I laughed over the bars that followed him randomly dropping in his pontification about asking for feet pics. The verse honestly continues to be pretty great, as Dave has an attention to detail in his bars, with a great conversational flow, slick wordplay about Rudimental and a great fluid flow that runs all over the beat and makes it sound so much better than it actually is. Oh, and we get a Nelly Furtado mention here, which would be a book-end if this were the single.

#14 - “Trojan Horse” - Dave and Central Cee

Produced by Dave

This sample is incredible. The strings from the Warsaw Philharmonic Orchestra are beautiful, and they’re chopped up in a pretty awkward way on first listen but as soon as the trickling drill hi-hats come in, it all makes sense, and the bass also sounds weird first listen… but the juicy tone of it makes it sound a lot bouncier, which works for them trading bars and creates a really unique version of a drill beat. As for the bars here, Dave and Cench talk about gang violence and paranoia, that even gives him trauma when his girl puts him in cuffs, as well as a lot of flexing and girl talk as you’d expect. Apart from wanting to have sex with his step-sister, it’s a nice touch that instead of cutting out the beat when Cench says he doesn’t need a beat (because he’s “too vocal”), Dave instead gets rid of the strings sample, so that when he comes back for his verse, he can lead another one in that’s a bit more interesting and screechier than the last, keeping the beat a lot more interesting, as well as allowing the main strings loop to feel like a refrain, that fits due to the nostalgic feel of it. Dave’s rhyme schemes are satisfying and whilst I’d appreciate a bit more interplay, they have enough chemistry in that they’ll share similar rhyme schemes or content themes between verses. Dave definitely shows up Cench - as expected - in terms of pure bars, but as a result it almost feels relaxing whenever Cench comes back In, which is actually the opposite for the third and final track from the two debuting today:

#1 - “Sprinter” - Dave and Central Cee

Produced by Jo Caleb, Jonny Leslie, Dave, Jim Legxacy, Kyle Evans and TR the Producer

The big hit from the EP is actually pretty much a Central Cee showcase, as the one track on this EP where he really shines ends up getting the single and video push. I’m glad, too, since first of all, I haven’t heard Cench’s vocals in this high of a fidelity so Dave gave him more of a budget than usual, and he also put him on much more interesting production, with the six producers curating an incredibly energetic, tropical beat bringing highly percussive elements to the drill rhythm, whilst tonally, the song uses acoustic guitars and almost Pharrell-sounding vocal soundbites as well as an incredible use of bass. It’s a lot of flexing and girl talk once again, but there’s actual interplay between the two and Cench is the most infused he’s been in years, whilst Dave is effortless rapping quickly but still with this new conversational cadence I hadn’t heard from Dave until now and it really works a lot better, since his blunter delivery was what prevented me from enjoying some of his music prior. Cench’s second verse is genuinely incredible, as he goes on for way longer than I expected as the beat shifts around him into this beautiful vocal warbling that has enough attention to detail to add the “Maybach Music” tag when it’s referenced. I could probably do without Dave’s second verse, honestly, I feel like the song is kind of out of steam - and breath - by the end of the second chorus, and it ruins the catharsis the song makes me feel from having a return to the hook after Cench’s exhaustingly good verse, but as a misogynist epilogue, I suppose it works, and whilst I do prefer “Miracle”, I’m not mad this is at #1.

Conclusion

It’s getting the Best of the Week too, though you could honestly tie it with “Trojan Horse”, and as for the Honourable Mention, it only feels right to give Beyoncé a nod for “HEATED”, though Gunna was absurdly close. As much as I want to spare Metro Boomin, he did make NAV chart so “Calling” with Swae Lee featuring A Boogie wit da Hoodie ends up as the Dishonourable Mention, with the Worst of the Week easily going to “Closer” by Bou featuring Slay, which I can only hope doesn’t last. As for what’s on the horizon, well, it seems like it may be the true start of Summer on the charts and it seems like the quality for this Summer’s hits are going to stay pretty high, even if the older tracks are a bit too slow in their exits, so I’m excited to see what else is coming. As for now, thank you for reading and I’ll see you next week!

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thronesfm · 1 year

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mw targs fc suggestions ?

we'd love to see aaron taylor johnson , bradley james , finn cole , harris dickinson , jacob collins levy , jack lowden , james norton , josha stradowski , josh whitehouse , matt smith , nick slater , philip froissant , toby regbo , tom glynn carney , ewan mitchell , evan roderick , jannik schumann , margot robbie , samara weaving , annabelle wallis , sasha luss , sienna miller , emilia clarke , suki waterhouse , hannah dodd , charlotte spencer , lily james , lucy boynton , blanca suarez , claire holt , gabriella wilde , emma rigby , hannah new , noemie schmidt , amy wren , alexandra dowling , alicia agneson , ellie bamber , emma d'arcy , and morfydd clark .

#period rp #got rp #appless rp #mumu rp #mw

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imoim36news · 1 year

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Glynn Wolfe, vẫn được gọi Scotty Wolfe (1908 - 1997), là 1 trong những phần sư Baptist ngụ tại Blythe, California, người phổ biến vì thế lưu giữ kỷ lục về con số cuộc hôn nhân gia đình một vợ một ông xã tối đa. Cuộc hôn nhân gia đình sớm nhất của ông chỉ mất 19 ngày, vẫn cuộc hôn nhân gia đình nhiều năm nhất của ông thì được 11 năm. Hình hình ảnh Glynn Wolfe thời trẻ con và Lúc về già facebook.com, youtube.com Glynn Wolfe, ông xã của Linda, người lưu giữ kỷ lục có tương đối nhiều cuộc hôn nhân gia đình nhất vào lịch sử hào hùng aventurasnahistoria.uol.com.br Ông là 1 trong những người rất kỳ kỳ lạ, có lẽ rằng vẫn không kinh khủng vượt khứ và vẫn mong muốn vào sau này, vào ấm áp hôn nhân gia đình nên ông tái hôn cùng với 3 bà vợ từng ly hôn trước đấy: cưới bà Charlotte Devane lần tiếp nữa vào năm 1936, sau Lúc đang ly hôn bà vào… đầu năm mới đấy; cưới bà Katherine Archer lần nhị vào năm 1949 sau Lúc chia ly vào năm trước đó; và tái hôn bà Sharon Goodwin vào năm 1960 sau Lúc ly hôn cũng vào năm trước đó. Mặt tám lạng ta người nửa cân nặng Cuộc hôn nhân gia đình thọ nhất của Glynn Wolfe là 11 năm với những người vợ loại 28, Christine Camacho, kém cỏi ông 37 tuổi. Lần cuối thuộc ông kết duyên với cùng một người cũng phổ biến ko kém cỏi gì ông, này đó là bà Linda Taylor, một kỷ lục gia cùng với thương hiệu “người phụ nữ kết hôn nhiều nhất”:... url nguồn : thanhnien.vn #Ông #thế hệ #vợ #cưới #bà #thế hệ #ông xã

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officialbloodslayers · 1 year

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Part One Main Character Sheets

Damien is the lead character and youngest member of the team. They're intelligent and quick witted, though they tend to lose themself quickly when their temper takes over. They strive to prove to everyone that they're just as strong as those around them.

Daniel is the team's Mage, and a skilled one at that. He's able to cast any element except the illusive light. While he's not always the brightest, he cares greatly for the safety of his friends, and will do whatever it takes to protect everyone he holds dear.

As of Chapter 63 (Book 3, Chapter 12) Daniel's Slayer outfit has changed. With Lilith's insistence, his new uniform has a greater focus on defense and protection. The style is simplified and practical, a far cry from his previously loud and flashy clothes.

Lilith is the team's leader, and the first publicly known Artificial-Nephilim. While she has a destructive reputation, she always succeeds in protecting the innocent. Her past is illusive and shrouded in darkness, but that doesn't stop her from smiling.

Charlotte is the team's Seraph, a race of people said to be created by Engel herself. She has a distaste for tradition and prefers to aid others with emotion and empathy. While her demeanor may seem cold at times, she's truly doing her best to support her friends.

Alex is the most experienced and highest ranked Slayer on the team. He's known for being intimidating and stern, though such attitude unknowingly comes from him just being shy with a lack of confidence in his Common. He's extraordinarily kind and hardworking.

#BloodSlayers #original content #original character #Damien Glynn #Daniel Glynn #Lilith Nodin #Charlotte #Alex Tsuyoshi #Character bio

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tuseriesdetv · 2 years

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Noticias de series de la semana

Renovaciones

HBO Max ha renovado Our Flag Means Death por una segunda temporada

BBC Two ha renovado Inside No. 9 por una octava y novena temporada

Apple TV+ ha renovado Slow Horses por una tercera y cuarta temporada

Netflix ha renovado Iosi, el espía arrepentido por una segunda temporada

Disney+ ha renovado Star Wars: Visions por una segunda temporada

HBO ha renovado A Black Lady Sketch Show por una cuarta temporada

Sky Atlantic ha renovado Das Boot por una tercera temporada

Cancelaciones

La sexta temporada de The Good Fight (Paramount+) será la última.

HBO Max ha cancelado Raised by Wolves tras su segunda temporada.

No hay información oficial por parte de HBO Max, pero su protagonista y productora Kaley Cuoco no cree que vaya a haber tercera temporada de The Flight Attendant.

Brendan Hunt, actor de Ted Lasso (Apple TV+), afirma que la tercera temporada será la última.

La segunda temporada de Avenue 5 (HBO) será la última.

La novena temporada de Endeavour (ITV) será la última.

Noticias cortas

Alexis Bledel (Emily) no estará en la quinta temporada de The Handmaid's Tale.

Charlotte Spencer (Esther) no estará en la tercera temporada de Sanditon.

Leslie Mann y Tim Robbins abandonan The Power, protagonizada por Rainn Wilson.

Sandra Mae Frank (Wilder) será regular en la quinta y última temporada de New Amsterdam.

Jay Lee (Chris Park) será regular en la segunda temporada de CSI: Vegas.

Dallas Dupree Young (Kenny) será regular en la quinta temporada de Cobra Kai.

Tommy Chong (Leo) también estará en That '90s Show.

6666, spin-off de Yellowstone, se muda de Paramount Network a Paramount+.

NBC ha iniciado negociaciones para revivir Magnum P.I. tras la cancelación de CBS.

Fichajes

Jodie Foster (The Silence of the Lambs, Taxi Driver) protagonizará y producirá la cuarta temporada de True Detective. Interpretará a la detective Liz Danvers, que investiga la desaparición de seis operarios en una estación de investigación en el Ártico.

John Malkovich (The New Pope, Being John Malkovich), Emily Mortimer (The Newsroom, Doll & Em), Claes Bang (Dracula, The Square) y Maisie Williams (Game of Thrones, Pistol) se unen a The New Look, protagonizada por Ben Mendelsohn y Juliette Binoche.

Charles Dance (Game of Thrones, The Crown), Meta Golding (Empire, The Tomorrow People), Enid Graham (Mare of Easttown, The Sinner), Jason Butler Harner (Ozark, Alcatraz) y Walt Klink (Brugklas, Ivalo) completan el reparto de Rabbit Hole, protagonizada por Kiefer Sutherland.

Megan Mullally (Will & Grace, Parks and Recreation), Jason Mantzoukas (The Good Place, Brooklyn Nine-Nine), Glynn Turman (House of Lies, The Wire), Virginia Kull (Big Little Lies, NOS4A2) y Timm Sharp (Enlightened, Blunt Talk) serán recurrentes en Percy Jackson como la furia Alecto y Mrs. Dodds, la estricta e irascible profesora de matemáticas de Percy (Walker Scobell); el dios Dionisio y Mr. D, el líder del campamento de semidioses; el centauro Chiron y el profesor de latín Mr. Brunner; Sally, la madre de Percy; y Gabe Ugliano, el padrastro de Percy; en Percy Jackson.

Will Arnett (Arrested Development, BoJack Horseman) dará voz a Sweet Tooth en Twisted Metal. Richard Cabral (American Crime, Mayans MC) será Loud, el hermano sobreprotector de Quiet (Stephanie Beatriz).

Brandon Flynn (13 Reasons Why, Ratched), Betty Gabriel (Get Out, Clickbait), Will Harrison (Daisy Jones & The Six), Hamish Linklater (Midnight Mass, The Newsroom), Damian O'Hare (Pirates of the Caribbean), Patton Oswalt (Veep, Agents of S.H.I.E.L.D.), Lili Taylor (Six Feet Under, American Crime) y Matt Walsh (Veep, Hung) se unen a Manhunt. Linklater y Taylor serán Abraham Lincoln y su esposa Mary.

Ricky Martin (The Assassination of Gianni Versace: American Crime Story) y Josh Lucas (The Mysteries of Laura, Yellowstone) se unen a Mrs. American Pie. Lucas interpretará a Doug, el marido de Maxine (Kristen Wiig).

Amanda Peet (Brockmire, Studio 60) será Beth Gallagher, la esposa de Dan (Joshua Jackson), en Fatal Attraction.

Gregg Sulkin (Runaways, Faking It) será David, un piloto de ascendencia judía, en la segunda temporada de World on Fire.

Billy Boyd (The Lord of the Rings, Outlander), Ntare Guma Mbaho Mwine (Heroes, Treme) y Julian Rhind-Tutt (Britannia, Harlots) se unen como recurrentes a Washington Black.

Danielle Macdonald (The Tourist, Unbelievable), Lil Rel Howery (The Carmichael Show, Rel) y Dascha Polanco (Orange Is the New Black, Russian Doll) se unen a Poker Face. Se desconocen detalles.

Seth Green (Robot Chicken, Buffy the Vampire Slayer) sustituye a Jim Gaffigan dando voz a Thunderbolt en la tercera temporada de Stargirl.

James D'Arcy (Agent Carter, Broadchurch) será Magnus, el marido de Jo (Noomi Rapace), en Constelation.

Jake McDorman (Greek, The Right Stuff) será el rebelde ex de la monja (Betty Gilpin) que libra una batalla contra una poderosa inteligencia artificial en Mrs. Davis.

Augustus Prew (The Morning Show, Prison Break) y Mark Gatiss (Sherlock, Game of Thrones) interpretarán a Tony Adams y Larry Grayson en Nolly.

Alexa Mansour (The Walking Dead: World Beyond, Home Before Dark) será recurrente en la segunda temporada de Fantasy Island.

Emily Hampshire (Schitt's Creek, 12 Monkeys), Tymika Tafari, Whitmer Thomas (GLOW) y Amar Chadha-Patel (The Third Day, Willow) protagonizarán Slip junto a Zoe Lister-Jones.

Adrienne Warren (Women of the Movement) y Mia Isaac protagonizarán Black Cake. Warren será Benny, artista alejada de su familia e hija de una mujer que muere de cáncer en el siglo XXI, cincuenta años después de que una novia (Isaac) huyera de su boda en Jamaica tras asesinar al novio.

Henry Eikenberry (Euphoria) protagonizará The Crowded Room junto a Tom Holland, Amanda Seyfried y Emmy Rossum.

Amelia Clarkson (The Last Kingdom, Poldark) y Samuel Anderson (Doctor Who, Landscapers) protagonizarán Red Rose, serie de terror que explora la complicada relación entre los adolescentes y las redes sociales.

Aurora Perrineau (Prodigal Son, Chasing Life) se une como regular a KAOS. Será Riddy, un personaje relacionado con la historia de Orfeo.

Okeriete Onaodowan (Station 19, The Get Down) protagonizará Demascus. Será un hombre negro de treinta y tres años en una misión de autodescubrimiento en el mundo de la psiquiatría digital.

Mitchell Slaggert (Diablo Guardián, Wish Upon) se une como regular a la segunda temporada de The Sex Lives of College Girls. Será Jackson, atleta llegado de una universidad famosa por sus excesos.

Hannah Dodd (Harlots, Anatomy of a Scandal) sustituye a Ruby Stokes en el papel de Francesca en la tercera temporada de Bridgerton.

Lex Medlin (Drop Dead Diva) y Ariana Guerra (Helstrom, Promised Land) se unen como regulares a la segunda temporada de CSI: Vegas. Serán Beau, científico de investigación de Dow Chemical durante veinte años y nuevo miembro del CSI; y Serena, cínica hija de policías y hermana de médicos.

Alicia Hannah-Kim (Minx) será una sensei surcoreana en la quinta temporada de Cobra Kai.

Milo Mainheim (American Housewife, Zombies) será recurrente en la segunda temporada de Doogie Kamealoha, M.D. como Nico, adolescente que no para de salir y entrar de hospitales y vive la vida al límite.

Nuevas series

Jude Law (The Young Pope, The Talented Mr. Ripley) protagonizará Skeleton Crew, spin-off de Star Wars ambientado en la era de la Nueva República y centrado en un grupo de niños perdidos en la galaxia intentando volver a casa. Desarrollado por Jon Watts (Spider-Man: Homecoming, Final Destination 6).

Kerry Washington (Scandal, Little Fires Everywhere) y Delroy Lindo (The Good Fight, Get Shorty) protagonizarán y producirán Unprisoned, comedia de Onyx inspirada en la vida de Tracy McMillan, creadora de la serie. En ella, la vida de una terapeuta de parejas y madre soltera da un vuelco cuando su padre sale de prisión y se muda con ella y su hijo adolescente. Escrita por Yvette Lee Bowser (Dear White People, Living Single). Ocho episodios.

Brett Gelman (Fleabag, Stranger Things) protagonizará y producirá Entitled. Será Gabe, un viudo estadounidense que debe conocer a la familia inglesa de su mujer en su ruinosa mansión gótica del campo británico. Ellos intentarán conseguir su afecto y su fortuna. Creada, escrita y producida por Matt Morgan (Mister Winner, The Mimic). Producen Harry y Jack Williams.

Amazon adaptará The Deviant's War, el libro de Eric Cervini (2020) sobre Frank Kameny, astrónomo del Departamento de Defensa de Estados Unidos en los años 50 que se convirtió en activista por los derechos de los homosexuales tras ser despedido por ser gay. Escrita por Matthew López (The Newsroom). Produce Brad Pitt.

ITV encarga Six Four, thriller de traición, secuestros, corrupción y una inflexible búsqueda de la verdad inspirado en la novela de Hideo Yokoyama (2012) y ambientado principalmente en Glasgow, donde desaparece la hija adolescente del detective Chris O'Neill. Protagonizado por Kevin McKidd (Grey's Anatomy, Roma) y Vinette Robinson (The A Word, Sherlock). Escrita por Gregory Burke (Entebbe). Cuatro episodios.

Hugh Bonneville (Downton Abbey, Paddington), Jack Lowden (Slow Horses, The Tunnel), Dominic Cooper (Preacher, Agent Carter), Charlotte Spencer (Sanditon, Glue), Emun Elliott (Guilt, Clique), Stefanie Martini (The Last Kingdom, Prime Suspect 1973), Sean Harris (The Borgias, The Green Knight), Ellora Torchia (The Split, Indian Summers) y Tom Cullen (Knightfall, Downton Abbey) protagonizarán The Gold, inspirada en la historia real del robo de Brink's Mat en 1983 y la cadena de acontecimientos que siguieron en las décadas posteriores, en BBC One. Escrita por Neil Forsyth (Guilt) y dirigida por Aneil Karia (Lovesick, Pure) y Lawrence Gough (The Last Bus, Misfits). Seis episodios.

Netflix desarrolla la adaptación del videojuego Horizon Zero Dawn, en el que una cazadora busca descubrir el pasado en unos Estados Unidos posapocalípticos habitados por criaturas robóticas.

Apple TV+ desarrolla una serie adaptación de Speed Racer producida por J.J. Abrams. Escrita y producida por Hiram Martinez (Snowpiercer, Get Shorty) y Ron Fitzgerald (Westworld, Weeds).

Apple TV+ ha encargado Las Azules, drama ambientado en los años 70 e inspirado en historias reales de la primera fuerza policial femenina de México. Seguirá a cuatro mujeres que descubrirán que su escuadrón es un truco publicitario para distraer a los medios de comunicación de la existencia de un asesino en serie. Protagonizada por Bárbara Mori (Rubí). Creada por Fernando Rovzar (Monarca) y Pablo Aramendi (El Internado, Los elegidos). Diez episodios.

Fechas

La segunda temporada de The Outlaws se estrena en BBC One el 5 de junio

Avoidance se estrena en BBC One el 10 de junio

Sherwood se estrena en BBC One el 13 de junio

Surface se estrena en Apple TV+ el 29 de julio

La segunda temporada de Power Book III: Raising Kanan se estrena en Starz el 14 de agosto

Andor se estrena en Disney+ el 31 de agosto

La sexta y última temporada de The Good Fight se estrena en Paramount+ el 8 de septiembre

Póster

Tráilers y promos

Gotham Knights

youtube

The Bear

youtube

Rutherford Falls - Temporada 2

youtube

The Summer I Turned Pretty

youtube

Fairfax - Temporada 2

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Three Women

youtube

American Gigolo

youtube

Man vs. Bee

youtube

Everything I Know About Love

youtube

Andor

youtube

All Rise - Temporada 3

youtube

Animal Kingdom - Temporada 6 y última

youtube

Irma Vep

youtube

Loot

youtube

#series tv #television

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lovesickadora · 5 years

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~ Lottie Pumpkin ~

I know that many people in the fandom have already made this type of edits, but i really wanted to give it a try and it was fun!!! Anyways, this was my first time attempting a moodboard/aesthetic edit lol. hope you like it!!

#the rosewood chronicles #the lost princess #rosewood chronicles #lottie pumpkin #charlotte pumpkin #undercover princess #princess in practice #connie glynn #moodboard #mood board #edits #my edit #aesthetic edit #aesthetic #pink #princess

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taste-in-music · 6 years

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