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dustylava · 2 years

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A warm autumn evening. Park. A soft plaid, spread out on the slowly withering grass. First date. Billy snide, but still kindly smiles: "maybe, enough? Why are you squeezing your legs so hard? Do you like me that much?" Y/n, who drank 2 liters of beer at 1 time, so as not to be afraid: "um… yeah… Yes, even knees are shaking, from your beauty…."

Six months later. Billy, drunk out of his mind: "get off me..! I-i-i, actually, have a girlfriend! Get off me, you mop!" Y/n, who agreed to become his wife a bottle and a half ago: "oh, really?" Billy, trying to get her hands off him: "yes! Fuck off, you-you… Whore! I-i am a l-loyal man..!" Y/n trying to drag him to the sofa: "wow, maybe you introduce us?" Billy, flopped down on the sofa, tries to fish the phone out of his pocket: "fuck you off me!" Y/n: "are you calling your girlfriend?" Billy, trying to hit the buttons on the screen: "yes… I don't hit women... She'll deal with you herself… You'll see." Y/n, who has a phone call from "handsome true hero": "what a surprise..!" Billy, confused: "… Y/n?" Y/n, rolling her eyes: "hello, the love of my life." Billy, trying to hug. As a result, he just buries his face in Y/n's stomach: "you're my girl… Sweet… And warm… Let's get married in an hour?"

#the boys x reader #bill butler #william butcher #william billy butcher #butcher x reader #butcher x you #billy butcher x reader #billy butcher x you #тупые шутки как смысл жизни

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dailylooneys · 9 months

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Tabasco Road

(1957, Robert McKimson)

#tabasco road #robert mckimson #looney tunes #background art #backgrounds #robert gribbroek #bill butler

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stimtickle · 7 months

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35 years later Child’s Play (1988) still holds up as one of the best killer doll movies ever. The quality and care that went into it never fails to impress me. It’s not a major moment, but (during the opening sequence) when lightning strikes, blowing up the toy store, it’s truly an amazing set of shots depicting the destruction (the debris flying over the makeup counter, the front windows’ glass exploding out, etc.). Bill Butler (the legendary cinematographer behind Jaws, etc.) would again work his magic here.

To have created not just all the Good Guy dolls, but their packaging, their accessories (tool kits), a clip of the animated cartoon, pajamas, and the batteries (THE BATTERIES!) was a feat of prop design/manufacturing in itself. So thoroughly creating this product line helped ground the movie in its own higher level of reality.

Director Tom Holland, just three years after he directed Fright Night, made two of the most iconic 80s horror movies. Like John Carpenter he never made another great movie once they got into the 1990s, but they both had some serious mean streaks. With great casting all around, the awesome Brad Dourif steals the show as serial killer Charles Lee Ray aka the voice of Chucky. So much love for this genre classic 💙😱

“This is the end friend.”

#child’s play #chucky #tom holland #brad dourif #killer doll #80s horror #bill butler #evil toys #good guy

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justforbooks · 1 year

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“I hear you’re making a movie about a fish,” the cinematographer Bill Butler said to the young director Steven Spielberg when they bumped into each other on the Universal lot in 1974. Butler, then in his early 50s, had already shot two projects for Spielberg – the TV movie Something Evil (1972) and Savage (1973), a pilot that was not taken up as a series. But it was their collaboration on the “fish movie” that cemented their reputations.

Summer was not previously regarded as an optimum time to release a big studio picture, which is why Jaws (1975), which flooded screens across the US rather than trickling out in stages, is considered the first summer blockbuster – though its finesse and skill, not to mention an intimate second half in which the cast dwindles to three men and a largely unseen shark, give it little in common with the sort of crash-bang-wallop productions that followed in its wake.

It remains one of the finest slow-burning suspense movies outside Hitchcock in his heyday, due in no small part to the cinematography by Butler, who has died aged 101. The production was besieged with difficulties but in 2003 Spielberg called him “the calm before, during and after every storm on the set of Jaws”.

Butler shot about 90% of the ocean scenes with a handheld Panaflex camera for greater flexibility and immediacy. Borrowing a trick he had picked up while shooting second unit on the thriller Deliverance (1972), he also made a transparent box into which the camera was placed to allow for shooting at water level. The effect, he explained, was dramatic and instantaneous. “The big advantage is that psychologically you’re asking: ‘What’s right below the water? Is that shark right there?’” Shots of the thrashing legs of oblivious swimmers “made the audience think: ‘That must look good to a shark. It looks like dinner time.’”

Jaws was one of two best picture Oscar nominees that year in which Butler had a hand, the other being Miloš Forman’s One Flew Over the Cuckoo’s Nest, the eventual winner, based on Ken Kesey’s novel about patients in a psychiatric hospital. Butler was Oscar-nominated for Forman’s film along with Haskell Wexler, who had shot the lion’s share of the footage before being sacked. It was a stormy set, with the actor Jack Nicholson refusing to speak to the director and communicating instead with Wexler and then Butler, who reportedly shot everything from the climactic party scene onwards. A year earlier he had replaced Wexler on Francis Ford Coppola’s brooding surveillance thriller The Conversation (1974).

After Jaws, Butler’s biggest commercial successes were the musical Grease (1978) as well as three consecutive sequels to Sylvester Stallone’s 1976 boxing drama Rocky, beginning with Rocky II (1979). Butler brought a special vitality to the fight scenes in the series, occasionally shooting with as many as eight cameras simultaneously. “As carefully as we planned, there were times when we expected to pan left and something unexpected happened, and we needed to go to the right or zoom instead,” he said. “When an actor slipped, we caught the expression of surprise on his face.”

Some projects even he couldn’t save. Can’t Stop the Music (1980), a vehicle for the disco group the Village People, was a flop that later acquired a cult following. That honour eluded another musical, Graffiti Bridge (1990), starring and directed by Prince. It was shot by Butler, once again serving as an 11th-hour replacement, at the singer’s Paisley Park studios near Minneapolis.

Butler was born in Cripple Creek, Colorado, to Wilmer, a farmer, and Verca, a psychiatric nurse. The family moved to Henry county, Georgia, when he was five, then on to Mount Pleasant, Iowa. He was educated at Mount Pleasant high school and received a degree in engineering from the University of Iowa, where he became fascinated with cameras. He worked for four years as a radio station engineer while also setting up a television station that was later sold to ABC.

Next he got a job at the Chicago-based WGN-TV, where he met the director William Friedkin. Their documentary The People Vs Paul Crump (1962), about an African American man on death row, was screened for Otto Kerner, the governor of Illinois, in rough-cut form the night before Crump was due to be executed. Examining the evidence presented in the film, Kerner changed the sentence to life without parole. “I remember thinking: ‘My God, film has this kind of power?’” said Butler. “That little 16mm film saved someone’s life.”

For Philip Kaufman, Butler shot Fearless Frank (1967), starring Jon Voight as a man who is killed then resurrected as a superhero crime-fighter. He collaborated for the first time with Coppola on the director’s road movie The Rain People (1969), then shot Nicholson’s directorial debut, Drive, He Said (1971).

Among his later credits are the baseball comedy-drama The Bingo Long Travelling All-Stars & Motor Kings, the rape revenge thriller Lipstick (both 1976), Demon Seed, in which Julie Christie is impregnated by a malevolent computer, the conspiracy thriller Capricorn One (both 1977), the horror sequel Damien: Omen II (1978) and two military comedies, Stripes (1981) and Biloxi Blues (1988).

Butler was lauded for his television work: he won an Emmy each for Raid on Entebbe (1976), based on a real-life hostage rescue mission in Uganda, and an adaptation of A Streetcar Named Desire (1984) starring Ann-Margret as Blanche DuBois. He was nominated for another for shooting the steamy mini-series The Thorn Birds (1983).

In 1997 he shot a pair of films that echoed his past glories: the monster movie Anaconda owed more than a little to Jaws, while Don King: Only in America, made for TV, utilised his expertise in rendering ring-craft. For the latter, Butler built a box camera that the actor Danny Johnson, who played the world heavyweight champion Larry Holmes, could physically attack. Johnson “pulverised the lens”, said the director, John Herzfeld. “He literally beat it to shit. You’re completely in a subjective point of view.”

Butler maintained that the 1970s were the “perfect time” for him to make his name. “It was a merging of a lot of film styles that up until then had been very staid, very straightforward. There were certain rules you didn’t break, except I was one of those people that came to break all the rules.”

He is survived by his second wife, Iris (nee Schwimmer), their children, Genevieve and Chelsea, and three daughters, Judy, Patricia and Pam, from his first marriage, to Alma (nee Smith), which ended in divorce in 1983.

🔔 Wilmer Cable Butler, cinematographer, born 7 April 1921; died 5 April 2023

Daily inspiration. Discover more photos at http://justforbooks.tumblr.com

#JUST FOR BOOKS #Bill Butler #in memoriam

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cinema-frame · 2 months

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#the conversation #francis ford coppola #gene hackman #harrison ford #bill butler #The Conversation (1974)#screencap #screenshot #movie

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guillotineman · 2 years

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Jaws (1975)

A Film Directed By Steven Spielberg

The Shot

The Set-up

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darkmovies · 1 year

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#A. Jack Ulrich #Alex Vincent #Bill Butler #Bud Davis #Child's Play A Visual Memoir #Chris Sarandon #Chucky #coulisse du film Jeu d'enfant #Howard Berger #livre #photos #Tom Holland

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ivovynckier · 1 year

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youtube

Bill Butler, the cinematographier of "Jaws" (Steven Spielberg) did not need a bigger boat.

#bill butler #jaws #steven spielberg #spielberg #roy scheider #richard dreyfuss #robert shaw #movie #movies #film #fillms #cinematography #Youtube

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greensparty · 1 year

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Remembering Bill Butler and Vivian Timble

Here is my combined remembrance to two entertainers we lost this week:

Remembering Bill Butler 1921-2023

Cinematographer Bill Butler has died at 101 (not a typo). He was nominated for an Oscar for Best Cinematography on One Flew Over the Cuckoo's Nest, which was shared with Haskell Wexler. He was Director of Photography and in the camera dept. on numerous films, but the highlights include Jaws (my favorite of his films), Grease, Rocky II - IV, Stripes, Biloxi Blues, Child's Play (easily the best Chucky movie), and Hot Shots!.

one of the many iconic shots in Jaws Butler photographed

The link above is the obit from Variety.

Remembering Vivian Trimble 1963-2023

Musician Vivian Trimble has died at 59. She was the keyboardist for Luscious Jackson from 1991 to 1998.

The NYC group was a big part of the Alternative Nation in the mid 90s. I first became aware of them with their song “Citysong”, which was on MTV and they performed on SNL. In June 1995, I saw Luscious Jackson open for R.E.M. at Great Woods (Mansfield, MA) and they had some good songs, but I got the sense they would play better in a club. In the following years they had some appearances on movies soundtracks including Clueless and Good Will Hunting. They also had some hits like “Naked Eye”, one of my favorites of 1997. In addition to Luscious Jackson, Trimble and bandmate Jill Cunniff had their side project Kostars. After Trimble left Luscious Jackson, she formed the short-lived Dusty Trails with Josephine Wiggs of The Breeders.