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fruity-pontmercy · 3 months

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Les Mis adaptations and apolitical appropriation

I think it's no secret on this blog that I love the original Les Mis 1980 concept album in French, and that I also love comparing different versions of the stage musical. I've noticed that Les Mis seems to get progressively more vaguely apolitical as time goes on, not only in the way it's viewed in our culture, but in the actual text as well.

It's natural for specifics to be lost in adaptation. It's easier to get people to care about 'the people vs. the king' in a relatively short musical rather than actually facing the audience with the absolute mess that were 19th century french politics (monarchist orleanists vs monarchist legitimists vs imperialist vs bonapartist democrats vs every flavour of republican imaginable). Still, I feel that as time goes on, as more revivals and adaptations of the stage musical come out, the more watered down its politics become. Like, Les Mis at it's core is just meant to be a fancily written, drawn out political essay, right?

In a way I feel that the 1980 concept album almost tried to modernise it with its symbols of progress. Yes, through Enjolras' infamous disco segment (and other similar allusions to the ideals of social change), but perhaps most interestingly to me, through one short line that threw me off when I first heard it, because it seems so insignificant, but might actually be the most explicitly leftist line of all of Les Mis.

"Son coeur vibrait à gauche et il le proclama" (roughly "His heart beat to the left and he proclaimed it" i.e: he was a leftist) Feuilly says, while speaking of the now dead général Lamarque in Les Amis de L'ABC.

What's that? An actual mention of leftism??? in MY vaguely progressive yet apolitical musical??? More seriously, this mention of leftism, clashing with the rest of the musical due to it's seeming anachronism, is interesting not because it's actually more political than anything else in Les Mis, rather, because it's not scared to explicitly name what it's trying to do.

But we've come a long way from the Concept Album days, it's been 43 years, and Les Misérables is now one of the most famous and beloved musicals in the entire world. It's been revived and reimagined and adapted in a million ways, in different mediums, in different languages and countries, and it's clear that it's changed along with it's audience.

On top of pointing out a cool line in my favourite version of the musical, I wanted to write this post to reflect on the perception of the political message of this work. We as a Les Mis fandom on Tumblr are very political, I don't need to tell you that, however, I feel that because this very left leaning space has sprung out of a work we all love so much, we oftentimes forget to revisit it from a more objective point of view.

Les Misérables has a history of being misrepresented, this has been true since it's publication, since american confederate soldiers became entranced with their censored translation Lee's Miserables. However, with it's musical adaptation, this misinterpretation has been made not only more accessible but also easier. As much as I love musical theatre and I think it is at it's best an incredible art form able to communicate complex themes visulally by the masses for the masses, I think it'd be idealistic to ignore the fact that the people who can afford to go see musicals regularly are, usually, not the common folk. Broadway and the West End are industries which, like most, need money to keep them afloat, and are loved people of all political backgrounds (and unfortunately, often older conservatives) not just communists on tumblr. We've seen the way Les Miz UK's social media team constantly misses the mark regarding different social issues, and the way Cameron Makintosh has used the musical to propagate his transphobia, and most of us can agree that these actions are in complete antithesis with the message of Les Misérables as a novel.

But I must ask, how does Les Mis ,as a West End musical in it's current form, actually drive a leftist message, and how are we as a community helping if every time someone relating to the musical messes up if we just claim they "don't get it"?

I'm thinking in particular of incidents like last october, where Just Stop Oil crashed Les Mis at the West End. Whether you think it's good activism or not is not the question I think, this instance is interesting particularly because it shows that, outside of Les Misérables analysis circles and fandom spaces, it is not recognised as an inherently leftist, political or activist work, and instead of just saying they completely missed the point of the musical, I think it'd be interesting to take a step back and look at what the musical as it stands actually represents in our culture today.

I don't pretend to have all the answers, so I won't try to give one, but I do hope we can reflect on this a bit.

#this is my first time making a well thought out les Mis post in possibly like 2 years PLEASSEEE BE NICE #wrote this instead of listening to my Marxist Philosophy lecture so i hope it technically counts as productive procrastination #Btw in this i use Les Mis when reffering to the musical and Les Misérables when talking about the book (and Les Miz talking about the #west end musical so)#les mis #les miserables #les miz #les amis de l'abc #the brick #musical theatre #enjolras #litblr #meta analysis #media analysis

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laguezze · 1 year

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PAC: Characteristics of your FS

This is for or all the people with intention to marry or have a long term relationship. Next up will be a soulmate characteristic PAC. I decided to split it in two to get more details!

Now onto the PAC!

Here are the piles!

Pile 1

Pile 2

Pile 3

Pile 4

Ready? Let's go!

Pile 1

This person is a rebel. Might be a bit hypocritical about it. Like they might come from money but decide to live out their best broke musician dreams while still living in their rich dad's apartment that he bought for them. That's just one case example, take it as it resonates.

This person loves to keep appearances, they love to be in control of how people perceive them. I'm seeing they want to be taken seriously.

Long, messy, brown, curly hair. Middle part is possible.

North America, Australia, Oceania, Hawaii, UK.

Dainty eyes?, Blue eyes, light eyes.

Not too defined features but also not ugly. Might be what people call "medium ugly" for some of you. Nothing too shocking about their features.

Musician, plays guitar, indie music taste, 420 friendly? Nirvana (the band), big social life, plaid shirts, leather jackets, bad boy persona, baddie aesthetic, motorbike, cigarette, old school lover, 70s aesthetic and fashion.

Pile 2

This person is very much hypocritical, they don't know what they want in life. Very much lost with their career and family life. You might help guide them.

They definitely have unconventional dreams like opening up a tea shop, or flower shop. Which is fine, but I'm seeing they want to do that for the wrong reasons. Very easily manipulated person, it'll be frustrating for you to see. But they'll get better with your help probably.

Probably from any capitalist country. Take that as you will.

Light eyes or medium eyes but not dark. Downturned eyes.

Short hair, pixie cut, wolf cut.

Wears bandanas, baggy clothes, long skirts, hippie style, boho aesthetic, activist. Necklaces and bracelets, lots of jewelery in general.

(sorry it's a bit short, your person wasn't too specific with the looks but rather with the personality)

Pile 3

You guys got yourselves a romantic, old school, kinda person. They probably listen to music from the 50s and 60s and jazz, lots of jazz. Might love to take things slow and smooth. Doesn't like running late to things and is always calm and early. Very collected person, never a hair out of place. Always is composed. They might have been different before they met you. They probably were chaotic and funny before they met you but something happened that made them this sophisticated, chic person. You might need to bring the fun in them back, I'm hearing. Might be a judgy individual.

Latinx, Hispanic, Southern Europe, North America (East Coast)

Brown eyes, very deep set eyes, intense gaze

Short hair, very short for men, curly hair, either Brown or dirty blonde.

Long eyelashes, very pretty features. Either small nose or large nose, no in between; defined face, high cheekbones.

Medium height, slightly muscular.

60s, 50s music and fashion, coffee and tea lover, might be a cook or love to do it, kitchen lover, architecture fanatic, probably loves house decor and renovation, secretive, mysterious, romantic, candle collector.

Pile 4

(idk i swear this is not Hozier themed, there's just something about him present here)

"imagine being loved by me"

This persoooon omg. So pure hearted. Truly has the best intentions at heart. They literally are sunshine personified. They radiate light, like their smile lights up a room and they always look clean and cheerful. The type of person everyone likes. No one ever dares say anything negative about them and if they do, it's because of jealousy.

They might have a lot of pretty privilege that makes this effect happen. Like if this person was a 6/10 (conventional attractiveness scale) their personality wouldn't be as appreciated. But because they're so beautiful inside and out, it shines through. I'm getting they realize this privilege and it rubs them the wrong way sometimes but they won't fight against it because it's helping them with their goals.

North America, Sweden, Finland, etc, Northern Europe and UK.

Blonde hair, short hair, curly hair, honey hair.

blue eyes, light eyes, almond shaped eyes

Bunny pretty (that one TikTok trend ifykyk), slim, short, cherubin look (if you don't know what that is, think cupid angel type of beauty), white clothes, flowy dresses, short eyelashes, defined jawline, big smile, straight teeth, bunny teeth, cardigans.

Hope it resonates for all of you!!! 💕

#tarot readings #tarot #free readings #tarot blog #free tarot reading #pick a card #tarot pick a card #tarot pick a pile #pick a pile #Spotify

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probablyasocialecologist · 1 year

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One of the study’s main findings is that the large use of pesticides and fertilisers on farms in particular is the most significant driver of bird population declines across Europe, including the UK. This does not come as a great surprise – many studies have come to this conclusion. But this is the first study to look at the man-made drivers in one go, using some of the best data available and modern statistical methods. The results are clear.

Agricultural practices began to change significantly after the second world war, as countries introduced measures to increase the output of farms. Yet such efforts to increase output, including an increasing reliance on pesticides and fertilisers, have come at a significant cost to birds and other wildlife – and critically, the overall health of the environment.

A recent UK government report found that the loss of biodiversity, alongside climate change, presented the greatest medium- to long-term threat to domestic food production. Biodiversity loss has consequences for society far beyond endangered species.

#biodiversity #agriculture #pesticides #farming #conservation

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becausegoodheroesdeservekidneys · 2 years

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Hello, as we head in an unprecedented third Tory leadership crisis in the UK (lol), could you pretty please do a round-up of likely candidates? Oooh or even a round-up of candidates if it goes to general election - I know it's so unlikely but a gals gotta dream!

I've started compiling sources for a Rishi Sunak masterpost, because it's definitely going to be him (assuming I get round to it - you're all at the whims of my ADHD-riddled hyperfixating bowl of sweets that I call a brain, soz about that.) But, what's happening this week (I am writing this on Monday the 24th October) is basically Tory Leadership: Speedrun Edition.

Last time it took several months after it was narrowed to the top two. This time, they'll have it done by Friday and then maybe we'll know if fracking is back on the table or not lol.

So it's Rishi Sunak vs Penny Mordaunt. To spare me wasting too many more of my worthless man-hours, I will super-briefly summarise them:

Rishi Sunak

It's going to be him. He was Big Dog's Chancellor and conspicuously absent from Partygate photos, except for Boris' surprise birthday party; almost like, if one were of a suspicious mindset, he had a long term plan to keep his nose clean.

He is, and I want you to think about all the competition he has for this accolade and then really think about what it means, possibly the single most financially corrupt Tory in the party's history.

The amount of money he openly and blatantly stole and gave to his family and friends during the pandemic is well into the billions. The billions. He is part of the reason the UK was hit so very badly by covid - between him, Boris, Dominic Cummings and Matt Hancock, we had no chance. Rishi took BILLIONS of pounds for covid and gave the contracts to the companies of family and friends, who pocketed the vast majority and then utterly failed to deliver any covid relief resources back. He is literally a billionaire, to my knowledge. He also paid to bail out his wife after she broke some law or other and bankrupted a company (I cannot remember the details of that one offhand mind, so don't quote me there - it'll be in the full post if I write it.)

This man is a hateful gargoyle.

Penny Mordaunt

Possibly the best option, although admittedly that's like saying "Out of all the turds in the turd collection this one is the least offensive in smell."

She's hyper nationalistic to a horrifying and gross degree. However, she isn't a transphobe (or at the very least she is openly Fine With Trans People, which is what we ask for.) This actually makes her enormously unusual for a Tory. In the last leadership round, the main talking points every candidate had to address were

Did they support Boris Johnson

What will they do about the economy

What will they do about the energy crisis

How much do they hate trans people

It's probably the thing that cost her the vote last time, in fact.

She won't get it.

However, if she somehow does, that gives the Tories a very small chance of subsequently winning another GE. Rishi, on the other hand, is a hated man, by both the party and the public. The chance of him reforming them enough to win a GE against Starmer is slim to none (if he even stays in post that long). So, ultimately, if Penny gets it it's better in the short term; if Rishi gets it, it's better in the medium to long term, depending on when the next GE comes.

#asks #politik #the second clownfall of 2022

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cookinguptales · 8 months

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I got both my flu and covid shot yesterday so today I'm feeling. bad. lmao. But I also saw two movies and had fun at them both!

I'll make posts about both of them, but I guess I'll start with A Haunting in Venice because I have more thoughts about it, I think.

My non-spoilery thoughts are that I actually enjoyed it a lot more than I thought I would! The ambiance was impeccable and I think I'd watch it again just to look at it. It was very pleasantly spooky, more than I'd expected, and despite not having watched the other films, I was able to easily follow along. A lot of the acting was super fun, and Michelle Yeoh was really hot, and it was a spooky ghost story! What more could you want?

(Except subtitles, I guess, because I missed a lot of dialogue. Much more than I usually do. Kenneth Branagh's fake French accent was particularly difficult to decipher.)

Two personal things, which I thought were funny. The children's song heard repeatedly in the movie, Giro Giro Tondo, creeped me out specifically because my mother gave me a doll when I was little that she'd gotten in Italy during a business trip, and when you held its hands it sang that song. I... have a bit of a doll phobia, so I did have a moment of OH NO, IT'S THIS BITCH.

The other is that I was able to figure out the mystery very quickly because of my own special interests, which was very funny to me. I'm sorry that I am too much the target audience for this movie. ;; More on that in a minute.

spoilers below the cut

It was interesting to hear after watching the movie that the original book took place in the UK because the central spookiness of the film did feel very Italian. The old ruined palazzo, the ruinous aftereffects of the Holocaust in Central Europe, the general Vibe. But most of the main characters aren't Italian, so I suppose it makes sense...

It was definitely much darker than I had expected it to be, from a human cruelty standpoint. The allusions to the Holocaust (both when discussing Dr. Ferrier's severe PTSD after liberating Bergen-Belsen and the Romani siblings who were orphaned and forced into very dire straits to survive) were very frank and graphically discussed, which isn't something you actually see in films as often these days, and the fact that impoverished orphan children really were purposefully murdered during the plague had... very familiar vibes after being from a high-risk (and easily dismissed) group during covid.

In the end, the movie ended up being as much about metaphorical ghosts as literal ones, and I can see how a writer struggling with her wartime experiences as a nurse would end up writing a story that so blatantly grapples with the soul of humanity -- and whether it's worth protecting. The medium comparing hearing the ghosts screaming to her time as a nurse during the war treating the suffering... It does make me think about Christie's own experiences, y'know? I haven't read the book, so idk how much of it was invented for the movie, but... it did make me think about her.

As for the mystery itself... I guess there are two things to know about me. One is that I studied mithridatism (and Mithridates himself) when writing fic for Arsenic and Old Lace for YT many years ago. The other is that I wrote an original f/f fic about poisonous beekeeping around the same period. It wasn't my best work, necessarily, but I'll tell you -- I know a lot about mad honey.

So let's just say that the suspense wasn't quite as suspenseful for me lmao. From the second that one woman say "Mithridates" I was pretty ready for what was coming next, and when I saw that she kept bees and everyone kept eating honey... I mean. lmao

That said, the fact that it was very difficult to tell whether the ghostly apparitions were hallucinations or real or some combination of the two was really fun and interesting.

With Christie's Thing for poisons... I guess it's interesting how much fo the movie was about food and hunger and how food can kill you if it's not the right kind -- and how love could go the same way. The discussion of the camp survivors in Germany dying after being given milk, the children being intentionally walled up and starved to death, the siblings eating "non-food", like mice, in order to survive after being orphaned during the war... And obviously the poisoned tea from a mother whose love itself had been poisoned.

And then, y'know, the metaphor flourishing when you see how love itself, twisted into madness, was the reason why so many people had suffered and died. Rowena's fear that her daughter would leave her, Alicia's agony that her fiancé had, Olga accidentally poisoning a child she loved because she was trying to soothe her, Ferrier accidentally poisoning the concentration camp survivors when trying to nurse them back to health, Leopold's desperate attempts to protect and support his father being the exact thing that got him killed...

I'm a little too tired to pull it together into a coherent thesis statement, but... The themes are layered here. Hunger for food and for love and for companionship. Poison being added to the things you think will nourish you and those you love. The desire to be seen, by those you love and those you respect and those who you fear have forgotten you...

You have Ariadne (great name for a spinner of mysteries, btw) using a friend in order to get back her adoring public. Both Maxim and Alicia desperate for the other's attention. Poor little Leo trying to soothe his father's PTSD and being parentified at far too young an age, but desperate to be seen for the marvel he is all at once.

And Alicia's ghost, obviously, reaching out to those she'd known in life and trying to get revenge on those who'd harmed her. She wanted to be seen, too, and she wanted to be understood.

I suppose that's what the whole movie comes down to. Love and understanding and the way it can be twisted horribly even as we crave it.

The movie wasn't perfect and I suspect the subject matter will be far too dark for people expecting something like Knives Out, but I did enjoy it far more than I thought it would. The vibes were genuinely very creepy and the mystery and characters were interesting. I haven't read the book, so I can't tell you how it stacks up there.

I think, sorry Kenneth Branagh, that his casting as Poirot was probably the weakest part of the movie for me. That said, the directing was so good that I at times found myself like "sir?? why not just direct these movies and let someone else play the lead????"

(see: the lin-manuel miranda effect)

But a lot of the other acting was very good, especially Michelle Yeoh who was very hot and very interesting in her role. Boy, I was SO sad when she was the first to die because I was like "OH NO, SHE WAS SO HOT..."

/shallow

Anyway, tl;dr it was a good movie for the spooky season, even if I suspect some of the subject matter will be difficult for people to handle. (Particularly the child death.) And even if you don't enjoy the writing, the footage of Venice and the overall vibes are impeccable so you can just turn off your brain and enjoy wandering through a spooky ruined palazzo.

#a haunting in venice

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trainsinanime · 1 year

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The shapes of railway networks

A while ago @ariadsishereagain asked me about countries that have no railway networks, and what I think of them. That's a fascinating question that has been in my mind ever since, because the truth is you can tell a lot about a country and in particular it's history during the 19th and early 20th century by its railway network. So let's do that. And the best way to do that is by looking at the incredibly detailed open-source world railway map OpenRailwayMap, a part of the OpenStreetMap project. I really recommend it! And let's start with one of my favorite examples of how railway networks differ:

At this zoom level the site sadly only shows incomprehensible internal abbreviations rather than city names, so let me explain: What we have here are France and Germany, along with some of the UK and Italy, some of various neighbouring countries and all of Switzerland, Belgium and Luxembourg.

France and Germany are the ones that I find the most interesting, because the shapes of their networks are so different. Not only is the german one much more dense, but you can see completely different patterns.

In France, the job of railroads is to bring people to Paris (PLY, short for Paris Gare de Lyon) The lines stretch out into every part of the country, but almost all of them converge onto mainlines going into Paris. You can see some lines along the coasts and the borders, and there is a medium distances circle around Paris (passing MZ, DN, TO, short for Metz, Dijon, Tours). This whole pattern is known as the Legrande Star, after Baptiste Alexis Victor Legrande, the french government official who designed it. His goal was to provide great access to Paris, the nation's undisputed political, cultural and economical centre. A couple of decades later, Charles de Freycinet added plans to connect all departments to the railway network, but he still followed the idea that the ultimate goal of almost every rail line was Paris. And so it was, and largely remained. Even the high speed lines, in red, follow this pattern to this day.

A result is that you will have to go to Paris whether you want to or not. Lille-Strasbourg? You're going through Paris. Bordeaux-Dijon?

You're going through Paris, and get to make your own way from Gare Montparnasse to Gare de Lyon on the Metro (and it isn't even a direct metro, you have to change trains). It's a massive detour but it's not like you have a choice.

Even if there is a direct TGV or a connection outside the main stations of Paris, you're still ending up very much near Paris; the difference is just that you're not going via the city centre, but rather via Disneyland. Legrande wanted to bring people to Paris; he was less concerned about connecting other places with each other.

Now compare Germany, and you will see a network that is more dense, but most importantly, utterly chaotic. You can see hints of a France-like star around Berlin (BSPD, short for Berlin Spandau, which isn't the most important station but what can you do), but it's really only dominating its immediate surroundings, the region of Brandenburg. You can see vague hints of a similar star around Hamburg (AH; don't ask) or Munich (MH), but also a massive tangle around the Rhine-Ruhr industrial area (around KD), or around the Frankfurt am Main area (FF). Red high speed lines are essentially random. Some of them do go to Berlin, sure. But many, like the one from Cologne to Frankfurt (KD to FF) or the one from Hanover (HH) south, do not.

And that really reflects the history. Germany wasn't a unified country when railroad construction began, and even though it did unify shortly thereafter, there's no hiding that its different parts developed separately, with no central planning, ever since the middle ages. Germany doesn't have a single central city like France. Berlin is the biggest and most important city, but not by far. Hamburg has huge cultural and industrial influence, Frankfurt is the most important financial centre and airport, Munich is huge, and there are agglomerations like the Rhine-Ruhr region that used to beat all of them in terms of industry. And the rail network, with no single central focus point, reflects that.

That doesn't mean Germany doesn't have its own blind spots. Due to being split in two, the east-west links aren't great. Getting e.g. from Cologne (near KD) to Dresden (DH) is pretty painful. Ironically, Berlin is one of the places that really suffers from this. There are plenty of trains to it from Cologne but they take forever, and you can see why: A lot of the route isn't high speed, it's just more or less upgraded normal lines. If you have a single destination, then it's easy to build all the lines there. If you want high-speed connections between everything, that's more difficult. (Also, our government isn't investing anywhere near enough into the rail network, both compared internationally and on its own terms, but that's a different issue)

Other countries in Europe tend to be somewhere between the extremes. Spain is fairly centralised around Madrid.

The UK is just as focused on London as France is on Paris, but it has strong regional networks around Leeds and Sheffield, and the weirdness in Scotland (four different lines between Glasgow and Edinburgh and counting!).

Italy, especially south of the Po valley, almost looks like a ladder: Lines are either on the one side of the Apennines or the other, with a few brave ones crossing through.

This works overseas as well. Describing the continental US as "like Germany" is certainly going to raise some eyebrows, but the map doesn't lie:

It's all on a completely different scale, but it's also a federal country with no one single clear centre. Yes, New York and Los Angeles are big and important, but neither is an all-powerful centre of the nation. What's fun about the US is that it's almost gradient-like: The more west you go, the fewer the railroads get. You can also nicely see the Alleghenies by the shadow they cast: Just a few brave rail lines managed to make their way through or around. Other characteristic items are the huge tangle that is Chicago, the closest thing the US has to a railroad capital; and the many places where lines are almost duplicated (just count how many different ways you can get from Chicago to Memphis, or Chicago to Cleveland), thanks to different competing railway companies that all hated (and sometimes still hate) each other's guts.

So that's what's mostly considered the "western world" or "industrialised world". I skipped Japan, China and India because the post is going to get too long no matter what, but they're all fascinating as well.

But if we go away from there look at countries where the colonialism was less settlers and more exploit mostly from afar, we see another very odd pattern emerge, like here in sub-saharan Africa:

The selection is somewhat arbitrary because you can find the same pattern everywhere south of the Sahara, and in one case (Mauretania) even in the Sahara: A railroad that goes straight to the coast. (The isolated sections inland are due to issues with the map software, they're all connected to one of the lines to the coast)

This kind of railroad is designed to extract a country's resources, and not much else. In Mauretania (not in this picture), that's iron ore. Elsewhere it might have been other ores, precious metals, gemstones, but also very often agricultural products, spices, dyes. The railway line exists to take these things, and bring them to a port. The line is not designed to actually help the nation grow economically. Think about it: All things being equal, you're probably just as likely to want to go parallel to the coast as perpendicular to it.

Also, each of these lines were built because there's something interesting at the end of it, or at least someone suspected there might be. If you wanted to develop the area, it would make sense to trade the interesting stuff in Togo with the interesting stuff in Benin. But the railway lines are not set up for that at all. The goal is to get the interesting stuff to a ship, and occasionally soldiers to the place where the interesting stuff comes from.

These days, the area that I screenshotted here is actually massive, full of people. The city of Abidjan has more than four million inhabitants (more than Berlin), Lomé has 1.7 million, Cotonou and Porto-Novo come close to a million if taken together, and nobody's quite sure about Lagos, but it's at least 14 million, and the metropolitan region might be 24 million. This is a band of cities that researchers think might, in the next few decodes, become on par with Washington-Philadelphia-New York-Boston in the US, or the Tokyo-Osaka in Japan.

And the rail connections in this region do not reflect this at all. A high speed passenger line and/or a heavy duty freight line could allow all these places to do business with each other, allow people to move to or visit each other, and just spur a lot of economic development. But the powers that built the lines, the colonial powers, were not interested. They had their harbour, and the region behind it, and they just wanted to extract whatever was there.

To be clear, that does not mean the railroads are evil now. Selling natural resources is still better than bringing no money into the country. And there are a lot of places where railroad junctions and depots became the point where cities were founded, so in some countries these lines do end up connecting the most important cities, more or less by accident. It's just that other lines or more lines are sorely missing.

A simple example for how this could look like is provided by Australia, where the colonists were settlers and did want to develop the land economically:

You have the lines from the coast inland, and sometimes quite a lot of them. But you can also see a line along the east coast, connecting the cities, and you can see that someone said "we need to build a railroad across the entire continent. No, two actually". That is not to say that Australia does everything right with railroads, they have a lot of weirdness there. But you can see that the railroads had more jobs than to just move resources to ships.

(The big exception is the Pilbara region, in the north west, with its odd tangle of lines. Those are all just resource extraction lines, where the world's heaviest freight trains haul iron ore from various mines to various ports. The mines and ports are owned by different mining companies that don't like each other, so everybody has their own line from their own harbour to their own mine, even if a different line would have been shorter. That's why you get the tangle there.)

So, that's basically it. The railroad map of a country shows you a lot about how a country works, and more specifically how it worked during the late 19th and early 20th century, when most railroads were built. Where they lead to and where they don't reflects what planners thought of as important, and in turn, it has shaped the way these countries developed. And personally, I always find this endlessly fascinating.

#railroads #maps #i suppose you could take the 6 to bercy and walk from there but it's still not exactly convenient

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is-the-snake-video-cute · 1 year

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Hi! This snake is for sale in my local pet shop (UK). I know very little about snakes but read that they can look wrinkly while shedding, and I think she is, from the little rough patches? Every time I see her I worry. Should I say something to the staff or does she look normal?

It's normal for snakes to look a little wrinkly during shedding, but this goes beyond normal. Do you see the areas where the shed skin is lifting up? That tells us that she's too dehydrated to shed properly. I can also see patches of shed on the substrate - shedding in patches is never normal or a good sign for a snake, it often means that husbandry is inappropriate.

The aspen substrate is another red flag. Ball pythons need medium-high humidity, and aspen is a very substrate. Something like coconut husk or cypress mulch - any humidity-retaining substrate - would be much more appropriate.

Unfortunately, I think you're right to be worried here! A dehydrated ball python can easily develop respiratory infections and other health issues. If you can, trying to mention that she looks dehydrated to the staff could really help this poor snake out. Even just swapping the substrate for something more appropriate could go a long way.

All the best. Thank you for looking out for this snake!

#not a rating #ball pythons #snake health #shedding #animal abuse

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pouringforever · 3 months

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A little bit of what i actually do for work:

My wine list has been nominated in the Best Medium Sized List in the UK 2024

I've worked so hard for this over the past year & I'm alongside some incredible other restaurants

https://starwinelist.com/wine-story/fierce-competition-in-the-uk-here-are-the-finalists

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absolutebl · 2 years

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Until We Meet Again

This is going to be a watch along starting in Oct 2022, right before Between Us (the spin off) airs. But since I have never done a proper analysis or review of UWMA, I'll start with that.

Until We Meet Again is a 2019 Thai BL from Studio Wabi Sabi directed by New Siwaj.

It is an adaptation of the y-novel The Red Thread by LazySheep. I watched shortly after it aired in late 2019. You can currently (still) watch it on YouTube. Trigger warning.

Quick Pitch

UWMA is, without question, a work of narrative genius with a powerful and cohesive romantic backbone and stellar performances. It is (to date) the only Thai BL (of c.170 watched) that I’ve rated a 10/10 predominantly on the basis of story structure. That said, it is also very well cast (and it’s a BIG cast), with solid production values, and enduring pair branding as well as being the best Thai BL from a storytelling perspective. It is one of my favorite BLs of all time and I have probably rewatched at least some parts of it over 20x.

Narrative Frameworks

UWMA is long for a Thai BL at 17 ep of c.45 min of fresh content which means it comes in at around 13 hours total. It’s tropes include fated mates (or soulmates), past love/tragedy, sins of the fathers, and family drama. It has a strong seme/uke structure and multiple couples (both hallmarks of Thai BL). Leads are grumpy/sunshine pairings, with a side dish of sunshine/tsundere. It’s medium heat but still rather sweet, because while all couples are followed into the bedroom, there’s a very strong emotional chemistry component that renders the physical chemistry somewhat background to the pure love connection driving the relationships. As a series, it is paced well, but is perhaps not the best one to binge watch. To me it feels like a show that needs room to breathe.

The production values are high but workmanlike. There are some flaws in sound, wardrobe, makeup, and repeated establishing shots. But the crew and cast were clearly bigger and better funded than any Thai BL production since. I would hazard a guess that this was one of Thailands most expensive BLs (with the possible exception of KinnPorsche).

Thai Language Corner

From a Thai linguistics perspective it’s pretty standard for a college set BL. I do use both DeamPharm and WinTeam as examples when talking about basic and more complicated linguistic couple dynamics (more here). OhmFluke, however, are a bit more interesting IRL.

New uses staggered couple framing, central aperture faming, peekaboo framing, and lighting to contrast the secretive and doomed nature of the past relationship against the attempted recovery and reformation of the modern day. He paid very little attention to manga style or BL’s yaoi roots, possibly because his style as a director is evidently not at all influenced by it.

This show stars Fluke Natouch as Pharm [reincarnated In] and Ohm Thitiwat as Dean [reincarnated Korn] AKA OhmFluke. They are a branded pair who since UWMA have done Close Friend 1 & 2, and Oh My Sunshine Night and have more BLs scheduled for 2023.

It also stars Earth Katsamonnat (AKA Smol Earth or CooHeart) as Intouch or In [Pharm’s past self] and Kao Noppakao as Korn [Dean's past self]. Earth has gone on to co-brand as SantaEarth starring in 7 Project and My Only 12%. He had acted in several BL shows prior to UWMA, although Fluke would have been the most experienced lead actor on that set. Kao would go on to star in Lovely Writer. Both Fluke and Earth are openly gay and were out at time of filming and promotion.

The support couple (or side dish) featured Prem Warut as Team [Pharm's best friend] and Boun Noppanut as Win [Dean's best friend]. BounPrem are strongly cobranded and have since co-lead 7 Project, Even Sun, Long Kong, and guest-coupled in Cutie Pie and You Never Eat Alone. They will anchor Between Us the spin off of UWMA (an adaptation of Hemp Rope) reprising their roles of Win and Team. In UWMA their couple has relatively little screen time but they absolutely stole fan attention and adoration.

UWMA also featured Samantha Coates (AKA Sammy) as Manow [Pharm's best friend] and Pineare Pannin as Del [Dean's sister]. Sammy is a staple of many BLs, being an active member of Wabi Sabi’s stable. Del is best known for playing Yuri in 2014′s Love Sick, Thailand’s first big hit BL. These two starred together in Wabi Sabi’s only GL (part of 7 Project.) (Don’t bother, it’s still all about the boy.)

I am telling you all this up front because I will make mistakes and refer to everyone by their character or actor name all the time. Sorry. Also I want you to know how biased I am.

I LOVE this show.

And now....

the watch along.

Episode 1 - Oh, I Forgot...

It has probably been about a year since I did a rewatch of UWMA. And I think I’ve only ever watched the first installment of the first episode one time through. I didn’t forget how dark it was, but I am reminded why I always say ‘original trigger warning” on UWMA.

I can see why I like to the show from the start, because it does open on a crying kiss. I am an absolute sucker for a crying kiss. This time around, I noticed the intrusiveness of the music a lot more, especially in KornIn’s stuff.

Earth turns in a killer opening performance (in the great cry off between him and Fluke that is this show). In that moment before he picks up the gun, Earth almost does look like Fluke will later on. It’s a really interesting bit of facial performance and acting.

I got to say, barring some of the darker Japanese BL, this is probably the most powerful opening sequence we’ve gotten in the genre. Honestly, if this show we’re being released right now I don’t think it would’ve had this opening. They would’ve kept the trigger, but it would’ve appeared more chronologically towards the end.

Is this a pleasant way to start a BL? No.

Is it powerful? Yep.

Manaow and Del are still 2 of my favorites. We were robbed with their GL.

Oh my God Prem looks like such a baby.

I like that there are these extra bits with extra characters in UWMA, like in the cooking club. We don’t get a vast ensemble casts like this anymore. Not even from Thailand, not with this attention to detail. I kind of miss it. The little extra bits set in different parts of the university, they remind me a bit of origin yaoi.

Honestly Fluke is one of the best blushing maidens to ever blush. It’s still not my favorite archetype but he does do it beautifully. The part where Team jokingly says he’ll protect his two friends, is pretty telling actually. Since he’s going to have to step up to the plate later and try against and older boy. I do adore this friendship group. In the end, perhaps Pete & Kao’s friends (Kiss series) beat them out slightly. But not by very much.

And the set up for the whole show:

I will keep searching until I find you.

30 years later...

(You know, when I was first watching this show I always called it Until You Again, in my head.)

I wonder how hard it was for Fluke to cry on command like that, all the time. Here watch this AMAZING FMV of Fluke and Gun (Theory of Love) having a cry off.

WinTeam and the towel in the locker room is still one of the best early couple moments ever.

The end of the first episode and we haven’t even had a proper meet cute. And yet the pacing feels. I think because the show opens so top-heavy with the deadly drama at the beginning of the episode.

Honestly, I forgot how sort elegant and well executed to show was. I’ve grown to no longer expect that from New. It just goes to show that he’s one of those directors that really excels and thrives when he has a very strong script.

Episode 2 - The High Beans!

I love this meet cute. LOVE IT. Can’t wait to watch it again. But first the library (not quite) assignation.

One of the best prevailing themes of UWMA is this idea that making food, and specifically Thai desserts, is meditative and important for the cook. But also that preparing food is about the love and affection that you sprinkle feelings into the dish like seasoning, so that people can taste it when they eat.

Note the only other guy in the cooking club? That’s Best Vittawin from Check Out and a bunch of other higher heat BL. Also some of you who are paying attention to the language might notice that Luk Choup is mentioned quite a bit. Yes that is the same name as the character in La Cuisine. It’s also the desert that In makes with his Maa, and that Pharm makes into special star shapes for Dean in Ep 3.

Honestly KaoEarth never much resonated with me, but on this rewatch I am liking them so much better than I ever have before. It that @heretherebedork ‘ss influence? Possibly. I think it’s also because of both My Only 12% (which is making me like Earth more as an actor) and Lovely Writer (which made me like Kao more).

One of my favorite character development threads in the show is Dean’s relationship with his siblings. I love how austere and cold he is at the beginning of the show. But how, after being with Parm for a while, he mellows around Don & Del. It is Pharm who brings a family to Dean in the end.

The note passing in the secret smiles and the spitting of the orange juice remains very cute.

I am quietly obsessed, well not quietly (because I’ve never quiet), about Dean with his hand in his pocket.

Honestly, the only time Dean takes his hand out of his pocket is to touch Pharm.

And there it is, FINALLY, the mung bean meat cute!

Best ever.

This is such a GREAT romance.

Pharm starts to cry and Dean immediately touches his face. There is a reason I call Dean the most handsy seme in BL. He is pretty much never not touching Pharm from this moment on. It’s glorious (and very unlike KBL and JBL).

And you can see him look at his own hand and surprise, because he is clearly not a touchy-feely person. But being then he just accepts this about himself and will do everything he can to be close to Pharm from here on out.

I love how New does this dirty screen peekaboo shot on DeanPharm right before he cuts back and forth to KornIn, it’s like framing foreshadow since normally this style of short is used with KornIn so highlight the secrecy of their relationship.

Episode 3 - Wabi Sabi Shows Off The Stable

I just realized one of In’s friends (played by Title Tanatorn) is also in Remember Me and My Only 12% airing right now. Boy needs a series. He v cute. Also “HI DR SING!” (Sorry, due to Triage, Tonnam will always be Dr Sing. Although he is also a side character in LITA right now. Honestly my brain is becoming an MDL for Thai actors in BLs. Of course, Perth is great in this role, a foreshadow for all the crying he’ll do in LBC2. I am sorry we never got to meet his character older. It would’ve been nice for him to have gotten closure with the Pharm as reincarnated In. I wonder if his character got to meat Pharm did in the book?

And Win’s Patented move the casual arm throw. Honestly, Win gets all of the best lines in this show. No wonder we all like him so much. I hope he stays a witty and snarky in Between Us.

I have to say, Dean’s soft voice is one of the best in the biz, thank you Ohm. Almost as good as Solo’s (Oxygen).

And so Dean learns about Pharm’s panic attacks and the after effects that his past self’s actions have wrought on the person he loved the most. And he reacts in the most seme way possible. Honestly he is such a poster child seme in this series.

Also he flirts.

In a VERY Dean fashion.

Dean: I’m still single.

Pharm: I am single too.

Dean: Not for long.

This is the show where I first learned that in Thailand do you say “bur” when you want someone’s digits. This makes me unreasonably happy.

Meanwhile back in the past selves, In is so brave. The worst consequence of the tragedy that lead to their reincarnation is that his future self is so timid and afraid because of what was done to In in the past. It’s really the only reason I forgive Pharm’s blushing maiden actions. I think of that fact of his personality as somewhat dictated by the past, much like his panic attacks.

The bit where Pharm is serving Dean breakfast in his condo for the first time and he puts out a carafe of water and there are little flowers floating in it? What are those flowers?

Meanwhile, he way Dean fixes Pharm’s hair and tie and then Phram misspeaks “gin” gets me every time. Although I gotta say if a boy cried like that every time he met me, I’d probably have backed off my now.

Episode 4 - Bisexual Rep & Stereotyping. Are we happy or sad?

Does one get pleased to see bisexual rep or annoyed by the stereotyping? At the time, because it was so rare in BL (still is, actually), I was pleased. But now with Mame busting in on the bi/pan=predatory slut trope regularly I’m just annoyed.

P’Alex (Mean in his best role, fight me Tin stans) as a sleazy bi actor won over by food. Honestly? Been there done that, been that done there, and fucked that. Oo, I’m three for three!

OK so in LITA when Payu says/implies that he wants Rain to talk like a good boy, really he wants him to talk the way Pharm does to Dean (all the time). Pharm is so bloody polite.

So cute that Dean won’t allow Pharm to be jealous for one second. Dean has no interest in playing any of the normal BL games. These two are fated, gay, and into each other and he has no interest in pretending otherwise. Oh he will tease his uke like a proper seme, but only because Pharm lacks faith in Dean’s constancy.

The scene with Pharm and the girls carving the dumplings is one of my favorites. It’s so cute the way Manaow teases Pharm with Del’s sibling connection. Also it’s really sweet the way that Pharm instantly understands the complexities of Dean’s familial relationships, and immediately sets out to heal them.

Win and Dean racing.

Look, competition is how 2 semes show their love for each other.

And then the most famous scene in a BL that’s full of famous scenes.

Does anyone one in BL execute the feeding trope better? I think not. And if you can name one, leave a comment and make a case for it.

In addition to having one of the best soft commanding voices in Thai BL, Ohm has got to have one of the best side eyes as well.

I love that Del is already protective of her brother’s boyfriend.

Happy clap hands we get the first date and the penguin walk next!

Episode 5 - The Ping-guine Walk!

I would like to stress from this moment on that we, the collective BLers, do not talk about Dean’s driving in this show. Or we did at the time, but that time has passed. Just ignore, okay? Cause it cray cray.

Del cooking for her brothers is so cute. Also the way she gently teases Dean about Pharm. Love her!

And now the first date.

The bus trip so Make it Right. Just FYI Thailand and Korea LOVE a bus trip in romance (BL or otherwise). They tend to do it the most. Japan has done it a few times too. But the others not so much.

Also sharing earbuds = MIR again.

I do love P’Sorn.

Yes, that’s Na from Kinnporseche but we knew him when (also forthcoming Wish Me Luck).

I love the aquarium visit.

Pharm doing the penguin walk.

Dean’s expression when Pharm does a penguin walk.

Dean secretly taking photographs of his cutie. It’s just wonderful. Pharm is so bouncy and cute and Dean is so soft and indulgent. And it’s one of the few times where we get to see Pharm be a little bit more like In. Dean spends the whole time looking at Pharm rather than the fish. He’s so doting.

It’s so good.

The story about the sea ogress and what to do with a traitorous lover. Pharm’s response is actually typical uke, as possessive as seme are, it is usually the uke in yaoi & BL who ends up being the most fierce about ownership in a relationship. Because the uke has, in many ways, sacrificed part of their identity to the seme (in In’s case, all of it), their’s is the more powerful claim by right of sacrifice. It’s very old gods, ancient instincts.

Meanwhile there’s Dean always making his intentions crystal clear.

That hand hold.

But also...

No Dean, he doesn’t trust you, and for a very good reason.

And finally we have everybody’s least favorite character in UWMA: Ja’s wig.

There’s a wild speculation around this wig.

Perhaps he had just finished Ror Dor and had no hair? Or had just come back from serving in the military? No matter wha,t it’s totally unacceptable.

Thailand is never allowed to use wigs. It’s one of the sacred rules of BL. It’s a bummer because Sorn & Sin are fab minor characters. (They will rep for the “elder gay advice giver” archetype. One of my favorites.)

Episode 6 - The Read Thread Kiss

This rewatch I really feel a lot more for Korn than I ever did before. He really did try to warn In that it wasn’t a good idea for them to date, like he knew he wasn’t gonna be brave enough, even for love. But In is so relentless and so cute, who could resist?

Everyone eating lunch together and teasing each other and Del finally relaxing around Dean is one of my favorite little vignettes. Also, everybody laughing at Dean rgr “forgetting to swallow.” And my boys holding hands under the table. It’s glorious.

I also like how we get to see Dean reacting to the past negatively too, finally. And his siblings are so worried about him. This crack in his stoic armor.

I do love Pharm standing up to Alex before the play. And the fact that Del records it and sends it to Dean is just so good. Especially knowing what happens next.

The fated mates of the red thread.

Dean’s faculty cohorts are all such frat boy type dicks. I kinda love their sleazy mame-ish little ways.

Honestly there’s nothing carnal when these two kiss but it’s so beautifully romantic and soft.

I love love love the way Dean checks in on Pharm and tidies him up, afterwards. It’s so sweetly caring and careful.

And then the big realization about reincarnation over shabu shabu.

I gotta say, as a chronic rewatcher, this show stands up to a rewatch better than pretty much any other Thai BL I could name. Probably because it has so many character vignettes, and little moments of side affection between friends as well as lovers. There’s a lot of meat and sweetness to revisit.

Episode 7 - Possibly my Favorite Episode

The tiny snippet where Dean sees Pharm as In is actually one of the saddest bits of this whole show. It’s rough watching DeanPram figure everything out.

I do love the scene where Pharm meets Dean’s younger brother. Don tricks Dean into coming over, and everybody teases them.

I feel like every episode I say “this is one of my favorite scenes.” Which just goes to show why this is my favorite Thai BL ever.

Meanwhile, sitting on the couch crying, DeanPharm finally figure out that they promised to find each other and that they are both experiencing the same feelings of reincarnation. This particular exchange of gifts is so significant actually talk about it as an example in my blog post on the trope. Gift exchange is not a trope I love but it has a lot of meaning in this particular instance.

Public claiming of a relationship is one of my more favorite tropes on the other hand, which means the next scene where Dean has to run Alex off is just too good. When I talk about Thailand in the context of age dynamics as part of culture, I use the example of how hard it is for Team to protect Pharm under these circumstances - where he is fighting against Alex who is not only older but from a different department. It’s such an important insight into Team’s character, that he’s willing to stand against Alex even though the whole social structure is against him. Dean sweeping in and running Alex off is just so powerful as a result. Also I really love the way Dean is always touching Pharm and tidying/playing with his hair and clothes - it’s so proprietary and boyfriend. It also shows that Dean is never not thinking about him, his eyes are always on Pharm whenever they are together.

And this ep ends with WinTeam and the forehead kiss in the convenience store. Finally there’s some movement on their romance. This really is one of my favorite episodes.

Other Stuff Related to this Show

Why Until We Meet Again is special among Thai BLs

Thai Desserts in Until We Meet Again

BL With the Highest Chance of Breaking Into The West - Until We Meet Again (I wrote this before KinnPorsche)

Sex negativity as part of the seme/uke dynamic

Thai Food You Should Eat Because of BL

(source)

So I will try to updated this original doc as much as possible, but sometimes Tumblr just stops me from editing, in which case I have to repost and add. So I’ll be putting a rough date here, please don’t get mad if something is out of date and I can no longer fix it. October 2022.

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lightleckrereins · 11 months

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Six the musical crowns guide

This is a long overdue post that was requested again recently so here is the crown breakdown. While I tried to include everything there are probably some things I missed and some that appeared only tmporarily so I ended up omiting them. Also whenever I mention spike numbers it is very likely that I am off in some of them as it is hard to get photos of some where the full crown is visible and clear enough to count. And whoever is in the photo is not necessarily the first to wear a style, it is the best picture I have of it at the moment.

Aragon: It would seem that there are only two versions of this crown (original single band and new double one) but it actually has a few very distinct styles.

The very first one was a double tiered halo looking crown that never made it past very earyl first UK tour press.

1: After that and until the redesign Aragon wore a single headband shaped crown that went down to right above the ear with eight long gold spikes evenly distributed. It was commonly styled with hair strands weaved between the lower spikes.

2-3: The first redesign appeared only on 2020 Broadway previews and features two bands connected at the ends that lay on top of the head and goes slightly down (doesnt reach the ears). This crown had ten short gold spikes in the front band with the final one on the union of the bands and six long gold spikes alternated with five short on the back. The shape and number of spikes has changed a lot since but in general the shorter spikes in front and long and short alternated on the back format remains. The current US crowns have the same format as the original Broadway one but with 13 short spikes on the front band and eight long and seven short spikes on the back. Cruises started with a different style but have now switched to this one.

4-5: There are two versions of the crown in use in the UK. The most common one is the same format as the US crowns with short spikes in the front (16) and alternating size in the back but changes the short spikes on the back band to medium sized ones in the center and small on the sides (9 total and 8 long). The second version has the same format but is narrower (12 small in the front, 6 long and 7 medium/short in the back). This version seems to be used by queens with hairstyles that pull the hair back higher so the gap for the crown is narrower.

6-7: The original cruise crowns have the same format as the original Broadway one but change all the small spikes for medium sized ones. This crowns were worn backwards (long spikes in front) for Breakaway 2.0 and this appears sometimes in other productions. I am pretty sure this style was originated for Bliss 2.0 which had an early version of the costume redesign and made in advance for the cancelled original Breakaway 2.0. Crowns were worn for a few cruises since reopening but now seem to be retired in favor of the usual US style.

8-9: Since the Aragon crowns are gold to match the costume, the alternate crowns are silver. There are three alternate crown versions mirroring principal styles. The original headband one worn in the UK until lockdown, in the pre broadway US tour and in Australia for the whole run. This style of crown was sometimes worn by alternates for Cleves or Parr. Currently the UK productions are the only ones to use the alternate costumes and have both wider and narrower Aragon crowns in silver.

Boleyn: This crown has had the least variations across time. It consists of two circular bands worn around the spacebuns with spikes on the sides. Sizing and spike number vary but in general it is 10 spikes for UK crowns and 8 for US; AUS had 10 and cruises follow the style of the costume maker they have at the moment. The only notable difference was Hazel Karooma-Brooker who wore two flat bands on the sides of an updoo in a style that was later made the standard for Cleves.

Seymour: This one is simmilar to Aragon in that there are only a few base styles that have many distinct variations.

There are photos of Natalie May Paris wearing a few different crowns early on but none of those seem to have made it past early first UK tour press

1: the original Seymour crown was a small white band that laid on top of the head with six small spikes.

2-3: the second version was a long band shaped like a headband with 11 short spikes. There were both black and white band versions of this one; in general it was black for dark haired actors and alternates and white for light haired actors. Sometimes it was styled with hair covering the ends so the spikes showed between strands.

4-5: There have been two versions of the Seymour crown. The first is a double white band that lays on top of the head with five short spikes on each band and two more on the edge where the bands meet. When the Boleyn tour opened the crown was updated. It is the same format but now the three middle spikes on the back band are taller than the rest.

6: The UK crown has the same shape as the US crown but in black; and has seven medium sized spikes on each band and none on the union. A white crown was made for the 2023 UKT cast change presumably to match Erin Caldwell's blonde hair but she ended up wearing a black one.

Cleves: Just like there are a million Cleves hairstyles there are a million Cleves crowns.

The very first version of this crown looked like a hat with spikes around the brim but was cut in early tour press.

1: The first crown to appear onstagewas a headband in the same shape and size as Seymour, but with spikes starting slightly higher on the sides. It had three short spikes on each side and in the middle three long with two more short in between. This crown was the main style until shortly before lockdown when the mohawk style started to be introduced.

2: Vicki Manser wore one of her Boleyn cuffs for multiple queens including Cleves. This style was worn by some alternate Cleves early on with ponytails and side braid styles.

3: Brittney Mack wore a few different crowns, the first being a single cuff simmilar to the Howard crowns but with more spikes.

4-5: The first version of the side crowns was two single bands with eight short spikes on each. This was worn in the pre broadway tour, the UKT between 2019 and 2022 and by Jessica Niles in Breakaway 1.0. The later versions of this crown started shifting from straight bands to a slight curve.

6: Kiana Danielle got a slight variation of the previous one with alternating short and medium spikes

7-9: At reopening West End introduced a few different styles. The first was a headband with 15 spikes alternating between short and medium only worn by Lexi McIntosh. Second was the same but alternating between medium and long, this was worn by Zara Macintosh and Cherelle Jay. Third was simmilar to the Aragon crowns with two bands; 12 short spikes on the front and five medium and six shorts alternating on the back. This series feels like an experimental era where the costume team was trying to figure out different crown styles for different hairstyles before settling on everyone having a take of the double crown.

10-11: The US crowns are made by two slightly curved bands connected only on the back, has nine short spikes on the lower band. The top band alternates six medium spikes in two slightly different lenghts and two short spikes on the back. In the Aragon tour the crowns are worn backwards with the union on the front.

12: The UK crowns are two curved bands joined in the back. They have ten long spikes on the top band and eight spikes in the bottom alternating between two medium sizes.

There have also been Seymour crowns (the full headband shaped ones), Howard crowns and Parr crowns worn for Cleves by alternates or in cruises.

Howard: the Howard crowns can be separated into two groups. Open band and closed cuff. But that doesn't mean there are not a million variations on shape and size.

1: The very first version of the crown was a round cuff with three tiers of six spikes. This was narrower than later ones as originally principal Howards wore only half their hair up in the ponytail.

2: the pre broadway tour crown was also round but shorter and wider than the UK one and had only two tiers of spikes.

3: Vicki Manser wore one of her single tier cuffs for multiple queens including Howard. This style was worn by some early alternate howards.

4-6: The crown was standarized in late 2019 to a shorter, wider cuff with the same amount of spikes. Depending on the specific crown the shape shifted between being round, oval and slightly triangular shapes. This version appeared on UK productions until lockdown, AUS for the entire run and early cruises.

7-8: At reopening a new shape was introduced. Consisting of an open band that covers only the front of the ponytail and is left open on the back. This version has become standard for all productions in different shapes and sizes. The current UK crown is a wide band. It has four spikes on the top and bottom tiers and three in the middle. Since the crowns are made to be stiff this change shape between a wide curve and a narrower C shape. Height and width vary I think depending on the size of the ponytail.

9: the US crown is a narrow open band. It has four spikes on the top and bottom rows and three in the middle one. This are the narrowest crowns and the size allows the ponytail to cover the sides instead of staying in the back like with UK crowns.

Parr: this one looks like a million variations but is more of a million different ways to wear a few versions.

1: The original crown was a wide band shaped simmilarly to a fabric headband with three rowns of 10 spikes going around it. This was worn by the original WE cast, Athena Collins in the UKT Hana Stewart inWE, and Nicole Lambert in the pre Broadway tour.

2: For the pre broadway tour a headband simmilar to the Seymour crown with a wider band was introduced. This was worn by Ana Uzele before switching to the side crown, Bliss 1.0, Elizabeth Walker on Breakaway 1.0, the UKT alternates until lockdown, and the AUS alternates for the entire run.

3: For Breakaway 1.0 Amelia Walker wore a double headband.

4-5: For the AUS opening a new crown was introduced made of two bands on each side (simmilar to the Cleves crowns) with six spikes on each band worn on the back of the head and weaved through the hairstyle. This version with longer bands and more spikes was worn by Courtney Mack on Broadway and (I think) Megan Leung and Sophie-Rose Middleton in Bliss 2.0. A variation of this crown with spikes alternating between short and medium on the top bands is still worn in the UK by all Parrs with straight hair and In South Korea.

6: The first version of the side crown was introduced in late 2019. It is a single band with nine long spikes that goes from the side of the ponytail on the right side of the head beside the ponytail and reaching the center in the back. This was worn by Anna Uzele in the final stops of the pre Broadway tour, Danielle Steers until lockdown and Athena Collins for a public performance before the postponed UKT reopening.

7: At reopening WE and UKT introduced a new version of the side crown. Consisting of two bands connected in the backsimmilar to the Cleves crowns. With 11 short spikes on the bottom one and 12 spikes alternating between short and medium on the top one. This was worn by Danielle Steers and Athena Collins.

8: For the Broadway reopening a variation of the previous crown was introduced in the same shape and number of spikes only switching the spikes on the top band to three long alternating with three medium in the front and six slightly smallermedium on the back. This crown has become the standard version and is the only to be pretty much identical in both the US and UK.

9: Keirsten Hodgens wore a variation of the double crown specifically made to be worn on the left side to accomodate her locs naturally falling to the right.

10: In the Aragon tour both Gabriela Carrillo and Erin Palmer Ramirez wear the crown backwards with the bands connecting in the front.

11: Again in the Aragon tour Kelsee Kimmel wears another unique version. The top band has two short spikes in the front and back and then in the middle there are five spikes that go from medium to tall and back again.

12: For her first cruise run (Breakaway 2.0) Ellie Sharpe wore yet another unique crown. This seems to be a take on the double crown. The two bands are connected at the front and have medium spikes on the bottom band and alternating medium and long on the top one. I think this is another case of NCS changing all the short spikes for longer ones like they did with the Aragon crown and might have been intended to wear further back or it is two crowns worn as one. But no way to confirm this as there are only three photos of Ellie wearing it, none show the crown in full and she wore a standard side crown for her second run.

#six the musical #six costumes #six crowns #I've been working on and off on this post for like a month now #well this and another #guides are fun but take forever

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