ModernaTider!GT sketch I did last night.

It's been a while that I have never fill my sketchbook! ;w;

On my knees, mesmerized. In awe of, solarised. Acceptance before I return to the stars.

Luke Jennings- Codename Villanelle / Killing Eve Season 4.1 ‘Just Dunk Me’ - Laura Neal / Mabel #30- ‘the consort’ / Killing Eve Season 4.1 ‘Just Dunk Me’ - Laura Neal / ‘Knife Fatality’ Anders Persson / Killing Eve Season 1.8 ‘God I’m Tired’ - Phoebe Waller-Bridge

Release: August 10, 1996

Lyrics:

So I cry and I pray and I beg

Dear, I fear we're facing a problem

You love me no longer, I know and

Maybe there is nothing that I can do

To make you do

Mama tells me I shouldn't bother

That I ought just stick to another man

A man that surely deserves me

But I think you do

So I cry and I beg for you to

Love me love me

Say that you love me

Fool me fool me

Go on and fool me

Love me love me

Pretend that you love me

Leave me leave me

Just say that you need me

Love me love me

Say that you love me

Leave me leave me

Just say that you need me

I can't care 'bout anything but you

So I cry, I pray, and I beg

Lately I have desperately pondered

Spent my nights awake and I wonder

What I could have done in another way

To make you stay

Reason will not lead to solution

I will end up lost in confusion

I don't care if you really care

As long as you don't go

So I cry and I beg for you to

Love me, love me

Say that you love me

Fool me, fool me

Go on and fool me

Love me, love me

Pretend that you love me

Leave me, leave me

Just say that you need me

Love me, love me

Say that you love me

Leave me, leave me

Just say that you need me

I can't care 'bout anything but you

Songwriter:

Love me, love me (say that you love me)

Fool me, fool me (go on and fool me)

Love me, love me (I know that you need me)

I can't care 'bout anything but you

Nina Persson / Peter Anders Svensson

SongFacts:

👉📖

Por qué Israel no puede bombardear a Hamás hasta la sumisión... Israel se enfrenta a la operación de contrainsurgencia más difícil de los tiempos modernos, quizá de la historia militar. El reto que tiene Israel es mucho más complicado que al que se enfrentó Estados Unidos en lugares como Faluya y Mosul... Israel no tiene ningún aliado local en Gaza que le ayude a luchar... A pesar de la brutalidad de su campaña de bombardeos en Gaza, hasta ahora Israel sólo ha conseguido matar a unos 8.000 miembros de Hamás, según el portavoz de las FDI, lo que supondría el 30% de su fuerza. Asimismo, la mayor parte de la cúpula política y militar de Hamás, en Gaza y en el extranjero, sigue con vida, y gran parte de su infraestructura en el sur de Gaza también parece intacta... Si Israel ataca Gaza con más fuerza de la que lo ha hecho, no sólo se arriesga a una guerra regional más amplia y al colapso de los acuerdos de paz con Egipto y Jordania, sino también a debilitar toda la arquitectura de seguridad estadounidense en la región... tres meses después de iniciada la guerra sigue siendo difícil lograr un aplastamiento decisivo no sólo de Hamás, sino también de su ideología (Anders Persson, Haaretz, Israel)

Early on Saturday morning, the Palestinian terrorist movement Hamas attacked several locations around Israel. The death toll has risen during the day and hundreds of people have b...

Frankrike - Brasilien 2:1

Frankrike vinner mot Pia Sundhages, Lillie Perssons och Anders Johanssons Brasilien genom ett nickmål av Wendie Renard. En bra match som hade lite åttondelfinalvibbar. Mycket viktig framgång för Frankrike som ju saknar stjärnorna Marie-Antoinette Katoto och Amandine Henry.

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Gettjärns IF - Torsby IF U 0-6 (0-4)

Torsby IF U vann komfortabelt i sin genrep inför seriepremiären. Tre två målskyttar stod för målen. Datum: 230410Plats: FryxellskaAvspark: 14:00Väder: 11°, muletDomare: Pontus Persson Gettjärns IF: Kevin B, Muayyad, Tommy, Linus, Alvin, Nicklas, Axel, Simon, Villiam, André, Lukas, Stefan, Kim, Adam, Anders, Martin och Johan.Tränare: Torsby IF U: Elias, Oscar E, Simon, Hannes (K), Tarek,…

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Rigoletto von Verdi

GöteborgOperan SE | 14. April 2022

Regie: David Bösch | Bühne: Magda Willi | Kostüme: Pascale Martin

mit Davide Giusti, Olafur Sigurdarson, Ida Falk Winland, Mats Almgren, Katarina Giotas, Annalena Persson, Anders Lorentzson, Hannes Öberg, Daniel Ralphsson, Erik Rosenius, Pauliina Sairanen, Tiina Markkanen und GöteborgsOperans Kör

© Lennart Sjöberg

https://www.opera.se/en/what-s-on/season-2021-2022/rigoletto/

Munis improve to start week; increased supply to test market

Munis improve to start week; increased supply to test market

Munis were slightly better to kick off the week, while U.S. Treasuries were firmer 10 years and in and equities rallied. Municipal triple-A yields fell one to three basis points Monday while UST saw the 10- and 30-year end the session just above 4%. “Municipal bond yields decoupled from the Treasury market last week, ending basically unchanged,” said Nuveen strategists Anders S. Persson and John…

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Comfort characters meme, but replaced with my comfort band.

Wenn Idealismus in Fanatismus umschlägt

Wenn Idealismus in Fanatismus umschlägt

Schatten der Gier von Fred Persson basiert auf einem wahren Fall Dieser Text kann Werbung enthalten Wie weit darf man gehen, um seine Ziele durchzusetzen? Eine Frage, die sich beim Lesen des Thrillers Schatten der Gier von Fred Persson unwillkürlich stellt. Denn der ermittelnde Beamte des BK Wien, Edwin Anders, wird gemeinsam mit seinen Kollegen aus Frankfurt mit einer entstellten Leiche…

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CARVING A SPACE

Hannibal 2x13, ‘Mizumono’ / Iain Thomas, ‘Circle, Triangle, Square’ / Anders Persson, ‘Knife Fatality’ / Richard Siken, ‘Wishbone’ / Agnolo Bronzino, ‘Portrait of a Young Man as Saint Sebastian’ (detail) / Margaret Atwood, ‘You Fit Into Me’

Recent non-Japanese H!P composers/arrangers Most all of these people have quite the resume of producing for other Jpop artists. You can find out who said artists are by searching these producers' names under 作曲者名 (composition) or 作詞者名 (lyricist) at Uta-net. Josef also has some notable Kpop credits (including Kim Hyun Joong, Monsta X, Suju, Red Velvet, and Shinee). Amusingly, the Senior Product Manager at Spotify’s Stockholm office is named Kalle Persson, but I don't know if that's the same as producer Kalle. On the other hand, SEION, Tasco, Tenzo are actually Korean producers, under Duble Kick Entertainment. Between the three, they have credits for Wanna One, Izone, Nuest, BTOB, Momoland, Apink, Girls Day, Dreamcatcher, and more. This is hilarious to me, because my reaction to Vivid Midnight back in the day was "this is Kpop but slower", not realizing that it really was actually that!

REVIEW: SWEDISH SLUDGERS GLOSON EMBODY MARA ON NEW EP

Halmstad, Sweden sludge post-metal band, Gloson, have released EP, Mara, which came out today (April 5), and was released via label, Black Lion Records. It’s only two tracks but at almost eight minutes each the title of EP is most justified. Gloson are Anders Persson, guitarist and vocalist; Christian Larsson, guitarist, vocalist and drums; Kristoffer Bruhn, bassist and backing vocalist and Samuel Envik, drummer. Artists they like, they find inspiring, are Neurosis, Cult Of Luna, Kongh, ISIS, Abandon, Walk Through Fire, *shels, Terra Tenebrosa, Amebix and many more. Going back, to the summer of 2012 in Sweden, the four-piece came together with one mission in mind, creating dark music with a flickering flame of light. Eschewing political and religious themes, the band turned within to their own lives and issues. First came their 2014 release, digital EP, Yearwalker. The EP was well-received, with it rereleased in a LP format come the following year by Catatonic State from Sweden and Art of Propaganda from Germany.  Then came the song writing for the debut full-length that took place. The 2017 album, Grimen, was preceded by its first single, “Cringe”, in late 2016, and proved to be many strides forward. When asked the meaning behind the title of today’s EP, Christian was able to provide the following; indeed, it eschewing political and religious themes: “A “Mara” is the mythical/folklore personification of a nightmare – hence that very word. The Swedish word for nightmare is “Mardröm”,” he said.  “And, as such, the EP deals with exactly that; nightmares.” They released the official music video for “Usurper” last Monday (March 25), everyone’s first taste of said, new EP courtesy of Black Lion Records. 

Christian also did the mixing and mastering on the Mara EP, Sophy Fredriksson the artwork you see up top and Ogino Design design and layout. Opening track, “Usurper”, rings in eerily.  Then sliding and slamming in with that wall of guitar, biting bass and climatic drumming. The vocals, screaming of desolation and anger, are equally crushing.  Slow, clomping feet of the sasquatch through bog or mire.  Then the menacingly cleaner vocal emphasis lets you focus on the profound, philosophical lyrics of, “Is this the world we were given, is this the world we would flee/Ravens randomly strike through the shadow, ‘til the end they’re striking through me/Is this the world we were given, upon this world we will see/Whatever my world has forbidden, is forever what I will be.” Then comes the vocal fadeout as the guitar, sedate at first, builds up before going headlong back into that crushing instrumentation.  It then searches for new territory to dominate, vocals a spoken word intermission, like a feral dog or lone wolf.  The guitar becomes higher register, rather than grinding low in the dirt, like the height of howling despair.  The closing minute or so ups the ante in that respect.  The crashing drum is given a little room to breathe, brooding and moody on those toms.  The song fades into jarring perpetuity.  Indeed, out onwards into space like the aforementioned visuals.  A signal sent into posterity. Closing track, “Equinox”, drags descending and despondently.  Doomy. Mighty in its victory but a secret loser.  The guitars then spaced out as the vocal creepily gets under your skin.  Then the vocals full on bellow, hoarse and powerful. The guitars ring out and reverberate, rattling in the skull.  Contrast of spaced out guitar atmospherics and chugging elsewhere arresting and multifaceted. A middle section searches elsewhere as lead guitar, melodic and pained, finds that light at the end of the tunnel that couldn’t be found elsewhere.  This drama’s ramped up as the drums hit with cacophony and urgency, cymbals ringing out. This repeats as frustration builds and tears swell.  Though, however, light is sought and darkness seems extinguished.  At least for a little while.   Solace is wanted desperately, but intense guitar takes hold and darkness is actually only ever really around the corner. “Cascade of shifting lights and colours, all of a sudden, vanished” confirming this, darkness subsuming light and positivity.  The arrangement is pared back, quiet noodling on the guitar like some sort of low level anxiety.  Building up to breakdown, feeling and hearing nothing.  Release through death, suicide or waking from a seeming living nightmare? It’s really difficult to pick one track from these two we have, here.  One is impossibly dark and the other equally so, just with a seeming, if not happy, but better resolution.  What you’ve basically got is a story told by two equally sizeable tracks, one act one and the other act two.  “Usurper” is really one to pour over lyrically, so much thought crammed in.  “Equinox”, is equally weighty and profound, just in less words.  Basically, you can’t have one without the sequel other. Gloson are something to behold, something to shake you from your reverie of complacency when contending with most of the rubbish you come across in today’s musical mess.  It’s progressive, it tells a story.  However, both tracks are self-contained enough to stand on their own. It’s that one’s The Hobbit and the other is The Lord Of The Rings.  It would feel wrong to have an overall preference choosing one.  Gloson’s Mara EP can be bought on iTunes, here. Also visit their Facebook, Instagram, YouTube, Bandcamp, Spotify, iTunes and website pages to keep tabs on Gloson.