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#American fashion photographers
kecobe · 2 years
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Model and Graffiti, Paris (Vogue), 1961 William Klein (American; 1928–2022) Gelatin silver print Christie’s, New York
Signed, titled, and dated in pencil and credit stamp (on the verso)
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originalhaffigaza · 25 days
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powerlineprincess · 26 days
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Down on your knees♡2024 35mm K.E.A Lux Hill♡
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krookidcookies · 2 months
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On a dark night? L.A, the city of angels.
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the-cricket-chirps · 5 months
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Horst P. Horst
Hat and coat-dress by Bergdorf Goodman, modelled by Estrella Boissevain
1938
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dentistry2004 · 5 months
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Painting by moi of @sarahalice237
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ilromagnollo84 · 9 months
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Kristen McMenamy for Gianni Versace SS 1995
Photographed By Steven Meisel
Stylist: Joe McKenna
Hair: Garren
Make-Up: François Nars
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newestcool · 26 days
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Stella Tennant for American Vogue November 2010 ''For King & Country'' Photographer David Sims Fashion Editor/Stylist Grace Coddington Makeup Artist Diane Kendal Hair Stylist Guido Palau Production Designer Popppy Bartlett Newest Cool
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fyeahtimwalker · 11 months
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Janelle Monáe by Tim Walker for Vogue UK, July 2023 edition
Styled by Kate Phelan. Set design by Miguel Bento.
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oldvintageglamour · 2 days
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Photographers Morgan & Marvin Smith prepare to take a picture of model Sara Lou Harris Carter, New York, 1940 🖤📸🖤📸🖤
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daguerreotyping · 1 year
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Daguerreotype of famous 19th century American photographer Matthew Brady as a young man, circa 1840s
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kecobe · 2 years
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New York, 1954 William Klein (American; 1928–2022) Gelatin silver print The Metropolitan Museum of Art, New York © William Klein/Courtesy Howard Greenberg Gallery, NYC
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originalhaffigaza · 2 months
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powerlineprincess · 7 months
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Ribbons and Pleasers. 2023 K.E.A Lux Hill. 35mm film.
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fashionbooksmilano · 4 months
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Deborah Turbeville Photocollage
Nathalie Herschdorfer
Texts by Vince Aletti, Anna Tellgren and Felix Hoffmann
Thames & Hudson, London 2023, 240 pages,188 color illustrations, 26,32x31cm, ISBN 9780500026212
euro 60,00
email if you want to buy [email protected]
Timeless, evocative, and hauntingly beautiful photocollages in a retrospective monograph by a truly innovative image maker whose female gaze transformed fashion photography.
American photographer Deborah Turbeville defies classification. She belongs to no school nor movement. Her unique visual signature has been recognizable since her emergence as a major talent in the 1970s. Her images are evocative, difficult to date at first glance, and seem dreamlike to our twenty-first-century eyes, a very different representation of feminine beauty from the highly sexualized works of her male contemporaries.
This new publication focuses on the area of Turbeville’s practicewhere her genius as an artist can be found: photocollage. In contrast to her contemporaries in fashion photography, she was deliberately playful with her images: xeroxing, cutting, scraping, and pinning prints together, writing in the margins and creating narrative sequences. Her work is located far from single, glossy images. It inhabits a liminal zone between art and commerce.
Built upon extensive research in the Deborah Turbeville archive, the work shown spans commercial and personal projects, with many images published for the first time. With texts by Vince Aletti, Anna Tellgren, and Felix Hoffmann, this book brings into the spotlight the ways in which Turbeville redefined fashion photography, moving away from the sexual provocation and stereotypes assigned by male photographers to an idea of femininity on her terms. Deborah Turbeville: Photocollage will be an essential publication with modern relevance for all with a passion for fashion photography.
26/12/23
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the-cricket-chirps · 3 months
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Sheila Metzner
"Marie Sophie"
1986
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