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#Amazing Mr Fell
fawnilu · 9 months
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🪄🐇🎩
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vidavalor · 10 months
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Am rewatching Good Omens ahead of S2 and I just realized that when Warlock is whining about not having his birthday in an escape room, they cut off his mother before we hear the full excuse, so we just hear her say: "You know why-- because we've already hired--" and it jumps to Crowley and Aziraphale.
So Aziraphale (well, The Amazing Mr. Fell) is who she'd already hired because no other entertainer shows up and no conflict is shown so when Aziraphale pretends to Crowley that he has just had the idea to entertain and he just needs to get back into practice, he already had the gig booked. Lol I love him.
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fellthemarvelous · 5 months
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"And now, a master of misdirection, marvelous in his mysteriosity, with miracles at his fingertips! Let us welcome the death defying prestidigitation of the amazing Mr. Fell!"
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ato-dato · 10 months
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The amazing Mr. Fell & mediocre assistant
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takeme-totheworld · 22 days
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The affronted tone with which Aziraphale asks where Furfur got the bullet catch booklet, because it's only available to Working Professional Magicians, is so funny. His worst fears have just been realized, a demon has shown up to arrest his husband, but he can still take a moment to be offended on behalf of his fake profession that important trade secrets have fallen into the wrong hands.
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rainbowpopeworld · 6 months
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Ok so Aziraphale’s pause and deep audible inhalation here gets me verklempt for two reasons.
This scene in s2e5 “The Ball,” where Aziraphale and Crowley walk into the magic shop to ask Mr. Mutt to attend, is the very first scene David and Michael shot together for season 2, according to Amazon x-ray’s trivia. They are back together and it’s like a savoring of the moment.
Also, it’s likely the first time Aziraphale and Crowley have been back together to the very same magic shop when they had their romantic 1941 visit. It looks so much the same and I can only imagine what feelings that brings up for them.
I need a deep breath🥺😮‍💨💕
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brontollow · 5 months
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lijzeil · 6 months
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(the most ominous waltz from your playlist plays)
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brainwormcity · 5 months
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I may not know much but I know that if you were to ask me, in any circumstance, "what's that man doing up there?" I would immediately reply, "Is he here to amaze and befuddle us all with his prestidigitation and jiggery-pokery?"
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michaelsheendaily · 2 months
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The Amazing Mr. Fell is trying his best 🪄🔮
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It looks like there is a set of magician's linking rings near the window, on top of the books. The Amazing Mr. Fell is back?
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messvoid · 8 months
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Gomens sketch dump
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clairedelune-13 · 8 months
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“Proud as punch” 😂
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orago-underline · 4 months
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The Amazing Mr. Fell isn't feeling so amazing lately...
this is part of the series of illustrations for my wip aziracrow human AU fic where they're traveling circus artists 🎪
check out Anthony Crowley, the Aerialist
Dacadende of Mr. Fell
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takeme-totheworld · 4 months
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Is Aziraphale actually terrible at magic or does he just get impossibly flustered trying to do tricks whenever Crowley is watching?
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greenthena · 6 months
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Ineffable Lapels: Our Side
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I've seen some stellar breakdowns and analyses of the costuming for Good Omens, and I'm personally blown away by the consideration afforded to each element of the visual production of this show. I even appreciate the anachronistic elements that Claire Anderson chose to use in the 537 A.D. Kingdom of Wessex flashback, because aesthetic was more important than historical accuracy (Oscar Wilde would support me here, I am certain.) And to be perfectly honest, 6th century European armor was not going to cut it. So much quilting.
This discussion is just a little traffic circle spin that I wanted to address with no larger point than to say how much I adore Anderson's work on this show. That's a lie. This post has actually gotten out of hand, so grab yourself six shots of espresso in a big cup and get in. We're going for a ride.
It's the smallest detail, but have you noticed the Ineffable Idiots' lapels? Crowley's lapels always point up (not the case with any other demons). Aziraphale's lapels always point down* (again, not the case with other angels). *I'll address the one divergence at the end of this post. It's kind of the whole point. It'll be worth it. Just drink your espresso and listen.
Lapels are a fantastically subtle way to express characterization when costuming an angel and a demon. Perhaps Aziraphale's lapels are an echo of his wings? Maybe Crowley's lapels symbolize devil horns? Maybe their costumes are just reaching out trying to give each other a hug. I dunno.
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I'm going to start with promo shots from both seasons that show Crowley and Aziraphale's present day wardrobes. The first promo shot pictures the costumes for all of present day S1. It's perfect for demonstrating the most pronounced expression of the lapels. Consider this a baseline or something like that.
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The close up of the promo for S2 (featuring nakey Gabriel and the migrating nightingales...I'm not crying, you're crying) shows pretty similar costumes to the first season. Yes, the hairstyles have subtly changed (Crowley's not so subtly, perhaps), but the lapel positioning for both characters remains consistent.
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Going back in time. (Let's call this the Baby Antichrist Era, shall we?) Crowley's collar is quite a bit narrower than in the present day, but the lapels still point up. Obviously, Aziraphale is still wearing the same coat. Obviously.
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I will never recover from this John Lennon bastardry. But still, check out those lapels. And the brocade is so 60's and so over the top.
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And here's Michael delivering his favorite line from S1, whilst breaking Crowley's (and literally everyone else's) heart. Do take a gander at those downward-facing lapels, though, and 'scuse me while I go have a quick cry.
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I'm going out of order with this next image, back to the start of the Holy Water incident. (Don't worry, we will get to 1941. It requires more attention and will have to wait its turn.) Not a whole lot I want to pull from this image other than Aziraphale's fuzzy top hat and Crowley's snake-handled cane, which I believe he's using as he recovers from his recent trip to Hell. These costume pieces have nothing to do with lapels, I just think they're neat. But the lapel pattern holds: up for the demon, down for the angel.
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A few decades earlier, we see Crowley in Edinburgh just hours before being sucked into an infernal whirlpool. The lapels here are more parallel than distinctly upward-pointing, but the extravagant shoulders on this overcoat demand a balancing lapel line.
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Likewise, on Aziraphale's overcoat we don't see a defined downward-pointing lapel, so much as a wide horizontal collar, but the layers of wing-like capelets create an impression of flowing down. With these two stunning overcoats from the Edinburgh flashback set, I think the unusual period elements take the place of the lapels in demonstrating the upward tilt in Crowley's ensembles, and the downward pull in Aziraphale's.
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Okay, now we can discuss 1941. Because this is where the cookie crumbles. Originally, these costumes vexed me. As usual, Crowley wears his upward-pointing lapels. But Azirapalala, goddamnit, also has upward-pointing lapels to match Crowley. But am I gonna' let a little thing like this destroy my thesis? Don't shit with me when I am analyzing costumes, because this is also the night when Aziraphale realizes he's in love with Crowley (this is Sheen cannon and cannot be disputed).
Their lapels match because of Aziraphale's revelation--he finally understands what it means to be on "Our Side," because he's finally admitted to himself that he is head-over-bloody-heels in love with the wily demon. The matching lapels in 1941 is some St. John of Patmos-level stuff, I think, their matching collars revealing their synchronicity. Even if it's only for the one night, they're one the same page, heading in the same direction. I know many of us in the fandom are pretty preoccupied with the idea of a third 1941 flashback in S3 because this night seems to be the hinge in their relationship. It's the night when everything changes. It's not just Crowley swooping in to rescue his angel, as he's done in the past. They're mutually dependent on one another to make it through the night alive, well, at least to avoid discorporation (it's romantic, okay?) Crowley diverts the Luftwaffe plane; Aziraphale protects them from the blast of the bomb; Crowley saves the books; Aziraphale saves Crowley's ass from an irate Mrs. Henderson; Crowley saves Aziraphale's magic show (by literally not discorporating him on stage); and Aziraphale saves both their asses with some surprisingly successful prestidigitation when he swaps out the incriminating photo Furfur had managed to snap of the Ineffable Morons.
Crowley and Aziraphale's matching lapels in 1941 isn't a fluke or a costuming blunder. I think it's a very subtle head nod to what we all know actually happened that night: Aziraphale took a tenuous step forward in their relationship. A step 6000 years in the making. A step that, if noticed by their respective superiors, could mean the actual and eternal end to them. He couldn't shout it from the rooftops--he couldn't even speak of it directly in private (I mean he tried, but "That's what friends are for" was as painful for the viewer as it was for Crowley and Aziraphale.) He couldn't disclose through words or direct actions what he needed the demon to know, so he used what avenue he had available to him. Through the subdued symbolism of his bloody lapels, Aziraphale communicated to his demon, "I am on Our Side."
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For reading to the end of this post, you get a very special reward! Here is The Amazing Mr. Fell. I love him. I'm not going to address right now the fantastic costume because this beauty deserves a post of its own--the cape with the stars! THE CAPE WITH THE STARS! HE'S SWATHED HIMSELF IN CROWLEY'S CREATION...I'm fine.
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