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Inktober 2021 Day 13: Roof A Serious Man is an underrated film. . . . . . #inktober #inktober2021 #inktoberchallenge #inktoberday13 #inktoberday13roof #roof #aseriousman #coenbrothersfilm #underratedmovies #2009 #drawingchallenge #dailydrawing #sketchartist #lineart #digitalinking #digitalinktober https://www.instagram.com/p/CU_6fUKLDbU/?utm_medium=tumblr
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Ranking : The Coen Brothers (1954/1957 - present)
Directing a film can be one of the most vast, task oriented and stress inducing undertakings imaginable, which makes it odd that more directing duos, specifically sibling duos, do not exist. Sibling duos like the Wachowskis, Hughes, Farrellys, Safdies and even the Zellners have made names for themselves, but one set of siblings easily towers above the rest : the Coen brothers. With nearly 20 films under their belt, and nearly as many stylistic varieties and storytelling approaches found within, it is hard to argue the impression they have left on moviegoers worldwide over the past nearly four decades they’ve existed professionally. With such a stellar record of films under their collective belts, I’ve decided to do the most stress-inducing task of all : rank these films from least to most favorite.
18. Intolerable Cruelty (2003)
For a duo with so much distinct style and flair for storytelling, this film feels the least like a Coen Brothers film. If anything, this feels like a script that sat on a shelf in pre-development hell, possibly for years, only for someone considering themselves a bit of a ‘maverick’ or ‘forward thinker’ to discover it and think that a dose of Coen Brothers magic could save it. Even with the star power of George Clooney and Catherine Zeta-Jones behind it, this one feels a bit too ‘by the numbers’ to stand out from an oeuvre that nears perfection.
17. Hail, Caesar! (2016)
I’ll be completely honest with you all... I don’t remember much about this film. I remember enjoying it, but I don’t remember being blown away by it. I remember enjoying the colorful display of old Hollywood, and it’s always refreshing to see George Clooney lean into roles that border upon slapstick. For as much as I found this film not all that memorable, however, it stands above Intolerable Cruelty simply because it does not trigger bad memories.
16. Burn After Reading (2008)
This film is what Intolerable Cruelty wanted to be... a property that is a hair closer to by the books, but full of a screwball approach that heralds to a forgotten era of film while using an incredibly stacked cast. Of all the Coen Brothers films I’ve seen, Burn After Reading feels like the property that all involved enjoyed making the most. Like many of the Coen Brothers films, the cast on this one is mega-stacked, and from top to bottom, everyone involved shines in roles that go against their standard types, or amplify the most off-beat aspects of their performing ability.
15. The Ballad of Buster Scruggs (2018)
The fact that Netflix was able to pull the Coen Brothers for a film is a win in itself, and with the duo choosing to do an anthology piece, Netflix was primed to maximize on their investment. While highly entertaining, however, the anthology nature of the property leaves it feeling a bit unfocused and disjointed at times... none of these stories really had enough meat on the bone to be expanded into feature-length films of their own, but for some reason, all parties involved passed on the opportunity to make a multi-episode serial rather than a film comprised of multiple tales. While using variance in storytelling methods and visual styles may work for some less talented directors, in the case of The Ballad of Buster Scruggs, it feels more like snack-sized bites in the place of true sustenance.
14. The Ladykillers (2004)
On paper, this film should have been a disaster. The Coen Brothers generally opt for original stories, so the fact that they chose to adapt such an obscure 1950s property for the modern day was strange, especially in light of the fact that most every element with the exception of Tom Hanks’ character was given a modern update. Somehow, despite all of this oddness, The Ladykillers managed to capture a sense of the classic Coen Brothers slapstick comedy that they famously established themselves with early on in their career. Tom Hanks is given the green light to go completely ridiculous, and to much of the viewers’ delight, he does so with great aplomb. His supporting cast shines, the comedic turn brings new energy to the story, and the southern gospel setting brings a rich sense of spirituality to an otherwise run of the mill film.
13. O Brother, Where Art Thou? (2000)
The Coen Brothers were essentially household names by the turn of the 20th century, but O Brother, Where Art Thou? propelled them into a legendary status. The grassroots mix of The Odyssey and the Robert Johnson crossroads legend took on a life of its own, leaving behind a soundtrack that birthed an entire generation of folk and bluegrass enthusiasts, as well as a film that showed the world George Clooney’s comedic chops. Much like The Ladykillers, O Brother puts viewers deep into the unfamiliar territory of Southern ‘discomfort’, with the African-American experience playing a major role in the narrative. Of all the Coen Brothers films one could use to introduce a stranger to their catalog, this one may be the best, as its infectious nature and stunning look leaves an impression on most anyone who has the pleasure to view it.
12. True Grit (2010)
The Coen Brothers had already covered a wide bit of genre ground within their first three decades, but surprisingly, they’d not done a true western up to that point (though many argue that No Country For Old Men is a modern take on the western). Therefore, when it was announced that their first western would be a remake of the iconic John Wayne film True Grit, many were surprised, and curious if they could pull it off. Not only did they pull it off, but in my humble opinion, they made a version that more than holds its own against the original. For the handful of big name and seasoned actors that signed on, it was the breakthrough performance of relative newcomer Hailee Steinfeld that outshined all. While The Ballad of Buster Scruggs was a fun revisit to the world of the western, True Grit was the kind of achievement that makes me want more traditional westerns from the duo.
11. The Man Who Wasn’t There (2001)
Listing the Coen Brothers films is by far the most difficult ranking I’ve done to date, and the first film that really gave me trouble in terms of placement was The Man Who Wasn’t There. Personally, I find this film to be captivating and nearly flawless... Billy Bob Thornton’s detachment is rich and intrusive, which makes it all the more sinister when he does choose to exude even a hint of passion about something, be it positive or negative. The black and white photography, in league with the tone of the film, puts me in the mindset of films like In Cold Blood, and some of the sequences in the film stand out as some of the most iconic in the world of Coen Brothers films, especially the car crash. For a classic-style film noir, a genre that anyone with half a brain knew was a slam dunk for the Coens, the duo went above and beyond to both modernize and wholly embody the style. One of several Coen Brothers films that sits with you long after the final credits have faded away.
10. Inside Llewyn Davis (2013)
If this isn’t the darkest comedy in the Coen collection, it’s certainly giving the number one contender a run for its money. The intimacy of this film is unmatched within the broader collection of Coen characters, excluding The Dude, but the difference between Llewyn and The Dude is the personality equivalent of the difference between oil and water. You may marvel at Llewyn’s talent, but all the while, the film is screaming at you that “THIS IS A CHARACTER YOU SHOULD NOT ROOT FOR”. The symbolism found in the film is minimal while being incredibly effective in how it punctuates Llewyn’s personality and character, and the story structure is an equally subtle swerve that baits you into paying deeper attention, only to realize that the setup was the punchline the entire time.
9. The Hudsucker Proxy (1994)
I’m a sucker for a Coen Brothers comedy, especially the ones that play like human cartoons, and one of their absolute best was The Hudsucker Proxy. The writing on this film is so tight that it would absolutely pop if it were any tighter. The entire A Christmas Carol-esque approach to the story makes it a wonderful moralistic tale that makes people laugh so much that they often don’t realize they are being taught a lesson about morals, integrity and self-respect. Tons of familiar character actors fill the frames, everyone tasked with supporting roles fit firmly and comfortably into the created world, and the man trio of Tim Robbins, Jennifer Jason Leigh and Paul Newman are functioning on genius levels of performance... especially Jennifer Jason Leigh. While not quite a holiday movie, there is enough of a holiday sense that it could be shoehorned into a seasonal viewing, but any time set aside for this gem is the right time to watch it.
8. Barton Fink (1991)
In my humble opinion, this may be the strongest end to end performance from John Turturro in his long and storied career. As clear-cut fans of film, it is always a pleasure to see the Coen Brothers explore the world of film, and by using this approach, they are able to tell a bold, brash and haunting tale about the issues that come with assumptions about character and talent. The takes on Hollywood and the indifference of those in power, especially when it comes to assisting young and promising talents that may one day usurp them, and powerful. The real bow on the story, however, is the larger than life presence of John Goodman, who goes from being a slightly aggressive and overbearing sense of support to a literal madman by both name and action. For a film that mainly consists of individuals talking to one another about passion, talent and secrets, there is a kinetic energy that feeds the forward momentum of this movie, and for that, it stands out in the Coen collection.
7. Miller’s Crossing (1990)
It’s not surprising that the Coen Brothers could make a compelling and memorable gangster film, but I don’t think that anyone expected a film as vicious and dark as Miller’s Crossing. For a duo that generally relies on nuance and contemplation to get their points across, this film certainly proves that they are more than capable of excelling in the direct approach as well. The era-specific costuming is outstanding, the murky city areas stand in stark contrast to the woods of the titular Miller’s Crossing, and the sheer volume of bullets are a stark reminder of the Prohibition-era story we are viewing. Gabriel Byrne shines in his lead role, bringing a world of fury, deceit and mistrust in tow with him. The iconic hat blowing in the wind serves as not only the biggest memorable moment from the film, but possibly also the single moment of peace and beauty found in a film that holds up a dirty mirror to a dark world.
6. A Serious Man (2009)
Of all Coen Brothers films, this is easily the most underappreciated and slept on of the bunch. I’m a sucker for movies that embrace Murphy’s Law, and when mixed with the parable nature of the Book of Job, we are presented with a darkly comic and relatively unique version of the hero’s journey. The way that the personal, professional and philosophical problems pile up on Michael Stuhlbarg’s Larry are meant to be felt by the audience, and the way that his bad luck boomerangs out into the world during the film’s resolution must be seen in order to be believed. The way that destiny and chance dance around one another in this film is narratively breathtaking, and for such a subtle film, it is a truly remarkable achievement.
5. No Country For Old Men (2007)
When you think of the Coen Brothers, you don’t necessarily think of evil incarnate, and yet, the duo succeeded in capturing a character in the form of Anton Chigurh, the closest thing to the Terminator that the duo has ever created (to my knowledge). The story is a wonderful, subtle tale of how the times can change into something we don’t recognize before we recognize the change, but it is easily Javier Bardem’s iconic performance that gives this film all of its power and ominous energy. His unyielding forward momentum, his disdain for obstacles in any form, and his disregard for human life are enough to instill real fear into those who partake in viewings, and his presence will more than likely haunt you far beyond completion of the film. A true modern-day masterpiece that would have been higher, if not for...
4. Blood Simple (1984)
What a powerful debut, and one that not only hinted at, but outright put the spotlight on the promise of the Coen Brothers when it came to stark visuals and stunning storytelling. For such a simple, small scale story, the tangled web that is woven is a slippery slope of deception and distrust that leaves little to no survivors in its wake. The scale of the film is deceptively small, but the quality shines in every aspect that it can. Seeds are placed that pay off wonderfully, and the color palette presented gives the film the feeling of a Technicolor film-noir. Much like A Serious Man, Blood Simple deserves to be talked about and held up much more than it is by fans of film.
3. Raising Arizona (1987)
What a wonderfully ridiculous movie about something as simple as the trials and tribulations of navigating love, marriage and parenthood. The most hilarious aspect of this film, in my opinion, is how it feels like a living and breathing cartoon, both in terms of the character performances and the outrageous events that take place within the world of the film. Nicolas Cage is operating on a completely different level, Holly Hunter is equal parts charming and hilarious, Trey Wilson is wonderfully over the top, John Goodman and William Forsythe bring excess hilarity to the wild proceedings, and Randall “Tex” Cobb is downright iconic in terms of his ridiculous character. The pacing of the film is breakneck and feverish, the comedy hits never stop coming, and the utter charm emanating from the midst of the caper presented is infectious. As a second film, this could not be any more different than Blood Simple, and yet somehow, it connected so vividly with viewers that it remains a must-watch film to this day.
2. Fargo (1996)
What is there to be said about Fargo that has not already been said? For a duo with more iconic films to their name than some directors have completed films, Fargo was an immediate signal that the limits of the Coen Brothers’ creativity and skill had not even began to show its full breadth. Within less than five years of release, the film was already heralded as a classic (of all-time, not just modern day), the mystery surrounding its possibility of being based on a true story built a world of intrigue around the movie, and it has gone on to create a universe of its own in the form of an FX TV show that recently wrapped its fourth season. There is not a wasted role in this film, and to this day, any movie fan worth their salt will happily bust out their version of a Minnesota accent that is almost certainly based on one of the many memorable characters that inhabit the world of Fargo. Numerous actors, including William H. Macy, Frances McDormand and Steve Buscemi, all found breakout success in the wake of this wonderful film.
1. The Big Lebowski (1998)
Was there ever any doubt for this placement? For everything that Fargo did in terms of success within the world of the film industry, The Big Lebowski did that and more for the worlds of the counter-culture and cult film fans. The story we are presented with is so simple, yet so ridiculous in its journey, that it almost insists on viewers revisiting it over and over. Like many Coen Brothers films, nobody cast in the film is wasted or misused, and due to these stellar performances, the film finds itself as one of the most quotable in recent memory. Much like the performances of the cast, the writing does not waste any words or opportunities, often referring back to itself in extremely subtle and nuanced ways that present themselves over time, and to hilarious effect. Nobody would have expected a film of this nature to have a fandom, and yet, the legions of fans for this film are unique to that of the Coen Brothers catalog in the sense of their dedication, devotion to and love of the movie. While not everyone’s cup of tea upon first viewing, The Big Lebowski is truly an example of the gift that keeps on giving.
If the Coen Brothers never make another film, they’ve already created and achieved more in their journey that most filmmakers can dream of. Many of their films could honestly be considered works of art, and nearly all of them are compelling with an ability to leave deep and lasting impressions. If you are unfamiliar with the Coen Brothers, do yourself a favor and check out their work, as it may bring a new sense of invigoration to your love of film.
Editor’s Note (12/10/2020) : Inside Llewyn Davis added to the number 10 position, all films ranked lower adjusted accordingly.
#ChiefDoomsday#DOOMonFILM#JoelCoen#EthanCoen#CoenBrothers#BloodSimple#RaisingArizona#MillersCrossing#BartonFink#TheHudsuckerProxy#Fargo#TheBigLebowski#OBrotherWhereArtThou#TheManWhoWasntThere#IntolerableCruelty#TheLadykillers#NoCountryForOldMen#BurnAfterReading#ASeriousMan#TrueGrit#InsideLlewynDavis#HailCaesar#TheBalladOfBusterScruggs
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Poetic abstractions. . . . . . #aseriousman #poetics #poem #poetry #abstraction #abstractedpattern #poeticabstract #poeticabstraction #sumiink #blackink #Artonpaper #windthroughthetrees #wishes #seriousdude #goodthing (at Durham, North Carolina) https://www.instagram.com/p/BxamCTrn9jX/?utm_source=ig_tumblr_share&igshid=175kont2celbz
#aseriousman#poetics#poem#poetry#abstraction#abstractedpattern#poeticabstract#poeticabstraction#sumiink#blackink#artonpaper#windthroughthetrees#wishes#seriousdude#goodthing
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Fred Melamed on Game Changers With Vicki Abelson
What a treat to sit down and have lively, intelligent (Fred’s parts), thought-provoking conversation with a lovely human. Always a treat to get into it with Fred Melamed.
From his unique take on the Will Smith Oscar fiasco––possibilities I hadn’t considered for judgments I’d made––not about the slap or the foul words––rather the surrounding circumstances––such as the crowd’s inappropriate, cheering, acceptance a short time later, to what the results may be––comparisons to Mel Gibson, Woody Allen, whom Fred’s worked with more times (7) than any actor other than Diane Keaton and Mia Farrow––Fred’s slant is food for thought.
We talked COVID, he’s had it, just as he was about to start a gig he’s passionate about, losing too many friends to the virus, and one, very recently, to suicide. How social media posts can mislead, how his behaviors have altered of late, his recent divorce, a bi-product of the pandemic? How he and his twin sons have coped, autism, getting fit, his memory trick, Bruce Willis’ diagnosis.
With the third season of Barry about to drop, Fred, joining the cast, may be Bill Heder’s most ardent fan, projecting great, important things to come from him as a filmmaker. As if Stefan isn’t achievement enough! How Megan Mullally helped Lorne Michaels discover him. Working with the wonderful Henry Winkler, readying to begin shooting the fourth season of Barry in the coming weeks, and, thrilled to do so.
We talked his upcoming feature, Cat Person, work available now––American Crime Story, WandaVision, Shiva Baby, and went back to teaching a very young Robert Downey Jr at Stagedoor Manor and telling him he was destined for greatness, The Pickup Artist, how A Serious Man came to be, The Coen Brothers, Frances McDormand, Yale Drama.
Reflecting back on it a couple of hours later, I feel sated, as if I’ve just enjoyed a great meal with a provocative conversation, sans the food. Delicious!
Fred Melamed on Game Changers With Vicki Abelson
Wednesday, 3/30/22, 5 pm PT, 8 pm ET
Streamed Live on my Facebook
Replay here:
https://bit.ly/3DsCNyF
#FredMelamed#Actor#Barry#BillHeder#RobertDowneyJr#DianeKeaton#MiaFarrow#HenryWinkler#ASeriousMan#CoenBrothers#LadyDynamite#Fargo#InAWorld#WoodyAllen#AmericanCrimeStory#film#television#GameChangersWithVickiAbelson#VickiAbelson#TV#GameChangers#podcast#inspirationalpodcast#Celebrity#FacebookLive#Talkshow#Chat#Live#pandemic#comedy
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What to watch.... . . . . . . . . . #bluray #movies #movielibrary #moviecollection #moviecollector #Tokyodrifter #tinkertailorsoldierspy #aseriousman #repulsion #theomegaman #thekingsspeech #insideman #djangounchained #diabolique #deadpool #attacktheblock #newarrivals
#movielibrary#moviecollector#tokyodrifter#movies#aseriousman#diabolique#tinkertailorsoldierspy#deadpool#repulsion#attacktheblock#insideman#djangounchained#theomegaman#newarrivals#bluray#moviecollection#thekingsspeech
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Film studies this week. Definitely leaving comfort zone and exploring new brushes and new styles, still haven’t found my footing yet and taking a bit longer (20+ minutes) for some. But getting a bit less scared to experiment now. #digitalpainting #digitalart #filmstudies #looper #aseriousman #movies #filmphotography #ilovemovies #dailystudy https://www.instagram.com/p/Bt3ZFIrlbAw/?utm_source=ig_tumblr_share&igshid=1q62qu2mvyie2
#digitalpainting#digitalart#filmstudies#looper#aseriousman#movies#filmphotography#ilovemovies#dailystudy
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Got this today, Coen Brothers are genuinely nice and phenomenal directors, had to get this collection of their classics on #bluray #coenbrothers #joelcoen #ethancoen #thebiglebowski #aseriousman #burnafterreading #bartonfink #intolerablecruelty #bestdirector #bestdirectors #thecoenbrothers #collection #specialcollections #greatmovies #movies
#bartonfink#bestdirectors#ethancoen#intolerablecruelty#coenbrothers#collection#greatmovies#specialcollections#aseriousman#bluray#thebiglebowski#bestdirector#thecoenbrothers#burnafterreading#joelcoen#movies
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vimeo
Amazing study on their work!
The Directors Series - The Coen Brothers [4.6]
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Found a bunch of these in a drawer from my first-run projecting days. When building a film print onto a platter, you occasionally have to trim a frame from the head or tail of a reel. Here we have the scene in #ASeriousMan where Michael Stuhlbarg gets stoned. #35mmfilm #singleframe #projectionistlife (at Van Nuys, California)
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A Serious Man (2009) Movie Review
Coen Brother's A Serious Man (2009) tells the story of family pushover and physics professor Larry Gopnik (Michael Stuhlbarhg) coping with life's challenges, and doing it horribly. His story of helplessness is told to the backdrop of a Jewish suburb in 1960's Midwest, where the audience watches him practice policies of non-confrontation and naivety to an infuriating effect. The movie's magic lies partly in an positive relationship between how much Larry irritates us and how much we want Larry to figure it out. But we don't really know the answers ourselves because the movie doesn't want us to know. The cheeky Coen Brothers allocate the answers subtly, but not until later in the movie. Otherwise, the feeling of helplessness is manifest in Larry's palpable directionless, and validated by our somewhat disjunct comprehension of the events.
In the meantime, the audience is offered small appetizers in clever quips and revisions of tropes we are familiar with. The small things the characters do or say to each other are sincere and take the edge off what is otherwise terrible by making the situation clear so it may be dealt with. Dialogue is useful among the older characters, but is correctly lacking in younger characters as they are growing up and finding themselves inarticulate in the way of things. Larry's son Danny Gopnik (Aaron Wolff) provides an incisive reference point to the degree of Larry's disconnect and is a lot of fun in the movie because his actions, which are insubordinate and non-stereotypical of Jewish boys, are unaccounted for by his father. There is a record of subversive thought inscribed in Danny's action, not his dialogue. And this Coen treatment of characters extends to the portfolio of characters who have little backstory given the cinematic limits. Nevertheless, the question is begged: how much are our characters flawed? A second, more interesting question is: If this is Larry's story, how much of it is his fault for not seeing it?
Coen Brothers also use sound to profoundly bolster the experience of vicariously stressing with Larry. Encroaching, sometimes invading, sounds are used to suggest what images might not always be able to convey. Use of sound is only supplemental, but it pays dividends as the movie progresses. The audience can expect a string of images meticulously designed to suggest one thing or the other. They can expect a preponderance of medium shots centered around Larry to suggest his inevitable relationship with the environment. And they can expect sound to formalize that relationship on a visceral level.
The true magic of A Serious Man is that it carries the weight of a difficult topic without feeling glib, and, more importantly, without feeling like we've seen this before. The topic is familiar, but the Coens navigate it differently, taking us somewhere no movie has been before.
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At Bravo Farms with @kristinegerolaga on the I-5 going from my brother's wedding in the Bay to back home in LA #ASeriousMan (at Bravo Farms, Kettleman)
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Today, Live! I can’t wait to sit down with actor, comedian, writer, Fred Melamed. When last we did I was unprepared for his brutal humility, fierce self-reflection, and unflinching honesty. A fascinatingly unique conversation focused on how life affected his work, and his work affected his life. I so look forward to catching up on his life and work events and get his take on current events. He may have starred in A Serious Man, but Fred possesses great warmth and humor.
Appearing in more Woody Allen movies (when that was a blessing) than any other actor besides Diane Keaton and Mia Farrow (and Woody himself), Fred’s featured in Hannah and Her Sisters, Radio Days, Another Woman, Crimes and Misdemeanors, Shadows and Fog, Husbands and Wives, and Hollywood Ending. He’s also appeared in Suspect, The Good Mother, The Mission, and The Pickup Artist to name a few.
With hundreds of film and television credits, and literally thousands of commercials and promos on the air as a voice actor, Fred starred in Lady Dynamite, Emmy Award-winning Fargo, Golden Globe Award-nominated Casual, New Girl, and Now We're Talking. He’s had recurring guest-starring roles on Benched, House of Lies, Girls, Children's Hospital, Blunt Talk, Married, and Trial & Error. He played Larry David's smug psychiatrist on Curb Your Enthusiasm, tough-guy jurist Judge Alan Karpman on The Good Wife, and played himself in the CBS situation comedy The Crazy Ones with Robin Williams and Sarah Michelle Gellar.
Recently named by New York Magazine's survey of top critics and film professionals as one of The 32 Greatest Character Actors Living Today, Fred is a Yale Drama School graduate, has won both the Independent Spirit and Voice Lifetime Achievement acting awards, and was short-listed for an Oscar for his performance in the before-mentioned, Coen Brothers’ classic, A Serious Man. Fred was named by Harry Domenico Rossi as one of The 25 Greatest Screen Villains of All Time.
Fred currently stars in American Crime Story: Impeachment, upcoming seasons of Barry, WandaVision, and Mysterious Benedict Society. His slate of current and soon-to-be-released films includes breakout hits Shiva Baby, Together Together, Marzipan, and Cat Person.
He’s starred on Broadway, written and produced screenplays, and has taught at Yale University, The University of Minnesota, and New York University. Hmm… Samantha?
We’ve got what to talk about, and I want Fred’s take on Sunday’s Hollywood trauma drama. Fun!
Fred Melamed on Game Changers With Vicki Abelson
Wednesday, 3/30/22, 5 pm PT, 8 pm ET
Streaming Live on my Facebook
http://bit.ly/2y47ZCi
Daily by Toni Vincent & @peter_and_paul_ Cartoons
#FredMelamed#Actor#ASeriousMan#CoenBrothers#LadyDynamite#Fargo#InAWorld#film#television#GameChangersWithVickiAbelson#VickiAbelson#GameChangers#podcast#inspirationalpodcast#Celebrity#FacebookLive#Talkshow#Chat#Live#pandemic#comedy#music#talk#recap#community#caring#sharing#sharingiscaring#streaming
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#michaelstuhlbarg #happybirthday #49 #movieart #cultmovie #aseriousman #boardwalkempire #arrival #doctorstrange #hugocabret #fargo #walkoffame #potrait #fameandfamous #instalove #hollywood #portrait #instagood #instaselfie #instalike #instadaily #instafollow #picoftheday #instacool #pictureart #pictureoftheday #photography #the_classic_scenes (hier: Long Beach, California)
#instalike#instalove#aseriousman#arrival#instaselfie#michaelstuhlbarg#fameandfamous#boardwalkempire#pictureoftheday#happybirthday#instagood#hollywood#movieart#instacool#doctorstrange#the_classic_scenes#portrait#picoftheday#walkoffame#fargo#instafollow#photography#49#potrait#instadaily#cultmovie#hugocabret#pictureart
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After this Passover I would like to remind all my friends of the Jewish persuasion to just look at the parking lot and ask yourself what does it all mean. #aseriousman #coenbrothers (hier: Lower Austria)
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Tweeted
THE COEN BROTHERS - DIRECTOR'S COLLECTION
👉 {https://t.co/oGjC6R21ow}#affiliate #coenbrothers #TrueGrit #OBrotherWhereArtThou #NoCountryforOldMen #HailCaesar #thebiglebowski #BurnAfterReading #IntolerableCruelty #ASeriousMan #zavviexclusive #DVD pic.twitter.com/wT8y5dXO83
— The London Tree (@TheLondonTree) May 16, 2019
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