#303 Gallery | Explore Tumblr Posts and Blogs

longlistshort · 15 days

Text

“New body, new body”, 2024, Oil and graphite on linen

“Our family portrait/ Dancing over the town”, 2024, Oil and graphite on linen

“In Bed” 2024, and “The world was different when Leonard painted Emily”, 2024, Oil and graphite on linen

“I love basketball”, 2024, Oil and graphite on linen

Tanya Merrill’s exhibition, Watching women give birth on the internet and other ways of looking, at 303 Gallery explores the way we look at the world today, while referencing classical imagery from the past. What has changed in the way we see ourselves, our place in society, and our place in time? How much has changed because of self documentation and the internet? All of these questions feel even more prevalent now with technology and environmental issues moving at an accelerated pace.

From the press release-

True to her propensity for a cyclical and narrative installation, the show begins and ends with the creation of life. Each painting represents a diverse point of interest and concern to the artist— sexuality and ideas of fertility, the natural world and the fraught state of the environment, and the broader implications of contemporary technology, sports, and religion on the artist’s experience as a woman today.

The scale of the subjects in each canvas approximate life, creating a one-to-one perspective when standing in front of, say, a tree trunk, a cat perched on a fish tank, or a man admiring himself with a basketball. One work shows a trompe l’oeil stack of papers illustrating a 15th century manuscript: an early representation of a woman’s fertility cycle in relation to the stars. The modes for distributing images have changed, but the need to see them has not—jump ahead 800 years and the show’s namesake painting frames the edge of a computer screen, documenting the recent phenomenon of sharing one’s birthing story and corresponding photographs publicly on the internet.

Humans have always employed tools for looking. The earliest manufactured mirrors were made from volcanic glass in Turkey and date some 8000 years ago, the invention of the telescope advanced our understanding of Earth’s place in the cosmos, a phone now captures our own image with a recent poll finding 92 million selfies are taken every day around the world: the Allegory of Sight and mythology of Narcissus regenerates. In I love basketball, a naked man gazes affectionately at himself in the mirror. Coyly, he holds a basketball in front of his own genitalia; pensive yet playful, he engages the long tradition of masculinity in sports seen throughout art history. Across the gallery, a pregnant woman is doubled in the frame and photographs her changing body. The technology she clutches, perhaps soon to be obsolete, will be inextricably linked to the start of the 21st century.

The North American cecropia moth is seen on its host plant, a white birch tree, one of the few plants a Cecropia larva can eat. A recent report found dramatic rates of decline that may lead to the extinction of 40% of the world’s insect species over the next few decades. And with a single nest of baby birds needing up to 9,000 caterpillars before they are ready to fledge, the looming demise and precarity of our food chain is blatant. Merrill is compelled to paint the species that are still here, a record that they really did live before they died. The ecologist David Wagner says of the insect decline, “… We don’t know if it’s an apocalypse or Armageddon.”

In Our family portrait/ Dancing over the town, three skeletons– two human and one dog– are seen romping joyfully, even in death. The couple, winged and facing eternity together, point to religious imagery from a 17th century wall tomb, while the surrounding landscape references the art movements of Europe which inspired the Hudson River School Painters— an homage to the place this exhibition was made. Merrill’s studio in the Hudson Valley can be seen nestled in the bottom left corner of the canvas.

This exhibition closes 5/18/24.

#Tanya Merrill #303 Gallery #303 Gallery NYC #Art #Art Shows #Chelsea Art Galleries #Chelsea Art Shows #Fertility #Life and Death #New York Art Shows #NYC Art Shows #Painting #Selfies #Technology

0 notes

neverscreens · 9 months

Text

— BARBIE, 4K SCREENCAPS.

Part One, 500 Screencaps.

Part Two, 500 Screencaps.

Part Three, 500 Screencaps.

Part Four, 303 Screencaps.

Downloadable RAR Versions, 5GB.

You can find this resource in gallery and also rar file. Like or reblog if it was useful, every interaction shows us that we should keep making screencaps for y'all ♡

179 notes · View notes

centuriespast · 1 year

Photo

MARTIN, John Great Day of His Wrath 1851-53 Oil on canvas, 197 x 303 cm Tate Gallery, London

520 notes · View notes

k-hippie · 7 months

Text

K-101 - K-303 - K-505 - NEWS - TECH & CO

So it has begun ... the K-303 is on its own road and the first objects ready to be downloaded :) Our databases seem fully repaired and we can now focus on our projects ;)

But let's talk at first about the silent update of the K-101 ... @yuroge ( thanks for the feedback ! ) noticed that after a recent patch of the Sims 4, when uploading something to the Gallery, it was claimed as cc content, even when it was cc-free, only because of the K-101 use.

We found the solution. So, better to share it :) We stripped all the translations, info files and so on from the K-101 and we kept only the DST images. This way, whatever you use, it doesn't affect your exports to the Gallery.

Now, all you have to do is to re-download the K-101 :D

DOWNLOAD HERE

As you may noticed, we added on our website a kinda sims 4 expansions fundraiser for all people who really wish the K-505 for expansions AFTER Cottage Living ... The Wedding Story is already funded at 80 % :) So, I have only one word. As soon as an expansion is funded, I work on it, before my own projects and deliver it to all. Thanks to all the volunteers. I love you for this !

And now, as we receive messages about, let's make a bit of information for Simmers who have difficulties to download ... I made some pictures to show you that every K-Mod is fully downloadable :D

on PC :

As you see, no problem at all. At first, my firewall is stated on the medium and I do not have Anti Virus except the Microsoft ones.

My browser on PC is Firefox. Then I use 7z.exe to extract : it is free, easy to use and very very safe. I extract all my files inside the download folder then I add them manually into my Mods folder.

on Mac, it is even much more easy :

Downloaded with Safari, double-click the 7z files, extracted, done.

I'm not a PC guy but I'm pretty sure you may find some help and information among other Simmers.

Crinrict is an excellent website for many things Sims 4 related :) Courage to you ! I'm pretty sure you may do it ;)

That was a late Sunday afternoon post. See you soon !

#sims 4 #sims 4 custom content #sims 4 download #sims 4 cc #k-hippie talk #ts4 #sims 4 floors #sims 4 wysiwyg #k 101 #k 303 #k 505 #k hippie #the sims 4 #sims 4 expansions

93 notes · View notes

redwolf17 · 4 months

Text

The Weirwood Queen, Art Gallery 4

All art by the spectacular @ohnoitsmyra

Olyvar Sand, 300 AC

Gilly, 300 AC

Daenerys Targaryen, 300 AC

Irri, 303 AC

Sister Edythe, 303 AC

Paul the Pious, High Septon of Harrenhal, 303 AC (regalia)

Paul the Pious, High Septon of Harrenhal, 303 AC (usual garb)

The Embrace (Olyvar Sand and Sansa Stark), 304 AC

#the weirwood queen #asoiaf fanart #olyvar sand #gilly #daenerys targeryan #irri #sister edythe #paul the pious #sansa stark

30 notes · View notes

dustedmagazine · 3 months

Text

Listening Post: Kim Gordon

Kim Gordon has long been one of rock’s female icons, one of a tiny handful of women to get much play in Michael Azzerad’s underground-defining Our Band Could Be Your Life and a mainstay in the noise-rock monolith Sonic Youth. It’s hard to imagine that quintessential dude rock band without Gordon in front, dwarfed by her bass or spitting tranced out, pissed off verses over the storm of feedback.

Yet Gordon’s trajectory has been, if anything, even more fascinating since Sonic Youth’s demise in 2011. A visual artist first — she studied art at the Otis College of Art and Design before joining the band — she continues to paint and sculpt and create. She’s had solo art shows at established galleries in London and New York, most recently at the 303 Gallery in New York City. A veteran of indie films including Gus van Zant’s Last Days and Todd Haynes I’m Not There, she has also continued to act sporadically, appearing in the HBO series Girls and on an episode of Portlandia. Her memoir, Girl in a Band, came out in 2015.

But Gordon has remained surprisingly entrenched in indie music over the last decade. Many critics, including a few at Dusted, consider her Body Head, collaboration with Bill Nace the best of the post-Sonic Youth musical projects. The ensemble has now produced two EPs and three full-lengths. Gordon has also released two solo albums, which push her iconic voice into noisier, more hip hop influenced directions. We’re centering this listening post around The Collective, Gordon’s second and more recent solo effort, which comes out on Matador on March 8th, but we’ll likely also be talking about her other projects as well.

Intro by Jennifer Kelly

Jennifer Kelly: I missed No Home in 2019, so I was somewhat surprised by The Collective’s abrasive, beat-driven sound though I guess you could make connections to Sonic Youth’s Cypress Hill collaboration?

youtube

The more I listen to it, though, the more it makes sense to me. I’ve always liked the way Gordon plays with gender stereotypes, and “I’m a Man” certainly follows that trajectory. What are you guys hearing in The Collective?

Jonathan Shaw: I have only listened through the entire record once, but I am also struck by its intensities. Sort of silly to be surprised by that, given so many of the places she has taken us in the past: noisy, dangerous, dark. But there's an undercurrent of violence to these sounds that couples onto the more confrontational invocations and dramatizations of sex. It's a strong set of gestures. I like the record quite a bit.

Bill Meyer: I'm one of those who hold Body/Head to be the best effort of the post-Sonic Youth projects, but I'll also say that it's very much a band that creates a context for Gordon to do something great, not a solo effort. I was not so taken with No Home, which I played halfway through once upon its release and did not return to until we agreed to have this discussion. I've played both albums through once now, and my first impression is that No Home feels scattered in a classic post-band-breakup project fashion — “let's do a bit of this and that and see what sticks.” The Collective feels much more cohesive sonically, in a purposeful, “I'm going to do THIS” kind of way.

Jonathan Shaw: RE Jennifer's comment about “I'm a Man”: Agreed. The sonics are very noise-adjacent, reminding me of what the Body has been up to lately, or deeper underground acts like 8 Hour Animal or Kontravoid's less dancy stuff. Those acts skew masculine (though the Body has taken pains recently to problematize the semiotics of those photos of them with lots of guns and big dogs...). Gordon's voice and lyrics make things so much more explicit without ever tipping over into the didactic. And somehow her energy is in tune with the abrasive textures of the music, but still activates an ironic distance from it. In the next song, “Trophies,” I love it when she asks, “Will you go bowling with me?” The sexed-up antics that follow are simultaneously compelling and sort of funny. Rarely has bowling felt so eroticized.

Jennifer Kelly: I got interested in the beats and did a YouTube dive on some of the other music that Justin Raisen has been involved with. He's in an interesting place, working for hip hop artists (Lil Yachty, Drake), pop stars (Charli XCX) and punk or at least punk adjacent artists (Yeah Yeah Yeahs, Viagra Boys), but nothing I've found is as raw and walloping as these cuts.

“The Candy House” is apparently inspired by Jennifer Egan's The Candy House, which is about a technology that enables people to share memories... Gordon is pretty interested in phones and communications tech and how that's changing art and human interaction.

Andrew Forell: My immediate reaction to the beats was oh, The Bug and JK Flesh, in particular the MachineEPs by the former and Sewer Bait by the latter. Unsurprisingly, as Jonathan says, she sounds right at home within that kind of dirty noise but is never subsumed by it

Jennifer Kelly: I don't have a deep reference pool in electronics, but it reminded me of Shackleton and some of the first wave dub steppers. Also, a certain kind of late 1990s/early aughts underground hip hop like Cannibal Ox and Dalek.

Bryon Hayes: Yeah, I hear some Dalek in there, too. Also, the first Death Grips mixtape, Ex-Military.

It's funny, I saw the track title “I'm a Man,” and my mind immediately went to Bo Diddley for some reason, I should have known that Kim would flip the script, and do it in such a humorous way. I love how she sends up both the macho country-lovin’ bros and the sensitive metrosexual guys. It's brilliant!

This has me thinking about “Kool Thing”, and how Chuck D acts as the ‘hype man’ to Kim Gordon in that song. I'm pretty sure that was unusual for hip hop at the time. Kim's got a long history of messing with gender stereotypes.

youtube

Bill Meyer: Gordon did a couple videos for this record, and she starred her daughter Coco in both of them. The one for “I'm A Man” teases out elements of gender fluidity, how that might be expressed through clothing, and different kinds of watching. I found the video for “Bye Bye” more interesting. All the merchandise that's listed in the video turns out to be a survival kit, one that I imagine that Gordon would know that she has to have to get by. The protagonist of the video doesn't know that, and their unspoken moment in a car before Coco runs again was poignant in a way that I don't associate with her work. And of messing with hip hop!

youtube

Tim Clarke: “Bye Bye” feels like a companion to The Fall’s “Dr Buck’s Letter.”

youtube

Bill Meyer: From The Unutterable? I'll have to a-b them.

Tim Clarke: That’s the one.

Jonathan Shaw: All of these comments make me think of the record’s title, and the repeated line in “The Candy House”: “I want to join the collective.” Which one? The phone on the record’s cover nods toward our various digital collectives — spaces for communication and expression, and spaces for commerce, all of which seem to be harder and harder to tell apart. A candy house, indeed. Why is it pink? Does she have a feminine collective in mind? A feminine collective unconscious? The various voices and lyric modes on the record suggest that's a possibility. For certain women, and for certain men working hard to understand women, Gordon has been a key member of that collective for decades.

Jennifer Kelly: The title is also the title of a painting from her last show in New York.

The holes are cell phone sized.

You can read about the show here, but here's a representative quote: “The iPhone promises freedom, and control over communication,” she says. “It’s an outlet of self-expression, and an escape and a distraction from the bigger picture of what’s going on in the world. It’s also useful for making paintings.”

Gordon is a woman, and a woman over 70 at that — by any measure an underrepresented perspective in popular culture. However, I’d caution against reading The Collective solely as a feminist statement. “I'm a Man,” for instance, is told from the perspective of an incel male, an act of storytelling and empathy not propaganda. My sense is that Gordon is pretty sick of being asked, “What's it like to be a girl in a band?” (per “Sacred Trickster”) and would like, maybe, to be considered as an artist.

It's partly a generational thing. I'm a little younger than she is, but we both grew up in the patriarchy and mostly encountered gender as an external restriction.

As an aside, one of my proudest moments was when Lucas Jensen interviewed me about what it was like to be a freelance music writer, anonymously, and Robert Christgau wrote an elaborate critique of the piece that absolutely assumed I was a guy. If you're not on a date or getting married or booking reproductive care, whose business is it what gender you are?

There, that's a can of worms, isn't it?

Jonathan Shaw: Feminine isn't feminist. I haven't listened nearly closely enough to the record to hazard an opinion about that. More important, it seems to me the masculine must be in the feminine unconsciousness, and the other way around, too. Precisely because femininity has been used as a political weapon, it needs imagining in artistic spaces. Guess I also think those terms more discursively than otherwise: there are male authors who have demonstrated enormous facility with representing femininity. James, Joyce, Kleist, and so on. Gordon has always spoken and sung in ways that transcend a second-wave sort of feminine essence. “Shaking Hell,” “PCH,” the way she sings “I Wanna Be Your Dog.”

youtube

Jennifer Kelly: Sure, she has always been shape-shifter artistically.

The lyrics are super interesting, but almost obliterated by noise. I’m seeing a connection to our hyperconnected digital society where everything is said but it’s hard to listen and focus.

Bill Meyer: Concrete guy that I am, I’ve found myself wishing I had a lyric sheet even though her voice is typically the loudest instrument in the mix.

Andrew Forell: Yes, that sense of being subsumed in the white noise of (dis)information and opinion feels like the utopian ideal of democratizing access has become a cause and conduit of alienation in which the notion of authentic voices has been rendered moot. It feels integral to the album as a metaphor

Christian Carey: How much of the blurring of vocals (good lyrics — mind you) might involve Kim’s personal biography, I wonder? From her memoirs, we know how much she wished for a deflection of a number of things, most having to do with Thurston and the disbandment of SY.

Thurston was interviewed recently and said that he felt SY would regroup and be able to be professional about things. He remarked that it better be soon: SY at eighty wouldn’t be a good look!

Andrew Forell: And therein lies something essential about why that could never happen

Ian Mathers: I know I’m far in the minority here (and elsewhere) because I’ve just never found Sonic Youth that compelling, despite several attempts over the years to give them another chance. And for specifically finding Thurston Moore to be an annoying vocal presence (long before I knew anything about his personal life, for what it's worth). So, I’m in no hurry to see them reunite, although I do think it would be both funny and good if everyone except Moore got back together.

Having not kept up with Gordon much post-SY beyond reading and enjoying her book, I wasn’t sure what to expect from this record. After a couple of listens, I’m almost surprised how much I like it. Even though I’m lukewarm on SY’s music, she’s always been a commanding vocal presence and lyricist and that hasn’t changed here (I can echo all the praise for “I’m a Man,” and also “I was supposed to save you/but you got a job” is so bathetically funny) and I like the noisier, thornier backing she has here. I also think the parts where the record gets a bit more sparse (“Shelf Warmer”) or diffuse (“Psychic Orgasm”) still work. I've enjoyed seeing all the comparisons here, none of which I thought of myself and all of which makes sense to me. But the record that popped into my head as I listened was Dead Rider’s Chills on Glass. Similar beat focus, “thick”/distorted/noisy/smeared production, declamatory vocals. I like that record a lot, so it's not too surprising I'm digging this one.

youtube

Jennifer Kelly: I loved Sonic Youth but have zero appetite for the kind of nostalgia trip, just the hits reunion tour that getting back together would entail.

Jonathan Shaw: Yeah, no thanks to that.

RE Christian's comment: Not sure I see deflection so much as the impossibility of integration. We are all many, many selves, always have been. Digital communications interfaces and social media have just lifted it to another level of experience. Gordon sez, “I don't miss my mind.” Not so much a question of missing it in the emotional/longing sense, more so acknowledging that phrases like “my mind” have always been meaningless. Now we partition experience and identity into all of these different places, and we sign those pieces of ourselves over, to Zuck and the algorithms. We know it. We do it anyways, because it's the candy house, full of sweets and pleasures that aren't so good for us, but are really hard to resist. “Come on, sweets, take my hand...”

Bill Meyer: I would not mind hearing all of those SY songs I like again, can’t lie, although I don’t think that I’d spend Love Earth Tour prices to hear them. But given the water that has passed under the bridge personally, and the length of time since anyone in the band has collaborated creatively (as opposed to managing the ongoing business of Sonic Youth, which seems to be going pretty well), a SY reunion could only be a professionally presented piece of entertainment made by people who have agreed to put aside their personal differences and pause their artistic advancement in order to make some coin. There may be good reasons to prioritize finances. Maybe Thurston and/or Kim wants to make sure that they don’t show up on Coco’s front door, demanding to move their record or art collection into her basement, in their dotage. And Lee’s a man in his late 60s with progeny who are of an age to likely have substantial student loan debt. But The Community is just the kind of thing they’d have to pause. It feels like the work of someone who is still curious, questioning, commenting. It's not just trying to do the right commercial thing.

Justin Cober-Lake: I’m finding this one to be a sort of statement album. I’d stop short of calling it a concept album, but there seems to be a thematic center. I think a key element of the album is the way that it looks for... if not signal and noise, at least a sense of order and comprehensibility in a chaotic world. Gordon isn’t even passing judgment on the world — phones are bad, phones are good, phones make art, etc. But there’s a sense that our world is increasingly brutal, and we hear that not just in the guitars, but in the beats, and the production. “BYE BYE” really introduces the concept. Gordon’s leaving (and we can imagine this is autobiographical), but she’s organizing everything she needs for a new life. “Cigarettes for Keller” is a heartbreaking line, but she moves on, everything that makes up a life neatly ordered next to each other, iBook and medications in the same line. It reminds me of a Hemingway character locking into the moment to find some semblance of control in the chaos.

Getting back to gender, there’s a funny line at the end: one of the last things she packs is a vibrator. I'm not sure if we're to read this as a joke, a comment on the necessity of sexuality in a life full of transitory moments, as a foreshadowing of the concepts we’ve discussed, or something else. The next item (if it’s something different) is a teaser, which could be a hair care product or something sexual (playing off — or with — the vibrator). Everything's called into question: the seriousness of the track, the gender/sexuality ideas, what really matters in life. Modern gadgets, life-sustaining medicines, and sex toys all get equal rank. That tension really adds force to the song.

Coming out of “BYE BYE,” it's easy to see a disordered world that sounds extremely noisy, but still has elements we can comprehend within the noise. I don’t want to read the album reductively and I don't think it's all about this idea, but it's something that, early on in my listening, I find to be a compelling aspect of it.

youtube

#dusted magazine #listeningpost #kim gordon #the collective #jennifer kelly #jonathan shaw #bill meyer #andrew forell #bryon hayes #tim clarke #christian carey #ian mathers #justin cober-lake

20 notes · View notes

banffcentrelibraryandarchives · 7 months

Text

Artist Book Display for November 2023. Toiletpaper Volume II: Platinum Collection. Maurizio Cattelan & Pierpaolo Ferrari. Bologna, ITA: Damiani Editore. 2015. Sculls' Angles : A Novel. Michael Miranda. Toronto, ON: Parasitic Ventures Press. 2015.

WYSIWYG: 2004 fall Poetry Colloquium. Regina, SK: Sage Hill Chapbooks. 2004.

Survival: A Strobic Guide. Michael Turner. Vancouver, BC: Canlit Classics in Transition. 1997.

Safety Gear for Small Animals. Bill Burns. New York, NY: 303 Gallery. 1994.

Qaani Lore. J.W. Curry. Toronto, ON: Unfinished Monument Press. 1985.

The Page-Turner's Sister. Jean McKay. Stratford, ON: Trout Lily Press. 1999.

White Shadows. Christian Boltanski. Houston, TX: Bayou Books. 1992.

Pornography in the Urban World. Jean Gagnon; translated by James Boake & Jeanluc Svoboda. Toronto, ON: Art Metropole. 1986.

#artists' books #banff centre #books and libraries #library displays #book art #zines

22 notes · View notes

garadinervi · 1 year

Photo

Mary Heilmann, Ming, (acrylic and watercolor on canvas), 1986 [Hauser & Wirth, Zürich and 303 Gallery, New York, NY. © Mary Heilmann. Photo: © Thomas Müller]

#art #mixed media #geometry #mary heilmann #thomas müller #hauser & wirth #303 gallery #1980s

43 notes · View notes

criticcritiquing · 11 months

Text

@303gallery

3 notes · View notes

longlistshort · 9 months

Text

The works above are from Sam Falls’ 2020 exhibition at 303 Gallery in NYC. For more on these works, check out the gallery’s press release.

He is currently showing his work at The Little House, located at 451 N. La Cienega Blvd. in Los Angeles, presented by Dries Van Noten.

From their press release-

On view will be a selection of recent work by Sam Falls which merges photography, painting, and installation which results in captivating pieces that invite viewers to explore the relationship between humans and the environment. The works in the exhibition offer a meditation on the sublime dichotomy of mortality, including ceramics combining fossilized images of nature and the human form, as well as found airbags from crashed cars that are embroidered with symbolic idioms on the transience of time and life quoted from ancient Greek and Roman sundials.

Falls’ artistic process explores the varying representations of nature and materials through the passage of time. Rain, sunlight, wind, and the gradual effects of weathering all contribute to the unique aesthetic of each piece, creating a dialogue between art and nature that captures the essence of life represented in time and space. By exposing his artwork to elements, he invites the environment to act as a collaborator in reinterpreting organic materials into new forms.

This exhibition will be on view until 9/30/23.

#Sam Falls #303 Gallery NYC #Dries Van Noten #Art #Art Shows #Autumn Vibes #Ceramic Art #Ceramics #Los Angeles Art Shows #NYC Art Shows #Painting #TBT #The Little House

1 note · View note

strathshepard · 1 month

Photo

Karel Funk at 303 Gallery

#karel funk #painting #camping

5 notes · View notes

mybeingthere · 3 months

Text

JEAN-CHARLES BLAIS:

" I am an artist who has no idea, no subject in mind, no project. My painting is without intention... "

Jean Charles Blais, born in 1956, in Nantes, France, is an artist who studied at the Beaux-Arts de Rennes from 1974 to 1979. He gained recognition in the art world in 1981 after participating in the exhibition "Finir en beauté" curated by Bernard Lamarche-Vadel, which marked the emergence of a new generation of artists who freely expressed themselves across various art forms, cultures, and values.

Blais gained notable success in the early 1980s for his paintings created from discarded materials such as torn posters, newspapers, and other unconventional items found on the streets. In his paintings, he highlights the slightest imperfections and unevenness of the materials, and his works are characterized by a focus on the representation of the figure. It was also at this time that he sparked the curiosity of Catherine Issert, whose gallery, based in Saint-Paul-de-Vence, has accompanied him for the last 40 years.

Blais had his first solo exhibition in 1982 at the Museum of Contemporary Art in Bordeaux, which was followed by a solo exhibition at the Centre Pompidou in Paris in 1987.

https://www.samuellepaire.com/.../303-jean.../overview/

4 notes · View notes

thebibliomancer · 3 months

Text

Essential Avengers: Avengers #311: The WEAKEST POINT

December, 1989

Hydrobase DESTROYED!

Right from Atlantis Attacks to Acts of Vengeance?

Ugh. Marvel really was trying to shake all the quarters out of its audience in 1989. And then the trends of the 90s with special covers and new number one's galore? And then bankruptcy because the big comic companies had poisoned their own waters with that kind of behavior?

I'm getting ahead of myself.

I covered all of Atlantis Attacks because the Avengers and West Coast Avengers chapters wouldn't make any sense in isolation.

I am NOT covering all of Acts of Vengeance.

I counted 50 participating issues before I gave up! That is so much! And it's not really an overarching story so much as... like a vibe? A vague theme?

Villains attacking people they don't usually villain because some masterminds think that would give them a better chance of winning.

A flawed premise because in Marvel, the idea of a strict rogues gallery is a lot more loose. Since a huge chunk of the superhero populace operates out of New York, everybody just kinda shares.

I mean, sure, some of the match-ups that took place in Acts of Vengeance were unlikely. But they were match-ups that could have eventually happened just because Superman Doesn't Stay Out of Gotham in Marvel, if you catch my point.

As the bridge between all of Marvel, the Avengers are pretty likely to eventually fight anyone.

Anyway, I'll only be covering the Avengers and Avengers West Coast. If I try to cover everything I will die.

Also, I covered Atlantis Attacks first because Hydrobase/Avengers Island shows up in it and then (spoilers) it gets destroyed here in issue #311.

Remember how I kept saying enjoy the island while you could?

Yeah...

;_;

Look at Avengers Island in that opening splash! The runway and roads form a sorta A shape. That's just cool!

That's the coolest the island has ever looked because other aerial shots have been pretty barren or have only showed the Avengers Mansion.

Sadly, Avengers Island never really got a chance to shine. Introduced by Stern before he got unceremoniously booted by editorial meddling and barely utilized by Walter Simonson since his run barely got off the ground. John Byrne seemed like he was going to do something with it when his run started because he had the island moved closer to New York and renamed from Hydrobase to Avengers Island.

But it got hoisted out of the sea (somehow without being majorly damaged) in the Lava Men trilogy and then wasn't really important in the Gilgamesh Is Dead trilogy and now here we are where (spoilers) its going to be destroyed.

I'm jumping the gun a little bit to eulogize but it's been a recent them of the Avengers books that interesting ideas just don't get a chance before they're taken out back and shot.

Captain Monica as the chairwoman of the Avengers. The Worst Roster. Avengers Island.

There's always someone smacking the book and yelling at it to stop trying new things.

Anyway. My unending sadness aside, this is a Quasar focus issue.

I'm not really sure when he became an Avenger because he just started showing up as one when Cap announced the Every Avenger Is An Avenger roster. So either sometime in another book or he was just nearby when Cap was gathering people and got included to pad out the numbers.

(Apparently, there was a back-up story in Avengers Annual #18 set between Avengers #303 and 304 showing that Quasar got invited to join after the Super-Nova incident. Captain America and Hawkeye fight over him. It sounds like a fun story. But I read Avengers Annual #18 for Atlantis Attacks and sometimes back-up stories are omitted on Unlimited and whoops this is one of those times.)

Quasar shows up at Avengers Island after participating in another Acts of Vengeance over in his own book.

Speaking of ideas that never really got a chance to shine: the Avengers Support Crew finally show up!

With the Avengers getting a whole island as their headquarters, some noise was made in Simonson's run that they'd be hiring more of a support crew than just Jarvis. Mostly characters from Captain America's orbit.

But with Simonson leaving the book, not a lot was done with that idea. Until now! The very issue that the new, bigger headquarters they were hired to help with is going to sink!

Hahahaha ;_;

Anyway. We have Robert Frank Jr - Nuklo from Giant-Size Avengers #1. Son of the Whizzer and Miss America (not the modern one). He was cured of being excessively radioactive and got hired to be a groundskeeper on Avengers Island.

We have Peggy Carter. I don't need to explain Peggy Carter. She fought in World War II and was Cap's sometimes girlfriend. Then he started dating her niece instead. Which is a very normal thing to do, probably. She was hired to be in charge of telecommunications.

There's Fabian Stankiewicz. Good ol' Mechano-Marauder! That dingus that kept building robot suits to attack the Avengers and he was treated as a bit of a joke villain? Even getting beaten once by David Letterman. Yes, David Letterman. Cap saw potential in him anyway and hired him to maintain and improve the Avengers' technology.

There's M'Daka, a Wakandan pilot that delivered Captain America a new shield once. And apparently this made such an impression on Cap that he poached the guy from T'Challa to work for the Avengers as a mechanic.

Michael O'Brien, the former head of security for Project PEGASUS and later the Vault and was hired as head of security for the Avengers. Given the stuff that happened at Project PEGASUS and the Vault, I don't know if he's great at his job. But also the Avengers aren't great at security sometimes so its a lateral move, at worst.

Jarvis, of course, is on the payroll as butler and delightful human being. I assume he gets paid extra for being so delightful.

Keith Kincaid, husband to Jane Foster, was hired as a doctor so the Avengers wouldn't have to rely on mysterious Doctor Donald Blake just showing up whenever there's a medical emergency. And presumably to make Thor feel bad whenever he has to look at the dude that married his girlfriend because his dad made them break up.

There's also Donna Maria Puentes, a South American revolutionary that impressed Captain America with how good she was at shooting Nazi androids. So he hired her as an administrator.

Take this with a grain of salt because I'm also the person looking forward to the Avengers' 90s team jackets but I think the blue jumpsuits and red turtlenecks are a very spiffy look for the support crew.

I honestly like the idea that as a bigger, more officially recognized super-team, the Avengers would have a support staff. And since security is very hard for superheroes, it's mostly people that Captain America already knew.

This issue really goes into some depth about how Avengers Island normally operates. There's guys doing landscaping. There's guys in a security room spotting Quasar arriving and making sure the system confirms his arrival via retina pattern and fingerprints. Then they watch him as he makes his way through the Mansion towards the communication room.

When he gets there Peggy Carter tells him that she's getting reports from all over that superheroes are getting attacked by people they've never faced before.

She won't call it a plot without more evidence but she definitely is thinking the word plot very loudly.

Elsewhere, a mysterious (Loki) man in a suit sits on a throne flanked by two fancy braziers (it's Loki) spying on the Avengers' communication room with magical scrying (Acts of Vengeance plays this up as a mystery but it's Loki, you know it, I know it, and he knows it).

Definitely Loki meets with a mysterious green cloaked figure (Dr Doom, obviously) and ... Shredder from Ninja Turtles? Or maybe the Mandarin? And there's a lot of Everything Transpires How We Planned and yeah we're definitely all going to try to betray each other between them.

Definitely Doom says that he's set in motion his part of the plan.

Anyway, Peggy Carter just finishes telling Quasar that she hasn't been able to contact any of the other Avengers when Avengers Island starts to shake.

Peggy checks on the security monitor and OH NO

Dozens of robots are smashing holes in the flotation cushions that keep the not-an-island Avengers Island floating!

Since it's just Quasar and the support crew (despite the lying cover featuring Thor, Namor, She-Hulk, Sersi, and Captain America! That's a lot of lying, even by cover standards!), it's an all hands situation.

The non-superpowered people all grab laser rifles from gun lockers, Fabian gets into his latest battlesuit, and Quasar flies out and starts blasting robots.

I'm of two minds here, re: the Acts of Vengeance conceit.

The Avengers have fought Doom before. He's not showing up personally, just sending some robots. But I think it counts. So Doom attacking the Avengers with robots isn't a match-up they haven't had before.

But most of the actual Avengers are off busy somewhere. I don't think Quasar has fought Doom. So Quasar and the Avengers Support Crew versus some Doom robots that aren't Doombots is a novel match-up.

The support crew and Quasar blast the bots to pieces but the disembodied limbs keep attacking.

Rocket punch!

That ol' Doom sure knows how to build a robot.

Even as the support crew and Quasar blast bots, more continue to punch holes in Avengers Island.

MEANWHILE, SPACE.

Which is a thing you have to say when reading comics.

Starfox sneaks aboard Nebula's spaceship to find out what his supposed grandniece is up to. He pleasure zonks a guard unconscious and steals his environment suit so he can be INCOGNITO.

He finds his way to the bridge where Nebula and her Rigellian minion Gunthar are looking over the tablets they recovered from Omicron Seti, which hold in their ancient carvings A SECRET THAT DETERMINES THE FATE OF THE UNIVERSE. A secret that will make her scarier than Thanos.

But she'll need Paul Harker, that random old man scientist the book has kept cutting to. The one who blew up his own basement with his new invention? That guy.

The one subplot the Avengers book has been dutifully building up.

Back at Avengers Island, the support crew is getting overwhelmed. Even Stankiewicz in his battlesuit.

BUT DAMMIT THEY WON'T GIVE UP. THEY HAVE TO PROVE THEY'RE WORTHY OF CAP'S TRUST!

Wow. Cap picked well. These guys really want to live up to what he saw in them.

Quasar sees some of the robots messing with the big Quinjet fuel storage tanks but he's able to chase them away pretty easily. Too pretty easily...

But he literally doesn't have time to worry about that.

He sends Peggy Carter to go back to the communications room and try again to contact the Avengers. Despite Peggy telling him the emergency signal has been going since the attack started.

Peggy worries that the Avengers are already dead, since she wasn't able to raise them before the attack. But she's not going to think about it!

The robots retreat but the island is already sinking.

Quasar doesn't know whether this is a trick or not but he decides to use the breathing room anyway.

He orders an evacuation and orders the support crew to try to prepare as many of the Quinjets for launch as they can reasonably save.

Then he dives into the water to check to see if Hydrobase Avengers Island can be saved.

And. No.

No, it can't.

Every one of the flotation cylinders has been ruptured and has taken on water. There's just not enough time to patch all the holes before the island completely sinks.

Quasar does create a giant brace with his green lantern-ish powers to stabilize the island.

I wonder why he doesn't make a jack to lift it completely out of the water. He's thrown an entire Terminus into space once.

For that matter, weren't giant spikes put into Avengers Island to keep it in one place? Where are those and wouldn't they help keep the island afloat?

I guess that got lost in the shuffle.

O'Brien rushes into the mansion (where the flooding is ruining all of Tony Stark's art and rugs) to look for Peggy Carter. Who you may recall was sent back into the Mansion to try to contact the Avengers despite an automated distress call going out.

Way to manufacture drama, Quasar.

Peggy insists at staying at her post, continuing to try to contact help. Like she thinks she's on the Titanic or something. But O'Brien lies and says that the Avengers are here so c'mon lets hustle.

Then the secret bomb that the robots secretly left at the fuel tanks unsecretly explodes.

Knocking Quasar for a loop and rendering his plan to stabilize the island moot.

There's just no chance of saving the island now.

But Quasar does pop out of the water to save O'Brien and Peggy and carry them to the Quinjet Jarvis is piloting.

Hi, Jarvis!

Jarvis: "I only wish we had never removed our headquarters from New York City. Then, perhaps... nothing like this... could ever have happened. The proud history of Avengers Mansion would not have ended like this..."

Jarvis, I love ya, but shut up. You sound like you're speaking from the editorial, not from the heart.

Don't forget that y'all moved to the island in the first place because the Masters of Evil basically gutted Avengers Mansion. You might as well say 'I only wish we'd moved out to sea earlier so nothing like this could ever have happened' about that.

And like I said at the beginning of this post, Avengers Island was not a mistake. It was a new direction for the book that never got a chance to shine before someone lost their nerve and forced a change back to status quo.

Because, yes, before too long, Avengers Mansion will be rebuilt back in Manhattan.

And I like Avengers Mansion. Honestly, it's my favorite HQ for the team. But I wish this era wasn't characterized with timid backtracking.

Aside from that, this is a cool issue. Seeing the civilian support staff and Quasar have to defend the base while the Avengers are absent is pretty interesting.

I disagree with the sinking of Avengers Island but it does give Acts of Vengeance some impact. Although it can't compare to the last big HQ wrecking, Avengers Under Siege.

Anyway. Quasar says he gets the feeling this whole thing isn't over. And he's right. There's two more Acts of Vengeance in Avengers and three in Avengers West Coast.

Four in Avengers Spotlight but I don't read that. It says Avengers on it but it's like Two-in-One or Marvel Team-Up but with Hawkeye.

Follow @essential-avengers. Like and reblog. Shout to the wind. Howl like nobody's watching.

#essential avengers #avengers #Acts of Vengeance #Doctor Doom's robots #Quasar #Avengers Support Crew #Robert Frank Jr #Peggy Carter #Fabian Stankiewicz #Mechano Marauder #M'Daka #Michael O'Brien #Edwin Jarvis #Keith Kincaid #Donna Maria Puentes #Starfox #Nebula #cool issue i just disagree with the plot direction

3 notes · View notes