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littlequeenies · 2 months

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Ca. 1972/73 - American musician and producer Todd Rundgren and American model Bebe Buell, by Neal Preston.

Unknown further details of this iconic photo!

#Todd Rundgren #Bebe Buell #Neal Preston #1972 #1973 #1970s #1972 Bebe #1973 Bebe #1970s Bebe #model #muse #musician #manager #author #singer #singer songwriter #songwriter

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autopsy0fanicon · 10 months

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“My reputation is so overblown. I can count the number of men I've been with on two hands; it just seems like a lot because you recognize their names.”

- Bebe Buell, 70s

#bebe buell #seventies #groupie #70s #1970s #icon #beauty #fashion icon

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70sgroovy · 4 months

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bebe buell & her daughter liv tyler photographed by marcia resnick, 1980🩷

#bebe buell #liv tyler #1980 #1970s #70s #classic rock #70s hair #70s icon #groupie #rock n roll #70s aesthetic #70s fashion #60s 70s 80s 90s #vintage #steven tyler

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luckywildgirl · 2 months

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Tom Petty, Todd Rundgren, and Bebe Buell 1978

#Tom petty #todd rundgren #Bebe buell #vintage #70s #1970s

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reflectismo · 2 years

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(Order of people from left to right: Linda & Paul McCartney, Bebe Buell and Mick Jagger, Ava Cherry and David Bowie.)

“Someone’s knocking at the door…”

“We decided to find a permanent home in New York in May 1974. My cramped studio on East 89th was fine for a pit stop, but it wasn’t going to work for the long term. While John was working on Pussy Cats, Eddie Germane, general manager of Record Plant Studios, told us there was an apartment available in his building.

The address was 434 East 52nd Street. The apartment we looked at was called the Penthouse Tower B. When we opened the front door, we were greeted by a steep staircase that led up to a rooftop apartment.

[…]

We brought in a platform king-size bed and the largest-screen TV available in those days: a twenty-seven-inch Sony Trinitron. Our bed became “Lennon Central”- with the cable box, telephone, and sound system all within reach. John dreamed his hit song “#9 Dream” in this bed.”

– FROM MAY PANG’S INSTAMATIC KARMA (2008)

#(Their penthouse really was THE SPOT.)#(Love this)#May Pang #John Lennon #Linda McCartney #Paul McCartney #The Beatles #Mick Jagger #Bebe Buell #Ava Cherry #David Bowie #(Just when I thought I was done..)#(Photos are a bit LQ but the pics are directly from the book)#Instamatic Karma #1970s

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omg-hellgirl · 3 months

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Only one woman was capable of emotionally wounding Jagger, Buell claimed, and that was Bianca. Jagger referred to his wife disparagingly, either as "my old lady" or simply as "B." But, insisted Liz Derringer, "Mick was madly, passionately in love with Bianca. We all thought he loved her and she didn't love him."

Concurred Buell: "He loved her so much more than he admitted. Mick was a very traditional Englishman when it came to his marriage. He wanted her to stay home and take care of the kids while he did what he pleased."

Christopher P. Andersen, Jagger Unauthorized.

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garadinervi · 2 years

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Richard C. Wandel (photograph), STAR at the Fourth Annual Christopher Street Liberation Day March, New York, NY, 1973 [The Lesbian, Gay, Bisexual & Transgender Community Center, New York, NY. © Richard C. Wandel]

#photography #star #s.t.a.r.#street transvestites action revolutionaries #marsha p. johnson #sylvia rivera #zazu nova #bebe scarpi #richard c. wandel #the lesbian gay bisexual & transgender community center #1970s

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littlequeenies · 3 months

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August 3, 1973 - Todd Rungren, Bebe Buell, Jayne County and Iggy Pop at the Felt Forum (the smaller theater inside of Madison Square Garden, now called The Theater at MSG) where the New York Dolls, who Todd had just produced, were opening for Mott the Hoople.

Photo by Chuck Pulin.

From Bebe Buell's instagram.

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queen-of-the-scene · 2 years

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Todd Rundgren and Bebe Buell!

#todd rundgren #bebe buell #70s groupie #rock groupie #classic rock #70s rock #1970s music #1970s

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loiladadiani · 1 year

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Irina Alexandrovna Romanova (1895 -1970)

When Grand Duke Alexander Mikhailovich married Grand Duchess Xenia Alexandrovna (sister of the then Tsarevich Nicholas Alexandrovich), he was marrying one of the best matches in Europe: Xenia was the daughter of the Tzar Alexander III and the sister of the future Tzar Nicholas II. She had been in love with "Sandro," her second cousin, since childhood (and he saw no reason to discourage her affections, of course)

Sandro and Xenia had seven children. Irina was their first child and only daughter. This beautiful, quiet, delicate child was the first grandchild of Alexander III (who died the year before she was born) and would be the only biological niece of Tzar Nicholas II.

During the first few years of their respective marriages, the Tzar and Empress Alexandra and Grand Duke Alexander and Grand Duchess Xenia spent a lot of time together, and their daughters Olga and Tatiana, and Irina being very close in age, spent a lot of time together and developed a relationship. Distance would later grow between the couples and the children.

By the time Xenia was pregnant with her seventh child, her marriage to Sandro had gone sour. Sandro had fallen in love with a French/Spanish woman and was having an affair with her. Subsequently, Xenia started an affair of her own. Some sources say that they managed to keep their marital problems from their children; others that their quarrels might have had something to do with Irina's decision to marry Prince Felix Yusupov when he asked.

Felix was handsome, extremely smart, and one of the richest men in Russia, but he had a reputation. Irina accepted him as a bridegroom regardless of her parents' misgivings. Felix had a wild youth which seemed to include affairs with men and women. He enjoyed dressing as a woman and wearing his mother's jewels; apparently, he even caught Edward VII's eye at some point. When the Dowager Empress Maria Feodorovna talked with him about this behavior before his marriage to Irina, he did not deny it. Still, he said that his wild days were over, and he was very much in love with Irina.

Irina had no qualms about signing away succession rights for their future progeny when she married Felix, who was not royal (their marriage was morganatic.) She married him wearing a veil that had belonged to Marie Antoinette. Both looked beautiful. Their wedding was the last grand happening (1000 guests) before the Great War.

Felix and Irina were out of Russia when WWI started and had difficulty passing through Germany to return to Russia.

The Yusupovs settled in a section of Felix's parents' Moika Palace. Felix and Irina had one daughter (whom they named Irina but called "Bebe") and helped the war effort in Russia by opening two hospitals and a sanatorium in their Crimean state of Koreiz.

Felix would go on to kill Rasputin (he was banished to Koreiz by the Tzar) in a misguided effort to help the dynasty survive. As things in Russia became worse. A group of members of the Imperial Family, including the Dowager Empress, Irina's parents and brothers, and several Grand Dukes and their families, avoided being imprisoned and murdered by seeking shelter in Crimea. The Russians held them, prisoner until the Treaty of Brest-Livtosk was signed. Interestingly enough, the Germans liberated them. They left Russia in a warship sent by England to rescue the Dowager Empress.

They lived in an apartment Felix had in London; they had also smuggled out paintings and jewelry. There was a car they had not used in years waiting in a garage in Paris. The couple was extremely generous to the Russian Community and gave a lot to the exiles in need. They eventually bought a mansion in Paris and opened a couture house in Paris, which was very successful for a few years.

Felix and Irina lead an expensive lifestyle, and their couture business went bankrupt (after significant success.) By 1934, as luck would have it, Metro-Goldwyn-Mayer released a film named "Rasputin and the Empress." Felix sued the company for slandering Irina and won the lawsuit. He also released two books which did very well.

After this, the coupled lived a quiet life (for them), supporting young artists and attending various functions of the Russian emigre community.

Irina remained close to all her relatives and helped them whenever she could. Her father, Grand Duke Alexander Mikhailovich, died in her arms.

Felix's and Irina's marriage turned out to be a great success. They were married and lived together, supporting and caring for each other for over fifty years. When Felix died in 1967, Irina was grief-stricken. She died three years later.

#russian history #romanov dynasty #Imperial russia #NAOTMA #Grand Duchess Xenia Alexandrovna #Princess Irina Alexandrovna #Prince Felix Yousupov #IRFE #Grand Duke Alexander Mikhailovich

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seoul-bros · 7 months

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JK for Vogue Korea - You are my music!

JK evokes four musical ages and styles for Vogue and takes a hand in the creative direction of the photoshoot. Posting the covers in my personal order of preference. Gotta say I'm loving the pretty punk!

1970s punk

Modern Hip Hop

British Rock in the 1960s

The Jazz Age

After the joy of being able to buy Dazed off the shelf in the UK this week, I guess I'll be back to expensive mail order again for this one.

Creative direction JK Photographer JONGHA PARK Fashion director EUNYOUNG SOHN Digital editor NAMHEE GA Visual/art direction JAE YOO Contributing fashion editor BEBE. KIM Stylist YOUNGJIN KIM Hair NAEJOO PARK Makeup DAREUM KIM Set MINKYU JEON

Post Date: 16/09/2023

#jeon jungkook #jungkook #JK x vogue korea #JK reveling in musical history

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fibula-rasa · 21 days

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Favorite New-to-me Films—March ‘24

(listed in order pictured above, L to R)

READ on BELOW the JUMP!

Forbidden Fruit (1921)

[letterboxd | imdb]

C.B. DeMille and Jeanie MacPherson’s second swing at this modernized Cinderella story about overcoming a bad husband, now with eye-popping fantasy sequences designed by Natacha Rambova. [Gif sets incoming!]

Mary Maddock (Agnes Ayres) does seamstress work and takes in laundry to support her layabout, no-goodnik husband. Her wealthy clients (Kathlyn Williams & Theodore Roberts) hatch a scheme to use a social event to settle a business deal with handsome young entrepreneur Nelson Rogers (Forrest Stanley). Mary accepts the job to keep Rogers occupied, with the unintended consequence of the two falling in love. When Mary’s husband makes a surprise appearance, the jig is up. But, after her husband’s chicanery has deadly consequences, Mary and Rogers are free to live happily ever after. CW: a pet bird is killed.

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The Woman King (2022)

[letterboxd | imdb]

Giving an epic treatment to fitting subject matter, Gina Prince-Bythewood, Maria Bello, and Dana Stevens tell the story of the Agojie, a real-life group of warriors from the kingdom of Dahomey in West Africa, and General Nanisca (Viola Davis), a fictional leader of the warriors. The Woman King has a creative approach to history, to which a lot of critical attention has been paid—it’s certainly worth seeking education on relevant historical topics.

That said, it was a gutsy and risky proposition to tell a story tied into the Transatlantic slave trade focused entirely on the West African and Portuguese side for an American (and English speaking) audience. Also, as an avid fan of Xena: Warrior Princess and the Eddas/sagas of Iceland and Scandinavia, I appreciated the filmmakers taking a legendary approach to this location and time period. In its deliberately extra-historical engagement with history, The Woman King also brought to mind for me Senegalese filmmaker Ousmane Sembène‘s Ceddo (1971), which I highly recommend. (Obviously the films have wildly different tones/styles tho!)

As you might imagine from the description, heavy CWs for violence (including SA), blood, and slavery.

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Why Change Your Wife? (1920)

[letterboxd | imdb]

A month ago, I wouldn’t have believed you if you told me that I’d be putting not one but two DeMille movies on my new-to-me favorites list! I initially watched them as reference for the cosplay I mentioned in the last monthly round-up post, but ended up enjoying both! Often there are elements of DeMille’s films that hamper my ability to enjoy them fully, whether it’s goofy class politics (hello Saturday Night), racist depictions (hi The Woman God Forgot, which I also watched for the first time this past month), or that I simply rarely enjoy christian bible epics.

That’s not to say Why Change Your Wife? is somehow perfect—it features pretty sexist attitudes. But, having learned a little bit about DeMille’s unconventional marriage, I see it less of a story of wives failing and more of a story about how two people who have a solid partnership can lose themselves when they lose each other. Here I’m referring to the first part of the film, before Swanson’s Beth and Meighan’s Robert get divorced. Beth isn’t being true to herself when she’s on her mental-improvement kick—there are sufficient details thrown in that show that she and Robert have drifted apart and she’s responding to it by morphing into a maiden aunt type. The film could’ve made Robert’s role in their marriage’s demise a little more overt, but I do think DeMille and screenwriters Olga Printzlau, Sada Cowan, and William DeMille must have been concerned about the American public’s response to a story that normalizes divorce in 1920. For context, we didn’t have no-fault divorce here in the US until the 1970s.

Anyway, why should you watch it? Gloria Swanson and Bebe Daniels offer fun and energetic characterizations as the two Mrs. Gordons, and they share a pretty wild fight scene. The costumes by Natacha Rambova are funky and interesting. The film features an absolutely adorable dog too! (If anyone recognizes the dog please LMK!) [Gif sets for this film are also on the way!]

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Intohimon vallassa (1947)

[letterboxd | imdb | ELONET]

Teuvo Tulio don’t miss.

The heir to the biggest farm in the county, Aino (Regina Linnanheimo), is forced into an arranged marriage, but the man she really loves, Olavi (Kullervo Kalske), sticks around and becomes the town blacksmith. Years pass and Aino’s husband becomes an alcoholic and an abuser. Olavi keeps his distance as Aino’s marriage implodes in a particularly disturbing fashion. CW: domestic abuse, alcoholism, implied death of dog

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Teenage Mutant Ninja Turtles: Mutant Mayhem (2023)

[letterboxd | imdb]

Look at me watching more than one movie this year that was made in this century! Anyways, I’ve been a turtle fan as long as I can remember (photographic evidence below) and I love that the comics have been re-adapted so well in the last 15 or so years for younger generations. (The 2012 show is very cute btw, worth checking out especially if you have kids.)

This take features a unique and kinetic animation style with an accessible story touching on what makes someone an outcast and how both adults and kids can navigate that. Mutant Mayhem features probably my new favorite depictions of April and of Splinter. Also, even though the non-turtle characters are almost all celebrity voice actors, the voice acting quality is very high.

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Montana Moon (1930)

[letterboxd | imdb]

Sweet romantic story with comedic elements about a millionaire’s willful daughter (Joan Crawford) who, fleeing an awkward situation on a train ride with her family, runs into a cowboy (Johnny Mack Brown). The two quickly fall in love and are married, but the newlyweds face challenges when the differences in their lifestyles come into sharp relief. I love Crawford’s costuming and styling in this and her performance elevates the material. There are extended sequences with classic country-western music tho, so if that grates on you, you might want to take a pass on this one.

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Leda – The Fantastic Adventure of Yohko (1985)

[letterboxd | imdb]

Yoko Asagiri is a young girl struggling to confess her feelings to the boy she likes. She decides to confess via a song she composed herself, but the song turns out to be a key to another world. Yoko teams up with a talking dog and a tiny warrior girl with a giant robot to fight the villainous Zell, who wants to use Yoko’s song to conquer her world. The animation and designs are top-notch as is the music. I personally enjoyed all of the Oz vibes suffused throughout the OVA.

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Tomatos Another Day (1934)

[letterboxd | imdb | Eastman House]

Also known as “It Never Happened,” this is ostensibly a short film about a woman carrying on an affair and said affair being discovered by her husband. What Tomatos Another Day actually is is a send up of early talkies conceived and executed by independent filmmaker James Sibley Watson Jr. and collaborator Alec Wilder. If you’ve been around my blog for a while, you probably already know that I love Watson’s Fall of the House of Usher (1928) [Gifs/Stills]. However, I haven’t seen much else of his work! Thankfully, Eastman House has preserved and digitized a couple of his films and I plan on watching more soon. The link above has the short film with an introduction and outtakes!

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Past Lives (2023)

[letterboxd | imdb]

Past Lives is a quiet but emotionally-rich love story by Celine Song that spans decades but also a single eventful week. I loved the way that the story was structured and how much the film relied on thoughtful pauses to communicate complicated emotions. The actors, Greta Lee, Teo Yoo, and John Magaro, all put in great work here. If you haven’t seen it yet, but plan to watch it, prepare to cry a bit.

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The Mind Reader (1933)

[letterboxd | imdb]

Warren William plays a carny with a different gimmick for every town in the midwest. When the Depression affects his take, he and his cohorts, Frank (Alan Jenkins) and Sam (Clarence Muse), come up with a new scheme: fortune telling. As Chandra the Great, the crew start to rake it in, but when Chandra falls for an upright citizen (Constance Cummings), the scheme and their freedom is put in jeopardy.

I’m not accustomed to William playing this particular brand of sleazebag, but he really kills it as Chandra/Chandler/Munro. I appreciated how creative and adventurous the cinematography and editing is—not an especially common trait for pre-code films. I also made some still sets for the film!

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Honorable Mention: Hard to Handle (1933) [letterboxd | imdb]

This film gets honorable mention because while I didn’t think it was particularly good, a few call outs are deserved. The bad: the plot was unnecessarily convoluted and the recurring sequences with fat people were iffy at best. The better: Ruth Donnelly shines as the comedically base mother of Mary Brian and she even gets to do a bit of physical comedy. Donnelly, Brian, and Cagney have a nice chemistry together throughout. In terms of costuming, the matching outfits of Brian and Donnelly are funny, but made funnier by the sheer quantity of mother-daughter ensembles they wear. The neutral: the film is packed with topical Depression-era references: notably Florida investment swindles and trends like dance marathons and the grapefruit diet. All-in-all, the filmmakers could have done less and achieved more.

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The only big post I completed this month was a massive undertaking: Lost, but Not Forgotten: Omar Khayyam / A Lover’s Oath and a timeline for the film’s production and release.

Otherwise, I made themed gif and still sets from:

Torture Garden (1967)

The Marriage Circle (1924)

Le Altre (1969)

The Mind Reader (1933)

As for April, the cosplay I mentioned should be up very soon. If I have the time, both Lost, but Not Forgotten and How’d They Do That should have new installments posted and I have a few movies/shows on my themed gif/still agenda.

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