If I’m not exhausted after uni again tomorrow I’m gonna replay bugsnax n see how long it takes me to finish it

just curious, what’s your favorite and least favorite character design? my least fav for sure has got to be female byleth for reasons i don’t want to get in to yep ok have a good day 😁

IOops this accidentally became a rant, sorry

Okay so, to preface this all, I’m not a character designer and I’m actually pretty bad at it, but my rule of thumb with really unappealing or fan-service outfits is whether or not it makes sense character-wise and how much it tells the player about the character. For example, I think we can all agree that there’s quite a bit of fan-service elements in Hilda’s design. Boob window. However, it’s not unrealistic to imagine Hilda picking out those clothes for herself. Her costume tells you almost everything you need to know about her character on a visual level. She’s confident, pretty, attention-grabbing, and high maintenance while the gloves and laced girdle give a nod to her Viking-maiden roots.

Taking it to female Byleth, I don’t think that her outfit works on either front. Her design is definitely my least favorite and it’s not helped by the fact that you have to look at her at all times. Whatever. The huge, solid mass of boobs, the buttoned bib, the big eyes, the feather hair, the bellybutton, the ripped tights, the booty shorts. She’s a merc out in life and death situations with an accessible, pale, tacky 2000′s “stab me” stomach cut out and a wedgie. Which could be excusable if, like Hilda, there was reason to believe that that her costume was character choice. But she doesn’t really have much character, and what there is gives the impression of a very stoic, dry, blunt person. I have no idea why they’d have gone that route when the sexual appeal of more “utilitarian” costuming (aka, form fitting armor that at least pretends to be functional) for characters like her is scientifically proven AND would say more about the singular personality trait she possesses. Okay, well, I know why they didn’t do that and I think it’s lame. This dysfunction of “character designer wanted a sexy girl but it’s kinda random and just shoved in the game without any thought” actually reminds me a lot of Xenoblade 2′s leading ladies, Hikari and Pyra. Although considering that their bad designs led to a lot of people hating the game for superficial reasons while accepting female Byleth’s design, I guess I’m just bitter. Jumping to a different comparison, then, look at 2B from Nier Automata. Her design is fine as hell which is kinda hypocritical of me considering that it's explicitly fan-service, but I think it also shows the most damning thing for female Byleth. Her whole look, despite having a dozen different element thrown in, is boring. Maybe it’s the colors (dressing her in all black and white would have been really interesting considering the colors of the three lords are so heavily emphasized as a part of their characters) or maybe it’s just the way the desperate elements come together. But, like I said, I'm not even slightly knowledgeable about character design and I know that despite Three Houses being mostly separate, they had to appeal to a larger aesthetic brand to which I have little experience with. And, ultimately, a lot of people find her cute or sexy which...To each their own, I suppose. I don’t pretend that fan-service doesn’t work on me (2B... Cloud’s arms in the remake... Seph's shirtless Smash skin...) but when it’s this obviously inserted in by the character designers rather than feeling organic in any way AND looks bad I'm just not super interested.

The other worst designs for me would be all four of the Ashen Wolves post timeskip. I don't think it's controversial to say that they didn't try with the clothes, even if I love their designs from the neck up (Yes, even Balthus. He looks like the type of guy that would let you sit on his shoulders at a rock concert so you could see the stage). While there are other designs I think are unappealing, those are for purely aesthetic reasons and so I can't maintain the opinion that they're actively bad or that I even truly dislike them.

As for favorite looks... I actually have a few so sorry you're getting all of them because despite the shit I'm talking, I actually really really love the character designs in Three Houses. 

Ferdinand's post timeskip is one of my favorite designs, if not my favorite. The hair, the coat, the armor, the spurs, the colors. You know exactly who Ferdinand von Aegir is just by looking at him. He’s wealthy, handsome, confident in his appearance, a hero, a princely type character, his battle form is mounted combat which is traditionally aesthetically reserved for nobility and leaders... I love it. The only reason I cannot say he IS my favorite is because of the three Lords. But before them, my honorable mentions include post timeskip Hilda, Dorothea, Lorenz, Felix, and Hubert. Granted, I could make a case for why I like almost all of the student’s post timeskip looks.

For the Lords, I obviously have to start with colors because, weirdly enough, Persona didn’t invent primary colors but are actually used as shorthand. Blue is the color of honor, loyalty, sincerity, sadness, and depression. Something I’ve always found very interesting is that blue is very rarely found in nature. To me, that’s always made it seem more lonely which, at least in this case, is thematically relevant. People call Dimitri boring pre timeskip and while I won’t defend his hairstyle (okay, actually, I probably would because he tucks it behind his ears and idk why but that’s one of the cutest things ever) I really like how unassuming he is. Bland. He’s supposed to be the plain shortbread cookie to caramel deLite Claude and strawberry meringue Edelgard. It is not in his character to draw attention to himself or stand out. To me, he kinda looks like an old Barbie prince, like he should have been named Dominic. Also I love the blue eyes/blonde hair thing and his more angular features. It really helps to sell him as the fakeout chivalrous prince type. Post timeskip, Dimitri's black armor is amazing. I love the fact that it’s a lot more intricate up-close with the different little shell-like pieces and the fact that his boots are furry. I love the big cape and the black and white fur around his shoulders. It’s really cool how they used his costume to change the shape of his in-game model to match the bodily proportions of the character art. It’s easier to see when you change his costume into the DLC ones, but the fur and cape build up his shoulders and chest look more broad while keeping that tiny little waist. The choice to give Dimitri an eyepatch is probably my favorite thing about this design. It’s genuinely inspired. Such a simple detail yet it tells the player everything they need to know about adult Dimitri when they see him post timeskip, in one frame the player can begin to understand the extent of his loss over the past five years. The subtle shadow under his eye in the first few Azure Moon chapters and the messy long-ish hair really help to sell the feral prince aesthetic as well, as it’s from those small cues the player gets that he’s exhausted (in more ways than one) and doesn’t maintain himself. None of these things are intentional choices by Dimtiri, they’re the result of what his character has been through.

Yellow is an intense, energetic color. Mostly, people think of it as being warm and inviting, the color of the sun and positivity. That intensity can be overwhelming, though, too visually demanding when compared to its primary counterparts. Don’t stare at the sun too long. Buuuut, it’s okay to stare at Claude. Claude not wanting to wear tight pants in either of his costumes is not only a mood, it is iconic. Pre timeskip, the softer lines of his silhouette makes him look kinda slouchy, kinda lazy. Like he’s not too concerned with appearances. But those adorably messy curls, the little braid, the clearly tended eyebrows, and earring make it clear that he DOES care about appearances and is very aware of his allure. And that’s before he even starts winking. It is honestly so in character that as many people picked him first on the basis of being thirsty, that feels like an intentionally Claude thing even if it was inserted by the designers. The contrast of his complexion with his seagreen eyes is gorgeous and instantly adds a kind of mystery and intrigue to him considering the setting... but it’s sf funny that nobody looked at bronze god Claude among a sea of white faces and thought something was up. Post timeskip, they used the same trick like they did with Dimitri to change Claude’s in-game model to match his canon appearance. The way they designed his uniform makes him not look as twink-ish, like he’s actually muscular and imposing and has the strength he’d need to shoot a war bow with a 120lbs draw weight. Also like Dimitri, you can instantly tell what Claude’s been up to. Like, he was very pretty pre timeskip but when he shows up in the Goddess Tower after those five years in all that gold, he demands your attention. Like a gentleman general with the excessive aesthetic ideals of the Alliance and details to imply his heritage. The quilted pants are amazing from both an aesthetic and practical standpoint. He’s a mounted unit riding a creature with scales, of course he’d want something on his legs for protection. And the chinstrap. I love that so much, it definitely makes him look more adult. He’s got such a cute soft baby face, it’s fun imagining him experimenting with different styles during the five years to get the most desired physical reaction to him as a leader. 

Frenchfries, meet forehead. No, actually, Edelgard’s design is really fantastic. Claude and Dimitri both have realistically colored eyes and hair and then there’s Edelgard. Dimitri shrugs off attention physically and Claude shirks it with a wink but Edelgard commands the players attention from the very start. Although I’m sure there’s a lot of things to associate with white hair and purple eyes, my first thought was Daenerys from Game of Thrones. Otherworldly beautiful by with an edge. Red, of course, is The power color. Strong emotions, love and hate. Red is also associated strongly with blood, which is very important to Edelgard’s plot. Granted, I think the red and black association is even more powerful than JUST red and red is the cheapest play to make in regards to displaying villainy (I mean, there are some pretty universally recognized associations with red and black and it led to people making some unfair comparisons between Edelgard and a famous dictator) but I think it was effective and well used and I genuinely enjoy its use in her case. Anyway, if I had a major complaint about her design it would be the weird ashy color of her hair whereas Lysithea’s hair is pure white. Which doesn’t even matter with the AMAZING hair horns. Ram horns can actually symbolize quite a few things, but their association with power and strength is pretty universal I think. They’re also used in demonic imagery. I love that THIS was her alternative to a crown. Edelgard views herself as a force of war and power before she thinks of herself as royalty. She also mentions that she isn’t super vain, but she loves to do her hair, so the hair being the most elaborate part of her look is entirely in-character. Edelgard’s ensemble is, like Claude, very militaristic. I love that they kept her in a dress that embraces femininity without showing skin as that wouldn’t really suit her Also, again, Edelgard demands your attention. She’s dressed all in bright bright red waving around a giant axe. She is a symbol as much as she is a combatant, someone to follow. I didn’t really mention their secondary lord costumes, but a girl in sexy armor is literally everything and I love that they had the balls to put their main sexy waifu girl in full body armor.

Okay I’m sorry I realize this was excessive and probably didn’t need explaining and I’m not sure I even articulated my thoughts properly but anyway I love their designs so here is the positivity I’ll put into the world.

rec post for @f-eef that got too long for its own good, and is now just. a general rec post i guess

(as of writing, today is the steam summer sale! writing this before that goes live, so no guarantee everything on here is on sale, but! most of these are older games, so it’s likely. keep them in mind~)

- Iconoclasts my absolute favourite game, ever (along with OFF, but shh), if you check out one game from this list, let it be this one. it’s a genuinely almost flawless package, with gorgeous pixel art, fun gameplay, a really good story, and a cast of characters i just. adore. it’s so so so good, and three years later, i’m still not over it

- The Binding of Isaac so there’s this genre called roguelikes, wherein the whole gimmick is that, when you die, you gotta start from the Very Beginning; and the ‘point’ is getting better and better at the game, until you win! it’s super easy to just, play a few runs (they generally don’t last that long!), and then go on with your day, so it’s a really fun game to just waste time in, if you just wanna chill with some game. and, in my personal opinion, Isaac is the best roguelike game, with so much stuff to unlock, a whole slew of items to play with, and so much content it’s kind of unreal. i definitely think the DLCs are worth picking up, but it’s mostly for more content than like. actually being necessary

- Terraria it’s minecraft, but 2D. unlike MC, it’s got a bit of guidance, which i personally prefer, with bosses to fight and such. an absolutely BLAST with other people too

- A Hat in Time a 3D platformer, ala Mario, that’s just. super charming. it’s also really fun to play. i haven’t actually played the DLC’s, since i played it way back, but i’ve heard good things about Nyakuza Metro, which does look super slick, so ¯\_(ツ)_/¯

- Slime Rancher you are a slime rancher. you ranch slimes. it’s honestly just wholesome as hell, and just exudes happy vibes. mostly for running around and collecting slimes, ngl

- The Messenger really funky retro game, wherein you play a ninja on a mission. it’s primary draw is definitely in its gameplay, but there’s a surprising amount of story for this kind of genre? i honestly really just like this one. it’s neat

- Underhero you play as a cute minion, who kind of like. managed to kill the hero. and whoops, guess you’re doing his job now? it’s got that undertale vibe, though i’d say it’s less polished than it. HOWEVER, it’s absolutely lovely and it’s climax is REALLY good

- Hatoful Boyfriend bird dating sim. trust me. the ‘secret’ finale route is just. *chef’s kiss* fantastic

- Night in the Woods if you don’t mind having a very poignant sad time, oh my god, i could not recommend NITW more. it perfectly captures that period when you’re done with school, and suddenly your whole life is stretching before you, and you feel so so fucking lost, and overwhelmed and pained with it. it’s just. so good. a sadness worth experiencing 

- Shovel Knight another retro game! this one is, pretty much, the king of the genre, and for very good reasons. the first one (shovel of hope) doesn’t have much story, but the latter ones really add on it. they’re honestly just, really solid games! with funky knight characters!!!

- Hyper Light Drifter man, it’s just a masterpiece. everything about it is perfect. it’s been like, five years, and it’s still one of the very best indie games

- Tell Me Why it’s currently free for june! and it’s a story game! plus, if you like the genre, the devs got the ‘Life Is Strange’ serie(s) to delve into!

- Cat Quest honestly, i just really like this little game. the gameplay is SO much fun, and everything else is just. really charming :’)

- Yoku’s Island Express metroidvania, where you play as a dung-beetle post officer, and the gimmick is that it’s pinball-y! it’s really fun, and very cute and just an all around good time :)

- Owlboy you play as an owl boy! named Otus! and you can fly around, and there’s GORGEOUS pixel graphics, and a neat story, and just. the BEST cast of characters. it’s delightful

- Yuppie Psycho + Count Lucanor just gonna bundle these two together, because they’re both REALLY GOOD. YP is the newer one, and is therefore probably ‘the better one’, but i like them both a ton! they’re 2D horror, but i wouldn’t say they’re that spooky? though that might just be because they’re pixel games! you explore spooky place, and weird stuff happens around you. just a really fun time :)

- Angels of Death my FAVOURITE rpgmaker game, it’s main draw is, a 100%, the main characters and the relationship that develops between them. i just love it a whole lot, and it’s got that lil’ tinge of horror that i, personally, fucking adore. there’s actually an anime based on this, but i haven’t seen it myself!

- Celeste curve ball! it’s a 2D platformer! it’s really good, got a ton of accessibility features, and has like. the tightest gameplay- and, on top of that, surprisingly emotional story! 

- Bastion putting Bastion here, because it’s actually the only one i’ve properly played, but you could probably buy any of the Supergiant Games, and come out satisfied. Bastion is the oldest of the bunch, and is definitely a bit less polished for it, but i personally adore it; the gameplay probably hasn’t aged that well, but i think the story and presentation more than makes up for it

- The Darkside Detective funny point and click adventure, with great wit, and a pair of characters i kind of simply adore. it’s main draw is definitely its humour

- Littlewood very wholesome and chill farming game, that feels more like an RPG than something like stardew valley- i’d not recommend it over SV, but if you want more of SV, Littlewood might scratch that itch!

- Pony Island + The Hex absolutely adore both of these, though if i had to rec only one, it’d probably be Pony Island? they’ve both got that undertale-off vibe, though Pony Island definitely leans harder into it. very interesting plays, both of them

- Oxenfree another horror-ish game! primarily story-focused, but oh boy, what a story! i’m a BIG fan of this game, and the sequel was recently announced too! definitely worth a look if you like ghost shenanigans

- Creature in the Well wasn’t a 100% sure if i should rec this, but beside the finale boss, i really enjoyed my time with this! it’s this weird pinball inspired hack and slash, with some amazing vibes

- Kindergarten 1 + 2 they’re just fun little games okay. the 2nd is much more fleshed out, but the 1st one is really fun too

- the Henry Stickmin collection I JUST... LIKE THESE GAMES A LOT... i think you can find the old versions somewhere on the internet, if you wanna check them out first? idk, they’re fun!

- LIMBO + INSIDE personally, i like INSIDE more, but both of these are classics, and also they’re made by a danish team, and i like them a WHOLE LOT

- The Final Station i could not tell you why i like this game as much as i do, but oh my god. i love this game? it’s got a dying world, neat pixel graphics, big zombie apocalypse vibes, and a weird little story

- Year Walk i love Year Walk :)

- Smile For Me if you liked undertale’s lovely cast of characters, oh boy, you’d likely LOVE this game! it’s really, really, fantastic, and the epilogue (not in the actual game lol) hit me right in the feels

- Pikuniku just a fun little game! there’s not really much there, in the grand scheme of things, but it’s a wonderful little play, one of those games that just sets out to give you a good time, and absolutely success. i like it a lot :’)

- A Short Hike wonderful game, where it’s more about exploring the island than actively finishing the game. it’s real wonderful

- ULTRAKILL ANOTHER CURVEBALL! no idea if you like FPS, but oh my god. ULTRAKILL is so fucking good. just an absolute blast to play. there’s a demo to check out, and i’d definitely recommend it, because if it’s a genre you might like, you’ll love this one (OH also it’s in early access, which means it’s not finished yet! personally, i don’t mind that, especially considering this is more gameplay focused, but ya’ know!)

- My Friend Pedro it’s honestly just really fun to play, and sometimes i still think about the implied lore, and go all !!!!

- Little Misfortune another point and click! this one is pretty short, and is set within the same universe as their other game, Fran Bow, which is much bigger, but idk. i like this one. it’s dark cute

- This Strange Realm of Mine i honestly dunno how to explain this one, because it’s kind of weird and a bit odd, but i really like it, in all its weird poetic glory. it’s neat!

- Donut County you’re a terrible racoon who’s ruined the whole city with holes. it’s great and i love it

- OneShot another ‘gives me undertale vibes’, though this one was in development before UT, if i recall correctly! it’s so good, and it’s got some fantastic meta bits, and i love Niko. i love Niko so much

- Inmost gorgeous vaguely spooky game with a neat story... my favourite genre

- Sayonara Wild Hearts i’d call this more of a spectacle than anything else, but oh my god. what a spectacle it is! the OST is amazing, everything about it just hits right, and even if you suck at the gameplay (which i did), it really doesn’t matter, in my opinion? it’s just great all around!

Also, speaking of salarian planets : since Trigestis predicted a planet's existence and location mathematically when all the planets in the Pranas system in ME3 are close enough to be seen from Sur'Kesh (Halegeuse is closer to Pranas than Jupiter is to the Sun), do you have a headcanon to fix that ? Like, faulty interface in ME3, or something fancier, like Trigestis's planet being exploded during the Krogan Rebellions ? I hope I'm not being a bother.

Hello again! I'm sorry it took me AGES to get to it and I will, shamelessly, blame it on new job syndrome again.

So I kind of want to use this ask, if that's okay, to confess something slightly embarrassing coming from a narrative designer and someone who slugged through releasing a fic under the guise of "I want to get it right" for so many years: the more time goes by, the more I realize I am not as much of a lore nerd as I thought I was.

It's more complicated than that actually: I adore, ADORE lore that deepens art thematically. Whatever I can get that gives me insight on societies, culture or characters, even biology/geology **that adds an insight on theme**, love it. Can't get enough (ish when it comes to HH, because I'm actually a coward and I'll get to that).

But lore that exists to fill up Codex pages, lore that I sense have been written under pressure of deadline or does not intrisincally tells me more about why is this story told... It can tire me pretty easily. That's why I do not care, could not possibly care less about the obligatory million details about gun and weaponry in videogame codexes (not just ME), or the fetishism around military hierarchy breakdowns (unless it's used as a jumping point to explore character or world, but it's rarely the case and ends up being just weirdly reverent, nearly ritualistic --the attention given to these details does inform on themes, but way more on what has been prioritized than the actual details in these cases imho). It got way worse since I started doing the work myself; there's at once so many thoughts put on the details, and also so little in certain cases --you just gotta cram something and it's the compromise that you got at the eighth meeting on the matter, and it's kind of meaningless by that point and a weird middle ground nobody is truly happy with, but the deadline's looming and you have bigger fights to concentrate on so whatever, ship it I guess.

A lot of videogame lore gives me this sort of vibes now, and the planet descriptions of Mass Effect, while honestly pack-fulled with treasures of characterization that gives some underwhelming species more characterization that we ever got in the main missions, have probably been written either by a contractor with a tight deadline that proposed concepts fast and had to iterate on the rejects even faster, or by a core team member that did this on the side when no fire was currently roasting the game alive. It's speculation of course, but most of this "codex" game writing is very dense and high-input work that does not really allow for self-reflection or letting the content simmer and slowly shape sense out of itself. So while I love the details and some are so good, I have to admit I generally choose and pick from whatever speaks to me in this sort of descriptors, and it's been a hot while since I last cruised the galaxy searching for these treasures of worldbuilding. I should do it more! But it did slide down as a the bottom of priorities, just like this writing probably did in real life....

But to actually answer your ask instead of going on a weird tangent about game writing work: I'm gonna be honest, I completely forgot about that bit. I could make up an explanation on the spot, but the truth is: I was kind of waiting to get on The Empire of Preys to do a checkpoint on deep salarian lore (especially location related), and have it inform the detailing of the writing past the big lines --actual salarian culture shows up surprisingly little in Halfway Home given Shlee is completely allergic to his salarianness and runs away from it as fast as he can!!!!

Another embarassing confession that I took an even more embarassingly long time to work through: for the first years of working on the project, I felt very vulnerable and defensive about my interpretation of the story and themes, and I was terrified, absolutely terrified of illegitimacy. So confronting myself to lore again after my initial judgement/gut feeling, after all the emotional attachment I put into the story and all the deep meaning it took for me, was not an option I enjoyed at all, and I avoided everything Andromeda because I was so scared of what it could do to my fragile reasonning. Since then I decided I cared way less about doing a completely valid and diligent reading of micro-details of lore than to put my own spin on the universe, in conversation with it rather than restricted and bound by its, sometimes, arbitrary limitations. I still have to ploy around plot points (UGH Cerberus DLC *shakes fist*), but only if I can make it into a Point somehow (I think I did with the aforementioned after years of battling with it). But paradoxically, letting go of this insecurity (which is still in process of deconstruction, I am not completely above it yet) allowed me to rediscover hidden gems of lore, question my biases and interpretations, and helped me deepen my story. So I'm super glad you bring it up, I'll definitively look into it and see if I can twist this inconsistency into A Point or let it go!

I'm sorry I replied exactly 0% of what you asked, but I think the opportunity to go a lil' Author On Main (TM) was too good to pass. Sorryyyyy. ._.

Kissed by the Baddest Bidder Part 1 - Eisuke Ichinomiya Route (up to Proposal Epilogue)

This is my next guilty pleasure game lolol. Honestly, the premise of the heroine getting sold in an auction and being bought/saved by one of the dodgy rich guys makes it a dubious premise, but I love this kinda "trash"🤣 Eisuke seems like one of the most popular Voltage guys so I do want to see him in sequels haha, and yes, I already played the main story since it was free on the app, but I've kinda forgotten it, so I'll refresh my memory by playing it on the Switch again haha. I also bought My Forged Wedding and Our Two Bedroom Story so yay, more to come~ hahaha. I hope to also buy Scandal in the Spotlight and Kings of Paradise (when it comes out and goes on sale XD) when I'm done with others so yep, lots of Voltage stuff coming I guess hahaha.

I always feel sorry for the heroine that Eisuke makes her run to him within 5 minutes when he calls her, like dudeee, that's ridiculous. Anyway, it's nice that he's teaching her stuff so she's not just his toy to use. I remember finding it hilarious how Eisuke planned to use Soryu as the next "sacrifice" from the beginning and have Carolina fall in love with him instead🤣 She's very tame and silly for an Italian mafia boss' daughter but I guess we should feel blessed about that lol. Even though a lot of the things Eisuke does is questionable, it's nice to know that his reason for being involved in all this underground stuff is because he's searching for his little sister that he got separated from when their parents passed away and they were adopted by different families. It's interesting to think that Eisuke wasn't born a rich boy and actually worked very hard to get where he is now in repayment to the Ichinomiya family but also because I'm sure all this power helps him get more connections to hopefully find his sister one day. I think it's really cute how much he's opening up to the heroine now, but I kinda feel sorry for her in a sense that when Takahiro (her boss) and her finally have a nice thing going on, she's falling for Eisuke.

To be honest, their "love" is rather questionable considering how it's mostly just the heroine listening to everything he says, caring about him, whilst he uses her for what he needs to do and then kinda warms up to the idea of her staying with him and enjoys it. I mean, he barely let her go out and always called her back for trivial things lol. So yeah, even though he's "nice", I find it difficult to accept him, but I guess hopefully the sequels might change that since there's so many haha. I appreciate him trying to protect her though, it's nice to see those rare moments he shows how much he cares about her. I have to say though, that dramatic ending where the heroine picks between Takahiro and Eisuke is so... weird lol, kinda cringy loll. Anyway, let's see His PoV! Honestly, His PoV was nice but doesn't really add that much to what we already knew tbh, like I guess you can see his thought process for the important events, but yeah doesn't really feel like I read anything haha. The epilogue was nice mainly because he FINALLY got rid of all his groupies, like geez, took him a while considering his intolerance for such women who follow him around all the time lol, but the highlight was definitely the heroine getting him to honestly tell her that he loves her. I think it really helps how she always voices to Eisuke what is important to her, and he in turn understands that it's important to her so he listens and reciprocates, it's pretty sweet.

I'm glad Eisuke found his sister in the Season 1 Sequel. Yukari is so cute. I thought it was really nice how the heroine understood how much Eisuke cherished the possibility of meeting his sister again, so if he's rejecting meeting her then there must be a good reason for it. It's pretty dramatic how Eisuke ended up having to save Yukari's husband's father and their wedding in order to have the father have a better opinion of him lol. I'm just happy that Eisuke doesn't have to force himself and lie about his feelings towards finding his sister again and stuff tbh, but it was kinda sad how Eisuke really didn't look for the heroine for days when she "left" him due to not being able to understand his attitude towards Yukari before everything was resolved. I have to agree with the heroine though, Eisuke is just really stubborn about not showing his feelings, but I guess he's getting better at it with the heroine so it's all good lol. I kinda find it cute how Baba was the one to tell the heroine how much Eisuke cares for her, I guess all the guys will get a chance to cheer her up and tell her different sides of him?🥲 It was cute how they visited Yukari's new home and thought about marriage~ Lmao at Eisuke just building a hotel in Dubai because her dart fell on it.

Ooh so, S2 revolves around Dubai~ Gotta feel sorry for the heroine that she nearly got killed for trespassing when it wasn't even her fault. But now she's forced to work at the Dubai hotel as a sort of "punishment" and to let her go from her crime lol. Gotta love how Eisuke just bought an island to live on here lol. Aww, it took a long time, but it's actually really cute how soft Eisuke is with the heroine. I also really like how he's pretty open with their relationship to the others. Do a lot of Japanese people really hate green peas?? I find it so funny that a lot of characters hate green peas, but I guess it's more seen as a "childish" thing haha. So yeah, seeing Eisuke try to say he hates green peas in a prideful way was adorable to say the least. Anyway, Hishikura is quiteeee dodgy and weird lol, why does he want to be an auction manager though, does that help him become the future prime minister?🤔 And I found it so silly the way the heroine "won" Hishikura and left him, like shouldn't the first thing Eisuke and them thought of was the fact that this was an illegitimate auction bid when the product (heroine) was obviously not the dancing girl that was supposed to be sold?? Why did we have to waste so much time on something so simply solved just like that?? Honestly though, I'm sure Hishikura could have made some other excuse though, but still, could they have not resolved it better and had a better reason to allow Hishikura be a part of the gang? Lol.

Sometimes I think I underestimate how much Eisuke likes the heroine, because wow, to protect her, he's willing to let people think he's "running away" from Dubai and all the troubles there, and I guess last time with Hishikura, he made it pretty obvious how important she was to him. Like, Kishi and Soryu being bodyguards for the heroine are understandable (but honestly a waste of their time lol) but I'm not sure if Hishikura, Ota and Baba are very good lol. Anyway, trust Eisuke to propose in such an unromantic way loll. Full just gave her the papers and told her to sign it loll. Anyway, I'm surprised they never had a hotel branch in London, but it doesn't matter since Eisuke can build wherever he likes lol. Wow, like I know Eisuke is selfish and the heroine is very accommodating, but I'm surprised she wasn't mad or even annoyed at all that Eisuke just took back the "proposal" and said nah, not getting married anymore since it's unnecessary. Like excuse me??? And the way the heroine knows he loves her is always just through sex lol, like c'mon heroine, sure he shows his love in many ways, but his attitude still annoys me a lot lol, it really is as if marriage is nothing to him and the heroine hasn't even told him that it's special to her because she'll become his wife. Honestly, he probably said it so she wouldn't feel pressured about it anymore (since she was undecided) but still.

Well, I was going to say Frank and his butler are kinda cute but dang lol, getting revenge for something that happened in middle school that was your own fault is pretty petty of Frank. I'll admit that Eisuke being up for auction and the heroine being auctioneer was pretty fun and interesting haha. Especially when she just started revealing everything about him to the crowd lol, but I guess that way she was able to show how deep her feelings were for him and how much she wanted them to be family instead of him just distancing himself from others and her. I'm so happy Eisuke finally proposed properly and said she'll be his family~~ Anyway, I'm disappointed that they didn't allude anything about Eisuke and London (aside from this Frank guy) when I think it would have been fun to see more about Eisuke's life back in the day instead of a random villain. For once, it was nice to see Eisuke's PoV to the marriage thing. So he suggested marriage to the heroine because he wanted to give her financial security just in case anything happened to him, and he wanted to do it in a way where she wouldn't be scrutinised by the public eye, and that's why he wanted her to be his wife so that everything would "look proper" to others. I guess I can see why he was so shocked and sad when she didn't immediately accept him haha. It was nice seeing Eisuke realise his mistake in saying he wanted to the marry the heroine but in the same breath say he didn't need a family, and understand that this was why the heroine was so hesitant. It was really nice to see Eisuke grow and straightforwardly ask Akira (his dad) why did he adopt him and whether he only cares about him because he has a talent for business. Seeing Eisuke face things he usually avoids because of the heroine's support and love makes me happy for him.

Okay, the DLCs (Scattered Cards onwards) on the Switch are too expensive so I'm not going to buy them right now hahaha😅 Overall, I'm not a fan of Eisuke tbh. He definitely got much better over the course of the seasons, but from the heroine's perspective alone, he is a bit frustrating lol, but at the same time, I'd say the same for the heroine for how silly she is lol so I guess they fit well. I think what I'm most disappointed in though is that the premise itself is really just the premise and nothing really "evolves" from it, because the following stories are really just the guys expanding the hotel and dealing with people trying to wreck that rather than stuff about auctions and bidding? I did enjoy Eisuke reuniting with his sister and learning more about how he views family, and then having the heroine make him realise that he does crave family warmth and other things, he just tries to hide it with his bad attitude lol. But yeah, otherwise Eisuke is not bad, just not my type lol, and the stories are rather cliche and bad at some points so yeah, I'd say the plot suffers more than his attitude does for me.

L4D(2) Actor AU

This is a (not complete) list of headcanons for the Actor AU me and my bro came up with during our Expert runs and running extremely low on morale. We created this as a sort of ‘happy’ AU which would also give some room to our own ideas, so some of this stuff below may only slightly be related to original. We understand.

This post won’t be updated but instead followed by other ones if something else arises, so check ‘l4d actor au’ tag on my blog for more!

Overall setting

The Left 4 Dead universe itself is a series of 90-min movies divided into first and second season, L4D1 and L4D2 respectively. This list will further refer to them as S1 and S2;

L4D is a series about, of course, zombie apocalypse, but teamwork and forming bonds between people are brought to spotlight. Both seasons consist of episodes where four Survivors try to find a solid ground and safety with every episode ending on a cheerful note but every next one starting with the cheerfulness destroyed. The episodes share their names and events with Campaigns;

Originally, L4D was created by a team of enthusiasts, consisting of friends, families and family friends, so they are all very immersed in process and really giving their best. Their collective is also the reason their funding isn’t very high and they’re mostly using their own equipment and props; this makes the series look less expensive and polished but retains the atmosphere and the main goal: to show people growing warmer to each other and learning to stick together;

The actors’ names are mostly created by combining the face model’s first name and the voice actor’s last name, though some other versions do take place (see S1 and S2);

The safehouse graffitis are inspired by the fans’ responses from forums and contests, so it’s some sort of communicating with audience through screenplay;

The Third Strike, more commonly known as Black and White Mode which occures after second incapacitation, was firstly discovered as a camera malfunction but then the team liked it so much that they decided to leave it as a feature and add the heartbeat effect and stuff;

Main plot line consists solely of canon Campaigns (that means it doesn’t include Last Stand and Cold Stream) but there were also suggestions to shot additional episodes - the Mutations. After S1 success, the authors posted their ideas on different ‘modes’ and fans added theirs as well and thus during S2 some more episodes were made using, for example, a male synchronized swimming team to create the Hunting Party mutation. The original Hunter actor also participated and the swimmers required to copy his behavior; they did it so well that sometimes the whole Survivor team was being overwhelmed once they began the take;

There are no stuntmen on board so every fighting scene is shot with original actors. When it requires to shove someone off with a weapon (e.g. Zoey shoving a Hunter off Louis in the L4D1 intro), after the take actors always ask each other whether they hit too hard, should they improve the movements etc. Different actors have different range so it’s a tricky thing to cooperate but they still manage (I’ll come back to this topic in L4D2 section);

Most Infected, especially Special Infected encounters are improvised, bringing more life and realism to the Survivors’ response. The Hunter is responsible for a fair share of their shock as they noticed him stuck at a saferoom ceiling only after a while (this is a reference to the glitches that allow the Hunter to get stuck under the roof in Versus);

There was a suggestion to run a Kickstarter campaign to gather money for a fanservice episode especially for shippers. While it was most likely a joke from actors who didn’t mind shipping, it’s still a suggestion and not in work.

L4D (Season 1)

Zoey shares the zombie movie obsession with her actress; Sonja was the most familiar with the topic among original team and provided a lot of help with setting up the scene, behaviour writing etc. Along with Louis and Boomer actors, she was the creator of original idea and can consider herself a founder of the series. She is also older than Zoey as a character, being already in her 25s while Zoey is a college student;

The original Boomer actor was a CGI specialist and offered his skills for post-processing while also playing an Infected role. He came up with the idea of a Boomer Infected himself and suggested his large physique to do the role with a little touch of computer graphics and makeup;

While discussing the major characters and personalities worth including, Zoey’s actress instantly remembered her neighbor, the big buffy tattooed guy who was her childhood friend, worked as a driver and spent his weekends with his favorite bike. She figured that it’s a nice image to have in a zombie apocalypse setting, and thus Francis’ actor made it to the set;

When it came to the image of a war veteran refusing to give in to monsters, Zoey’s actress was also the one to suggest another person to fill up the space: her father. He was younger than Bill was written to be but did the impersonating well. He’s got an overall friendly but bickering attitude towards Francis’ actor so most of lines written for Bill and Francis interaction were the ones actors remembered from their own conversations, slightly exaggerated;

Zoey’s actress and Louis’ actor were co-workers for several years and bonded over their mutual interest to zombie theme and shooting. She foud out that Sean attended a shooting range in his spare time and asked him to take her out too; thus she both found out he aces in ambidextrous shooting and got him to teach her how to wield a hunting rifle. The weapon preferences were carried over to respective characters;

Hunter’s actor became a surprise for the team as Francis’ actor brought him over saying that the guy’s got a fantastic voice (and a music band) and physique to make some badass new Infected for them. They got him to voice the crowd extras of common Infected but also came up with an idea of shrieking hooded parkour bastard to rip someone’s guts out, thus creating the Hunter as another Special Infected;

As the next Special Infected concept came out of the shadows - a lanky coughing tongue-twisting zombie who would grab the Survivors and restrict them, Hunter’s actor brought another person to the set. It was his music band co-participant who did drums and back vocals and also had an ability to eject the most horrible coughing sound out of his throat while being (seemingly) healthy. He took over the role of a Smoker;

Hunter’s actor is named Mike after Mike Patton, the voice actor for Infected and SI like Hunter and Smoker. Smoker’s actor is named Mike too but the fact that he plays drums and does back vocals is actually a reference to Faith No More, the band where Patton actually does vocals and Mike Bordin does what Smoker’s actor does. It sounds complicated but originally the idea of Hunter and Smoker actors sharing a name came from Patton voicing them both, and then I found out about the band and two Mikes present so... that was a weird but happy coincidence;

The fact stated above was the reason the team came up with nicknames just for two Mikes on the set - Hoodie and Tongue respectively. The tradition was carried over to S2 where the new Hunter actor would receive a patronizing nickname Kid from Survivors (see S2)

Of all Infected actors, Hunter’s actor was the least level-headed and even Francis’ actor sometimes doubted his past decision to bring him in. Nevertheless, Hoodie’s cheerful attitude and energy helped the collective stay positive and fuelled during especially hard days. It also brought out the less lethargic and melancholic part of Tongue and made him more lively about things;

Despite Hoodie being the Endless Energy Core which people tended to adore, he was still in a lousy relationship with Witch’s actress (her name, by the way, is different from the voice actress - it’s Rose). He kept a charmer’s attitude towards her even though she was a married woman; Rose tended to be neutral or mostly positive towards most colleagues but this behavior pissed her off big time, leading to Hoodie being injured by her stage costume claws after she punched him in the face for a really bad dating joke. Hoodie toned it down afterwards but their relationship didn’t improve much up until the end;

Witch’s actress is keen on baking and sometimes brings some to the filming set;

Since the budget was comparatively low, the team couldn’t afford a lot of crowd extras so they hired a group of people to then create an image of a Horde attacking by using CGI. That’s why there’s so much repeating common Infected on-screen;

The first season included all L4D1 original Campaigns, leaving The Sacrifice out as it was added later in a DLC. As S2 came into development stage, the team wanted to add an episode with the old Survivors team but Bill’s actor was unavailable at the time and was overall not hot with the idea of shooting movies anymore; so eventually they plotted the episode (The Passing campaign) to feature Bill being dead. The fans were shocked to find it out and demanded to know what exactly happened, thus leading to actually shooting The Sacrifice as a bonus episode to S1 (and requiring Bill’s actor to come back despite his attitude).

L4D2 (Season 2)

The collective decided to take a sharp turn on the new Survivors and create them being unacquainted and sort of separated at the start but growing closer as time passes by. The idea of S1 Survivors being almost a family to each other sounded great and played along just right but the team wanted to delve deeper into relationship problems and also have a change of scenery - and so they did;

The Infected team for S2 still consisted of some old faces (Boomer, Tank and Witch) but some had to leave the set for the time being and were unable to rehearse the roles, this being Hunter and Smoker actors. They got into music harder than zombie movies and planned to go on a tour so they could only leave their old Infected sounds as a legacy;

The new Smoker actor was a treasure Coach’s actor brought to the set. Since Coach was in fact a college coach, he kept a close eye on some problematic students under his wing and picked out the one he’d considered perfect and at the same time worth looking after. The guy was recovering from compulsory drug treatment and had some ugly scars all over his arms, making him an easier candidate for makeup;

Hoodie, on his part, brought a replacement on his own, and it was his brother - four years younger, even more insanely into parkour and a huge fan of L4D series, he made a perfect new Hunter. Despite being only a few years younger than Hoodie, he instantly became treated like a restless constant-questioner child, a literal piece of sunshine on the set, so the team came to call him just Kid. He adjusted to the nickname after a couple of weeks, though being seriously surprised at it at the start;

The actors of Ellis, Jockey and Charger all come from one family, being two sons and a father. Coach suggested the family as well, being their close friend for many years and pointing out Ellis’ actor appearance being something close to the laid-back mechanic they wanted for the new Survivors team;

Although fluently speaking in a Southern accent, Ellis’ actor isn’t very fond of it as he tried to get rid of it and move to a different state; the role obliged him to use the accent again though and it wasn’t hard to recreate, but he still didn’t take pride in it and was mostly annoyed with it and Nick’s jokes written in script;

Ellis’ actor is also the one more frequently complaining about amount of money the actors receive for their work on set. Their funding increased a bit since S1′s popularity strike but still;

Most of Ellis’ stories were written based on actual on-set incidents, usually featuring Nick’s actor (see below);

Nick’s actor, Taymour, is married to Witch’s actress and is a big fan of her performance in S1. When she heard the idea of having a snarky self-centered ladies’ man in the new Survivors team, she immediately knew who’d handle the role at his best. She also rehearsed the role of Witch just to make sure nothing bad happens to her husband on-set (also see below);

Nick’s actor suffers from constant bad luck incidents. He can accidentally break or twist something without serious effort; he’s also allergic to artificial blood and he is the reason the filming set actually features painkillers and functioning adrenaline shots. Despite all that, he’s got a positive attitude about bad luck and got used to being in a state of constant non-obvious danger, unlike others who geniunely worry about his well-being and fear that one day an accidental injury might end him once and for all;

This trait is also the reason Nick’s line “Can’t you see I’m limping here?” made it into the script - it was improvised after Nick’s actor badly hit his leg and was the last to make it to a saferoom during a take. The team liked it and decided to leave it in;

Nick’s actor treats his role with all respect and doesn’t consider it a small one despite the not so large fee. He’s also a complete opposite to the character, being a very friendly and kind-hearted guy to everyone on set; he can however switch back to his script personality with startling speed and it scared some of the new actors at first. Despite playing an asshole which is very different from real him, Nick’s actor enjoys it a lot and overall finds great joy in working with the team and bringing them together;

Bringing back the topic of being gentle to each other, Nick’s actor takes great care when it’s required to hit or shove someone in the take, keeping it mildest possible, unlike for example Ellis’ actor who can smash you in the face without a second thought;

Nick’s actor and Witch’s actress keep their loving attitude on set as well, sometimes making it hard to shoot scenes featuring a Witch killing; as they were shooting the Witch Bride scene where the same actress took place but had a different outfit and makeup, they ruined several takes by driving the dialogue in unwanted directions, e.g. “Ellis, go kiss the bride! No wait, I’ll do that myself” or “N: Sounds like my ex-wife... W: I still AM your wife, darling! >:C”;

With her husband on stage, Witch’s actress is probably closest to her role - she will tear apart anyone who dares to hit on Nick’s actor or mean any harm to him (as if his own harming isn’t enough...). The only one she’d go loose is Ellis’ actor, being an old close friend;

Ellis’ actor was the one who introduced Nick’s actor to his future wife. They’ve actually been close friends since the university and Ellis’ actor was among those who obviously saw Nick’s actor and Rose being in love but completely oblivious to it. Ellis’ actor is still kinda jealous that she took his best friend away and they can’t hang out anymore like they used to, but they get quite a lot of time on set so he’s less irritated about that;

Nick’s actor is especially supportive towards Rochelle’s actress, Shanola. She feels self-conscious because of her character’s rating being lower than expected and blames it on her performance, but Taymour keeps reassuring her that she’s doing amazing. Rochelle’s actress is also the one least accustomed to shooting a weapon and handling violence of any kind so it was hard for her to get her head into action. With the team fully supporting her, the progress sped up tremendously;

Ellis’ actor’s name is Jesy and he gets salty about people misspelling it or mistaking it for a female name. It was the inspiration to include the “El kinda sounds like a girl’s name” part of Ellis’ dialogue;

The team is overall friendly towards shipping dynamics in the series’ fandom, with the only one explicitly stating otherwise being Ellis’ actor. He’s espeicially upset with Nellis ship as people started shipping actors over it too; he stated multiple times that he and Nick’s actor have been best friends for so long that it’s simply wrong to imply any romantic and/or sexual relationship between them. He once stated in an interview that he’d rather believe an Ellis/Hunter ship and the fandom exploded with it on the next day, much to the actor’s chagrin. The Hunter’s actor, or Kid, however, wasn’t that upset and supported the idea. The team made no confirmation to any ships yet;

Nick’s actor is neutral to most ships including Nellis and doesn’t see why his friend is so angry about it. His personal favorites are Nick/Witch for obvious reasons and Nick/Hunter for less obvious reasons that he doesn’t state. He jokingly suggests Jesy from time to time to start a Kickstarter campaign for a Nellis-centered episode; it’s still unknown whether they’ll take it serious one day.

Kingdom Hearts: Melody of Memory. Pleasantly surprised however not worth £60

So I’ve beaten Melody of Memory and I’ll be the first to say, it surprises me just how fun this game is. I am not fond of Rhythm games to begin with and as you may already know I am exceedingly critical when it pertains to the KH series as a whole. I think most of the games are flawed in a game design and mechanical standpoint. And I’ll be bold enough to say the series has been getting progressively worse since KH2FM dropped in 2007. Re:Mind redeemed KH3 somewhat yet we are 11 patches in and Guard is still fucking broken so you be the judge there.  There really isn’t much I can say since the gameplay really doesn’t have any level of depth towards it, you hit the notes on time with the beat essentially. You have a melee attack which is placed onto the 2 bumpers and one face button, you need all 3 since at some point you will need to hit notes simultaneously. The most depth you will get is in the Gliding and avoiding attacks, upon the track some heartless will try to hit you and by jumping over these it counts as a beat in any given song, you will also need to utilize the jump since certain heartless can only be hit whilst in the air. At parts in a song you will also need to glide and manouver your character into green notes, but the same basic rule of thumb applies here.  Later in the game you will come across deep dives and boss fights, which force you to also use the analogue stick to hit notes, but at the end of the day you are just tackling a song. The amvs that play are pretty scripted and in these segments they can become extremely distracting as the notes tend to blend in with the video in the background. This only applies to the Deep Dives and the boss fights, but it can become a pain in the arse when you miss a note due to a white flash lingering within the video and it tricks you to press the button a tad early.  In terms of story the game is pretty bareboned, I will say this now. If you are playing this game strictly for the story and you have no interest in the Rhythm game genre. Save yourself 60 dollars, the new story content is held towards the end of the 8 hour campaign, for the rest of it Kairi is pretty much summarizing the events of the Xehanort Saga. Poorly I might add as so much context is stripped away from these summaries. If this is your first KH game, do not go into this expecting to understand the events of the previous Saga. These summaries are designed to pad out game time, they do not serve as passable representations of the last 15 years of the series.  There are far more effecient ways to experience the story as a newcomer via The Story So Far HD Collection Bundle. MoM fails heavily in this regard. {I’m not going to go into depth on the new Story content as this isn’t a spoiler review or anything.} In terms of playable characters you have 4 teams, consisting of 12 characters as a whole. A Sonic Heroes predicament, all of the characters function the same and whatever miniscule difference they have is strictly cosmetic. At some point in a few worlds you will have guest characters with you, but again they function the same.  A disappointing aspect of this Team System is that the Team Members are locked and with no ways to customize them, perhaps mods for the Switch will fix this. However for the base game each member is locked into a particular team, so you are unable to change them around.  For example you cannot put Sora, Roxas and Xion within the same team. I do not understand why this hasn’t been included as timeline plotholes cannot be used as an excuse, as you can face any of the bosses with any of the teams. So you could have Team Days face off against KH1 Ansem. Admitingly its a small omittance since the teams are merely cosmetic. Yet as we know cosmetics whilst insignicant to the gameplay itself does hold merit to a games content and overall value when it pertains to replayability and customizability.  Teams and Team Members:  Team Classic: Sora, Donald and Goofy Team Days: Roxas, Axel and Xion Team 3D: Riku and Dream Eaters Team BBS: Aqua, Ventus and Terra The song selection is something I adore and hate at the same time, you have classics such as:  Sanctuary Simple and Clean The 13th Dialema The other Promise Another Side/Another Story {Deep Dive} Vector To the Heavens Even One-Winged Angel makes an apperance. Yet there is a shocking absence of KH3 representation, you have Let it go and a few other songs. {Around 8 in total}  But considering the fact I actually prefer a lot of the KH3 variations of the songs its disappointing they didn’t make the cut. Especially the masterpieces from the Re:Mind DLC. Above all of that for a lot of the songs they use the original PS2 renditions rather than the remastered variations from the HD remixes which... Why? They are inferior in comparison imo.  Even so, Let it Go in japanese is fire.  As a whole this game surprised me, but I do not think for a second that its worth the 60 quid asking price. Its amazing to have a homage to all of these amazing tunes from the series thus far, nevertheless for the story content whilst it isn’t as halve arsed as Re:Coded. Its not enough to justify the price tag. Rhythm games are not for everybody and that is perfectly fine, people aren’t getting upset because KH has a Rhythm game. They take issue with the fact lore is locked behind the paywall, and yes whilst you can just watch the cutscenes on youtube like most of us do with Union cross and Dark Road, it just isn’t the same experience that you would get from experiencing the cutscenes yourself after a tough challenge. If this game was 30, which I whole heartedly believe it should have been. I would be a tad warmer in my critique.  Unfortunately that isn’t the case, from a gameplay standpoint this is truly a quality product. Its just overpriced, now if they included the KH3 songs and the Re:Mind songs within the base product maybe that would shift my stance, however I have a suspicion they are going to try and milk those for DLC. If not great but it just feels like something Square would do at this point. No Simple and Clean Ray of Hope Mix is not included. Yeah, it baffles me as well.  The conclusion in which I will sign off with is this. Despite my feelings on the games price tag, It has succeded in fundamentally changing the approach in which I listen to music going forth. Upon playing this overtime my brain slowly started to recognize the patterns and began to pick up on the subtle nuances that the majority of these songs contain. Small features of a particular track you wouldn’t even think about on a casual listen can be indispensible in building up to the grander narrative of a song, the slightest of mistakes can cause the melody as a whole to fall flat and this was something I had to come to grips with and adapt to when going for the full chains.  Even now when I listen to songs in my free time, these small details are easier to notice and I feel that I am presented with a whole new experience with some of my favourite Songs. It is like I am truly experiencing them for the first time once more and that is something I will forever attribute to this game. 

I know it's way too early for this kind of speculation, but what do you think FE17 will be? the Genealogy remake would be interesting, but that'd possibly damn FE18 into a Thracia remake, much like Shadow Dragon/New Mystery. unless they decide to make it into 1 game, which doesn't sound probable to me. maybe they'll make a new story, with less, uh, questionable morals to keep the new 3H fans interested into the franchise? will they keep the calendar, the instruction stuff, or go back to the laid back way of Awakening/Fates/Echoes? you don't have to give a long answer if you don't want, I'm just musing a bit here

“You don’t have to give a long answer,” as if that’s ever stopped me.

What do I think it will be?  I have no idea.  But given its popularity, they could be considering it like a Tellius situation, with a prequel game.  I don't think they can go sequel (more on that in the other response), but prequel with Seiros as the focus, going from the Red Canyon Massacre to the end of the War of Heroes?  Sign me up.  I would love more on that.  And I adore games that focus on side stories (Thracia, Blazing Blade), so I'm super on board for a fleshed-out side story about that period in Fodlan.

I can't say what they'd try to do with gameplay, but I do think they'd keep a sort of "home base" kinda thing at a minimum.  The instruction aspect of Three Houses was very specific to that game, and truthfully, I don't know if it will maintain.  Not to be how I am constantly, but I hope it doesn't.  I really feel like the monastery exploration and having to fine-tune instruction for students was more tedious than anything, and ultimately didn't add much to the gameplay experience.  I also feel like the calendar was kind of a bad call too.  A lot of events, as they're laid out, feel like they should be happening back to back.  But because of the calendar focus, you have situations where it implies you traveled far off to engage in a big battle, but then just walked back to the monastery for a whole month before marching out the same direction.  I don't think it blends events together all that nicely.  Frankly I think Fates' decision to have a pocket dimension where you can take care of your bullshit was a better way to hand-waive the question of how you're able to backpedal and stock up in the midst of a campaign.

That said, any non-remake game, and possibly even the remake game, will take inspiration from Three Houses in the same way Fates and Echoes did from Awakening.  The massive success of Three Houses is guaranteed to be an anomaly to them.  They still don't know why Awakening worked, I doubt they'll know why this one worked.  So I anticipate a lot of character tropes and storytelling angles will be reused in future games.  They'll try to mess with perspective and the idea of hidden history muddying the morality of things for sure.  I don't think there's any benefit for them to go back to more clear-cut morality.  Even if there's a lot of fan argument about it (Edelgard and Dimitri fans), that's never a bad thing.  That's still attention being drawn to your game.  That's still discussion around it.  No press is bad press, and this game is still more popular than the rest of the series ever had been.  So they'll keep characters like Lysithea, and Bernadetta, and have that attempt at a complex plot, and a bunch of mysteries that never get answered, and oh god every MU is going to be like Byleth now oh god oh fuck.

But personally, I want the next game to be a Genealogy remake.  I have issues with Genealogy as a whole, both gameplay and story-wise, and a remake could salvage at least some of that.  Support conversations definitely could, and a changing of certain story elements would be nice, although Fallen Julia's already in FEH so like...there goes my greatest hope.

That said, I don't really want them to do too much?  Like, Echoes added a few characters, and while those are some of the best in the game, a lot of that I feel like was to add any sort of significance to Alm's journey beyond the end goal.  Alm's route would be boring as all hell without Berkut, so his inclusion was a massive benefit to the game.  But I can't think of a situation where my qualms with Genealogy is "This just isn't engaging enough, we don't have enough people."  Genealogy almost has too many characters.  If anything their bigger problem is that characters and themes they set up are never utilized.  So it's more about reworking the narrative a bit rather than needing to include things to make a blander game stand out, you know?

I definitely don't think they'd combine Genealogy and Thracia.  I mean they could, but I don't think it's a good idea.  Genealogy, again, has too many characters already.  Combining the games leads to the question of where the hell Leif's army is, and that's adding like 50 characters to the roster.  Since you deploy every unit you have in Genealogy, that's...way too much.  They'd have to completely rebalance the game.  Not to mention Thracia doesn't play at all like Genealogy, and is way too long to be a brief side-story or DLC exclusive.  There's just no effective way to integrate the two.  I think it would be better to just make the game after that the Thracia remake, which...honestly is the best possible outcome as far as I'm concerned.

Binding Blade may not have come to the west, but people know Roy, and this series started over here with Blazing Blade.  We know a lot of Binding Blade information, by virtue of dedicated fans being upset the logical continuation of their starting point never got translated.  Comparatively, Genealogy and Thracia are pretty damn isolated, and it shows in their CYL placements.   They're not well known games at all, and gameplay-wise, they're really awkward and (in my humble opinion), not actually fun to play at all.  A remake is ideal for those games, because it gives them a chance to gain more attention and popularity in the general public's eyes.  Which is good!  Genealogy does have a worthwhile story to tell despite my gripes about its problems, and I honest to god thing Thracia's one of the best stories in the series, with one of the best protagonists in the series.  These games deserve more recognition than they get, and they're not gonna get it until they get remade to be more accessible.

It also dawns on me that the "less questionable morals" may have been about Genealogy's whole incest thing.  Listen, I get it, but they can't take it out.  I don't say this lightly, but that is like...the central point of Genealogy.  The awakening of Loptous is a matter of converging its bloodline, which had only one surviving member.  You really cannot work around this one, without making things either too confusing or too stupid.  If they really felt the need for that, they might back off of the remake entirely, which would be to their detriment.  But considering the Byleth/Rhea situation, I don't think they'll have much trouble.  And besides, it's pretty clear that an act of incest was the catalyst for almost destroying the continent, so I think it's safe to say the game doesn't agree with the practice.

At present, Summer Pockets it the latest visual novel from Key/Visual Arts. It's highly likely that you're familiar with their works. Everyone knows about Clannad and Angel Beats, but they have plenty of other good stories like Little Busters, Kanon, and Rewrite. They are a visual novel studio that and their work often gets adapted into anime and even manga. Some of which I watch the anime adaptation first. Currently, Summer Pockets does not have an adaptation. Since I already liked their older works, both their anime and visual novels, I figured I would check this out. The main character of Summer Pockets is Haira Takahara who had recently been suspended from school. He ended up going to an island after an invitation from his aunt Kyouko to go through his deceased grandmother's belongings. Another relative, Umi was invited over and it's not specified how she's related to the main character. At least, not right away. To his surprise, his aunt doesn't have him help right away and tells him to go explore the island. Most days, Kyouko just ends up doing the work herself, continuing to tell Hairi to just to whatever he wants. After the first few days, where he meets everyone, the player will have to choose where they'd like to go on the island. A character is displayed in the locations where you can interact with them. There are only four characters that have routes: Shiroha Naruse, Ao Sorakado, Tsumugi Wenders, and Kamome Kushime. Hairi and Shiroha start off on the wrong foot. It really doesn't help that they met at a pool at night while she was in her underwear. Then there's Ao, who happens to be really perverted and will read into anything that anyone says. Then there's the two innocent characters Tsumugi and Kamome. Tsumugi is a calm and honest girl who is searching for something she wants to do and Kamome is a mysterious girl always dragging a suitcase around with her. There are a couple other girls that cannot be dated: Shizuku Mizuori and Miki Nomura, Nomiki for short. Shizuku is always hanging around Tsumugi and she has some weird obsession with boobs. Nomiki is one of the island's Public Order Executives, protecting the island's morals daily. She dislikes seeing anyone in public shirtless. There does happen to be a guy on the island who likes to not wear a shirt: Ryouichi Mitani. He likes to take it off regardless of where he is. The other main male character is Tenzen Kanou, who has an unhealthy obsession with Table Tennis. While there are four main routes, there are some extras. When you're first introduced to Tenzen, you have the option of playing Table Tennis with him. You can choose to play more of it when you get further in the visual novel. There's also a Pokemon parody where you find monsters around the island and have them battle each other. Just some nice extra distractions. Overall, it's an okay amount of content right here, but you really only have to do the four main routes to unlock the true route. Key's other visual novels took me a lot longer so I don't feel like the game's current price tag is entirely justified. In a lot of their visual novels, once you complete the main routes, you unlock some kind of "after story" which functions as the game's true route which leads to the real ending. Their first visual novel, Kanon didn't have that. This only really became the norm when they released Clannad. It seems that they've continued to do so. This game has not one, but two true routes. You unlock the alka route when you complete the scenarios for Shiroha, Ao, Tsumugi, and Kamome. It shouldn't really be a spoiler to say that Shiroha is the true/canon ship since Key's visual novels usually make it clear which one is. As you go through this route, certain things start to become more clear, like why the game is called Summer Pockets and what some of the characters have been hiding from everyone. When you get to the true routes, the game turns into a kinetic visual novel. In other words, your choices don't matter. I'm not the biggest fan of those visual novels, but here I'm fine with it since the true routes are rewards for completing the main game. The alka route has choices to make, but the second true route, the pockets route doesn't have any choices at all. When it comes to Key's visual novels, they usually start off with a normal concept but as you get far enough, you'll find plenty of supernatural elements. Most of their visual novels have a route or two without from what I've seen. However, pretty much all of them have something supernatural about them. Then in the true route, there's usually some big secret, always something not possible in our world. So much happened in these routes and then this visual novel managed to do something that none of their others had done before. A lot of people that are familiar with their works know them to be sad, but I managed to make it through most of them without crying, I shed more than a few tears on the true routes in Summer Pockets. I try not to think about what happened because I don't want to start back up again. Even with all the sad endings, there's usually some kind of happy ending. However, Key isn't always the best at these. There's usually something that isn't clear or just doesn't make a whole lot of sense. In the case of Summer Pockets, it was just way too abrupt. I would've preferred that it keep going a bit longer and have a bit more detail on what happened with the characters at the end. Overall, it was a good story, even if it did steal elements from a lot of their past works: moving in with aunt like in Kanon, the family themes from Clannad, the setting from Air, the "this girl was in a coma the whole time" thing that BOTH Clannad and Kanon have done, etc. Even if they did steal from themselves, it still was a solid story and one of their saddest so far. It wasn't perfect though. While it did have plenty of well-written moments full of comedy or sadness, there were plenty of awkward moments as well. The story may have been good, but I do feel a bit cheated. I felt like Summer Pockets had less to offer in comparison to their other visual novels like Clannad and Little Busters. It wouldn't bother me so much if the game's price tag wasn't as high as it is so I'm glad I got it while it was on sale. I was a little disappointed that there were only four datable characters. Even their first visual novel, Kanon had more than that. It turns out there's an expansion that adds four more routes, so you can spend more time with Shizuku, Nomiki, an all new girl, and Umi. I expect Umi's to not be a romance route for more than one reason. The expansion was announced one year after the original came out in Japan... while the original was in the middle of getting localized. I really hope we can get the new stuff as DLC instead of having to buy it separately, but we're just not going to know until it comes out. It HAS been confirmed that Key plans on bringing that version to Steam though and considering most of their stuff on Steam has been released in English, we can probably expect the expansion to be in English as well. Despite feeling it was somewhat lacking in content (to be honest, the price tag is to blame for that), I enjoyed my time quite a bit with this visual novel. Now that I've completed the main story, I feel pretty sad that it's over. I do have the extra content to take care of, so I could get on that. I also look forward to whenever the expansion gets released in the west. There are plenty of things I liked about this visual novel: the sprite work was great and some of the girls were pretty adorable. The soundtrack has some of their most memorable songs, so lately I'm often hearing them in my head. There was some nice attention to detail too. Whenever you complete a girl's route, she disappears from the title screen. In the end, Summer Pockets was a great read and I'm hoping that this will get an anime adaptation at some point. After reading through, I can tell it would be a challenge to adapt but considering Little Busters happened, I wouldn't say it's impossible. If you're a fan of Key's stuff or love visual novels, I highly recommend checking this out, but you should probably wait for a price drop or get the expansion when and if that gets localized.

Author Interview

Tagged by @charlatron for these questions a long, long time ago...thank you, and I’m sorry it’s taken me so long to get to this! It got lost in my Drafts folder, and I decided to clean that out as I procrastinate on other things, so...umm...yeah!

Name: Adrian

Fandoms: Dragon Age (and everything else, but still mostly Dragon Age)

Where you post: AO3, and here (WIPs and random drabbles, head canons, and excerpts)

Most popular one shot: “...And when it comes...” a tooth-rottingly sweet fenhawke+kids two-chapter thing where I introduced dad!Fenris as a habitual hair-braider (also includes a really disturbing flashback, so CW for slavery and implied/suggested sexual abuse). It was also the first fan fic I ever shared publicly!

Most popular multi-chapter story: lol...I don’t talk about this much (watch me talk a lot about it right now), but it’s a Seven Deadly Sins Jericho-centric fic, called Walls Tumbling Down (har de har har!). I’ve only ever watched the first two seasons of the show on Netflix because me and my real-life partner like to occasionally binge watch anime for shits and giggles, but I’m not involved in the fandom at all (a lot of stuff about the show and I assume the manga is actually a little squicky for me). I started writing this because I really liked one (1) character who deserved more attention and more opportunities to yell at everyone (and she does that! and it’s really cathartic to write!). About once a year I get inspired to add a chapter (it’s all outlined, and ends with some closure for my girl) and somehow, those blessed kudos keep trickling in...

Favourite story you wrote: I think In Deep is my most self-indulgent fic right now, even though it’s not complete, and it’s in a different world state than most of my other stuff. It’s mostly about Anders, post-Inquisition, following Dread Moon, a collab multi-chapter fic I wrote with my buddy, @figgypudz about her our OC Alarion, an elf who was spying on Dorian for this mysterious organization, the Agents of Fen’Harel (it takes place pre-Trespasser). Anders and Alarion are boyfriends now, and they are on the run (sorta) and Anders is getting a chance to process and heal and be adored by someone. Oh, and Cole keeps popping in, too. <3

How you choose your titles: Ok, so I thought that said “titties” and I was like, “I’m not very particular...” and I guess the same goes for my titles. If it’s a multi-chapter thing, I try to figure out a theme or a pattern for naming chapters. Same goes for series. My Lost and Found series was originally all verby-sounding titles, but then I got distracted by spin-offs. Sometimes it’s a character quote or a reference to the source material that is particularly relevant to the theme or situation. I’m terrible about using song lyrics or poems or whatever. So, yeah...IDK...

Complete: 7! Whaaat?! (Most of those are one-shots or parts of a longer series...)

Incomplete: 8...plus everything else I haven’t even started sharing yet...eeeeek!

Do you outline: Yes. Obsessively. Often. All over the place. With arrows and links and omg...my brain needs to just knock it off with all the planning and mapping sometimes.

Coming Soon: Oof...um...I’m three two chapters away from finishing Fly Away of my Lost and Found series and those chapters are already mostly/sort of written! There’s gonna be some more fenhawke smut, and a lot less drinking for one person in particular...

Do you accept prompts: I suck at focusing enough on something I’m not completely passionate about to pull this off, I think, and I find the idea of writing for other people really intimidating! Those of you who can just take someone else’s suggestions and run with them are amazing and I admire you. Maybe once I get all these stories out of my head? So...probably never.

Upcoming story you’re most excited to write: The next part of Lost and Found, Part IV (I think?): Legacy, should be kinda fun (and shorter, I hope!), cuz it will feature a super pregnant Hawke trying to do the stuff from the DA2 Legacy DLC (with some help from some familiar Wardens and some other friends/family members she has been missing since she left Kirkwall)...but I made goals for #theWIPproject2020 of working on some of my current WIPs, so that might have to wait!

I’m tagging @factorykat, @serial-chillr, and @hermiowngranger. Please ignore if you’ve already done this or just like, don’t feel like it, maaannnn...

World of Final Fantasy: What They Did Right, What They Did Wrong, and What They Could Do Next Time

Every so often, I like to write out a post detailing a game I’ve recently played, and how I believe that future sequels could improve upon it. Well, as I recently started replaying World of Final Fantasy, I feel like I should start on that, now that it’s both fresh in my mind, and yet I’ve experienced it all.

First off, What They Did Right:

* The number of mirages out there is surprisingly large, numbering at 180 total (not counting DLC and unique mirages). And yet, each one feels rather enjoyable; either they fall under the same family (and thus, are excusably just recolors of a different mirage, as is tradition for the series), or they feel genuinely unique in look and use. In addition, many mirages can easily switch between multiple different families, allowing many to find further use even in an area where their element wouldn’t be that great.

* The characterization is great. Lann is a jokester who’s simple but lovable, Reyn is a braniac who gets frustrated at others but is also eager to join in on their fun, and there’s a lot of lively NPCs out there- like Vivi, who’s so eager to please and just so adorable. Many characters feel like actual people, even some that get little screen time.

* The skill trees feel so wonderful. Though they’re a bit confusing, and filled with a lot of “filler” skills (aka minor stat boosts), it’s still enjoyable to fill it all out, only to receive a special skill or major stat boost as a reward.

* Tama is a wonderful talking mascot, being adorable but not annoying, even despite her verbal tic. Her banter with Lann and Reyn is always fun, and she’s a very good battler as well, with very high stats.

* The encyclopedia entries are filled with little jokes that make them enjoyable to read.

* The game returned to an Active Time Battle System, something they haven’t done since Final Fantasy 9, though X had something similar, and the Active Dimension Battle System didn’t even have random battles or special battle screens. Still, the system feels good to use, and the UI for it really helps make it clear who goes next.

* The user interface is easy to use. It has a lot of screens to push through that each take a moment to pull up, but you never get lost in it. The only real issue is that it pushes that weird four-button-prompt UI at first, though it’s easy enough to switch to the classical style.

* The stacking system is an interesting way of both simplifying and complicating battle strategy, and makes you really think about what stacks you make. It allows you to even combine abilities together to make more powerful ones, which I enjoy.

* The AP system, while flawed, provides an interesting way of using abilities, due to it slowly regenerating over time, and even some mirages having abilities to restore it further.

* The Jiant/Lillikin transformation system is neat, and allows for more unique combat styles with the stacking system. Furthermore, many characters are admittedly suited for being so small and adorable, such as Vivi and Bartz.

* Mega Mirages are fun and enjoyable, and really make you feel their worth.

Next, What They Did Wrong:

* There are a lot of mirages that are difficult to find. This might not be much of an issue, if not for the fact that many elemental attacks are difficult to come by, especially Light. And Light-element attacks are almost necessary later in the game to beat a lot of difficult bosses. There are a grand total of two monsters you can find in the wild which can even use Light attacks, one of which a rare random encounter, the other an optional and easily missed boss, both in the exact same area.

* The Stacking System is 100% necessary for combat in almost every case. The only real use for it is in capturing certain mirages, and restoring AP quickly. But the former is extremely situational, and the latter leaves you weakened and defenseless. Stacking should not be a mandatory feature.

* Your two protagonists are forced to be part of the stacks until you beat the game- and there’s no New Game+ mode which lets you keep the ability to not use them. Maybe there will be with the upcoming Maxima expansion, we’ll see.

* The skill trees are rather unclear in terms of what does and does not carry over between forms. Is it all green-colored tiles, or only green-colored skills? Why would you have some skills and abilities not carry over at all? Why not just let all mirages have access to every skill you’ve unlocked on their family tree?

* Many mirages have limited skill trees, which don’t fully unlock until very late in the game. This ends up causing many of your more-powerful mirages to simply not be used, in favor of ones you can continue to upgrade, leaving them underpowered in the late-game. Furthermore, all new mirages you capture start at level one! And leveling is very slow in this game, at least until you reach the mid-end game.

* I’m personally not a fan of random encounters. I prefer Dragon Quest 9′s version, where the enemies are visible on-screen, and the player can avoid them if they want.

* There’s an area in early-to-mid-game where you lose all your mirages, skills, spells, and abilities... including skill trees. They give you new mirages to use, but you’re still forced to use melee and whatever damaging items you have on hand. Furthermore, in this area, they introduce the Eldboxes and Machines... and then don’t even bother using them again until much later in the game.

* The user interface, and even some of the dungeons and towns, can get laggy. It isn’t enough to make it bad, but it’s still unpleasant. Though keep in mind, I play on the PC version; I don’t know if others have a similar experience.

* You never get more AP. There are ways to get around that, but the fact is that your AP is always stuck at 4 per party member, with a total of 12 for a full stack. This is simply unacceptable; you end up having to rely on either Ethers, or specific abilities to get by; otherwise, you wouldn’t make it to the final boss of the dungeon with even half AP.

* Magic is almost necessary in this game. While there are a decent number of mirages with a melee focus, there are far, far more that use magic, and very few that use elemental melee attacks. And given that you can’t check your foe’s stats other than their resistances and weaknesses, this ends up making you steer towards magic for both characters. Furthermore, Lann is built for melee combat, and Reny for magic... except that they never explain that, and you can’t easily find their stats.

* So many characters simply don’t look good in Lilikin form. While it can be amusing in some cases, the fact is that characters like Cloud, Lightning, and others simply look ridiculous, and you can’t take them seriously.

* The ending cinematic looks terrifying. It has photo-realistic levels of detail on top of an almost storybook-type design on top of chibi characters; this causes an intense uncanny valley effect, where you’re forced to look away in disgust while these characters are singing and dancing in celebration. It’s fine in the game CG and anime visual styles, but that ending is just.... eugh.

* Mega Mirages are often not very useful. Even when they’re at your level, they tend to be overly specialized in one area, even though many of them have abilities in each category. But the end result is that, at least in my experience, Cerberus (which is the only XL-size mirage you can get until the mid-late game) has three different magic skills, and yet deals less damage with them than I would deal without using it in the first place.

* At the endgame, you are forced to play through multiple minigames to proceed. This might not be such an issue, if not for the fact that they’re all ridiculously difficult and poorly-explained. The Cactuar Mini-game has the foes disappear far too quickly to actually hit them, and so you’re forced to just attack one specific area before they even pop up in the hope that you get lucky and hit something; the Blitzball minigame has its shots fire far too slowly to be at all accurate; and the Figaro one is just minesweeper, something that the target audience of the game have never played, and it also has poor UI.

Finally, What They Should Do Next:

* Tweak the mirage rate, and add detailed explanations of where to find them. Or at least provide hints of where to find mirages of certain families and powers. Don’t make any one type difficult to get, especially if you have an area full of mirages weak to that type.

* Allow for up to nine characters in your battle party at once, making for a max of 3 full stacks.

* Change the stacking system in the following ways:

1. Make stacking a special ability tied to Joyride and Follow. Those with Joyride can have others stack on top of them, while those with Follow can stack on top of others who don’t have Joyride.

2. Stacking should cut the values of each stat (though not weakness) by 25%, save for Agility, which is determined solely by the mirage on the bottom.

3. High-topple attacks should be far more common.

4. You can use your turn to alter your stacks- not just stack and unstack, but to choose who gets on, who gets off, and who replaces who.

5. Show the exact effects of stacking in the menu. Let us see what skills we would gain by stacking certain characters together, as well as the full changes to our stats and resistances.

6. As a result of this change to the stacking system, Reyn and Lann won’t need to be part of any stacks in the party.

* Make AP a stat itself, similar to health. While it shouldn’t increase like health does, at least make mirages have a varying amount of AP, perhaps ranging between four and ten.

* Make all skills carry over between mirage forms.

* Instead of mirages being able to switch between different families, make it so that mirage families are completely open, perhaps with branching paths between each form.

* Replace random encounters with respawning enemies visible on-screen.

* If there has to be minigames, at least make them fun and optional, instead of overly frustrating and mandatory.

* Add in more elemental melee attacks.

* Add in multiple playable human characters who can replace the main protagonists, perhaps with each human character functioning as a different class. I understand that Maxima will add this, but it really should have been in the base game, instead of having Lann be melee-focused, Reyn be magic-focused, and neither one have any actual special abilities beyond what Mirajewels they equip.

* Increase EXP scaling for under-leveled mirages. If you’re going to add elemental-themed areas, then at least make it much easier for our mirages to get to the appropriate level before we hit the boss.

June 25: How the Ultimate Trailer Works So Well

Amongst all the thoughts and discussion regarding Super Smash Bros. Ultimate, I don’t think any individual element of the game - even more than the confirmation of Ridley - warranted the level of adoration and excitement as not just the inclusion of every Smash character ever, but the short “Challenger Approaching” trailer explaining that.

So I decided I’d take some time and analyze it for how it works. Hoo boy, did that take longer than I expected.

For ease (and because I’m, well, lazy), I’ll be splitting this up into bullet points. I should also note that I’m avoiding a lot of stage analysis except in certain cases, largely because the emphasis on fighters is the focus. Also, this is quite long, so a “read more” tag is needed for this one.

Before the video: Sakurai adds this whole “character numbering” element, which is odd. Most viewers less familiar with this scheme (which has mostly always existed within the series) assumed this indicated the total number of characters from the start, but more than that it inherently acknowledges cut characters, something Sakurai tries to avoid as to not make their fans feel worse. No matter who is watching, it’s odd, and sets up the actual video in a way that feels odd.

00:02 - 00:15: We see Battlefield, something which since Brawl has always functioned as a focal point for the series - kind of in the way Mario does, too, which is why he appears here. Traditionally, Mario is also the character who reflects the visual direction of each game the most, so his “Brawl meets Smash For“ art style confirms it as a new game, one that will marry multiple iterations of Smash.

0015 - 00:28: Kirby, Samus, and Bowser are all Smash staples (two from the first game, one from Melee). They’re also not in numerical order, telling us to not expect things in a “normal” way. They also more clearly show a few returning stages, Castle Siege and Green Greens in particular, and Giga Bowser seems to function in a far new way.

00:28 - 00:34: Link is also one of the central Smash characters, but his drastic redesign tells us further that this will be a new iteration - one that will look to more recent games, at least in part (we also see a new Breath of the Wild stage, alongside Temple). Keep in mind that he gets a huge amount of time to emphasize this.

00:34 - 0:44: We see a lot of Donkey Kong (including a change to his Giant Punch), but it’s Falco’s appearance in 00:42 that’s surprising. He’s typically and understandably a hidden character; showing him off is kind of bizarre. For most viewers, it’ll just seem nice for a beloved character to return, but for the more attentive first-time viewers it is somewhat odd and continues the off-kilter vibe of Sakurai’s introduction.

00:44 - 00:48: Marth casually shows off the new changes to Shield Breaker, just like with DK earlier. Further indication that old fighters will have, to quote Sakurai from a decade ago, a “slightly different flavor this time around,” and that it won’t simply be an expanded port of Smash for Wii U (this emphasis will continue throughout the video and into Nintendo’s continued promotion of the game.

00:48 - 00:52: New Zelda! Not really new Sheik! Their having their default costumes implies they will remain separate fighters, and Zelda’s in particular bucks a trend of Zelda and Link’s costumes coming from the same game.

00:52 - 00:54: Our first post-Melee fighter, Villager, shows a new ability. His appearance also begins to move us from the more classic Smash fighters into a wider variety of ones new and old.

00:55 - 00:58: Meta Knight and Mewtwo. Notable for the former being the first Brawl character in general and the first one shown, and for the latter being the first Pokémon representative - before Pikachu, even. Mewtwo also looks like it did in Smash For, an indication the DLC would not be ignored.

00:59 - 01:01: And here comes Sonic - with a new version of Super Sonic and a returning Green Hill Zone in tow - as the biggest guest fighter out there, though that doesn’t confirm whether less established third party content would be joining him.

1:02 - 1:08: Peach and Pikachu, each with slight new changes in how Toad and Volt Tackle work. It’s notable how long it took to get to either of them, though their being more famous leads nicely into...

1:09 - 1:15: the Ice Climbers! Their return is such a big moment it’s hard to notice we’ve also got a returning Summit (and Living Room), and they unsurprisingly get a whopping six seconds to show off how they look in HD.

1:16 - 1:21: And from a beloved, long lost fighter to a highly desired new one, Nana and Popo formally introduce Inkling, with both a male and female design in tow. We get a good look at how diverse their weapon selection is, alongside a new Splatoon stage.

1:22 - 1:27: Pretty much the only thing we need to see with Falcon is the Punch, while Zero Suit Samus and Wii Fit Trainer show that even the less “iconic” of the cast aren’t going to be ignored. Given Boxing Ring’s centrality to Smash For, its being so prominent here makes sense.

1:28 - 1:30: here’s where things get weirder. The Ice Climbers coming back makes sense, but the Pokémon Trainer? I don’t really think it’s vague on whether the switching mechanic will return (he’s in the back, so...), but it’s out of the blue in a way none of what we’ve seen here is. That it only lasts about two seconds makes it all the more shocking.

1:31 - 1:36: Ness and Lucas. A little surprising for the former, given his traditionally being a hidden fighter, and more so for the former, who was last in the series as DLC.

1:36 - 1:41: The DLC concern becomes even more noticeable now, with Ryu fighting yet another normally hidden fighter: Ganondorf, surprisingly sporting the classic Ocarina of Time design Melee used. It implies a far greater amount of changes than what we were initially expecting, and assures the less confident of us that even third party DLC will not be ignored.

1:41 - 1:44: And look who else is looking new, but Ike, who’s reverted to the design Brawl used...except he isn’t. While the Inklings were expected to have male and female versions, this is the first indication we’ll have more pronounced alternate costumes for specific characters.

1:45 - 1:51: Cloud’s inclusion is another important one at this point, because compared to other guest fighters, the possibility of his return seemed far more up in the air. He gets a lot of airtime, space that comfortably confirms his two outfits and Omnislash, a great flashy move to send us into the big moment.

1:52 - 1:55: If Cloud’s return wasn’t a sure thing, than Snake’s was a pipe dream for fans (myself included). Having one go to the other is smart, because after him, Ice Climbers, and Pokémon Trainer, Snake‘s chances feel so much more possible. And it works so well. We don’t see an attack, or anything, because we don’t need to. It’s Snake, on Shadow Moses Island. That’s enough for us, until...

1:56 - 2:01: “EVERYONE IS HERE!” really just speaks for itself, but I’d also like to note the small feature of Snake running right after the words appear. It’s subtle, but it’s a flash of energy leading to the rest of the video (an energy that is supported by the music, which becomes far more intense up until the end). And it’s important to him be behind the words, because by this point a viewer is processing them, recognizing the totality of what that means.

2:02 - 2:04: And to prove how serious that claim is, Jigglypuff - the last of the original cast (minus Luigi and Yoshi) - brings back Pichu, likely the very fighter most people would think of after hearing that “everyone is here”: “even Pichu?” That the joke character of Melee has returned is proof of the claim, an example of how insane and wild this project is planning to be. But despite how notable it is, the two Pokémon are onscreen for only two seconds.

2:15 - 2:18: Truthfully, the next few reveals are less exciting. Roy is the fifth DLC character revealed to return, but Olimar, Diddy, and Lucario are all fairly normal. But it’s with Lucina that we get yet another oddity. She’s 21ε - an indication that something different was being done with the then-called “clone characters.” It’s yet another indicator that Smash is going to be different, and in rather unexpected ways.

2:26: It’s not a big detail, but Dr. Mario lacks the Epsilon, indicating that he’s different from how he used to be (given that he, Lucina, and Dark Pit are associated as the Echoes of the previous iteration of Smash, it stands to reason people might look for that on him, too).

2:30 - 2:32: And there’s Dark Pit literally one shot after Doc, with the Epsilon. It’s important to keep it all in mind more easily. I also think it’s notable that Palutena’s moveset isn’t shown at all in here; it’s one more thing about which Sakurai’s been coy.

2:39 - 2:42: It’s important, I think, to have the two versions of Link show up together; it highlights how they’ve both functioned as spinoffs of one of Nintendo’s (and Smash‘s) most important heroes. By this point, Young Link is the final character (again, other than Luigi and Yoshi) who came from a game before Brawl; he’s important as one more reminder of this game’s scope.

2:46 - 2:49: And if there were any fighters whose fate would seem as up in the air as any third party character, it’d be the Mii Fighters. And yet, they’re all here, too. And like with Palutena, we see no customization or anything beyond some very basic attacks.

2:55 - 2:56: Despite not being a huge surprise, Pac-Man’s new Final Smash (or new version of Super Pac-Man, technically) is fast, really fast. And that’s good because it kicks up the pace right to the finish. Like, it’s weirdly intense to watch at that point.

3:00 - 3:03: Wolf! While calls for him were probably not as loud as those for Snake and the Ice Climbers, he has remained a beloved Smash character and a fighter people really wanted. Having him here is good for a bunch of reasons - he was the last newcomer in Brawl, his style works really well for this point in the video - but probably the most is that people really wanted him back especially. And holding off on that until now helps emphasize this game’s scope.

3:04 - 2:08: Mega Man needed to be the final main shot for a lot of reasons. He’s a beloved gaming and Smash character, he’s got name recognition, and especially because his Final Smash is the best way to send off us. It’s just this huge blast that keeps up the momentum right until the end.

3:11: And we have the title. “Ultimate” really is perfect word for this, a video that is pretty much just about the history and power of Super Smash Bros. 

3:16 - 3:20: ...But it also wouldn’t be Sakurai without some goofing around, so we let the air out of all this pomposity with some silliness from Luigi and Yoshi. I think it makes sense for more reason than Sakurai often using those two for mirth. The Brawl trailer had all this bombastic, dark energy...but then Wario showed up and farted. The first Smash For trailer seemed exciting and crazy...and then Wii Fit Trainer appeared; almost all the character trailers after it had stingers afterwards, mostly goofy ones. It’s a good and important statement that Smash will always be goofy and weird. And you got that in some individual shots (Dedede and Wario, for instance), but it’s a deliberate anticlimax that mocks you, but only slightly, for all the energy you’ve hopefully gotten from what is a very long trailer, all things considered.

So, what have we learned, aside from me realizing I need to come up with shorter topics for this blog? I think it’s that you could have made this announcement any way. Sakurai could’ve just shown the character selection screen, Nintendo could’ve put it out in a press release, or they could’ve just not mentioned it entirely (though that’d be insane given that “everyone is here!” is the game’s tagline). But a video was the best way to do it. And I think this way was the best video they could’ve realistically made. Every fighter gets to show off a ton of personality in a couple seconds, and by basing the whole video around being before or after Snake, it can position the ideal fighters in a way that lets viewers slowly realize how much grander this is going to be than they realized. It’s all just great design in general, and more than just a really cool trailer that showed things off.

(Link to my writings on Super Smash Bros. Ultimate)

Yuri!!! On Ice Fanfic Recs with Reviews  ["A” Authors]

Note: Doing some major reformating of the YOI fanfic rec pages. The pages that include my reviews are now having the posts separated alphabetically by author (see below). I am also creating separate page(s) that allow filtering the fanfics by category. It's a work in progress, but I'm having fun with it.

This page includes my YOI fanfic recs (with reviews) for authors whose names begin with "A".

Note: For any authors whom I don't know the gender, I refer to them with they/them. If any authors wish to correct me, please do so.

AUTHORS REC PAGES: #0-9 -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Y -- Z

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Refer to this masterlist for all of my YOI fanfic recs.

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ADreamingSongbird (@adreamingsongbird)

If you’re in the mood for some adorable, wholesome ship fics (friendship or romantic), then look no further than ADreamingSongbird’s fics. The character interactions are sure to leave you with a few extra cavities. I am particularly attached to the close friendship she paints between Yuuri and Phichit. But don’t be fooled, because she is equally crafty at twisting your heart into an agonizing, unrecognizable mess.

#bffs4lyfe

Rating: Gen Words: 10.6k Status: Complete Relationship: Platonic Phichit+Yuuri; (side) Katsuki Yuuri/Victor Nikiforov Tags: BFFs; Detroit pre-canon; post-canon Yuuri/Victor wedding ❤❤❤❤❤  Summary: Detroit holds a special place in Phichit Chulanont's heart, mostly because that's where he met the boy who would become his lifelong best friend. Wait, no, scratch that - Detroit doesn't hold a special place in Phichit's heart. Yuuri Katsuki does. ❤❤❤❤❤  Review: Did I mention how much I love how she writes the friendship between Yuuri and Phichit? Because I really do.

The Rules for Lovers

Rating: Mature Words: 323.3k Status: Complete Relationship: Katsuki Yuuri/Victor Nikiforov Tags: Fantasy AU; Historical fantasy; Magic; War; Survivor's guilt; PTSD; Falling in love ❤❤❤❤❤  Summary: Prince Yuuri Katsuki has a duty to his country, above all else (his desires, his dreams, and his happiness included), and he knows this alliance will help to ensure the safety of his people. That’s the only reason he accepts Prince Nikiforov’s hand in marriage. The pleasant surprise, of course, is the part where they fall in love along the way. The unpleasant one, well... That’s a long story. ❤❤❤❤❤  Review: This is perhaps my favorite urban fantasy YOI fanfic, using modern technology but mixing in magic and monarchies. There's a lot of political intrigue, attempted assassinations, and murderous plots, which leads to a lot of dark, heavy angst, but the core of the story is LOVE. Warm, heartbreaking, self-sacrificing, but always present. And before all the angst started kicking in double-time, the sappy fluff was at tooth-rotting levels. Yuuri and Viktor are super soft in this story, building a fluffy, innocent relationship. The maturity rating is earned by the dark themes and twisted, manipulative plots by the antagonists rather than anything by the main protagonists. The series also contains a collection of side stories, mosaic, if you're wanting more from this universe. One of the best royalty AUs in the fandom.

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Adrianna99 (@iwritebetterthanispeak)

Prodigy

Rating: Teen Words: 122.1k Status: Complete Relationship: Katsuki Yuuri/Victor Nikiforov Tags: Alternate universe; Alternate profession; Music; Violist Yuuri; Violinist Viktor; Fluff; Angst; Minor injuries ❤❤❤❤❤  Summary: Viktor Nikiforov is the most talented young violinist in the world, so he's understandably devastated when an injury prevents him from playing professionally for at least a year. But when his mentor suggests he take on a student to keep from getting rusty, Viktor finds new inspiration in a place he never thought he would: a violist. Viktor Nikiforov wasn't at all what Yuuri expected, and when he accepts the older man's offer to help him win the most prestigious musical competition in the world, Yuuri gets a lot more than he bargained for. ❤❤❤❤❤  Review: Another fanfic that adapts the series into an alternate profession but makes several unique changes and improves upon the ending of the original series (if you've read any of my other reviews, you can probably guess exactly how it improves upon the original series' ending). That's obviously not the only reason to love this fanfic. The characters are a softer than their original counterparts, including Yuri, who I really sympathized with in the beginning when Viktor decides to take over as Yuuri's mentor. The fic places emphasis on pathos and developing the relationships between the characters. One wonderful aspect is how much presence Phichit has, since he and Yuuri continue living in an apartment together with Viktor in a separate apartment. As such, we get to see a growing friendship between Viktor and Phichit. The romance between Yuuri and Viktor blooms sooner in the story as well. Adrianna99 has written additional short side stories for this series that are also worth a look: Prodigy: Mirror Image, which approaches chapter 2 from Viktor's POV; and Prodigy: Phone Home, which is an extra from chapter 3 where Yuuri contacts his family. If you want to read a story that takes cues from the original anime, but goes its own path, definitely check this story out!

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AlexWSpark (@alexwspark)

Alex has an interesting, softer (but not too soft) interpretation of the characters that I really appreciate. The original anime is a comedy, so it amplifies certain character quirks “4 teh lulz,” but Alex takes care to not over-exaggerate, which can make some characters more likeable (*cough*Yurio*cough*). But don’t worry, Victor and Yuuri are still big pining messes. Alex also takes great care to develop healthy bonds between the characters in their stories, which is always A+++!

The Katsuki/Nikiforov Collector's Edition + DLC (Series, 4 works)

On Online and Offline Love Rating: Mature -- Words: 32.8k -- Status: Complete -- Summary: Gaming/Streaming AU: In which Yuuri and Victor are gamers, head over heels for each other, and hoping to one day come face-to-face. Of course, when two whipped, adorable fluff-balls are involved, shenanigans ensue...

On Bedhead, Bullets, and Bargains Rating: Mature -- Words: 18.2k -- Status: WIP -- Summary: Yuuri (GamerLevelEros) and Victor (GAria_VNikiforov): Gamers, streamers, friends, lovers. Families will unite, love will be spread and, of course, games will be played. But, as their relationship progresses, Yuuri will discover that their time apart carries much more weight that he could've ever imagined.

Our Aim is True Rating: Mature -- Words: 6.2k -- Status: Complete -- Summary: Yuuri (GamerLevelEros) and Victor (GAria_VNikiforov) are THE streaming power couple and as they approach their one-year anniversary, Yuuri decides that it's time to add another life-changing plot twist to his collection.

Katsuki/Nikiforov DLC - A Collection of Tumblr Drabbles Rating: Mature -- Words: 13.3k -- Status: WIP -- Summary: Tumblr drabbles based on HCs/prompts from both myself and followers. ❤❤❤❤❤  Words: 70.4k Status: Work In Progress Relationship: Katsuki Yuuri/Victor Nikiforov Tags: Gaming/Streaming AU; Video games; Mutual pining; Fluff; Dorks in love ❤❤❤❤❤  Review: An amazing gaming AU series with a wonderful light-hearted story where Yuuri and Victor are Ye Ol’ Gaming Gods on Twitch who fanboy one another and live, breathe, and think in game metaphors. Like, seriously, I am deeply impressed with all the corny yet fantastic gaming analogies. It’s like living in a gaming otaku’s head. Gaming fans will understand more of the references, but this is a wonderful series of fics that can be loved and enjoyed by all. If you are seriously a fan of Victor and Yuuri being pining dorks, then you should definitely check this one out!

Unexpected

Rating: Explicit Words: 65.5k Status: Complete Relationship: Katsuki Yuuri/Victor Nikiforov Tags: Canon divergence; Victor knows that Yuuri does not remember the banquet ❤❤❤❤❤  Summary: Banquet AU: In which one impulsive midnight decision leads Victor Nikiforov to Yuuri Katsuki and, of course, everything changes, a.k.a Drunk!Yuuri has no chill, a.k.a Victor experiences #allthefeels. ❤❤❤❤❤  Review: One of the better canon divergence fics I’ve read. This only takes place up through the first regional competition, but it’s able to keep the characters and situation fresh by changing the order of event and have the characters be more mature and likeable. Yuuri’s anxiety still causes trouble, but he is more open to Victor’s presence and they form a friendly bond quicker; Victor is aware that Yuuri doesn’t remember the banquet and reacts with care; and Yurio is way less of an asshole. I love this spin on the story.

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Anonymous

Across the Universe

Rating: Teen Words: 30.7k Status: Complete Relationship: Katsuki Yuuri/Victor Nikiforov Tags: Multiverse AU; Dimension travel; Soulmates AU ❤❤❤❤❤  Summary: In an alternative universe, Yuuri has just won the GPF at Sochi — and he’s miserable. He lost everything that mattered to him several years ago when a tsunami hit Hasetsu, and after throwing himself into his skating, he’s achieved gold, but the win is hollow without others there to share it. Things change when he’s transported to another universe, where GPF champion Victor Nikiforov is about to drown himself in the Black Sea. According to legend, only those with a deep connection can draw someone from across the universe. But Yuuri and Victor have never met before in their respective worlds; perhaps someone out there knew how much they needed each other. ❤❤❤❤❤  Review: I love both the premise and the execution of this fic. In Yuuri's universe, Victor and all of his family and friends from Hasetsu are dead. He's achieved a gold medal in Sochi but his life feels hollow. In Victor's universe, Yuuri was the one who died in the tsunami (though everyone else survive), and Victor is feeling hopeless. In their moment of need, Yuuri is transported across dimensions to Victor's universe, a common occurrence within that universe such that systems are already in place to help such people adapt and create a new life there if they wish or to be sent back. Victor's universe is fascinating in that it's more technologically advanced at that point, despite the year being the same, but competitive skating is trailing with quads still not being a thing. I like the take on how both Yuuri and Victor agree that this is actually a good thing since quads damage skaters' bodies and wear the joints down even more quickly. Yuuri puts on his performances that won him the GPF a few times, but decides to stick to the universe's rules so that he can focus on the performance more. There are a lot of struggles with adapting to the new world, but overall, it ends up healing everyone. As soulmates, Victor and Yuuri eventually find life and love with one another and soothe each other's broken souls.

Repost, not reblog! Tag 6 muns you would like to get to know better when done! 

Name: Nope Nickname:  Hearty Age: 22 Faceclaim: It depends on muses, try not to use fc that are in that said fandom characters. Pronouns: They/Them Height: ...5′3 1/2″...Fight me. Birthday: October 29th Aesthetic:  Moon, black and white, books, mangas, weapons, armor, video games, foxes, fruit snacks, stuffed animals, blankets, tennis racket, pills, computers, slippers, toys, pale skin, hazel eyes, blood, the moon, mickey mouse, a heart, stuff like that. Last song you listened to: Lost in Thoughts from the Fire Emblems DLC sung by Matt Mercer, because I like to hear Cor’s voice sing ♥ ...Uh...HUh. *goes to check.* 「LimS™」▸HIT & RUN ! - MEP

Favorite muse(s) you’ve written: Almost I have so many, but at the moment, Cid for canon muses, Cid Sophair. I love him as a character and how he interacts, I love his relationships and he is so much fun to play. But as always, my main and constant ones are my OCs, Angelic-Din-Mortem and Keaton-LiE-Vita, they are my prized treasures and I love my muses so much. They came a long way on tumblr, and Keaton was my very first blog and very soon Angelic, that was around 2013. 

What inspired you to take on your current muse (that you are posting this on): Aw geez where to begin? Well I got into the fandom through Ardyn, I was looking for fcs for my OC Angelic and came to looking through KG. And found the perfect fc on my bby, almost same hair color, messy wild hair style, dark clothes, scruffy and yet impish playfulness, made Ardyn my muse, fricken adored him from then on out, later got into Reggie, have his blog, and made him another fc. I loved playing Ardyn, but after well life went to shit again and got hate and stuff, and just lost interest in Reggie, so many people played them and I needed to get my mind off things and fast and as much as possible, rping helped a lot with that, and while playing FF15 and looking through things, watching people and interactions, Cid showed up. A muse never really used, and yet a old man that I fricken love and reminds me of one of my favorite FF characters FF7 Cid and after a point I was like, FUCK THAT I’LL TAKE THIS OLD MAN ON AS MINE! So I did, saw how little love he got, made it my job to give him as much love as possible, gifs, headcanons, posts, soon icons and pictures and shit. So proud of my old man bby. I love old men, love playing them. So much easier to rp then most characters.

What are your favorite aspects of your current muse: See above in fav character to rp. And to add, he is a underestimated character that didn’t get a lot of screen time and love till King’s Tale, the man a bloody hoot, took the stereotype Cid of FF and made a whole new fulfilling character.  And one that was very much needed in FF15, I don’t think it would even be close to the same without Cid, I think he did a lot of influence, even if it isn’t seen. He is a gruff old man that wouldn’t take shit from anyone, a worthy challenge for the upper class all mighty Ignis and Gladio, and their children Noctis and Prompto. Broke yer car, oh well, go and do what any person does and get the money by workin’ and pay us when yer ready. Need a upgrade on those toys of yers? Okay, but ya need to get these things first. Need a upgrade on that car? Well I can but it will cost ya like the rest. A person that got the royal system and got them as a person but also doesn’t baby feed them. But he will also open up his soft side when needed.

You see this very much in two parts, when Reggie dies and Noctis gets all mad and confused, like wth dad why? You can see how useless his friends could help him, help him get his old man, and you know who did? Cid, Cid was blunt with Noctis, he knew what Reggie was like, he knows the true side of Reggie that Noctis didn’t seem to get often, Noctis didn’t just learn more about his dad and looked up to him more and accepted it in a more healthy way,  you get that Noctis got some peace in that, that his father did honestly love him and was going to show it to death itself. Another part is Cor, when he beats himself up for not doing his job, no one was able to help him there, not that we see, until Cid spoke up. Cid again understood Reggie and Clarus, he got Cor, he and Cor were in similar boats, unable to help those they care for when most needed, alive longer then they both think they should. Cid did his speech, about what friendships, brothers, and family truly about, we see how much it didn’t just affect Noctis, but Prompto and Ignis and Gladio, you get the oh and ah and opps from their expressions and reactions, but I bet similar happened to Cor, I bet you thats was very much for Cor and that Cid wanted Cor to know, and the kids to learn from this, learn from each other, and stuff. Cid was a huge influence I think and an amazing person that took the little things and made them huge, I fricken love that even after everything, he still gives it his all and does so much for those around him.

What’s your biggest inspiration when it comes to writing: I honestly don’t know...When I was a kid I just wanted to, I wanted to write a spin off of this one game I loved, but soon it turned into books for my OC and later book series, later wrote fanfics and over time felled in love. Rping was a thing since I was a whee bean, and kept it with me, rping tumblr one of the few things I can still do most of the time, and keeps my mind more positive and hopeful and kept me away from things I shouldn’t think of. I want to be good at something, something I can be proud of and others be proud of my, and I love rping, love day dreaming, so yeah.

Favorite types of threads: Aw geez, depends on my mood, and Cid’s. We can do all sorts, but with Cid, if I had to choose, either fluff or crack, no one can pull off crack like Cid can, not the way he does it anyway, the man a trouble making imp that loves to stir things up from time to time, very much when younger, he loves pushing buttons. And fluff, mainly because how influential he is to others, and how much of a father figure or brother or more he is to others. Like here is this old mechanic hermit like dude in the middle of no where, and how many and who sees him for comfort or advice or peace, even love? Honestly think he gets the most in game and rp. Well from if you count how many different people that is, King to  shaped up restaurant owner thanks to Cid. Seriously man what you been doing for thirty years?

The biggest struggle in regards to your current muse: Speech style and background hands down. Here’s the thing about his speech, hands down Tennessee, Mississippi, Alabama like style, but when you watch the cut scenes, the subtitles, you get the general goin’ and yer and ya and ya’ll like style, but the pain is how uneven and where he uses yer and ya, he doesn’t use those all the time and the general all southern accent. SO BLOODY CONFUSING AS HELL MAN, LIKE MAKE UP YER BLOODY MIND AND IF YOU LUCIS OR FRICKEN REDNECK HOT DAMN! XDDD And another is background, and here is why, besides King’s Tale and what he and Cindy and other say in FF15, pretty much got nothing on Cid and the other gang members and most characters in FF15, and being ocd and perfectionist, I don’t want to screw up his past, and how things happened between him and Reggie and how they met and shit. Also worried they may show those later at some point and if they do, opps. So yeah, I need to know more about my ol bois. I demand it, them and Ardyn...and more screen time for behemoths and cerberus. 

Tagged by: leorugiet

Tagging: Whoever wants too.

End of the Year 2018 (I’m a few days late)

Hello ladies and gentlemen, it's that lovely time of the year again. The holiday season is past, the year is winding down and there's a new year on the horizon. As is traditional at this time of year I feel the need to force upon you my thoughts and feelings about the best things and the worst things I personally have endured this year. Once again, I can't really bring myself to do a best film of the year because honestly I don't recall seeing a movie that really stood out as particularly good this year. Some films I only saw because it was something to get me out of the house for a few hours, and honestly the only movies I can really remember seeing in the theaters were: Solo A Star Wars Story, Slender-Man, and Avengers Infinity War. 

Anyway, my Games of the Year 2018 edition. I decided to do something a bit different with this particular list, even though I played quite a number of games this year I didn't really play many that come out this, just a lot of older stuff. You may notice some glaring omissions from the games I did play this year, some of the big titles that came out I simply didn't play. So, you fine people are going to get a double list this year. I will have a top five for games that came out pre-2018 that I played this year, and one for games that did come out this year.

Honorable mentions:

HM: Call of Duty Black Ops IIII. I was really surprised by how much I enjoyed this game. I haven't really played many shooters in the past couple of years, but I greatly enjoyed my time with Black Ops 4. The base multiplayer plays pretty decently these days, and it reminds me a lot of Counter-Strike for reasons I can't really explain. Like so many of my friends though I really liked the time I spent in Blackout, I don't really play these battle royale games, but I enjoyed the time I put into this one.

HM: Mega Man 11. This was a very fun game, and I liked it quite a lot. Some of the pixel perfect jumps the game requires of you are a fair bit irritating though. I freely admit, I may have liked this a lot more than I may have otherwise because of the fact that I played Mighty No. 9 a couple months before the games release.

HM: Elder Scrolls Legends. I played this game a lot over the year, and I'd probably still be playing it if they didn't make the game unplayable on mobile and completely uninteresting to play on PC.

HM: SoulCalibur VI. I was really looking forward to this game, and I was so happy that the game came out as good as it did. It's a delight to play, and I really want to get back into playing more of it. Geralt was an interesting addition to the game that I'm really glad made it, he's quite fun to play as, and I can't wait to try out 2B.

HM: Deltarune. I'll admit that when I started playing this I wasn't really feeling it, I thought that the game was going to be trying too hard to recapture what made Undertale good. But it's a surprisingly enjoyable game, can't wait for the rest of it to come out eventually.

HM: Faith. A retro-style horror game, done in vector graphics. I like this game, granted some aspects of the boss fight, and the events just prior to this fight are somewhat annoying.

HM: King's Field (and King's Field 2). I played these in about mid-January, shortly after playing Persona 5. It was a nice little palette cleanser because it was a change going from a big story RPG to a game with a barebones plot. I played the Sword of Moonlight version of King's Field, and I had fun with it. King's Field 2 was also fun, I could not play these games without a guide though.

Game of the Year: Pre-2018

5. Dragon Quest VIII: Journey of the Cursed King

I played the 3DS version of this game, and honestly I loved just about every minute of it. The storyline was actually very well done, and I liked basically every character in this game. I was a bit unsure of how the game would play on the 3DS but it ran really well, and actually holds up great in the visuals. This is going to sound silly but I really like it when games include outfits that actually change the look of your character, it's a real treat. I really wish I had actually played this one when I got a PS2 copy years ago, but at least I finally got the chance to play this one.

4. Etrian Odyssey 2 Untold: The Fafnir Knight

I'm very slowly going through my backlog of 3DS/DS games that I've built up over the past five years or so. I played through this game back in March, and honestly I keep having a desire to go back through the game again just for the fun of it. The game becomes a bit of a bastard to go through towards the end, but I found it to be a greatly rewarding experience to play through. Also unlike Untold 1, the story mode in this game isn't a complete mess! So that's nice, a shame there will probably never be an Untold 3.

3. Legend of Zelda Breath of the Wild

Briefly alluded to as "a game I'd probably really like if I played more than an hour" on last year's list I found that to be the case entirely. Breath of the Wild was a really great game that I found myself loving from top to bottom. This is another game that I completed fairly early in the year that I find myself wanting to replay again because I enjoyed it that much. Even when I played other games that are entirely different from it I found myself trying to pull off some of the moves and abilities you get in Breath of the Wild. Maybe I wouldn't have found this game to be so great had I played any of the newer Zelda titles (the last one I played was Wind Waker), but I found this game to be an absolute joy to play. I admit that the announcement of it being an open-world game filled me with dread, but I was so pleased to find out my fears were entirely unfounded. It's just really remarkable how much stuff they were able to put in this game, I wonder how the Wii U version fairs in comparison?

2. The Witcher III: Wild Hunt (and the DLC)

This is quite possibly the best version of Dragon Quest V I have ever played! I don't really know why it took me so long to get to this game, but for whatever it's worth the slightly over one hundred hours I've sunk into the game was a trip entirely worth taking. A bad habit I have when playing RPGs is sometimes near the end I start wishing it would wrap up, I never had this thought while playing through the Witcher's length. Even when I played the DLC almost immediately upon completing the primary story I didn't want my time in this world to end. This was an unexpected treat, after having played the first two Witchers I didn't in my wildest dreams think the third one would be this good. I absolutely adore this game, it has some of the best writing I've seen in an RPG, the characters are great, and I really like the villains. They feel like a very real, tangible threat as opposed to a vague evil sitting just beyond the horizon. Add to that the inclusion of Gwent and you have a game that holds its value really well. It must be said that Blood and Wine has what might be one of the most affecting endings I have ever seen in ages.

1. Fire Emblem Warriors

Surely I'm out of my mind, you must be thinking. After the words I said about Breath of the Wild, and Witcher III, how could a Musou game be the best of the pre-2018 games I played this year? Particularly in a year where Hyrule Warriors got a re-release? It's simple, I didn't really play Hyrule Warriors, and I played through Fire Emblem Warriors three times. While Breath of the Wild, and Witcher III have story, waifus, and better looks and feel about them, Fire Emblem Warriors has gameplay working in its favor. The gameplay in Fire Emblem Warriors is quite possibly some of the best Musou gameplay I've seen in a long while. Sure I might have issues with the fact that this is primarily an Awakening/Fates show I'm able to get over it because of how good the game plays. I earnestly hope for a sequel, I know it's a long-shot that any of the older Fire Emblem heroes would get in, but I would love it. Also this game does the impossible and makes the cast and story beats of Fates tolerable and decent.

Games of the Year 2018

5.  Detroit: Become Human

This game should count itself lucky I didn't play anything slightly more substantive. If I had played anything better than this I don't honestly think Detroit would have gotten any more than an honorable mention. That's not to say I didn't like the game, I enjoyed it greatly in fact, I just am surprised this game managed to be one of the better games I've played this year. The story really isn't the greatest around, but it did have moments that I liked a whole lot. Like so many others I think I liked the stuff with Connor and Hank the best. If this game had focused more on the "android cop" idea I might have liked it more, but I do want to reiterate I do think this was a good game. As by the numbers as Markus's story may have been, and some really hamfisted story beats that occur toward the end of the game it was a really solid game overall. I kind of feel like the game also played its hand regarding some of the characters a bit too early, and as such it kind of fumbled the reveal when it happens. It is pretty interesting seeing some of the variations between being peaceful Markus versus violent Markus, also the endgame variations of Connor's arc are pretty intriguing. Sadly Kara kind of gets the short end of the stick when it comes to characterization. Despite the game not quite sticking the landing when it approaches the ending it was still a good game to play through.

4. The Banner Saga Trilogy

This might be a bit of a cheat, but the console versions of the trilogy came out this year, so I'm counting it. It might not have the deepest strategy gameplay around, but this series is so much more than just the combat encounters. Some of the choices you're forced to make as the series advances are actually pretty difficult to deal with, but for its credit the game never really goes out of its way to chastise you for the decisions. I enjoyed the setting of these games a lot, Viking stuff is very interesting to me, and I absolutely adore the art style these games use. It reminded me a whole lot of the animated Hobbit movie that was out in the early 80s that I remember my dad having. I adore pretty much the whole cast that is in this trilogy, some of the characters fall flat, but when the cast is as large as the one in this series it's to be expected. This series also reminded me a lot of the early Fire Emblem games (specifically the ones on the GBA), in that your characters can permanently die as the story progresses. I played through this entire series over the course of a month because I was that engrossed in the world and story this series takes place in. I like how the threat in the series becomes much larger and grander as the games go on, and it never really feels entirely out of left field. The story does take a bit of a dive towards the end of the third game, but it was never really a deal breaker for me. If you like turn-based tactical combat, vaguely Norse mythology, or just a compelling story I really can't recommend this enough.

3. Yakuza 6: The Song of Life

Perhaps they should have done the Kiwami games prior to making this, since they seem to have had some issues with the engine. That said however I really enjoyed this one a whole lot. I don't really have a lot to say about the gameplay for this game, it is still some of the best combat you can experience in most modern games these days. Style switching from 0 is gone, but that's alright. Most heat moves seem to boil down to mashing the button a whole lot to make the impact greater, but none of the gameplay changes were a deal breaker for me. I don't really want to talk about the story in the game because I feel that the story is really the game's greatest aspect. The story has some major gut punch moments, it still has its more outlandish moments (it is Yakuza after all), but the story overall is a very satisfying very moving finale for Kiryu's story. I desperately want more people to play these games because the ending was perhaps one of the most emotionally satisfying things I have ever experienced with a video game.

2. Dragon Quest XI: Echoes of An Elusive Age

I adore this game. When it came out in September I played nothing but Dragon Quest XI until I completed the game. It's rare these days that something I look forward to actually lives up to my expectations, but Dragon Quest XI hit the mark and then some. I love just about every single member of the party in this game, I don't think there's a single weak link to be found in the cast. Sure the villain of the game lacks a bit of oomph despite the build-up, but I was still really digging the final villain by the time the game was approaching its end. Normally when I play an RPG by the end I start to drift away from it a bit, but I was thoroughly enjoying my time with it. I do have some complaints with the narrative towards the end, some minor complaints I have with certain characters and their characterizations near the end. The game is absolutely worth playing, it is just sheer classic role playing joy from beginning to end. Plus if you play it on PC you can mod in the orchestral soundtrack which is nice.

1. Monster Hunter: World

I sunk a lot of time into this game over the year. Two hundred and twenty-five hours to be precise (on one character at least). Granted that might be small potatoes compared to the time others have sunk into this I think that is quite a large amount. There's just something about this game that keeps calling me back to it. It might not be the most narratively rich game, but quite frankly I love this game to pieces. It's very cathartic hunting down these big behemoths. To be honest though I was kind of split between declaring this or Monster Hunter Generations Ultimate my favorite of the year. They both do something that I love so much about these games. It might be shallow to say but I probably like World more due to the graphical polish that the game possesses over Generations Ultimate. I love the inclusion of the cosmetic add-ons that are in World, it amuses me greatly to run around dressed up like Ryu from Street Fighter, or Dante from Devil May Cry, I also like the Aloy costume from Horizon: Zero Dawn. However I kind of prefer the greater amount of monsters that are available in Generations Ultimate. The sheer volume of monsters in the game is kind of ridiculous, but some of them are just tremendously fun to fight and I wish they could be in World. Generations Ultimate I kind of feel like I might be cheating by including it here, since it was an import copy for the Switch I played a lot. Honestly though, Monster Hunter World and Generations Ultimate I spent an absurd amount of time with during the year. In World's case at least I imagine I'll play a lot more during this year simply because of the inclusion of multiple crossover events that will no doubt be happening over the year. There's also the fact that Iceborne is coming out later this year, and I really can't wait to get my hands on that.

The honest truth is every single game that make up my best of list are all games that I really want to replay because I enjoyed them so much. Also just for fun here's the order the list would go in if I combined the two lists:

10. Detroit Become Human 09. Dragon Quest VIII 08. Etrian Odyssey 2 Untold 07. The Banner Saga Trilogy 06. Yakuza 6 05. Breath of the Wild 04. The Witcher 3 03. Dragon Quest XI 02. Fire Emblem Warriors 01. Monster Hunter World/Generations Ultimate

Here’s to 2019, and the very many games that are coming out that I am really looking forward to! Thank you for reading, and until next time farewell.

So after 180+ hours, my husband and I finally bothered to beat Ganon and finish the main story of Breath of the Wild. I have been wanting to talk about my various likes and dislikes for a while, but I wanted to at least wait until this point. We still have plans to keep playing (need to get all those Koroks and also working on a World Boss-related thing), but at the very least, most of our goals are done.

This WILL contain spoilers so if you do not want spoilers, you may not want to read this just yet. This also will not be a proper review–if you’re looking for that, reviews will be up on my husband’s website.

That said, this is going to be a bit different than most of my other ramblings as I’m going to be talking from a standpoint of watching more than playing and thus, will focus more on the characters and story and music and things versus controls and gameplay. Zelda is a game I grew up always watching and so each one is like its own movie for me and thus, it’s something that I’ve always gotten more out of watching than playing (though, I still play sometimes). I will say, just to give an idea on what to expect, Ocarina of Time is my favorite Zelda followed by Skyward Sword. I also don’t think it’s possible to really rank Breath of the Wild due to just how different it is, but let’s get to it.

Starting from the top, I’m really glad they voiced the game for the most part. I actually do enjoy most of the English voices and some, I even prefer to the Japanese such as Impa’s, but others, like Mipha, go back and forth for me. Sometimes I think they sound fine in English and fit well compared to the Japanese while other times it just feels sort of off. The only voice I really found myself disliking is Zelda’s because it’s just… so different from the Japanese version and in general, I find I prefer when they at least try to get a voice that is a similar speech/tone in every language because otherwise it can give such a different feel to the character and it really does. Despite her saying the same things, it doesn’t feel the same and it’s just really odd and I don’t understand why they gave her such a dramatically different voice.

It may also just stand out to me because I relate to the Zelda in this game a lot. I don’t want to turn this into talking about myself and own experiences, but I empathize with her so incredibly much and she is definitely one of my favorite characters in the game and definitely one of my favorite Zelda’s. Besides Zelda’s voice, the main thing that bothered me is the fact that Link never speaks. We kind of get a reason for why this is in Zelda’s own diary in the castle, but the problem here is the fact that: 1. He doesn’t have his memories so this should no longer be an issue to begin with right now. 2. By the time he does have his memories, many moments are just… incredibly awkward because he doesn’t say anything. He doesn’t even have to talk much, but the silence just doesn’t always work here and it genuinely removes part of the immersion of the moment, which, ironically the reason they probably wanted him not to speak is to not ruin it for the player. We’re rarely even in the first person though to ever actually feel like we’re Link. There are the moments where he looks down at the Sheikah Slate and one time towards the end and that’s really it. In general, considering we see all the memories in third person omniscient (which is weird in itself considering it is supposed to be Link remembering these things and not only are we seeing everything in third person, but we’re seeing and hearing things Link wouldn’t have been able to), it just makes everything all the weirder.

If they do continue with the voice acting in Zelda games, I really hope they will reconsider and actually give Link a voice, even if he doesn’t say too much.

Going into things more story-related, I really want to know what was with all the blue in this game. Hyrule Castle’s banners aren’t blue, yet the Champion’s clothes, Zelda’s Princess Gown and Scholar Outfit, and Link’s outfit in the game were all various shades of blue and I just… don’t understand why? I wish there was some explanation for why Link didn’t wear green in this (heck, you even get a “traditional” tunic for the game if you finish all the shrines…) or why Zelda’s dress was blue in this game instead of pink/purple. I feel like we were given changes for most things (such as Ganon’s appearance), but not really any information on this and I feel it’s something that will bug me for a long while. Despite my issues with Hyrule-related colors, I adore the Zora designs in this game. All the jewelry that Mipha wears is so pretty and I think she has an amazing character design–I really wish she was given more than just being another unrequited Zora love interest to Link.

I will say though, this story is… really depressing. Like no matter how I think about it, I think the story makes me feel more sad than happy. In general, I don’t think any Zelda game really has a 100% happy ending, but at least I feel like things are mostly positive as they continue to improve. Here, things will start to improve, but with all the loss weighing heavily on it. 100 years of destruction, Castle Town is gone, Link finally has his memories back, but his family is probably long gone. The fact that the only Champion that even got to see some of their family/a descendant is Daruk. I wish Mipha got a chance to see her brother and father. I wish Urbosa got to see her daughter. Revali is kind of a jerk, but I still wish he got a chance to see his home too. The fact that Zelda’s last meeting with her father was that fight on the bridge is absolutely heartbreaking. He finally wanted to properly comfort her and he died. She didn’t even get to see him before his soul finally rested.

It’s just… really heartbreaking in a lot of ways. Heck, the fact that as you go onto each Divine Beast talking to their spirits and then having to fight the enemy that murdered them 100 years ago. There’s such an overall heaviness that even upon saving Hyrule, it still feels a little empty–like it wasn’t enough. And Zelda blames herself where, even if maybe she could get her summoning power working (which is another thing–I’d love to know more on why it didn’t work sooner (besides her losing her teacher and mother), why it had to wait for that moment and what that specifically unlocked it), she never would have reached them. There’s just so much loss that even after saving Hyrule, I still don’t really feel satisfied.

One of the things I really hope the DLC adds, especially after the post-game scene if you have all the memories, is a post game with both Zelda and Link going around and trying to help build back up Hyrule and talk to everyone who suffered these 100 years and/or lost someone. Maybe someone can even play as one of the two and it’ll be a fun co-op journey. I don’t know how possible that actually is, but it’s what I really hope they do. Even if not a co-op thing, I just want a proper post-game. While I get why the whole “oh, you can go back and re-fight Ganon because we put you right before it!!” thing exists, I feel it’s really out of place with this kind of game. I feel like maybe they could’ve had an option if you go in the castle to ask if you’d like it set to before you fought Ganon, but it just looks kind of silly to be exploring this enormous map with the same evil castle and people worrying about it.

The world itself is quite amazing. There’s so much to explore and I’m not really sure if we’ve even seen all of it despite how much we’ve played and getting more than half the Koroks… speaking of Koroks, while I love them, I wish there weren’t so many. 900 is just way too much and while I can guess why they did (with such a big map, gives more people more chances to find them randomly upon their explorations), I still think it would have been better to just have a smaller amount. I mean, there’s 120 Shrines which is only ~13% of the amount of Koroks. They could’ve done a similar amount and been fine. Especially if it means we wouldn’t need to zoom in as far as possible to even see the ones we’ve found.

I also really love that every character has a name and personality. Everything is so dynamic and you learn so much about all the people in each place. It kind of reminds me of part of why I enjoyed a lot of the Side Quests in Majora’s Mask. Here are just some of my favorite side characters: #gallery-0-4 { margin: auto; } #gallery-0-4 .gallery-item { float: left; margin-top: 10px; text-align: center; width: 33%; } #gallery-0-4 img { border: 2px solid #cfcfcf; } #gallery-0-4 .gallery-caption { margin-left: 0; } /* see gallery_shortcode() in wp-includes/media.php */

Notts

Saki

Molli

Laruta

Laflat

Aster

Kohm

Ashai

Patricia

Included in favorites but not shown above as that would make this post even longer: Every single wild animal + dog + horse + donkey :P

I would say my biggest issue with the game is the item durability and limited weapon/shield/bow space. I just dislike those kind of systems and while I enjoy most of the changes in the game from traditional Zelda games, this isn’t one of them. I think I’d have at least been less annoyed if item limits weren’t an issue and you could repair everything, but it just was disheartening to use a lot of things I really liked only to end up losing them. At least my favorite weapon could always be replaced. Unfortunately, my favorite bow was forced to disappear and only be used in the final battle :P I wish you got to keep some version of it as it’s really pretty.

Going back to the world of the game, I will say I have… mostly good feelings on the music, but it’s a bit odd as well. I liked everything I heard, but because it’s all very atmospheric, there isn’t really much that is very iconic. Like Breath of the Wild’s main theme is definitely one of the most recognizable new pieces for the game. There are Battle-related ones as well, but I don’t care for those too much myself. The thing is, and what I feel a lot of people demanding for these forget, even if they had a few selections for bigger songs as you explore, the constant repetition when exploring such a vast world would get incredibly annoying. The game wants you to explore and a constant song playing over and over would just get tiring. This also means when certain songs like Kass’ Accordion or the big boss battle themes start playing as you explore, they’re THAT much more recognizable and it really helps them stand out.

I remember when my husband and I first ran into Kass. The Accordion started playing and his first thought was that the music changed for the area while mine went straight to there being an actual Accordion Player and urging him to find them. I was clearly right, but it made it such a standout event for our playthrough which I don’t think would’ve been as exciting if the music wasn’t the way it is. Or like wandering around and hearing the music change and seeing a giant Dragon fly by. That was so exciting to run into on our first exploration of Faron.

Even Hyrule Castle, despite being like this… dark, gritty, remix of various past songs, the fact that we don’t actually get to hear most of them outside that just makes it all the more of an experience. And I’ll be honest, I did get a little tired of it just from exploring the entire castle–I think if you’re just heading straight to Ganon, the music is perfect for the atmosphere, but if you’re exploring every single nook and cranny, it does kind of get to you after a while.

My favorite songs are probably Prince Sidon’s theme, the music for Zora’s Domain (which is one of my favorite places in the game along with Satori), the music after beating a Divine Beast Boss, Princess/Zora Champion Mipha’s theme, Gerudo Champion Urbosa’s theme, Rito Village, Rito Champion Revali’s theme, the Epilogue Theme, and Captured Memories. Captured Memories especially, while just being a remix of the original Zelda theme, is just so beautiful and I wish it was longer. And while not necessarily my favorites, I also really enjoy the Molduga Battle Phase 2 song, Kass’ theme, the Dragon theme, Attack on Vah Medoh, and The Divine Beasts Strike. Also Hestu’s theme is always amazing as is his dance:

Going into some minor things that I wish were changed up: 1. More spaces for more Horses (and it’d be fun if you could Board other things too). 5 isn’t enough when there are so many amazing horses in the game. As it is, because we didn’t realize one side quest required a horse we had boarded, we had to give up a horse we had already become attached to. Sure, it let us make room for the Giant Horse, but it’s not really an issue I liked running into. Similarly, I wish you got to pick which Horse you used at the end. If we knew the first horse you boarded was picked for the end battle, we would have boarded Epona first rather than me having a panic attack seeing Shortcake show up who, besides being my lovely pink horse, also had some of the lowest stats which made the battle a bit trickier than it should’ve been. 2. I wish we could get more houses. I love the house quest and how decorated it gets once you buy everything, but it just made me really want houses in some other places too. I feel like with how you help build up Tarrytown too, it was like setting up for a house there as well that never came. 3. The awful Blood Moon cutscene. Good for the first time to introduce it. Bad every other time. Like the moon is red and fire-y ash is practically floating down everywhere–we can kind of tell. I get that you can skip it, but it still felt frustrating to even see it come up? Even just the option to turn it off permanently. We once had the cutscene pop up 6 times in a row. I wish I was kidding. 4. Not being able to complete the 3rd stamina wheel or the 2nd Heart row :/ Even if you do everything, you’ll be 3 short. I hope maybe you can get more in the DLC. 5. I wish there was some gear to make rain not effect your climbing because wow, does that ruin things a lot. 6. Please stop making every Zora Princess/member of Zora royalty be in love with Link. It’s always unrequited and they deserve better characterization at this point. 7. I really disliked how the Fairies were done in this game. Ignoring the creepiness of some of the cutscenes, I just don’t like the whole “give us tons of rupees to let us help you” thing from it and I would’ve preferred some kind of puzzle or other aspects over paying them tons of money. The Horse God is really the only one I can understand the “money to open” thing, though, they also terrify me in a whole different way so… 8. More Rupees. I get that there is a reason for them to be so scarce in this game, but it still felt like too much. 9. The lack of Saria’s song in the Lost Woods or even by the lake named after her. Saria is one of my favorite side characters in the series and that is one of my all-time favorite songs (In fact, I used it as my town theme several times in Animal Crossing–the original, Wild World, and City Folk). 10. I REALLY WISH THE TRUE ENDING LET THEM HUG. They just walk off together and they both just need a hug, okay? 11. It’s silly that the Champion Powers/Gifts will only recharge once you fully use them. If I use up one of Daruk’s charges essentially, I shouldn’t have to wait until I use up all of them before it’ll start recharging any. It can be a longer charge when there’s at least one left, but it’s incredibly silly to be wandering around for hours on this last charge only to get somewhere I may need to use multiple, have just the one left, and then get stuck waiting. 12. Not an actual dislike, but I genuinely do want to know why the Gorons were let into Gerudo Town. The fact that you never get some kind of answer to this bugs me. 13. The Yiga Clan are just super annoying. The stealth mission was also kind of annoying–I wouldn’t have minded so much if it wasn’t for the fact that being caught made it an endless stream of them attacking you versus just the group of three that initially attack. 14. While I do love most of the tools in this game, I genuinely miss the Hook Shot/Grappling Hook.

Which, speaking of tools in the game, I know some people are mixed about getting everything at once and while I’m a bit mixed myself (mostly because I wouldn’t have minded if we got a few things later on similar to how we got the camera feature), I actually really liked that we did. I think it gave people a lot more freedom to experience the World in so many different ways versus having to do it in the same order every time and/or get certain things before being able to go back to properly solve a puzzle. There’s many things where I’m sure we didn’t solve it as intended, but I think that also makes it a lot more fun too.

So yes, overall I really enjoyed the game. I have a lot of feelings about it, clearly. I’m really anticipating the DLC and I hope they bring out more information soon. Despite being nearly done with the game, I think we’ll still be finding new things overtime, even once we 100% it. Also I really hope someone makes Sand Seal Plushies:

Ramblings about Breath of the Wild (Unsurprisingly, I had a lot to say :P) So after 180+ hours, my husband and I finally bothered to beat Ganon and finish the main story of Breath of the Wild.